New Orleans - Furniture

Fuchsia Vase Daum Nancy Circa 1900 This exquisite Daum Nancy vase is a masterwork of Art Nouveau glassmaking, crafted around the turn of the 20th century...

This magnificent Italian 18th century cabinet is beautifully painted and comes to the store from Bologna. On the lower portion, the piece ...

Pembroke Table Thomas Chippendale Circa 1780 This highly significant Pembroke table is a rare example of Thomas Chippendale's exceptional craftsmanship, showcasing his legacy's unpa...

This silver, gold and niello inlaid topographical snuffbox is a masterpiece of Russian silver. Almost owned by a wealthy 19th-century tradesman, this extraordinary creation shares a ...

Beautifully unusual painted gateleg table.

Antique French Napoleon III ormolu mounted mahogany grandfather clock Circa 1885-1890. This is a beautiful clock, with wonderful exotic wood inlays and ormolu finishings. It is in th...

Antique zwaterford cut crystal punch bowl onStand, Circa 1920-1930. Lovely cut crystal centerpiece, great for serving cocktails and punch, displayi...

A monumental piece of history, this exquisite silver punch set was made for Czar Alexander III as a gift to British Captain Joseph Wiggins. Heavily decorated with rich engravings and proverbs in old Slavic lettering, this service is a grand symbol of celebration and a testament to the beauty of Russian Imperial silver. The punch set, a standalone treasure in its own right, was gifted by Czar Alexander III to Captain Wiggins in recognition of his pioneering expedition along the Enisei River. Driven by a desire to establish a sea route with Siberia, Captain Wiggins’ journey is notable for being the first successful endeavor by a British seaman in 300 years to extend commercial interests with the northern coasts of Russia. Even more notable is the presentation of this elaborate gift by the Russian government to a foreign national, particularly when the British government all but ignored Wiggins' efforts. In fact, the British government refused his modest request for surveying and observational instruments. Even so, the Czar was impressed, and chose to honor Wiggins with this exceptional punch service — as pictured and discussed in Henry Johnson’s book Captain Joseph Wiggins, written in 1907. The service was commissioned by the Czar from the House of Sazikov, the oldest silversmith and jewelry firm in Russia. Sazikov was established in 1793 by the merchant Pavel Sazikov, and became supplier to the Imperial Court in 1837. The firm, which maintained factories in Moscow and St. Petersburg, became renowned for its high quality silverware, silver sculptures, cloisonné enamels and statuettes with national motifs. The firm exhibited several cups and centerpieces at the Great Exhibition of 1851 in London, and from 1846, held the Imperial Warrant. The unique charm of this punch service lies not only in its craftsmanship and historical relevance, but also in the inclusion of old drinking...

Magnificent Antique French Bronze Sculpture, "Diana the Huntress" by Alfred Boucher (1850-1934). Boucher was a contemporary of Rodin. This sculpture was cast by F. Barbedienne. ...

This extraordinary First Edition Wedgwood rendering of the legendary Portland Vase is one of the rarest masterpieces of Josiah Wedgwood, the most important ceramics manufacturer of the 18th century. A tour de force of ceramic art, the Portland Vase First Editions are regarded as one of the greatest ceramic accomplishments of the 18th century, and they are a testament to the superior skill of Josiah Wedgwood, his extraordinary ambition and his tireless dedication to perfection. One of the very few First Editions still in private hands, this exceptional Wedgwood Portland Vase is one of the most important works of ceramics on the market. The story of Wedgwood and the Portland Vase is legendary. The original Portland Vase is the ancient world's most famous decorative arts masterpiece—a cameo glass vase dating to circa 25 CE with a frieze representing the myth of Peleus and Thetis, initially thought to be carved from stone. When it was first rediscovered around 1582, it captivated the world with its opaque white cameo figures over its rich blue background. After the vase was excavated it was owned by Cardinal Barberini, whose family later sold it to the Duke of Hamilton who eventually sold it to the Duchess of Portland, from whom the famed vase now takes its name. The famed British sculptor John Flaxman was likely the first to have brought the vase to Wedgwood’s attention. In a letter dated February 5, 1784, he wrote: “I wish you may soon come to town to see William Hamilton’s vase, it is the finest production of Art that has been brought to England and seems to be the very apex of perfection to which you are endeavouring to bring your bisque and jasper…” Indeed, the Portland Vase is a masterpiece of cameo-cutting, with a stunning frieze of opaque white cameo glass over its translucent deep blue form. Its beauty and translucence would inspire Wedgwood to undertake his years-long endeavor to precisely replicate the original in porcelain. Upon closer examination, Wedgwood realized the vase was not made of stone or earthenware, but of cameo glass—a technique so advanced it remains the masterpiece of cameo-cutting. Today, the vase is housed in the British Museum, where it is the second most viewed antiquity, only after the Rosetta Stone. It then took Wedgwood several painstaking years to craft his unparalleled copy of the vase, during which he perfected the jasperware technique that would become his crowning achievement. To this day, the renowned porcelain firm regards the vase as its most momentous triumph, so much so that the vessel’s silhouette is incorporated into the Wedgwood logo. The four years it took Wedgwood to complete his vase were not without tribulations. From the start, Wedgwood encountered numerous problems with his copies, from cracking and blistering to the difficulty of replicating the translucent effects of the original. The first acceptable copy was produced in October 1789 and sent to Wedgwood’s physician and friend Erasmus Darwin, the grandfather of Charles Darwin. Wedgwood presented another copy to Queen Charlotte in May 1790 and afterward organized a private exhibition of the vase at the Portland House in London. The viewing proved so popular that Wedgwood was forced to restrict the show to 1,900 visitors. Much of London wished to see Wedgwood’s greatest major achievement. Perhaps the highest praise of Wedgwood’s copy came from the famed artist Sir Joshua Reynolds, the founder of the British Royal Academy: “I can venture to declare it a correct and faithful imitation, both in regard to the general effect, and the most minute detail of the part.” Over the next few years, Wedgwood's oven records listed 43 First Edition copies of the Portland Vase produced between 1791 and 1796, 11 of which were broken during the firing process. In all, it is believed around 30 First Edition vases were completed, though an unknown number of these were somewhat damaged—one of these imperfect examples is currently held by the Victoria & Albert Museum in London. The perfect examples such as ours have found their way into the most important museum collections in the world. The British Museum (London), Art Institute of Chicago, Birmingham Museum of Art, Museum of Fine Arts (Boston) and the Fitzwilliam Museum (Cambridge, UK), among others, all hold one of these highly coveted vases in their collections. In terms of technical achievement, the First Edition Portland Vases...

This extremely rare, early Swiss automaton singing bird box by the famed Charles Bruguier is housed in a case enveloped in luxurious tortoiseshell. Ev...

A nice little bench or stool for fetching things just beyond reach or for resting feet!

Silver Gilt Salver Elkington & Co. Hallmarked Birmingham, 1889 Remarkable provenance, breathtaking artistry and exceptional rarity make this majestic silver gilt salver by Elkington...

This Pagoda Cameo glass lamp is a highly rare and coveted example of Émile Gallé's mastery of glassmaking. Layers of vibrant color, from golden yellows to mauve, radiate from a backg...

Antique French Louis XVI Blue Sèvres Porcelain and Ormolu Mounted Clock, circa 1875-85.

Antique English Sheraton Mahogany sideboard, Circa 1780-1810. Serpentine front and beautiful Inlay.

Antique French Carved and Gilded Wood Boudoir Chair, Circa 1900-1910.

This impressive pair of French armchairs displays the splendor and elegance of the Louis XV period. Crafted by the famed ébéniste Jean-René Nadal l'Ainé (1733-1783), the chairs are e...

This monumental 19th-century ormolu liqueur casket is exemplary of the masterful craftsmanship of the famed luxury firm Baccarat. The doors open to reve...

A complete boiseries from the French country estate: "Chateau de Quatres Barbes." The antique 19th century French Louis XVI style grand oak paneled salon room...

Silver-Gilt Tea Table Maison Aucoc Circa 1904 The turn of the century was the golden age of the great international exhibitions, the venues at which artisans from across the globe w...

This Roman Empire mosaic table is an iconic example of Classical history, featuring a 3rd-century mosaic of a Roman Charioteer. More than mer...

This monumental American sterling silver flatware service by Gorham epitomizes the stately glamour of turn-of-the-century dining. A to...

An antique, late 19th century French Belle Epoch, intricately hand carved mahogany accent/side chair, with the most graceful, double scrolled, Cabriole legs. The Belle Epoch period i...

A lovely antique French provincial hand painted faience oil lamp having lovely Country French colors of robins egg blue, reds, oranges, greens, and pinks.

Statuesque and artfully etched, this exquisite cameo glass table lamp is the work of the famed Art Nouveau master Émile Gallé, one of the most highly regarded names in French glassmaking. The artist's appreciation of nature is on full display in the detailed Marguerite daisy pattern carefully etched in varying layers of colored glass. The blooms dance across the lamp's amber-colored form in mesmerizing shades of purple and red. When lit, the lamp emits an enticing warm glow. Nearly two feet in height, the lamp is much larger than is typical of Gallé's pieces, yet it maintains its grace and proportion. Émile Gallé opened a small woodworker's shop in 1885, where he began experimenting with marquetry in furniture and naturalistic glass designs. In 1889, he displayed his new glass creations at the Paris International Exhibition, where the designs and colors not previously seen caused an immediate sensation. The new style of Art Nouveau had begun to appear, and the movement's aesthetics and devotion to nature appealed greatly to the young Gallé. In 1894 Gallé built a manufacturing plant in Nancy and began creating his own designs from inception through production. Gallé personally developed many of the designs, and he was known to actively make alterations and approve the designs of his talented team of designers and craftsmen he employed at the "Cristallerie D'Emile Gallé." Signed "Gallé" on shade and base Circa 1920 Literature: A. Duncan, G. de Bartha, Glass by Gallé, London, 1984, p. 170, pl. 245 for another lamp of this model A. Duncan, G. de Bartha, Gallé Lamps...

Grand Size Antique Italian Intricately Carved Walnut Hanging Coat Rack, Circa 1880-1890.

Gilt Bronze Vase Christofle Circa 1930 This exemplary Art Nouveau vase demonstrates Christofle's mastery of metalworking during the early 20th century. The graceful oviform vessel r...

Antique magnificent quality Dutch marquetry cabinet, circa 1800-1820.

Antique English Mahogany Display Cabinet with Glass Doors and Fitted Shelves, Circa 1890.

Antique French Cut Crystal Newel Post on Ormolu Base, Circa 1890's.

Pristine and immense in its breadth, this 994-piece silver set, created by the renowned C.J. Vander of London, is in a class of its own. When silver was the coinage of Great Britain, silver flatware sets became affirmations of economic prosperity and affluence. Only the most prestigious families could afford a set of twelve place settings. This complete Vander service comprised of almost 1,000 grapevine pattern pieces, with service for 60 people for a seated meal and service for 82 people for a buffet, was a monumental commission. All of the pieces are held in a remarkable seven-drawer velvet inlaid mahogany case, emphasizing the grandeur of this exceptional set. Vander created silver masterpieces using the time-honored traditions, now incredibly rare. Known for their elaborate designs and intricate engravings, Vander was one of the last remaining English flatware makers to employ the age-old method of hand forging flatware, where each piece of silver starts out as an ingot and is formed by a silversmith using a Hammer. After the pieces were forged, they would be hammered flat, polished, chased and decorated, and then polished again, all by hand. Though time-consuming, such craftsmanship ensured a product that was superior in every possible way. It was this firm's steadfast commitment to quality that made them the favorite of both royalty and nobility alike throughout Europe. Over 117 pounds of weighable silver, this 994-piece set includes: 82 table forks 82 soup spoons 82 table knives with stainless steel blades 82 dessert forks 82 dessert spoons 82 dessert/cheese knives with stainless steel blades 82 tea spoons 60 fish forks 60 fish knives 60 coffee spoons 60 pastry forks 60 grapefruit spoons 60 butter knives 37 table serving spoon...

Crafted by the celebrated French glassmaker René Lalique, this exquisite Danaides vase is one of the master artisan's most unique and beautiful designs. Molded from polished opalesce...

Abstracted foliate motifs swirl atop each other to form this Lalique vase in the Charmilles motif, first designed by René Lalique on October 8, 1926. Inspired by bowers under greener...

A set of four vintage 1950’s French St Clements oyster plates in the treacle glaze. These plates were produced in the 1950's in the famous St C...

A refined Swedish neoclassical antique bench with clean lines, fluted legs, and delicate carved details, finished in a soft, aged patina—embodying the graceful restraint and symmetry...

Superb antique French baccarat crystal and gold bronze Cave À Liqueur in fitted satinwood case, circa 1885-1890.

Pair of Terrestrial and Celestial Globes G & T London 20th Century This extraordinary pair of 32-inch terrestrial and celestial globes, crafted by G & T London, pays homage to the m...

Glass Table Lamp Pierre d'Avesn Circa 1930 This rare and captivating Art Deco table lamp by Pierre d'Avesn epitomizes the refined elegance of the era. Fashioned in frosted and molde...

Exuding the elegance of Art Nouveau design, this dinnerware service for 12 from Tiffany Studios is composed of pastel-hued, opalescent green ...

Exceptional Antique French green marble and gold bronze 4 piece inkwell desk set, circa 1875-1885. Includes: Inkwell: 11W x 8L x 4.75H Paperweight (Left): 3W x 5.25L x 3.5H Rolli...

Notable for its incredible marquetry case and beautifully embellished Baccarat crystal, this handsome 19th-century cave à liqueur consists of three decanters and 16 cordial glasses. ...

Antique English Sheffield silver-plate rectangular serving tray.

Antique English mahogany glass front Bureau bookcase with Fitted Interior, circa 1830.

Pair antique 19th century Chinese framed oil paintings on silk of Canton figures in traditional costumes, circa 1880.

One of only three of its kind, this commode was crafted by the famed and highly celebrated ébéniste François Linke. Blending the stunning marquetry of the Louis XV and XVI styles with the elegance of Art Nouveau, the commode exemplifies Linke's skilled craftsmanship. Inspired by François Alix's iconic "Meuble Soleil" design, Linke's creation showcases his signature genius in every aspect of the commode's construction. The superior quality of the breche marble shelves and top, marquetry and ormolu that form the undulating body of the cabinet serve as a testament to Linke’s unwavering dedication to perfection. The craftsman spared no expense, investing significant time and utilizing only the finest materials to create this work of art. Tens of thousands of hand-wrought chisel marks are visible within the ormolu frieze of scrolling foliage. The breathtaking marquetry landscape on the front is perhaps the commode's greatest feature, depicting a radiant sun bursting from behind trees, elegantly enhanced by Linke's unmistakable signature on the lower right molding and on the inside of the inner cabinets. For Linke, winning the coveted Gold Medal at the 1900 Paris Exhibition Universelle confirmed his already solid reputation as France's leading ébéniste. His work had long been admired for its exceptional quality and unique interpretation of the Louis XV style. Born in Bohemia in 1855, Linke moved to Paris in 1881 where he established his now-famous workshop and showroom. Word of Linke's superior work spread quickly through France, and he soon eclipsed even the finest furniture houses in Paris. Today, Linke is counted among the most important furniture makers of the late 19th and early 20th centuries, and his work is dearly coveted by collectors. As one of the most masterful furniture designers and bronziers of his time, François Alix would only supply designs and bronze pieces to the most skilled of his contemporaries. Linke chose this unique design personally and only produced three versions of this remarkable piece, with the first one crafted in 1910. A similar commode is housed in the Royal Collection Trust...

Pair Antique French Wrought Iron Gates, Circa 1900. Each gate is 25" wide for a total width of 50" and height of 66"

Antique 19th Century French Empire Style Finest Cut Crystal and Ormolu Chandelier.

A refined pair of mid-century Italian chairs crafted in ash wood, featuring clean sculptural lines and upholstered in creamy bouclé for a warm, textural contrast that blends timeless...

Edo-Period Lacquerware Chest 19th-century This exquisite chest, inspired by Hasami-Bako travel trunks, is a striking example of Japanese lacquerware. The hiramaki-e technique—applie...

French 19th century bronze horse, signed J. Moigniez, mounted on marble base with plaque that has his name. The sculpture is detailed with the saddle, reins, and bit in the horse’s ...

Beautifully constructed, this French billiard table was almost certainly made for an aristocratic country house of the 19th century, an age when ...

Odysseus and Theseus French Empire Mantel Clock André Antoine Ravrio Circa 1800 This monumental Empire mantel clock by André Antoine Ravrio, whose case is crafted entirely of gilded...

The exquisite art of pietre dure is at its absolute finest in this spectacular pair of Russian ormolu and malachite plinths. True works of art of the Restauration period, these plinths each feature a matching pietre dure mosaic crafted of the finest stones, all chosen to create a sense of depth and dimensionality in the final work. Depicting an onyx vase with tulips, roses, daffodils, magnolia and other flowers, these pietre dure panels are among the finest examples of this ancient art we have seen. The pietre dure is complemented by malachite panels of the highest quality, exhibiting exceptional depth through its extraordinary cellular structure. Malachite is one of Russia’s most precious stones, and its presence in these plinths indicates commission and ownership by an individual of considerable status. Mounted in an excellent stepped ormolu base, these plinths originally served as bases for vases or candelabra. The overall execution and appearance of these plinths is very characteristic of the taste associated with the immensely wealthy collector Nicolas Demidoff. As early as 1806, Demidoff had commissioned the Parisian goldsmith Henri August to supply a guéridon; in 1819, he ordered famed French bronzier Pierre-Philippe Thomire to supply mounts for a massive malachite vase (now in the Metropolitan Museum of Art, New York), as well as a console table with legs in the form of Nike. Other commissions included a table given as a gift to Grand Duke Leopoldo II of Florence, now in the Pitti Palace. Demidoff eventually settled in Florence in 1822 and became Russian minister to the Tuscan Court. Elevated to the rank of Count of San Donato by the Grand Duke, he built a magnificent villa at San Donato on the site of lands formerly owned by the Medici. The villa was later inherited by Anatole, his son, Prince of San Donato, and there are records which confirm transactions he had with the Opificio delle Pietre Dure. The 19th century proved to be the golden age of Russian malachite. The stone became a sign of prestige and a token of wealth, so much so that Russian papers of the time wrote: "To afford having a big piece wrought in malachite is synonymous to owning diamonds." Year after year the Russian (Romanov) treasury paid increasingly unreasonable prices to hoard the best malachite, much of which went into Romanov palaces and extravagant objets d'art. The Hermitage Museum possesses a collection of over two hundred examples of this “palatial” malachite...

A beautifully detailed 19th century bronze dore clock with the figure of cupid on the top.

Estate Continental Sterling Silver Mounted Cut Crystal Wine Decanter, Circa 1950. "800" Hallmarked on the silver collar.

This rare cameo glass vase by the French glassmaker Émile Gallé features an exceptional mold-blown design of a fruiting plum tree. While the majority of Gallé vases were blown into molds before being carved or enameled, only a very small handful were wholly designed to take shape within the mold. The stunning result is evident in this rare example, which showcases the ripe fruits protruding naturally from the body of the vase. Considered one of the pioneers of Art Nouveau, Gallé was renowned for his naturalistic glass artistry. In 1889, he displayed his new glass creations at the Paris International...

Rare antique American "Tiffany & Co." sterling silver and Hawkes cut crystal double decanter tantalus set, circa 1920. With original lock and key.

A pair of 19th century Italian painted plinths with faux bas relief motifs and giltwood accents. They are actually cabinets with one interior shelf. Original hardware and keys.

For samurai warriors, the functionality of their armor was as vital as its striking beauty—both elements held equal importance. This orange-laced armor is one of the rarest and most stunning complete Edo-period samurai suits ever crafted, designed for a military leader to convey the gravity of his power and warrior spirit at a single glance. This particularly rare armor...