Malmo Decorative Bowls

A beautiful art deco bronze bowl with amazing patina. Designed by Gunnar Nylund for Äkta Brons, Sweden, 1940s. Excellent condition. Initials 'G.N.' on the front. Stamped 'ÄKTA BRON...

A stylish and heavy vintage Danish bronze bowl with relief moulded Zodiac motifs around the rim of the bowl and with a textured finish often referred to as 'moon' texturing. Made by ...

A stunning pewter bowl with brass details and wood handles. Designed by Nils Fougstedt in 1929 and made from 1930 by Firma Svenskt Tenn, Stockholm, Sweden. This vase is made in 2017....

A beautiful Art Deco bronze bowl with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Fair condition. It has some scratches and an inscription. Stamped 'BRONS' ...

A brutalist stainless steel bowl with amazing relief decor. Made by Olav Joa Joff for Polaris Fabrikker, Sandnes, Norway. The series 'Steel Art' was in production 1972-1974. Great...

A beautiful and unique hand thrown stoneware bowl, with amazing glaze. Made by Francesca Mascitti Lindh at Arabia, Finland. Excellent condition. Incised signature "FML" and "ARABIA...

A large and beautiful bowl with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gustavsberg, Sweden, 1920s. Great conditio...

A beautiful and unique bowl with amazing lava-like glaze. Made by Guido Gambone in Florence, Italy, 1950s. Great condition. With a slight discoloration in the bottom of the bowl (se...

A beautiful bronze bowl with amazing patina. Art deco / Swedish Grace. Designed by Sune Bäckström in Malmoe, Sweden, 1920s. Great condition, only a few light scratches. Stamped 'B...

A rare and beautiful art deco bronze bowl with amazing decor and patina. Made by Gross & Christensen in Denmark, 1930s. Great condition, only a few...

A beautiful art deco bronze bowl designed by Just Andersen in 1920s and produced by his own company in Denmark. Good condition, some light scratches and wear to the patination. Stam...

A set of 3 beautiful faience dishes with amazing geometric patterns. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Excellent condition. Signed with the Gustavsberg...

A beautiful art deco bronze bowl with amazing patina. Designed by Gunnar Nylund for Äkta Brons, Sweden, 1940s. Excellent condition. Initials 'G.N.' on the front. Stamped 'ÄKTA BRON...

Elegant Royal Copenhagen crackle glazed bowl with gilded banding on the rim and base. Designed by THORKILD OLSEN (1890-1973) for ROYAL COPENHAGEN. M...

A pair of candlesticks with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gustavsberg, Sweden, 1930s. Great condition, o...

Large and rare art deco flaring centerpiece bowl with amazing decor and original blown glass insert. Produced by WMF (WMF Württembergische Metallwarenfabrik) Ikora of Baden-Württembe...

A beautiful faience bowl with amazing hand painted flower decor. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Great condition. Signed with the Gustavsberg studio ...

A stylish and heavy vintage Norwegian brass bowl with granite from the mines of Sulitjelma in the Norwegian region Laponia. Made by Saulo / Sulitjelma Stein og Metall, Norway, 1960s...

A set of two beautiful 'Våga' bowls. Stoneware with white 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Swedish Grace. Great condition. Impressed wi...

Elegant Royal Copenhagen crackle glazed bowl with gilded banding on the rim and base. Designed by THORKILD OLSEN (1890-1973) for ROYAL COPENHAGEN. M...

A beautiful and rare pewter bowl. Designed and made by Just Andersen, Denmark, 1920s. Good condition, only a few light scratches and a tiny chip to the rim. Stamped 'DENMARK', mod...

White melamine "Tongareva" centerpiece. Designed by Enzo Mari in 1969. Produced by Danese Milano in the early 70s. Excellent condition, only some light scratches. Stamped with maker...

A large and beautiful stoneware bowl with blue glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden. In production 1958-1962. Great condition, only a few light scratches. Imp...

A beautiful stoneware art deco bowl with crackle glaze. Details in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. Great condition. ...

A set of 2 beautiful footed bowls with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gu...

A beautiful stoneware bowl with amazing glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1969. Great condition. A small brown firing spot...

A beautiful stoneware bowl with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1956. Excellent condition. Incised s...

A large and spectacular lidded bowl with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at ...

A beautiful stoneware bowl with blue glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden. In production 1958-1962. Great condition, only a few light scratches. Impressed wit...

A pair of candlesticks with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gustavsberg, Sweden, 1930s. Good condition but...

A beautiful and unique hand thrown stoneware bowl, with amazing glaze. Made by Francesca Mascitti Lindh at Arabia, Finland. Excellent condition. Incised signature "FML" and "ARABIA...

A beautiful art deco bowl designed by Just Andersen in 1920s and produced by his own company in Denmark. Made from Disko metal (an alloy of different metals invented by Just Andersen...

Elegant crackle glazed bowl with gilded banding on the rim and base. Made by KPM, Kjöbenhavns Porcellains Maleri, Denmark, 1930s. Great condition. ...

A beautiful and unique hand thrown stoneware bowl, with amazing glaze. Made by Raija Tuumi at Arabia, Finland, 1960s. Excellent condition. Incised signature "RT" and "ARABIA". Ceramic artist Raija Tuumi (1923–2016) represents a generation of artists who, after the war, helped make Finland’s art industry internationally famous. The ceramic artists and their visibility at international exhibitions played a significant role in putting Finnish art on the world map. Raised in Kiukais in Satakunta, Finland, Raija Tuumi first discovered artistic expression through weaving. However local potters, raised her interest in an alternative material. After many different phases in her life Tuumi ended up studying in Ateneum’s ceramics department between 1946 and 1949, during which she found her own strong style. The students’ training included periods in workshops in Finland, where she encountered potters’ large dough and butter milk pots and other dishes that inspired Tuumi to work on large sculptural objects. Tuumi studied in the ceramics department along side with other ceramisist, including Ulla Procopé, Annikki Hovisaari, Dorrit Flinckenberg, Vuokko Eskolin...

A beautiful bowl with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gustavsberg, Sweden, 1920s. Great condition. Stampe...

A beautiful stoneware bowl with amazing glaze. Made by Annikki Hovisaari for Arabia, Finland, 1960s Great condition. Incised signature 'AH' and 'ARABIA'. Annikki Hovisaari (1918–20...

A beautiful stoneware bowl with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1962. Great condition. Incised signa...

Elegant Royal Copenhagen crackle glazed bowl with gilded banding on the base. Designed by THORKILD OLSEN (1890-1973) for ROYAL COPENHAGEN. Made in D...

A beautiful and unique hand thrown stoneware bowl, with amazing glaze. Made by Liisa Hallamaa at Arabia, Finland, 1960s. Excellent condition. Incised signature "LH" and "ARABIA". Liisa Kaarina Hallamaa was a Finnish ceramist. She graduated from the ceramics department of the Central School of Art and Industry in 1949. She started working at Arabia as early as 1945 and worked as an artist in its art department from 1957 to 1971. Her work was characterised by large vases and vases. The materials used were chamotte and stoneware. He also worked as an assistant to Aune Siimes...

A beautiful stoneware bowl with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1969. Great condition. A dark spot in...

A beautiful stoneware art deco bowl with crackle glaze. Foot and mouth detailed in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. G...

A beautiful stoneware bowl with amazing glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1975. Great condition. Incised signature 'Fribe...

A beautiful 'Swedish Modern' stoneware footed bowl with white 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg in Sweden, 1930s. Great condition. Stamped 'Gustavsberg / CARRAR...

Set of 2 beautiful 'Våga' bowls. Stoneware with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. 'Swedish Modern'. Excellent condition. Stamped 'Gusta...

A beautiful small stoneware art deco bowl with crackle glaze. Foot and mouth detailed in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 193...

A beautiful stoneware art deco footed bowl. Amazing glaze with details in hand-painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. Great cond...

A beautiful stoneware bowl with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden. Excellent condition. Incised signatur...

A beautiful faience bowl with amazing geometric pattern. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Excellent condition. Signed with the Gustavsberg studio hand...

A beautiful 'Swedish Modern' stoneware footed bowl with green glaze. Made by Wilhelm Kåge at Gustavsberg in Sweden, 1930s. Good condition. Factory second due to it being slightly a...

A beautiful stoneware bowl with amazing glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1975. Great condition. Incised signature 'Fribe...

A beautiful stoneware art deco bowl with crackle glaze. Foot and mouth detailed in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. G...

A beautiful and rare stoneware bowl with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Excellent condition. Incised signature 'G.N.' and makers mark 'R' ...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

A beautiful faience bowl with amazing geometric pattern. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Excellent condition. Signed with the Gustavsberg studio hand...

Beautiful 'Våga' bowl. Stoneware with white 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Swedish Grace. Great condition. Some metal marks. Impresse...

A large and rare dish with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gustavsberg, Sweden, 1930s. Great condition. Th...

A set of two beautiful 'Våga' bowls. Stoneware with white 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Swedish Grace. Great condition. Stamped with...

A beautiful triangular stoneware bowl with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden. Excellent condition. Incis...