Italy - Art

Academic drawing: L'Écorché by Houdon. Italian school. 19th century. 59x44cm This represents the statue of the écorché by the French sculptor Houdon. Sculpture - Anatomical model o...

Andrea Scacciati (Florence 1642-1710) Composition of flowers within embossed vase (2 of 3) oil on canvas 130 x 90 cm In antique frame 145 x 105 cm. Work with expertise by Prof. Emi...

The Hand Kisser is an artwork realized by an unknown Painter of Center Italy. Oil on Canvas, Early 19th Century. Copy of an earlier painting, probably...

Chinese Calligraphy and Bamboo is a drawing realized in the mid-20th Century. China Ink on paper. Good conditions except for small cuts on the margins. The artworks represent the ...

"Il Selvaggio, no.7-8- 1935", "Annual supporter subscription - Una Copia 40 Cent - Fortnightly Newspaper of arts and science", including original woodcut prints by the artist Mino M...

ANY custom charges/taxes etc.. ARE INCLUDED in the final price agreed. The item is located in central Rome, Italy The painting will be FRAMED, wooden frame+glass,

Woman's face, terracotta sculpture, 1930s-40s, Giorgio Rossi (1894-1981). Tuscan Sculptor. Terracotta modeled by hand by the artist. Unique piece. Dimensions: Height 27 cm. The ch...

Format : 2 Volumes, In-4° Typology : Print Suite Edition of 100 copies, including 65 original lithographs by Giorgio De Chirico in the text. This copy is in two volumes, unlike the standard edition printed in a unique volume. This edition is part of the only 6 made on Japan Supernacré Paper...

VENICE - Italian landscape oil on canvas oval painting cm.30x60 by Giancarlo Gorini, Italy 2002. Gold gilded wooden frame available o...

Ancient painting depicting Jesus with the Commissioner's son (Alternative reading: St. Joseph with the Child, or the 'Paternity') Giovan Battista Salvi known as "the Sassoferrato" (1609 - 1685) circle / follower Oil painting on canvas 76 x 59 cm. -With frame in the shape of a small temple, not coeval 99 x 84 cm. The interesting canvas that we are pleased to offer you recalls the iconographic model of classic paternity, which traditionally sees Saint Joseph holding the sleeping baby Jesus...

Blue Lines is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2015. Oil on canvas applied in plywood; hand signed and dated by the artist on the back. Perfect condit...

THE BEAUTIFUL FRAME - Angelo Granati Italia 2003 Oil on canvas cm.90x70. Gold leaf gilded wooden frame mis. ext.110X90 In this painting, Maestro Angelo Granati drew inspiration from the paintings of the French school. Mom and daughter...

Gino Scalatelli (Venice 1870 - Venice 1920) - Venice, view of the basin of St. Mark. 63.5 x 101.5 cm without frame, 84 x 121 cm with frame. Watercolor on paper, in a contemporary c...

Alessio de Marchis (Naples 1684 - Perugia or Urbino 1752) circle of - Arcadian Landscape with Shepherds and Flock. 60 x 72 cm unframed, 74 x 86 cm with frame. Ancient oil painting ...

French painter (18th century) - Flute player and dog. 43.5 x 35 cm without frame, 54 x 45 cm with frame. Antique oil painting on canvas, in a carved and gilded wooden frame (not si...

PORTRAIT OF YOUNG WOMAN - Oil on canvas painting cm.95x65, Eugenio De Blasi, Italy, 2008 The painting by Eugenio De Blasi is inspired by the work of the Venetian painter and portrai...

Italian life-size plaster sculpture , figure of the Callipygian Venus, after the antique Roman marble statue. Aphrodite Kallipygos, or Callipygian Venus literally means “Venus of ...

Ruggero Meneghini (Milan 1866 - 1938) Still life with watermelon, apples and vase of flowers - 1905 Oil painting on canvas Coeval carved wooden frame Signed and dated upper right S...

Painting oil on canvas with dimensions of 110 x 125 without frame and 120 x 135 cm with frame depicting a landscape en plen air case and characters immersed in the nature of the seco...

A coral sculpture - amulet with two dolphins, fruits and leaves, symbols of abundance and life. Nineteenth century. Weight 17gr Created from a single sprig of coral, carved, engraved and polished. Italian workmanship of the Trapani tradition, but difficult to place more precisely, as the Trapani artisans moved around Italy over time, forming, among other things, a lesser-known processing center in Livorno (Tuscany), the place of probable creation of this splendid object. Sculpture with two fish, probably two dolphins, or 2 marine monsters, which transform themselves into a kind of cornucopia, from which fruits emerge in abundance. The gift to the newborn therefore had a sense of protection and above all of future male fertility...

Flemish painter active in Italy in the eighteenth century Coastal landscape of the Mediterranean with architectures and figures Oil painting on canvas (69 x 88 cm., in frame 80 x 100 cm.) The suggestive view proposed depicts a coastal view with a bay and the ruins of an ancient building, probably a monastery or a church, and in the background another building with a garden surrounded by high walls close to the shore. The type of landscape, typical of the southern Italian environment, and the intimate atmosphere that welcomes the scene, attributes the authorship of the work to a landscape painter active in the eighteenth century, presumably in Italy in this period, with immediate references to the Dutch school , and in particular to the production of Jacob de Heusch and above all of Gaspar van Wittel, considered the progenitor of Italian landscape painting. In fact, in the rendering of the architectural details, in the purity with which the buildings have been reconstructed, as well as in the atmosphere that encompasses the entire landscape, a marked correspondence to the so-called "Vanvitellian realism" can be seen: in fact, a comparison with a certain series of views which the Dutchman...

The beaches of Luigi Christopher Veggetti Kanku represent a pictorial exploration that goes beyond the mere representation of the subject itself. The artist seeks to convey a poetry ...

Flowers, Window, purple, interior, Georgij MOROZ (Dneprodzerzinsk, Ukraine, 1937 - St. Petersburg, 2015) MUSEUMS Moscow, Tret’jakov Gallery Moscow, USSR Artists Collection Moscow, T...

Pink Flowers  is a colored lithograph realized by Ivan Rabuzin .   Hand signed  in pencil on the lower right corner. Numbered in pencil on the lower left corner.  Edition of 200 pr...

Lambert de Hondt I (1620-1652) Battle scenes (2) Oil on panel, 18 x 13 cm Signature in the bottom middle The figures of knights and soldiers in the work under consideration are ...

XIV Olympic Winter games  is a vintage poster realized by the artist Gabrijel Stupika, in occasion of the XIV Winter Olympics games in Sarajevo, in 1984. Very good condition. Gabri...

Angelo Canevari’s Assyrian King is a 25 x 14 inch mix media surrealist sculpture. It is made of metal, resin, automotive paint, and cardboard. It is a surrealist interpretation of a bust of an Assyrian King. The use of metal and wires to develop a tridimensional sculptural quality, as well as the expressionistic outcome of the imagery, has echoes in some contemporary African sculpture...

Figure is an original woodcut print realized by Amadore Porcella. The state of preservation of the artwork is very good. Passepartout dimension: ...

Landscape is a superb original offset print, reproducing the original watercolor by Giorgio Morandi. Also the signature in pencil by the artist is perfectly reproduced. From the vo...

Portrait is an original drawing in pencil and China ink on ivory-colored paper, made by the Swedish illustrator and reporter Adolf Reinhold Hallman. ...

Calder Fleches is a a vintage poster realized after Alexander Calder in the 1970s. Colour lithograph on paper. Not signed Published by Galerie Maeght,...

La Maison Tellier is an original modern rare book illustrated by Edgar Degas (Paris, 1834 – Paris, 1917) and written by Henri-René-Albert-Guy de Maupassant (Tourville-sur-Arques, 185...

Venetian painter (18th century) - Madonna with Child. 37.5 x 45.5 cm without frame, 55 x 63 cm with frame. Antique oil painting on canvas, in a carved wooden frame (not signed). C...

Decorative Motifs of the Indian Renaissance is a vintage chromolithograph realized by an anonymous artist in th early 20th Century. Good conditions.

Image dimensions: 28 x 23.5 cm. Anna e Emma nei boschi (Anna and Emma in the Woods) is an original artwork realized by Luigi Bartolini in 1933. Original etching applied on China paper. Dimensions of the plate: 280 x 235 mm. Titled, numbered and signature in pencil of the artist on the lower margin: "Anna e Emma nei boschi 16/50 Luigi Bartolini". Signed and dated on plate on the lower right corner: "L. Bartolini 1935". Excellent conditions. Other titles: Anna e Emma nel bosco; Anna e Emma. Illustration for the book "L'Alipio". Reproduced in "Amata dopo", Nistri-Lischi, 1949; reproduced on the cover of “Il mezzano Alipio”, Vallecchi, 1951. Bibliography: 1951 Petrucci, Calcografia n. 411 1952 Gli esemplari unici o rari p. 103 1959 Severini, Timpanaro n. 525 1960 Milano, riprodotta su Il Fazioso, Edizioni Il Borghese 1962 Ronci, Calcografia n. 411 1972 Barsanti, Galleria Marino n. 463 1997 Ficacci, Calcografia n. 65b 1998 La collezione Timpanaro n. 46 2003 Gli anni meranesi pag. 47 Main exhibitions: 1942 Venezia, XXII Biennale 1943 Roma, IV Quadriennale Luigi Bartolini Cupramontana (Ancona), 1892 – Rome 1963 An accomplished Twentieth Century Italian engraver, painter, writer, art critic and engraver. He spent his early years living in Rome, Siena, and Florence and was professionally formed through university courses in art and medicine, museums, and the Academy Belle Arti. He begins to study art in 1912 with a special preference for Goya, Rembrandt, and Fattori. His success as an engraver arrives in 1924 with his exhibitions at Bragaglia’s House of Art and Casa Palazzi di Roma (70 etchings). In 1925 he participates in the II Roman Biennial and then in the Venice Biennial from 1928 to 1936. He is considered, along with Morandi, the greatest Italian engraver. His expositive work continues with intensity in the post-war period with one-man exhibitions in both Italy and abroad. His last one-man exhibition takes place at the XXXI Venice Biennial and at the National Chalcography in Rome in 1962. Bartolini lives through his era in complete liberty, dedicating himself to painting, to art criticism, to literature and teaching. This intellectual and artistic autonomy is well reflected in his engravings and it is exactly because of this characteristic of intellectual autonomy that he has never really belonged to the Scuola Romana although he was very attached to it because he frequented the Roman environment and it’s artists who he would often exhibit with. His literary production is gathered the volumes Polemiche (1940), Credo d’artista (1945), Il Fallimento della Pittura (1948) and Poesie 1911-1963(1964). As a critic, he collaborates with numerous magazines such as “Il Selvaggio”, “Quadrivio”, “La Tribuna”, “L’Ambrosiano” etc. After the war, “Bicycle Thieves...

This is an artwork created by the well known Italian artist Carmelo Cappello. It is a multiple, an Abstract Sculpture one of the identical 99 specimen edited in 1978. This piece is ...

M like Miguel is an artwork realized by Miguel Berrocal (1933 – 2006) in 1975. Linocut print. Good condition.

"Il Selvaggio, no.9 - 1935", "Annual supporter subscription - Una Copia 40 Cent - Fortnightly Newspaper of arts and science", including original woodcuts by the artist Mino Maccari....

flowers ,window ,violet,violets MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation for t...

New Yorker is original black China ink drawing on ivory-colored paper, made by the Swedish illustrator and reporter Adolf Reinhold Hallman around 1956 c...

PaperLandscape# mixed media and collage on canvas cm 116x89 2016 “My research is closely linked to the relationship between people and nature, memory and time. The landscape is the p...

The Wedding of Rebecca and Isaac is an oil painting realized by Enrico Savini (1832-1869), in the mid-19th Century. Artist's name on the bottom plate. ...

Crouching Venus, neoclassical Carrara marble sculpture, early 19th century. An 18th-century English tourist to Florence wrote that of all the Venuses in the Uffizi, "only one grace...

Carlo Ceresa (San Giovanni Bianco 1609 - Bergamo 1679) attributable Full-length portrait of Giacomo Pesenti Oil on canvas (206 x 121 cm - in frame 212 x 133 cm.) This fascinating portrait, portraying a full-length gentleman and datable to the 17th century, illustrates the stylistic and compositional details typical of the pictorial production of the Lombardy area, Bergamo in particular. This reference is reflected in elements such as the natural light, the sober and austere setting and, above all, the subtle psychological characterisation of the face. We are inclined to identify the hand of portrait painter Carlo Ceresa, one of the most illustrious Bergamasque figure painters of the 17th century, capable of developing a style of intense realism and acute psychological investigation. In his works, and our portrait perfectly reflects his canons, an extraordinary naturalistic imprint, great realism and remarkable essentiality are evident. Those traits of severity, moral rigour and austerity typical of his portraiture find a perfect balance here: never courtly or rhetorical, his portraits are profoundly linked to the concept of counter-reform. Immortalising the main personalities of the time, he established himself as a point of reference for the Bergamasque aristocracy, from the Vertova to the Pesenti to the Secco Suardo. The subject of the portrait is Giacomo Pesenti, here immortalised life-size in a rigorous black suit, his left hand resting on a table, on which is placed the necessities for writing and a manuscript, and his right hand, with a sealed ring on his little finger, abandoned along his side while he holds his gloves. He wears a suit of incredible rigour, dressed as befits a man of his high social standing, while the sharp light focuses on his face, with an intensity that seems to be accentuated by the reflection of the white collar, with its sharp profile. For Ceresa, it is not the richness of the garment that gives value to the person portrayed, it is the need to give feeling and bring out the character of the person, and this he succeeds in marvellously, aided by his ability to capture the essence of the person and return it to us in painting through the face and light used as a strong expressive element. In fact, the image highlights that 'counter-reformed' composure typical of the portraiture of painters active in this area and era, adhering to a verism...

Everywhere Eyeballs Are Ablaze is an original lithograph on Chine collé, realized by Odilon Redon in 1888, plate 7 “Les tentations de St.Antoine”(1ère série), unique state, 1st edition printed...

The shepherdess of cows - Oil on canvas cm.24x30 by Ciro De Rosa Italy 2008. in this beautiful oil on canvas depicting a shepherdess with cow, Ciro De Rosa drew inspiration from peasant-inspired paintings, such as those of the great French painter Julien Dupre '. Working during the last half of the 19th century, Julien Dupré was an artist, considered by most, to be one of the leading exponents of the second generation of Realist painters; a group that also includes Leon Lhermitte...

White is an contemporary artwork realized by Mario Padovan in 1976. Mixed colored acrylic painting on canvas. Signature, title, date and technique on the back.

Giulio Benso (Genoa, Italy, 1592 - 1668) Title: The Expulsion of the Merchants From the Temple Medium: Oil on canvas Dimensions: without frame 121 x 170 cm - with frame 144 x 193 cm ...

"Il Selvaggio, no.10- 1935", "Annual supporter subscription - Una Copia 40 Cent - Fortnightly Newspaper of arts and science", inclugind original woodcuts by the artist Mino Maccari....

Italian Master (17th century) - The Flight into Egypt Appears to St. Francis. 37.5 x 51.5 cm unframed, 71 x 83 cm framed. Oil on canvas, in a carved wooden frame (not signed). Con...

Venetian painter (18th century) - River landscape with characters. 34 x 26 cm without frame, 43 x 35 cm with frame. Ancient oil painting on canvas, ...

A Night in Paris is an original decorative object realized by Pietro Scoppetta in 1911. Mixed media on paper. Hand-signed and dated on the lower left corner: Pietro Scoppetta 1911. A frame is included. Very good conditions. Very elegant, beautiful impressionistic work realized in the first years of the XX Century by the important Italian artist Pietro Scoppetta. The work is characterized by a very impressionistic stroke and touch and depicts a scene during a Parisian night. The figures of the woman in the streets are only sketched but we can feel the elegance and the beauty of the Paris during the fin du siècle. The work has been realized by Pietro Scoppetta (Amalfi, 1863 - Neaples, 1920) an Italian artist. He dedicated himself initially to architectural studies, he abandoned them to form artistically, under the guidance of Giacomo Di Chirico. Resident in Naples, he had the opportunity to live in a climate of strong movements of cultural evolution. Scoppetta decided to leave Italy for abroad, and stayed a long time in London and Paris. In Paris, where he lived between 1897 and 1903, he joined the large group of Neapolitan painters, attracted by the bourgeois suggestions of the Belle Époque, including Lionello Balestrieri...

Oil on canvas realized by Carlo Quattrucci in 1965. Hand signed and dated. Includes a coeval wooden frame. Very good condition.

Under the Crescent Moon is a black and white linocut on ivory-colored paper, realized in 1945 by Mino Maccari. Hand-signed with the pseudonym "Jean ...

Carved in the green marble know as verde prato, by a Florentine sculptor of the XX century this grand tour version of the Leone "Marzocco" is an exquisite example of elegance and her...

French Flag is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2013. Oil on plywood. Hand signed by the artist on the back. Hand-signed an...

Letter addressed to Mino Maccari. Fagnano, 14 May 1933. "The promise of Ansaldo". During his pre journalistic period, the wannabe novelist Benedetti used to use the stage name of Ar...

The History of Amelia is an original modern rare book engraved by George Cruikshank (London, 1792 – London, 1878) and written by Henry Fielding in 1832. Published by James Cochrane ...

Matteo Bonechi (Florence, Italy, 1669 - 1756) Title: Triumph Medium: Oil on canvas Dimensions: without frame 65 x 80 cm - with frame 85 x 100 cm Expertise by Professor Sandro Belles...

Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer and...