Malmo - Furniture

Rare set of 6 dining chairs model 122 / shell chair designed by Børge Mogensen. Produced by Søborg Møbler in Denmark.

Desk in Teak, Oak and Brass by Hans Wegner, 1950's Additional Information: Material: Teak, oak and brass Style: Mid century, Scandinavian Rare desk model AT-303 Produced by Andreas ...

A beautiful bronze vase with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Excellent condition. Stamped 'BRONS' and makers mark.

White melamine "Tongareva" centerpiece. Designed by Enzo Mari in 1969. Produced by Danese Milano in the early 70s. Excellent condition, only some light scratches. Stamped with maker...

A set of beautiful bronze vases with amazing patina. Designed by Sune Bäckström in Malmoe, Sweden, 1920s. Great condition. The colors differ slightly. Stamped 'BRONS', model numbe...

Ceiling Lamp in Brass and Glass by Paavo Tynell, 1950's Additional Information: Material: Brass and glass Style: Mid century, Scandinavian Rare ceiling lamp model A1965 Produced by ...

Rare pair of easy chairs designed by Sam Larsson. Produced by DUX in Sweden.

A large and rare dish with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gustavsberg, Sweden, 1930s. Great condition. Th...

Set of 5 stoneware vases and 1 bowl with amazing black-brown glaze. Designed by Carl-Harry Stålhane at Rörstrand, Sweden, 1950s. Excellent condition. Signed 'CHS' and makers mark 'R...

A bronze Art Deco / Swedish Grace candlestick with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Great condition, only a few light scratches. Stamped 'BRONS' ...

Sofa in Rosewood and Original Brown Leather by Illum Wikkelsø, 1960's Additional Information: Material: Rosewood and original brown leather Style: Mid century, Scandinavian Very rar...

Pair of Easy Chairs in Rosewood and Chromium Plated Steel Frame, Seat Cushion and Back Upholstered with Brown Suede by Jens Harald Quistgaard, 1960's Additional Information: Materia...

Ceiling Lamp in Nickel-Plated Socket, Copper and White Lacquered by Poul Henningsen, 1928 Additional Information: Material: Nickel-plated socket, copper and white lacquered Style: M...

Rare pair of armchairs designed by Børge Mogensen. Produced by Svensk fur in Sweden.

A beautiful tea caddy in pewter, with amazing patina. Designed by Edvin Ollers and made by Schreuder & Olsson in Stockholm, Sweden, 1937. Great condition, with only a few light scr...

A beautiful Art Deco bronze bowl with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Great condition, only a few light scratches. Stamped 'BRONS' and makers mark.

A beautiful lidded pewter box with amazing patina. Made by J.L. Hultman, Sweden, 1930s. Great condition. Stamped 'JLH' and 'SVENSKT TENN'.

Armchair in Teak and Leather by Kai Lyngfeldt Larsen, 1957 Additional Information: Material: Teak and leather Style: Mid century, Scandi...

Art Deco mirror. Probably produced in Sweden.

Rare set of 9 bar stools designed by Leo Thafvelin. Produced by Johanson Design in Markaryd, Sweden.

A beautiful stoneware bowl with blue glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden. In production 1958-1962. Great condition, only a few light scratches. Impressed wit...

Sofa model Indra designed by Arne Norell. Produced by Arne Norell AB in Aneby, Sweden.

An unusial hexagon pendan in clear glass, , by the world renowned Swedish glass maker Orrefors. The chandelier has a particular design consisting of six squares set in a hexagon shap...

Height Adjustable Floor Lamp in Brass, Woven Cane and Rattan Shade, 1940's Additional Information: Material: Brass, woven cane and rattan shade Style: Mi...

A beautiful stoneware vase with handle and amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Great condition, some small glaze spots. Incised signature "G.N....

A beautiful bronze vase with amazing patina. Designed by Sune Bäckström in Malmoe, Sweden, 1920s. Great condition. Stamped 'BRONS', model number '9130' and signature 'Sune Bäckstr...

A stoneware art deco vase with beautiful brown glaze. Foot and mouth detailed in gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. Great condition,...

A beautiful and unique stoneware vase with amazing glaze. Made by Stig Lindberg in Gustavsberg Studio, Sweden. 1963. Excellent condition. Incised "Stig L" and Gustavsberg studio han...

Rare pair of easy chairs model 5313 designed by Kaare Klint. Produced by Rud. Rasmussen Cabinetmakers in Denmark.

A beautiful art deco bronze dish with amazing patina. Designed by Sune Bäckström in Malmoe, Sweden, 1920s. Good condition. Some wear to the patination. Stamped 'BRONS', model numb...

Elegant Royal Copenhagen crackle glazed lidded urn with painted flowers and gilded banding on rim and lidd. Designed by THORKILD OLSEN (1890-1973) for ROYAL COPENHAGEN. Made in Denma...

A beautiful stoneware vase with amazing hand-painted decor. Made by Hertha Bengtson for Rörstrand, Sweden, 1950s. Excellent condition. Signed 'Bengtson' and 'R' för Rörstrand. Hertha Bengtson (1917-1993) is one of the well-known representatives of the illustrious Swedish ceramic design of the 20th century. She was one of the leading designers for the Rörstrand factory in the 1950s. Bengtson is represented at the Swedish National Museum of Art and Design. Hertha Bengtson was born in Ysane in Blekinge and grew up on a farm with her four brothers. Her parents were Henning and Asta Bengtson. Her father was a jack-of-all-trades and ran both a mink farm and a shop alongside his farm, which was the least of his interests. Her mother, to whom Hertha Bengtson was very close, was a skilled weaver. Hertha Bengtson's interest in textiles and handicrafts came from her mother. From her grandmother she inherited Scanian country textile knowledge and from her grandmother’s neighbour she learned to tat the Scanian way, without patterns. Upon completing her education at a girls’ school, Hertha Bengtson wanted to become a drawing teacher. However, there was no money to continue her formal education. Hertha Bengtson achieved top marks in drawing and handicrafts and therefore gained a place as a handicrafts teacher at one of the region’s elementary schools. During her time at the girls’ school, she had also taken evening classes in porcelain painting. In 1937 she applied to Hackefors’ porcelain factory in Linköping where she became employed as a pattern designer. Hertha Bengtson was interested in all aspects of the factory and when the men were called up for military service at the outbreak of the Second World War, she became head of her department at age 22. Hertha Bengtson wanted to create her own porcelain. She applied to and became employed at Rörstrand’s porcelain factory in 1941, where she started as a pattern designer but quickly became a master designer. Hertha Bengtson’s ability to combine beauty with function was fundamental to her success as a designer. Her breakthrough came with the innovative blue-and-white tableware...

Bronze Sculpture by Pipin Henderson, 1950's Additional Information: Material: Bronze Style: Mid century, Scandinavian Produced in Denmark Dimensions (...

Rare sofa designed by Gösta Jonsson. Produced in Jönköping, Sweden.  

Coffee Table in Rosewood and Glass by Henning Nørgaard, 1960's Additional Information: Material: Rosewood and glass Produced by Komfort in Denmark Dimensions (W x D x H): 110 x 110 ...

A pair of beautiful porcelain candlesticks with amazing hand-painted gold details. 'Quatre Couleurs' = four different colors of gold. Designed by Bjorn Wiinblad for Rosenthal Studio...

Rare pair of table / wall lamps model Ochetta designed by Giuseppe Ostuni. Produced by O-luce in Italy.

Pair of Side Table in Mahogany by Josef Frank, 1939 Additional Information: Material: Mahogany Style: Mid century, Scandinavia Rare pair of side table model 961 / San Francisco Prod...

Pair of Swedish Grace bronze candlesticks with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Good condition, some wear to the patination and some light scratc...

A stoneware art deco vase with beautiful brown glaze. Foot and mouth detailed in gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. Great condition....

Easy Chairs in Oak with Original Fabric by Hans Wegner, 1950's Additional Information: Material: Oak and original fabric Style: Mid century, Scandinavian Easy chairs model GE-240 / ...

Rare gateleg dining table designed by Niels Kofoed. Produced by Niels Kofoed in Denmark.

A set of 2 beautiful Scandinavian Modern ceramic vases with amazing glaze. Designed by Eva Jancke-Björk for Bo Fajans, Sweden, 1930s. This model was in production 1938-1943. Excell...

A beautiful stoneware vase with handle and amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Great condition. Incised signature "G.N." and Rörstrands three cr...

A beautiful Art Deco / Swedish Grace glass vase. Designed by Simon Gate and made by Orrefors, Sweden, 1930s. The model was shown for the first time at the 1930 Stockholm Exhibition. ...

Black melamine "Colleoni" bowl (Pencil Holder + Paperclip Holder). Designed by Enzo Mari in 1970. Produced by Danese Milano in the early 70s. Excellent condition, only some light sc...

A beautiful small stoneware art deco bowl with crackle glaze. Foot and mouth detailed in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 193...

A pair of candlesticks with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gustavsberg, Sweden, 1930s. Good condition but...

Rare freestanding desk with 3 drawers designed by Nanna Ditzel. Produced by Søren Willadsen in Denmark.

A beautiful eggshaped stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1965. Great condition. Inci...

Rare Table Lamp in Brass, 1950's Additional Information: Material: Brass Style: Mid century, Scandinavian Produced by Boréns in Sweden Dimensions (W x D x H): 34 x 34 x 40.5 cm Cond...

Set of 8 Dining Chairs in Solid Pine by Göran Malmvall, 1940's Additional Information: Material: Solid pine Style: Mid century, Scandinavian Produced by Svensk fur in Sweden Dimensi...

A beautiful eggshaped stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1969. Eggcellent condition....

A beautiful faience bowl with amazing hand painted flower decor. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Great condition. Signed with the Gustavsberg studio ...

Ceiling Lamp in Copper and Glass by Erik Höglund, 1960's Additional Information: Material: Copper and glass Style: Mid century, Scandinavian Produced by Ateljé Lyktan in Åhus, Swede...

Rare easy chair model MS-6 designed by Henry Schubell. Produced by Madsen & Schubell in Denmark.

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Rare table lamp attributed to Vilhelm Lauritzen. Produced in Denmark.

A beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1956. Great condition. Slightly obliq...

Trolley model Thea designed by Yngve Ekström. Produced in Sweden. Measure: width: 72 ( 100 ) cm.