London - Art

Of Polish descent and now living in London, Ania Pieniazek creates bold, bright art full of everyday joy and pleasure. Influenced by Gustav Klimt, Paul Gauguin and Zbyslaw Marek Mac...

Gaspar Peeter Verbruggen 1664-1730 Still Life of Fruit in a Wicker Basket with Bird Oil on oak panel Image size: 8 1/4 x 7 1/2 inches (21 x 19 cm) Contemporary Dutch ebonised style f...

GIORGIO MORANDI 1890-1964 Bologna 1890-1964 (Italian) Title: View of Montagnola, Bologna Veduta della montagnola di Bologna, ca. 1932 Technique: Original Hand Signed and Numbered ...

Working in a variety of scales and mainly to commission, Sara's work captures the spirit and form of people and animals. Many of them are inspired by mythology, nature or circus.

The Great Fire of London in September 1666 was one of the greatest disasters in the city’s history. The City, with its wooden houses crowded together in narrow streets, was a natural fire risk, and predictions that London would burn down became a shocking reality. The fire began in a bakery in Pudding Lane, an area near the Thames teeming with warehouses and shops full of flammable materials, such as timber, oil, coal, pitch and turpentine. Inevitably the fire spread rapidly from this area into the City. Our painting depicts the impact of the fire on those who were caught in it and creates a very dramatic impression of what the fire was like. Closer inspection reveals a scene of chaos and panic with people running out of the gates. It shows Cripplegate in the north of the City, with St Giles without Cripplegate to its left, in flames (on the site of the present day Barbican). The painting probably represents the fire on the night of Tuesday 4 September, when four-fifths of the City was burning at once, including St Paul's Cathedral. Old St Paul’s can be seen to the right of the canvas, the medieval church with its thick stone walls, was considered a place of safety, but the building was covered in wooden scaffolding as it was in the midst of being restored by the then little known architect, Christopher Wren and caught fire. Our painting seems to depict a specific moment on the Tuesday night when the lead on St Paul’s caught fire and, as the diarist John Evelyn described: ‘the stones of Paul’s flew like grenades, the melting lead running down the streets in a stream and the very pavements glowing with the firey redness, so as no horse, nor man, was able to tread on them.’ Although the loss of life was minimal, some accounts record only sixteen perished, the magnitude of the property loss was shocking – some four hundred and thirty acres, about eighty per cent of the City proper was destroyed, including over thirteen thousand houses, eighty-nine churches, and fifty-two Guild Halls. Thousands were homeless and financially ruined. The Great Fire, and the subsequent fire of 1676, which destroyed over six hundred houses south of the Thames, changed the appearance of London forever. The one constructive outcome of the Great Fire was that the plague, which had devastated the population of London since 1665, diminished greatly, due to the mass death of the plague-carrying rats in the blaze. The fire was widely reported in eyewitness accounts, newspapers, letters and diaries. Samuel Pepys recorded climbing the steeple of Barking Church from which he viewed the destroyed City: ‘the saddest sight of desolation that I ever saw.’ There was an official enquiry into the causes of the fire, petitions to the King and Lord Mayor to rebuild, new legislation and building Acts. Naturally, the fire became a dramatic and extremely popular subject for painters and engravers. A group of works relatively closely related to the present picture have been traditionally ascribed to Jan Griffier...

Poppy No.12 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 125 x 100 cm and is part of an exclusive series of 10 prints, each han...

Oil on canvas Canvas size: 18.25 x 21.5 inches Framed size: 26 x 29.5 inches Signed lower right

Lithograph, 1971, on paper, signed and dated in pencil, numbered from the edition of 60, published by Hollanders Workshop and Fourcade, New York, 75.7 x 56 cm. (30 x 2 2in.)

Anton Ignaz Melling 1763-1831 Constantinople Etching, hand coloured Image size: 26 x13 inches (66 x 33cm) Acid free mount This etching of Constantinople offers a captivating panoram...

'Crystal' Printed on archival paper with museum-grade precision, this limited edition work balances mystery and simplicity. A photograph is carefully placed in a secure cardboard p...

This original lithograph in colours is hand signed in pencil by the artist "Miró" at the lower right corner. It is also hand numbered in pencil from the edition of 125, at the lower ...

'Desert Flower', gouache on coloured paper, by Pierre Roy (circa 1930s). The artist has skilfully captured the beautiful white flowers extending from the ma...

Fox is an acrylic painting on canvas by artist René Gonzalez representing a fox surrounded by a colorful landscape. Dimensions are 60 × 50 cm (23.6 x 19.7 in). This artwork is signed...

A 19th century painting of a lady and a man in conversation. In a quiet, sunlit drawing room, a young lady sits by the window, bathed in the soft, diffused light of a late afternoon...

Oil on board Board size: 13 x 16 inches Framed size: 18.25 x 21.25 inches Signed with initials lower left

Uproar Landseer Lion By Arthur Steel Paper size: 54 x 41" / 137 x 104 cm Silver Gelatin Print 1970 (printed later) unframed hand signed edition of 20 note other print sizes and ...

Image dimensions: 92cm x 61cm / 36 inches x 24 inches Framed dimensions: 94.8cm x 64.4cm / 37.2 inches x 25.4 inches This original acrylic painting by David Schock beautifully captu...

John Harris after Harry Hall The Merry Beaglers c. 1845 48x65cm Aquatint with hand colouring The most famous beagling print there is, after the 1845 pa...

Piggy Bank, 2017 Grayson Perry Painted and glazed ceramic multiple With the artist's logo on the underside Published by the Serpentine Gallery, London Within the original grey cardb...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. The original painting " Late Night Shopping " by Michael Quirke...

Venetian Views: Venice, Morning, 1995 Howard Hodgkin Lift-ground etching and aquatint with carborundum printed in colours with hand-colouring in cadmium red, phthalo green-blue shad...

Haiti Holiday 1981 - Slim Aarons Estate Stamped A woman wearing a translucent white blouse and holding a cocktail stands in a swimming pool in Haiti, February 1981 30 x 20" inches ...

Resplendent Orb This is a unique textile hanging of a clouded sky with expressionistic sun and colours on pink silk satin by British contemporary artist Rose Fulbright...

Portrait of Dwight D. Eisenhower, oil on board, signed Girardet, French School (circa 1950s). A compelling vintage oil portrait of General Dwight D. Eisenhower, one of the most influ...

'Winter in Provence', gouache on art paper, by Raymond Debiève (circa 1970s). There is both beauty and melancholy in this delightfully charming artwork. The artist's naive style is at odds with the refinement, poise and sophistication of the painting. Perhaps the artist was making a statement as well with the broken wall...

An exceptionally vibrant original oil painting of chrysanthemums, estimated late 1800s. The movement of the flowers contrasts beautifully with a charmingly naiive vase and table. Ye...

Pigment print, flush-mounted onto heavyboard, with a signed certificate of authenticity, edition 1/10, 50cm x 80cm (56cm x 87cm framed). Sabrina van den Heuvel is a Dutch photograp...

The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold...

'Piazza di Spagna, Roma' oil on canvas, by Yves Brayer (1933). At the bottom of the Spanish Steps, is one of the most famous squares in Rome. It owes ...

Rondo (Blue and Yellow) (1965) by Carmen Herrera - Artist Plate Fine Bone China Edition of 250 Printed signature and edition details on verso comes with the original presentation box...

Christopher Rainham has always been inspired by the natural world and more specifically an experience of the natural world. He is inspired by the way flora and fauna are woven into l...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Immerse yourself in the vibrant pulse of a September afternoo...

Oil on canvas Image size: 15 1/2 x 11 1/4 inches (39.5 x 28.75 cm) Original gilt frame This is a touching head and shoulders portrait of a young peasant girl. Wearing a headscarf, a...

Acrylic on canvas, signed, titled and dated verso. 47.6 x 59 cm (18 3/4 x 24 1/4 in)

The collaboration between Keng Wai Lee and Marco Araldi is based on the contrast between the techniques used. Marco uses ink pen and gold, creating geometrical patterns and graphic i...

Backgammon In Haiti 1975 - Slim Aarons Estate Stamped Close-up of a woman playing backgammon in Haiti, in January 1975. 60 x 40" inches / 152 x 102 cm paper size Estate Stamped C...

Grey Wave A single wave at dusk. by Stuart Möller Born in Kabul, part German and Anglo-Indian and having grown up all over the world, Stuart Möller is a fine art photographer whos...

William Marlow (1740 - 1815) A bridge over river Oil on canvas  Inscribed, 'William Marlow' to old label verso Provenance: J. Palser & Sons, 27 King Street, London Dimensions: (Fra...

'Polo Party' Paul Butler, patriarch of one of America’s foremost polo families, with his son, daughter, grandchildren and son-in-law, Palm Beach, April 1981. Left to right: Adam Bu...

ALFRED RETH 1884-1966 Budapest 1884-1966 Paris (Hungarian/French) Title: Abstract Composition, 1939 Technique: Original Signed and Dated Oil and Mixed Technique painting on Board ...

Brian Griffin Joe Jackson - Look Sharp, 1979 Vintage Gelatin Silver Print, Framed; museum mount board, antireflective art glass, oak frame Image size; 11 4/5 × 15 7/10 in 30 × 40 cm...

The 'Sculptor in His Studio' oil on panel painting, signed by F Vogler, captures the intense, intimate atmosphere of an artist at work. The scene is set in a small, sunlit studio. T...

Collections: Commissioned by Andrew Corbett, husband of the sitter; The Venerable Stuart Corbett; Sir Stuart Corbett; By descent to 2002; Sotheby’s, London 21 March 2002, lot.104; Lowell Libson...

"Twiggy" by M McKeown Twiggy, the East End fashion model pictured surrounded by fashion shots of herself, modelling a shirt dress from her own collection. Unframed Paper Size: 30" ...

This original screenprint in colours is hand signed in pencil by the artist “Vasarely” in the lower right margin. It is also hand numbered in pencil from the edition of 138, at the l...

Oil on canvas, signed and dated '1975' bottom right Image size: 10 1/4 x 12 inches (26 x 30cm) Contemporary style frame This still life is a meticulous study by the artist of a selection of plants and flowers that could be found in any English hedgerow or roadside verge. Here Newcombe has depicted wild grasses, flowering nettles and dandelions in various states in their life cycle; pre-bud, full flower and having lost all of the fluffy seeds. The detail in this work is fine and reminiscent of the accuracy that was executed in 17th century Dutch artworks...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Step into the mesmerizing chaos of New York City with Daniel C...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Bowl with Fruits" is an abundant, vibrant still life where col...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Timeless No. 2" by Cat Tesla is a captivating exploration of ...

Signed and dated '1902' lower right Contemporary style hand made frame Provenance: Tryon Gallery Private collection In this painting we can we Blackfriars Bridge in the background reaching across the River Thames with smoke billowing up into the sky behind. On the far right the unmistakable, and instantly recognisable, silhouette of St Pauls also breaks the sky line of the city. Finished in the early 18th Century, St Pauls has been a noticeable addition to the London cityscape ever since. This work by Wilkinson depicts 'The Pool' of London, a stretch of the River Thames from London Bridge to below Limehouse. As part of the Tideway of the Thames, the Pool was navigable by tall-masted vessels bringing coastal and oversea goods to the wharves that originally made up the Port of London. In 1909 the Pool came under the jurisdiction of the Port of London Authority. The docks here thrived until the late 1950s, despite suffering from extreme bomb damage during the Second World War. The tall-masted ships that Wilkinson has depicted here are perfect examples of traditionally rigged sailing craft of the time. They differ from modern sailing vessels in that they did not use newer materials (such as aluminium and steel) and have more complex rigging as a result. The term tall ship later came into widespread use in the mid-20th century with the advent of Tall Ships' races. Here, incredible attention to detail has been applied by Wilkinson in the accurate depiction of the various ships rigging...

Oil on oak panel, inscribed top left ‘AETATIS SUAE 32’ Image size: 27 x 35 inches (68.5 x 89 cm) Contemporary style handmade frame This is a portrait of a medical figure from the ea...

© Michael Putland George Michael London 1987 George Michael was a British pop superstar known for his powerful voice, songwriting talent, and hits like "Faith" and "Careless Whisp...

Nassau Blair Browne, a celebrated Dublin artist and Royal Hibernian Academy member, brings to life a serene yet striking portrayal of two hunters in a vast open landscape. This evoca...

Born in Portsmouth, England in 1969, Claire Smith graduated from Falmouth School of Art in 1991 with a 1st Class degree in ‘Fine Art & Printmaking’. Four years later, Claire moved t...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Headland Summer Walk" delivers a breezy, sunlit escape where a...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "First Light" by Chris Masoure captures the ethereal beauty of...

Graphite on laid paper, signed verso and paper watermarks and atelier stamp Image size: 23 ¾ x 16 ¾ inches (60.25 x 43.5 cm) Gilt Whistler frame Leon Bellemont Born on August 20, 1866, in the family home on rue du Grand-Cloître, Léon Bellemont studied from 1875 to 1883 at the Diderot college, where he was an excellent student. At the same time, he joined the municipal drawing school, where his exceptional predispositions were very quickly noted. In 1884, at the age of 18, Léon Bellemont left Langres to join Paris and its National School of Decorative Arts, then the prestigious Ecole des Beaux-Arts. There, he followed the teaching of Léon Bonnat, a renowned portraitist, and obtained his first rewards and several prizes. It was in 1892, however, that his artistic career took off, with his first participation in the Salon des artistes français, where he exhibited until 1956. A landscape and impressionist painter, particularly impressing marine worlds, Léon Bellemont stayed more and more regularly in Brittany at the beginning of the 20th century, where he painted numerous paintings. His notoriety grew, as did the profits from his sales, and the State itself ended up placing a few orders with him. His work “The Breton Faith” was, for example, acquired by the museum in Buenos Aires (Argentina). Subsequently, always in search of inspiration, Léon Bellemont travelled extensively. He was in Bruges from 1907 to 1909, then traveled across France for several years participating in exhibitions. During the First World War, he settled in Algiers where he remained for several years. He then returned to Paris, worked extensively there and achieved great fame. A socialite, he frequented salons and regularly received his friends Jules Adler...

Aurum 13 by Keng Wai Lee and Marco Araldi Mixed media painting on boxed canvas Free shipping within the United Kingdom including exper...

'Sunbathing On Capri' 1980 Slim Aarons Limited Estate Edition Catherine Wilke joins the topless sunbathers - along with Elisabetta Catalano, Charlotte Ticken and Pamela Grupas - on ...

Sam Francis Untitled (#2 Pri-Rain) (SF64-592) 1964 Gouache on paper 57.2 x 75.6 cms (22 1/2 x 29 3/4 ins) Frame size: 82.9 x 103.2 cms (32 5/8 x 40 5/8 ins) SF14652 $300,000 Exhibit...