Montreal - Drawings
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Item Ships From: Montreal
Nicolas de Larmessin Etching, Habit de Tabletier
Located in Montreal, Quebec
Nicolas de Larmessin Etching – Habit de Tabletier. 20th century print.
Nicolas de Larmessin (1640-1725) was an enormously creative and productive artist. Nicolas was part of a long ...
Category
20th Century French Renaissance Montreal - Drawings
Materials
Wood, Paper
Architectural Etching, Diverses Sciences & l’Architecture
Located in Montreal, Quebec
Architectural Print
Total of 6 available
2 horizontal & 4 vertical prints
Dimensions :
Frame: 16” W x 20.25” H x 1” D
Etching: 9.5” W x 13.75...
Category
Late 19th Century French Neoclassical Antique Montreal - Drawings
Materials
Wood, Paper
Polychrome Acquatint Plate IV from Five Night Faces in Broadway by Karel Appel
By Karel Appel
Located in Montreal, QC
Polychrome Acquatint and Carborundum Untitled (Plate IV from Five Night Faces in Broadway) by Karel Appel Signed: "Appel 75 E.A." for Artist Proof N...
Category
1970s Dutch Vintage Montreal - Drawings
Materials
Paper
Large Framed Etching of Versailles – Vue Particulière de la Chapelle du Château
Located in Montreal, Quebec
Large framed French Etching of Versailles – Vue Particulière de la Chapelle du Château de Versailles
Pair available on the Versailles Theme. From Mis en Demeure, Paris.
Category
Late 20th Century French Louis XVI Montreal - Drawings
Materials
Wood, Paper
Large Framed French Etching of Versailles, Le Bassin d’Encelade
Located in Montreal, Quebec
Large Framed French Etching of Versailles – Le Bassin d’Encelade
Pair of Versailles themed prints available.
From Mis en Demeure, Paris.
Category
Late 20th Century French Louis XVI Montreal - Drawings
Materials
Wood, Paper
Nicolas de Larmessin Etching, Habit de Ceinturier
Located in Montreal, Quebec
Nicolas de Larmessin Etching – Habit de Ceinturier. 20th century print.
Nicolas de Larmessin (1640-1725) was an enormously creative and productive artist. Nicolas was part of a long...
Category
20th Century French Renaissance Montreal - Drawings
Materials
Wood, Paper
Architectural Etching, Gaines 'Columns'
Located in Montreal, Quebec
Architectural print
Total of 6 available
2 horizontal & 4 vertical prints
Dimensions:
Frame: 16” W x 20.25” H x 1” D
Etching: 9.5” W x 13.75” H.
Category
Late 19th Century French Neoclassical Antique Montreal - Drawings
Materials
Wood, Paper
Architectural Etching, La Sculpture & La Peinture
Located in Montreal, Quebec
Architectural print
Total of 6 available
2 horizontal & 4 vertical prints
Dimensions:
Frame: 16” W x 20.25” H x 1” D
Etching: 9.5” W x 13.75” H.
Category
Late 19th Century French Neoclassical Antique Montreal - Drawings
Materials
Wood, Paper
Architectural Etching, Gaines 'Columns'
Located in Montreal, Quebec
Architectural print
Total of 6 available
2 horizontal & 4 vertical prints
Dimensions:
Frame: 16” W x 20.25” H x 1” D
Etching: 9.5” W x 13.75” H.
Category
Late 19th Century French Neoclassical Antique Montreal - Drawings
Materials
Wood, Paper
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18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%).
This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium).
Reference:
The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438.
The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known.
He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe.
The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733.
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Condition:
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Provenance:
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