New Mexico - Animal Drawings and Watercolors

Early modern black and white sketch by iconic Houston based artist David Adickes. Pulled from a collection of previously undiscovered sketchbooks, this work serves as a peak behind t...

Henri-Louis Dupray (1841-1909) Studies of military horsemen, two signed drawings Pencil on paper The first one figuring a partial study of two horsemen : 10.8 x 16.5 cm, bears a mo...

This drawing by Nils Kreuger, a Swedish artist born on October 11, 1858, in Kalmar and who passed away on May 11, 1930, in Stockholm, showcases a quintess...

Substantial and period portrait of a beautiful spaniel done in charcoal signed "Lee" on verso, c.1913-1917. Although this is by an unknown artist it is an excellent example of Philadelphia Sketch Club quality drawing. Displayed in a distressed black vintage wood frame with mat. Image, 11"H x 13"W; frame dimensions 17"H x 19"W x 1"D. Phildelphia, PA. Gallery and Frame Makers label on verso. Based on the address and history we know the drawing to be 1913-1917. Founded by Adolph and George Newman...

"Dragon," by Quang Ho, is a secondary market work with one previous owner. It is signed and dated (1988) on the lower left. The painting comes with it's original frame (measures 50 x...

"Blooming Jaguar" by Oliver Flores is a whimsical watercolor and charcoal drawing of a beautiful colorful elephant. This artwork comes in a white floater frame, ready to hang. Frame...

Judith Brown (December 17, 1931 – May 11, 1992) was a dancer and a sculptor who was drawn to images of the body in motion and its effect on the cloth surrounding it. She welded crushed automobile scrap metal into energetic moving torsos, horses, and flying draperies. Brown attended Sarah Lawrence College in Yonkers, New York (B.A., 1954), where she learned to weld from her teacher, Theodore Roszak, a pioneering abstract expressionist sculptor. This is done in a style similar to Leonard Baskin. Select Commissions Mural Sculpture, Lobby, Louisville Radio Station WAVE Fountain, commissioned by Architectural Interiors, New York City Model, designed and executed for Festival of Two Worlds, Spoleto, Italy Sculpture, designed for Electra Film Productions, NYC Noah's Ark, exhibited at Bronx Zoo, New York City, at Rochester Museum and Science Center, Rochester, New York, and at Hopkins Center, Hanover, New Hampshire Store Windows, executed Tiffany & Company Windows, New York City, Christmas 1957, 1959, 1962, October 1969, Spring 1979, and October 1980 Wall Sculptures: for Youngstown Research Center (1963-4), commissioned by Youngstown Steel Company, Youngstown, Ohio; for Hecht and Company, Landmark Shopping Center, Alexandria, Virginia, Daniel Schwartzman, Architect; for Lobby, 570 Seventh Avenue, New York City, Giorgio Cavaglieri, Architect; for Lobby, Cities Service Company's New Research Center, Cranbury, New Jersey; for Ottauquechee Health Center, Woodstock, Vermont Eternal Lights: for Congregation Beth-El, South Orange, New Jersey; for Congregation Sharey Tefilo, East Orange, New Jersey Menorahs: commissioned by Architect Fritz Nathan for the Permanent Collection of the Jewish Museum, New York City; commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts; commissioned by Jules Scherman, of Wisteria Press, Inc., New York City Altar Cross, commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts Landscape, Memorial Piece for Gustave Heller, YM-YWCA, Essex County, New Jersey Memorial Plaque for Robert A. Ferguson, Westchester County Airport, Purchase, New York Sculpture for Vice President's office, Atlantic Richfield Company, New York City Bronze Relief Sculpture for Gymnasium Lobby, South Richmond High School, Staten Island, New York, Daniel Schwartzman, Architect Poster, Stratton Arts Festival, Stratton, Vermont Medallion, commissioned by Brandeis University National Women's Committee, New York City Model for Fountain for the Plaza at Windsor, Vermont Bronze Sculpture, commissioned by Intramural, Inc. for Building Lobby, N/E Cor. 79th Street and Second Avenue, New York City Presentation Piece, commissioned by Graphic Arts Associates of Delaware Valley, Philadelphia, Pennsylvania Wall Mural, Noah's Ark, Roosevelt Hospital, New York City 1977: Designed and executed Hanes Hosiery "Million Dollar Award"; Designed and executed "Old Spice" Smart Ship Award 1978: Commissioned to design and execute the "Walter White Award" for the NAACP for presentation to Hubert Humphrey; Commissioned to design and execute the Award for the Honorees of the National Board YWCA's First Tribute to Women in International Industry 1979: Designed and executed Jewelry for the Museum of Modern Art, New York City; Designed and executed limited edition of Mazuzas for Brandeis University-National Women's Committee, New York City 1980: Bronze Cross commissioned for St. James Episcopal Church, Woodstock, Vermont 1982: Eubie Award, New York Chapter of the National Academy of Recording Arts and Sciences 1985: Two Sculptures, Marriott Hotel, Orlando, Florida 1986: Two large Sculptures for indoor reflecting pools, Palm Desert Hotel, Palm Springs, California; John Portman, Eight Sculptures for Peachtree Plaza Hotel, Atlanta, Georgia; John Portman, Beach House, Sea Island, Georgia 1987: Loan Installation, DeCordova Museum, Lincoln, Massachusetts 1988: Eleven foot outdoor Sculpture for Front Plaza, River Court, Charles River, East Cambridge, Massachusetts, H. J. Davis Development Corp.; Tomie dePaola...

Signed lower right, in graphite, 'Frances Pratt' (American, 1913-2003) and dated 1947. Born in Glen Ridge, New Jersey, Frances Pratt moved to New York City where she studied at the New York School of Applied Design for Woman (1930-33), and, subsequently, at the Arts Students League (1933-35). She then met her first husband, Christopher Ritter, with whom she opened Laurel Gallery in Greenwich Village and printed the Laurel Folios. Frances Pratt taught drawing and painting at the Ballard School from 1942 into the early 1950's. She also taught mixed media and watercolor techniques at the Parsons...

This drawing (pencil, ink and white lead on brown paper, 23 x 19, 5 cm) extremely accurately depicts an image taken from or inspired by antiquity, specifically an acanthus girale in ...

Title: Bullfighting Scene Artist: Roberto Domingo Technique: Gouache on paper Dimensions: 7 x 10 in (14 x 17.3 in with frame) Period: 1930s Style: Spanish Impressionism with Post-Impressionist influence Condition: Framed in a classic wooden frame Theme: Bullfighting scene Description of the Artwork "Bullfighting Scene" by Roberto Domingo is a vibrant and dynamic depiction of a typical moment in a bullring. The composition captures the drama and intensity of the moment, with a mounted picador on a striking white horse as the centerpiece, flanked by a matador and assistants preparing for the spectacle. The artwork radiates energy through swift and loose brushstrokes, imbuing the scene with movement and vitality. Domingo’s style emphasizes visual synthesis, focusing on color and form rather than meticulous detail to convey the atmosphere of the bullfighting arena. Warm tones dominate, with vibrant yellows and reds contrasting against the grays and whites of the horse and costumes, creating a captivating chromatic interplay. The classic frame adds sobriety and balance to the piece, further highlighting the expressive power of the gouache. Biography of the Artist Roberto Domingo Fallola (1883-1956), born in Paris, was a renowned painter and illustrator of Spanish descent. The son of the celebrated bullfighting painter Vicente Domingo, he inherited a passion for bullfights and became one of the leading exponents of bullfighting art...

"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist James Daugherty (1887-1974) "Lascaux" 5 ¼ x 8 ¼ inches Pastel on paper Initialed lower left, titled lo...

A. Lesueur French 19ème siècle Les Mille Et Une Nuits – One Thousand & One Nights, 1892 Charcoal on paper heightened with white. Signed & dated 1892 lower right. Image size 23.6 inc...