Manhattan - Interior Paintings

The basis of Beatriz's painted scenes is an exploration of the construction of reality. She represents this by analyzing all the things that are contained in a given space — and what...

This artist is a recipient of the Pollock-Krasner grant awarded to artists with established abilities, established by the wife of Jackson Pollock. We love the work of this artist bec...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Nippon (which means, “The Land of the Rising Sun”), Moore spent time in locales such as Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this depiction of an interior of a dwelling. The location of the view is unknown, but the presence of a rustic rail fence demarcating a yard bordering a distant house flanked by tall trees, shrubs and some blossoming fruit trees, suggests that the work likely portrays a building in a city suburb or a small village. In his book, Japanese Homes and Their Surroundings, Edward S. Morse (an American zoologist, orientalist, and “japanophile” who taught at Tokyo Imperial University from 1877 to 1879, and visited Japan again in 1891 and 1882) noted the “openness and accessibility of the Japanese house...

In Flower Painting 47, Lori Larusso offers a minimalist yet evocative still life that turns a single flower into a bold visual statement. A soft pink carnation leans delicately from ...

Pierre Bergian (Bruges, Belgium, b. 1965) explores the essence of space, depicting architectural interiors with an expressive line that renders them out of time. Bergian lives and wo...

This is an original 1/1 art work spray paint on canvas from the artist's show "Removers" at Krause Gallery in NYC. Kunstrasen is an established artist out of Germany with shows all o...

This is a beautiful oil painting with earthy tones on canvas. 24x24x3.5 in. Oil paint, cold wax on canvas, Stretched on wood frame, painted around canvas, ready for installation Si...

This is a stunning elegant, colourful and textured oil painting. Ekaterina Popova's intimate bedroom series capture the light subtleties and feelings of romantic contentment. Artis...

This is a stunning elegant, colourful and textured oil painting. Ekaterina Popova's intimate rooms series capture the light subtleties and feelings of romantic contentment. Artist ...

A charming floral still life scene oil on canvas painting by the French artist, Johanne Schiefer. With pink, white, and purple flower arrangement in a clear glass vase, with some few petals that fell lying on the surface. This painting is a wonderful example of his work from the prime of his career with simple florals with an abundance of color and life. The piece is signed by the artist lower left and it comes housed in a wonderful multicolor vintage wood frame and hanging wire on verso ready to be displayed. Art measures 16 x 12 inches Frame measures 19.5 x 15.5 inches Johannes Schiefer was born in 1896 in the Netherlands, and quickly gained notoriety for his landscapes, still life’s and portraits. Schiefer won the Prix de Rome at the age of 19 and studied at the Düsseldorf Academy in Germany, and then moved to Paris where he continued his studies in art at the Beaux Arts, and later at the Villa Medici in Rome. He traveled to paint across Europe, primarily France and Italy and also Latin America. When he married, he settled down in Nice France, and during the late thirties, he traveled and painted the coastline of the South of France, as well as Venice and the Adriatic. He remained in France until 1942, when he moved to New York with his family after the birth of their daughter, future actress Joanna Miles. Already an artist of stature when he arrived in New York, he settled with his family on Long Island, and for the next 30 years, Schiefer kept on painting and built a solid reputation as an important American artist. The Schiefers also had a son, Johannes Jr. After the war, Schiefer maintained a Paris studio and became a resident of Los Angeles for a time in the 1950s. For the next 30 years Schiefer kept on painting and during his career had numerous one man shows, having exhibitions at: Gallery Zak in Paris; Kunsthaus in Hamburg; Kunsthalle in Munich; Stiebel Galleries in Paris; O'Connor Gallery in Ontario; Museum of Modern Art, Wildenstein & Co, Carol Carstairs Gallery and Schoeneman Galleries in New York City; Esther Robles Gallery, County Museum and Vigoveno Galleries in Los Angeles; and the San Francisco Museum. Like Picasso, Schiefer never permitted himself to be “type-cast” in a single monotonous style. If there is anything that typifies his work, it is his versatility, his deft handling of subdued tones to create a unique brilliance of light and color that stamps every painting with his own individuality. In February 1964, Ethel Kennedy...

Giacomo Campi, excellent condition. Oil on canvas 26x42 inches.

When it came to decorating his residences, haute-couture iconoclast Karl Lagerfeld (1933–2019) was known for committing completely to a given style—and then dispensing with it. Follo...

In the latter half of the nineteenth century and into the first decade of the twentieth, New York City art aficionados could count on finding recent work of Seymour Joseph Guy hanging on the walls of the city’s major galleries. Primarily a genre artist, but also a portraitist, between 1859 and 1908 Guy showed more than seventy works at the National Academy of Design. From 1871 to 1903 he contributed over seventy times to exhibitions at the Century Club. From 1864 to 1887, he sent about forty pictures to the Brooklyn Art Association. A good number of these works were already privately owned; they served as advertisements for other pictures that were available for sale. Some pictures were shown multiple times in the same or different venues. Guy was as easy to find as his canvases were omnipresent. Though he lived at first in Brooklyn with his family and then in New Jersey, from 1863 to his death in 1910 he maintained a studio at the Artist’s Studio Building at 55 West 10th Street, a location that was, for much of that period, the center of the New York City art world. Guy’s path to a successful career as an artist was by no means smooth or even likely. Born in Greenwich, England, he was orphaned at the age of nine. His early interest in art was discouraged by his legal guardian, who wanted a more settled trade for the young man. Only after the guardian also died was Guy free to pursue his intention of becoming an artist. The details of Guy’s early training in art are unclear. His first teacher is believed to have been Thomas Buttersworth...

Painting by a contemporary artist Audrey Ushenko. Audrey Ushenko works in the genre of narrative realism. Her works are rich, complex figurative and still life paintings. They are stories of recurring human issues often prompted by a twisted reality. Ushenko’s earlier works where primarily mythological and allegorical. Her later works are focused on depicting human situations and interactions of people who are both living and dead. These paintings represent social situations, timeless stories and enduring issues that are rendered with a contemporary twist. Always a significant element in Ms. Ushenko’s work is her integration of Venetian Renaissance methods of paint application with Impressionist color and light theory. The combination of the old masters’ technique of glazing the canvas and carefully layered surfaces of paint enhance the luminosity of Ushenko’s work. Audrey Ushenko has exhibited her work extensively throughout the United States including several shows at Denise Bibro Fine Art, NYC; the Fort Wayne Museum of Art, IN; The National Academy of Design, NYC; University Museum, Southeast Missouri State University, Cape Girardeau...

Title: Dance Ball 5 Medium: Oil on canvas Size: 47 1/4 x 35 3/4 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Artist: Lin...

Patron of the arts and sciences Ann Getty (1941–2020) brought the same bounteousness to her interiors as she did to her philanthropy, most notably at the 191...

Title: Production Plan-3 Medium: Oil on canvas Size: 11.5 x 11.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

John Moore was born in St. Louis, MO in 1941. He received a BFA from Washington University in St. Louis (1966) and an MFA from Yale University (1968). Over a career spanning forty ye...

Miriam Schapiro Cabinet, 1999 Fabric, Rickrack, photography, magazine images, greeting cards, lithography, collage, text Hand Signed and dated by the artist on the lower right front ...

An intimate interior scene of a woman reclining in her living room with a bouquet of flowers on a sunny afternoon. We are charmed by the rich choice of color and intimate details thr...

Title: Light In The Studio Medium: Oil on canvas Size: 12 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Th...

A charming oil painting depicting an exterior summer scene of an elegant woman crossing her legs, reclining on a chair with her loved pet dog. She exudes a calmness while we can fee...

Lori Larusso’s Flower Painting 25 is a striking example of her precision-based, hard-edged painting practice that explores everyday objects with conceptual depth. Rendered in acrylic...

This is an original 1/1 art work spray paint on canvas from the artist's show "Removers" at Krause Gallery in NYC. Kunstrasen is an established artist out of Germany with shows all o...

Born in New York City in 1959, Max Ferguson started as a filmmaker, making award-winning animated films as a teenager. But it was while he was a visiting student at an art school in ...

This is an original 1/1 art work spray paint on canvas from the artist's show "Removers" at Krause Gallery in NYC. Kunstrasen is an established artist out of Germany with shows all o...

Title: Interior Scene Medium: Watercolor on paper Style: Impressionist Size: 11"" x 15"" Frame Size: 18"" x 22"" Age: 1940s Signature: William Fisher Artist: William Fisher (...

Middle Eastern Indoor Scene, watercolor of a man and a reclining woman. Artist: Giuseppe Aureli (1858 - 1929) Origin: Italian Date: 19th Century Medium...

A charming oil painting depicting two brown horses inside of a stable, with details of the wooden structure and the hay on top of the floor. Done in a highly impressionistic manner w...

Palais VII, 2016 Oil on canvas 22.80h x 20.40w in Born in 1977, Luciana Levinton is a visual artist and architect who lives and works in Buenos Aires. She graduated from the Unive...

An intimate interior scene of a nude laying on the couch during the day. We are charmed by the rich choice of color and intimate details throughout this miniature work. This painting...

This painting depicts a whimsical portrait of a young boy with light brown hair against a viridian green background. The piece is done in a highly impressionistic manner and is a won...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

This is a hand cut and painted wood painting. It is painted to look like a real street sign. It can be hung or leaned against the wall.

Title: Dance Ball 1 Medium: Oil on canvas Size: 50.75 x 39.25 inches Frame: Framing options available! Condition: The painting is laid on the matt board and appears to be in exc...

The Chandelier series for Ash portrays an inner mantra, that light is a fuel in which we all connect, the artist goes on to explain: "We all have a light inside of us and that light is how we connect in some realm; whether it be a mentor, a friend, a stranger, a nurse. It is this innate human connection that brings us together and for me, a chandelier represents the complexity and beauty of this and so the idea of providing this light for one another is what motivates me in this collection." Almonte is constantly developing her aesthetic, further breaking the barriers of how she applies paint onto the canvas by carefully manipulating her dried acrylic pallet. Cutting and reapplying the leftover paint onto new works of art, Almonte creates a refreshing and unique design that gives her work a new dimension and a more 3D-like feel. This piece is painted on thick gallery wrap canvas and is signed lower right and on verso, it comes with hanging wire on verso ready to be displayed. Art measures 48 x 36 inches Inspired by vibrance and an optimistic outlook on life, Ash Almonte is recognized for her distinct abstract expressionistic style. She is best known for her series of Chandeliers, Butterflies, and Fashion from the Seventh Avenue Design District. Almonte's award-winning works can be found in private and permanent collections around the world. She is motivated by change, compassion for others, and miraculous phenomena that can impact others for good. Her flair and admiration for fashion and art have been a staple of her life since childhood. As a young girl, she would experiment using anything she could find to make art; from tearing apart bushel baskets at her father’s fruit stand, to tearing out old magazine clippings from her mother's magazine collection; anything and everything around her could potentially be used to create. She would continue to seek out opportunities throughout her young adult years, as her love for fashion grew, allowing her to collaborate with celebrity stylists creating looks for top billboard artists, as well as apparel worn at New York Fashion Week for designers Sherri Hill...

The Chandelier series for Ash portrays an inner mantra, that light is a fuel in which we all connect, the artist goes on to explain: "We all have a light inside of us and that light is how we connect in some realm; whether it be a mentor, a friend, a stranger, a nurse. It is this innate human connection that brings us together and for me, a chandelier represents the complexity and beauty of this and so the idea of providing this light for one another is what motivates me in this collection." Almonte is constantly developing her aesthetic, further breaking the barriers of how she applies paint onto the canvas by carefully manipulating her dried acrylic pallet. Cutting and reapplying the leftover paint onto new works of art, Almonte creates a refreshing and unique design that gives her work a new dimension and a more 3D-like feel. This piece is painted on thick gallery wrap canvas and is signed lower right and on verso, it comes with hanging wire on verso ready to be displayed. Art measures 60 x 48 inches Inspired by vibrance and an optimistic outlook on life, Ash Almonte is recognized for her distinct abstract expressionistic style. She is best known for her series of Chandeliers, Butterflies, and Fashion from the Seventh Avenue Design District. Almonte's award-winning works can be found in private and permanent collections around the world. She is motivated by change, compassion for others, and miraculous phenomena that can impact others for good. Her flair and admiration for fashion and art have been a staple of her life since childhood. As a young girl, she would experiment using anything she could find to make art; from tearing apart bushel baskets at her father’s fruit stand, to tearing out old magazine clippings from her mother's magazine collection; anything and everything around her could potentially be used to create. She would continue to seek out opportunities throughout her young adult years, as her love for fashion grew, allowing her to collaborate with celebrity stylists creating looks for top billboard artists, as well as apparel worn at New York Fashion Week for designers Sherri Hill...

Candid, straightforward paintings of various vintage objects. Depicted with painterly realism, natural styling and subtle, quiet narrative.

Title: Bar 4 Medium: Oil on canvas Size: 35 x 35 inches Frame: Framing options available! Condition: The painting is laid on the matt board and appears to be in excellent condit...

Title: Concert 2 Medium: Oil on canvas Size: 39 x 30 inches Frame: Framing options available! Condition: The painting is laid on the matt board and appears to be in excellent co...

Studio Interior Scene Mid 20th Century American Modern WPA Still Life Realism The painting measures 10 x 12 inches. Framed, the work is 13 1/4 x 15 1/...

This is a hand painted acrylic and spray paint on canvas piece framed by Pez Barcelona - signed on reverse Pez creates his own unique characters and is a worldwide sensation in the ...

The Chandelier series for Ash portrays an inner mantra, that light is a fuel in which we all connect, the artist goes on to explain: "We all have a light inside of us and that light is how we connect in some realm; whether it be a mentor, a friend, a stranger, a nurse. It is this innate human connection that brings us together and for me, a chandelier represents the complexity and beauty of this and so the idea of providing this light for one another is what motivates me in this collection." Almonte is constantly developing her aesthetic, further breaking the barriers of how she applies paint onto the canvas by carefully manipulating her dried acrylic pallet. Cutting and reapplying the leftover paint onto new works of art, Almonte creates a refreshing and unique design that gives her work a new dimension and a more 3D-like feel. This piece is painted on thick gallery wrap canvas and is signed lower right and on verso, it comes with hanging wire on verso ready to be displayed. Art measures 60 x 48 inches Inspired by vibrance and an optimistic outlook on life, Ash Almonte is recognized for her distinct abstract expressionistic style. She is best known for her series of Chandeliers, Butterflies, and Fashion from the Seventh Avenue Design District. Almonte's award-winning works can be found in private and permanent collections around the world. She is motivated by change, compassion for others, and miraculous phenomena that can impact others for good. Her flair and admiration for fashion and art have been a staple of her life since childhood. As a young girl, she would experiment using anything she could find to make art; from tearing apart bushel baskets at her father’s fruit stand, to tearing out old magazine clippings from her mother's magazine collection; anything and everything around her could potentially be used to create. She would continue to seek out opportunities throughout her young adult years, as her love for fashion grew, allowing her to collaborate with celebrity stylists creating looks for top billboard artists, as well as apparel worn at New York Fashion Week for designers Sherri Hill...

Title: Flower And Cafe Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

A whimsical interior scene depicting two figures in the living room with an older person and young boy, perhaps Father and son with a door open into the background which shows Parisi...

Title: Billiards Medium: Oil on canvas Size: 40 x 30 inches Frame: Framing options available! Condition: The painting is laid on the matt board and appears to be in excellent condition. Year: 2000 Circa Artist: Lin Hongdan...

Title: Blue Gray Morning Medium: Oil on canvas Size: 15.75 x 19.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: ...

Title: Bar 3 Medium: Oil on canvas Size: 36 x 36 inches Frame: Framing options available! Condition: The painting is laid on the matt board and appears to be in excellent condition. Year: 2000 Circa Artist: Lin Hongdan...

This is an original 1/1 art work spray paint on canvas from the artist's show "Removers" at Krause Gallery in NYC. Kunstrasen is an established artist out of Germany with shows all o...

This is an original 1/1 art work spray paint on chip board from the artist's show "Removers" at Krause Gallery in NYC. Kunstrasen is an established artist out of Germany with shows a...

Title: The Photographer Showed Me His Album Medium: Oil on canvas Size: 19 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condi...

Title: Performance 2 Medium: Oil on canvas Size: 35 x 35 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Artist: Lin Hongdan...

Title: Performance 3 Medium: Oil on canvas Size: 35 x 35 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Artist: Lin Hongdan...

Title: Piano 1 Medium: Oil on canvas Size: 47 1/4 x 35 3/4 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Artist: Lin Hongdan...

This painting depicts a whimsical portrait of a young lady washing her laundry in front of a house. This piece was most likely executed in the 1930's, as the colors are darker than Z...

Title: Lion Medium: Oil on canvas Size: 12 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretc...

Title: Still Life 8 Medium: Oil on canvas Size: 30 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is ...

6 layer hand cut stencil. Spray paint real currency framed with non glare glass in a museum quality frame - changes color as you walk by it from Black to Gold - 1/1 original I'M PEN...