Missouri - Figurative Photography

Laura Lloyd Yellow Flowers Archival Pigment Print Year: 2024 Visible Size: 17 x 11 inches Framed: 21.4 x 15.4 x 1.5 inches Signed: On Label COA provided *Black frame with standard p...

Laura Lloyd Ginko Leaves Archival Pigment Print Year: 2024 Visible Size: 17 x 11 inches Framed: 21.4 x 15.4 x 1.5 inches Signed: On Label COA provided *Black frame with standard ple...

Emily Evans Sloan Sparring Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal...

Titel: Without Title (New York) Medium: Photograph Year: 1974/2014 Publisher: Griffelkunst Hamburg size: 7.4 × 10.7 on 11.5 × 15.4 inches After a photographer training at the photo ...

Lord Fauntleroy Foggy Evening Walk (Enchanted, Twilight, Mystic) 2024 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 19 x 10 inches Edition: 7 Signed, titled and date...

Lord Fauntleroy Ahmedabad 151209-09 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with s...

Lord Fauntleroy Set of Hands 2015 3 x Archival Pigment Prints on Matte Paper Size: 24 x 24 inches (60.96 x 60.96cm) (each) Edition: 9 Signed, titled and dated on label COA provided ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Michael Mardikes Overall with Paintings (Thomas Hart Benton Plate #24) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Size: 8.5x12 in Paper Size: 14x11 in Edition: 1 Monog...

Lord Fauntleroy Nash (Americana, Rusty, Classic Cruiser, Retro, Timeless) 2024 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 24 x 24 in...

Jeffrey Tamblyn Counsel Medium: Digital Photography Year: 2021 Size: 16x16 in Edition: 25 Signed, dated and numbered by hand on label COA provided Ref.: 924802-938 Subdued yet color...

Jeffrey Tamblyn Rhythm Bar Medium: Digital Photography Year: 2021 Size: 16x20 in Edition: 50 Signed, dated and numbered by hand on label COA provided Ref.: 924802-937 Brightly colo...

Michael Mardikes River Club Unveiling Event (Thomas Hart Benton Plate #31) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Image Size: 13.5x19 in Paper Size: 17x22 in Editi...

Kevin Vivers K7 menu Archival Pigment Print Year: 2024 Visible Size: 9 x 13 inches Framed: 18 x 22 inches Signed COA provided *Black frame with standard plex Kevin Vivers has been ...

Kevin Vivers Hard Work Archival Pigment Print Year: 2024 Visible Size: 9 x 13 inches Framed: 18 x 22 inches Signed COA provided *Black frame with standard plex Kevin Vivers has bee...

Angie Jennings Cold Drinks Archival Pigment Print Year: 2024 Visible Size: 10 x 15.125 inches Framed: 14 x 19.75 inches Signed: On Label COA provided *Black frame with standard ple...

Bryan Atkinson Marolf’s Archival Pigment Print Year: 2024 Visible Size: 7.5 x 9.5 inches Framed: 13 x 17 inches Signed: On Label COA provided *White frame with standard plex Bryan ...

Lord Fauntleroy Wisc 1709-02-48 Pigment Print Year: 2017 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 9 COA provided *Natural wood frame with sta...

Kevin Vivers Strike Out Archival Pigment Print Year: 2024 Visible Size: 9 x 13 inches Framed: 18 x 22 inches Signed COA provided *Black frame with standard plex Kevin Vivers has be...

Unknown Artist Rust & Dust - Ford F3 Truck, 1948 Photographic Print (already matted) Year: Unknown 9.44 x 14.96 on 17.71 x 22.83 inches (24 x 38 cm on 45 x 58 cm) Unsigned as issued ...

Lord Fauntleroy Oldsmobile (Americana, Rusty, Classic Car, Timeless Ride) 2024 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 24 x 24 in...

Jeffrey Tamblyn Sturdy Archival Pigment Print on Hahnemuehle Baryta Rag Year: 2021 Size: 7.3x10 inches Edition: 50 Signed, dated and numbered by hand on label COA provided Ref.: 9248...

Jeffrey Tamblyn Wide Awake Archival Pigment Print on Hahnemuehle Baryta Rag Year: 2021 Size: 12x12 inches Edition: 50 Signed, dated and numbered by hand on label COA provided Ref.: 9...

Jeffrey Tamblyn At Play in the Fields Medium: Digital Photography Year: 2021 Size: 17x22 in Edition: 25 Signed, dated and numbered by hand on label COA provided Ref.: 924802-939 Mot...

Jeffrey Tamblyn Glory Medium: Digital Photography Year: 2021 Size: 20x16 in Edition: 25 Signed, dated and numbered by hand on label COA provided Ref.: 924802-936 Bright abstract motion-blur image of a street crowd. Archival pigment print on lightly textured cotton rag paper. abstract photo...

Jeffrey Tamblyn Giddy Archival Pigment Print on Hahnemuehle Baryta Rag Year: 2021 Size: 10x8 inches Edition: 50 Signed, dated and numbered by hand on label COA provided Ref.: 924802-...

Jeffrey Tamblyn Red Hat Club Medium: Digital Photography Year: 2020 Size: 12x12 in Edition: 25 Signed, dated and numbered by hand on label COA provided Ref.: 924802-941 Motion-blur ...

Monogrammed by hand Publisher: Griffelkunst Hamburg Condition: in mint condition Size: 11.5 × 8.6 on 15.4 × 12.5 inches Thorsten Brinkmann was born in Herne, Germany in 1971. He studied Visual Communication at Kunsthochschule Kassel and Fine Arts at Hochschule für Bildende Künste, Hamburg. Brinkmann is known internationally for his unconventional photographic portraits and still lifes, featured recently in T: The New York Times Style Magazine article, “Witty Photos That Play With Centuries-Old Artistic Tradition” (September 2015). Brinkmann has had solo exhibitions in Belgium, Germany, and Mexico. His work is represented in museums throughout Europe and was included in Beyond Borders, The Fifth Beaufort Triennial, Belgium (2015); and Dress Codes: The Third ICP Triennial of Photography and Video, International Center for Photography, New York (2009). Following his 2012 residency at The Andy Warhol Museum, Pittsburgh, Pennsylvania, Brinkmann undertook La Hütte Royal, a yearlong installation project of transforming a dilapidated house in the Troy Hill area of Pittsburgh into a permanent artwork. A self-proclaimed serialsammler (“serial collector”), Thorsten Brinkmann keeps whatever catches his eye as he sifts through the broken and discarded items sitting in purgatory on thrift store shelves...

Jeffrey Tamblyn Twirl Archival Pigment Print on Hahnemuehle Baryta Rag Year: 2021 Size: 12x12 inches Edition: 25 Signed, dated and numbered by hand on label COA provided Ref.: 924802...

Anna Archinger The Monsoon Wanderer (Equestrian Photography, Horse, Marwari, India, Rare Breed) Archival Pigment Print on Canson® Infinity Plati...

David Pugh Disco Concrete Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age r...

Nick Vedros Indian Motorcycle Yippee Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 8x12in Edition: 12 Signed, dated and ...

Edition: 25 Signed, dated and numbered in ink on label affixed verso Other sizes available upon request COA provided In Sherman's photographs she is experimenting with groupings of ...

Archival Pigment Print Year: 2015 Signed, dated and numbered in ink on label affixed verso Other sizes available upon request COA provided arita, aritaware, bones, ceramic Sculpture, ceramics, china paint, chinapaint, chris anteman, contemporary ceramics, contemporary porcelain, death, decal, deer, ephemerality, etagere, excess, futility of pleasure, georg flegel, glaze, gold luster, Herend, ilona romule, imari, imariware, jingdezhen, limoges, meissen porcelain, memento mori, Mortality salience, old masters, pattern, photography, porcelain, sevres, Sic transit gloria mundi, skull, still life painting, Ubi sunt, underglaze, vanitas, vanitatum, vera mercer...

Nick Vedros Afghan Haircut Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 9x8.5in Edition: 12 Signed, dated and numbered by hand on label Stamped COA prov...

Nick Vedros Tree Houses Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 9x15in Edition: 12 Signed, dated and numbered by hand on label Stamped COA provided...

Nick Vedros Vintage Motorcycle Rally Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2011 Size: 12.5x9in Edition: 15 Signed, dated a...

Nick Vedros Spa Dog Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 8x8.5in Edition: 12 Signed, dated and numbered by hand on la...

Nick Vedros Therapy Gnome Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 11x17in Edition: 12 Signed, dated and numbered by hand on label Stamped COA prov...

Nick Vedros Kids Leather Jacket Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 10x10in Edition: 12 Signed, dated and number...

Nick Vedros Cat in Lamp Shop Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 11x8in Edition: 15 Signed, dated and numbered by hand on label Stamped COA pro...

Edition: 25 Signed, dated and numbered in ink on label affixed verso Other sizes available upon request COA provided In Sherman's photographs she is experimenting with groupings of ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Edition: 25 Signed, dated and numbered in ink on label affixed verso Other sizes available upon request COA provided In Sherman's photographs she is experimenting with groupings of ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Wolff Buchholz Title: Untitled Medium: Photograph Year: 1980s Size: 11.9 × 17.9 inches Wolff Buchholz was born in 1935 in Hamburg, Germany. From 1955 to 1957 he studied at the "Hoc...

Lord Fauntleroy Melanie Sherman 240522-55 Pigment Print Year: 2024 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 7 COA provided *White frame with...

Lord Fauntleroy Melanie Sherman 240522-87 Pigment Print Year: 2024 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 7 COA provided *White frame with...

Lord Fauntleroy Melanie Sherman 240522-102 Pigment Print Year: 2024 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 7 COA provided *White frame wit...

Angela Strassheim Untitled (Danielle), 2005 Chromogenic print Framed Dimensions: 27.375 x 30.875 x 1.5 inches (69.5325 x 78.4225 x 3.81 cm) Image Di...

Angie Jennings Mystery Woods - Flowers Archival Pigment Print Year: 2024 Visible Size: 7 x 9 inches Framed: 12 x 15 x 1 inches Signed: On Label COA provided *Black frame with standa...

Angie Jennings Mystery Woods - Leaves Archival Pigment Print Year: 2024 Visible Size: 7 x 9 inches Framed: 12 x 15 x 1 inches Signed: On Label COA provided *Black frame with standar...

Angie Jennings Mystery Woods - Mailbox Archival Pigment Print Year: 2024 Visible Size: 7 x 9 inches Framed: 12 x 15 x 1 inches Signed: On Label COA provided *Black frame with standa...

Lord Fauntleroy Ahmedabad Street Market - FRAMED SET OF 6 Pigment Prints Year: 2015 Visible Size: 9.25 x 9.25 inches (each) Framed: 10.6 x 10.6 inches (each) Signed: On Label Edition...

Lord Fauntleroy Ahmedabad 151209-14 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with s...

Lord Fauntleroy House Labels in Yellow 241206-04 High Gloss Metal Print with Float Mount Hanger Year: 2024 Size: 12 inches diameter Signed: On Label Edition: 7 COA provided Lord Fau...

Lord Fauntleroy Ahmedabad 151213-42 High Gloss Metal Print with Float Mount Hanger Year: 2015 Size: 12 inches diameter Signed: On Label Edition: 7 COA provided Lord Fauntleroy is a ...