New Orleans - Furniture

This Louis XVI-style canopy bed with upholstered headboard is from the custom Tara Shaw Maison collection. Handcrafted in New Orleans. Standard headboard upholstered in a oyster heav...

Period Louis XIV carved giltwood bow front door. The door is mounted on a piece of wood to preserve its original condition.

This elegant 19th Century Swedish Gustavian long bench epitomizes the refined simplicity and timeless charm of Gustavian design. Crafted from high-quality wood, the bench features cl...

Antique English mahogany Chippendale breakfront bookcase, circa 1890.

Antique English Sheffield Silver-Plate & Crystal 6-Bottle Cruet Set, Circa 1880.

This beautiful floriate Italian chandelier is made of gilded (gold leaf covered) tole and features a forest of leaf bobeches as well as ten (10) lights. The oval fixture dates back t...

A nice little bench or stool for fetching things just beyond reach or for resting feet!

Pair of Antique French carved walnut sage & Ivory upholstered armchairs, Circa 1860. These nicely carved armchairs would fit in a traditional or contemporary setting.

Antique zwaterford cut crystal punch bowl onStand, Circa 1920-1930. Lovely cut crystal centerpiece, great for serving cocktails and punch, displayi...

Antique brass suspension oil lamp chandelier, Circa 1860-1880. CHB237.

This exceptional 19th-century gold box appears at first glance be an exquisite snuff box adorned with a charming Swiss enamel vista encircled by a multitude of natural pearls. A quick wind of the key, however, reveals the complex mechanism hidden inside, and the box plays a wistful tune. Once known as carillons à musique...

This monumental American sterling silver flatware service by Gorham epitomizes the stately glamour of turn-of-the-century dining. A to...

Carved and Giltwood Louis XVI Style Barometer

This impressive pair of French armchairs displays the splendor and elegance of the Louis XV period. Crafted by the famed ébéniste Jean-René Nadal l'Ainé (1733-1783), the chairs are e...

Set of 3 Antique Silk Oriental Wall Panels, Circa 1920's.

Antique 19th Century Embossed Copper and Brass Gun Powder Flask.

A complete boiseries from the French country estate: "Chateau de Quatres Barbes." The antique 19th century French Louis XVI style grand oak paneled salon room...

Antique French Louis XVI mirror, circa 1880.  

Antique English Sheraton Mahogany sideboard, Circa 1780-1810. Serpentine front and beautiful Inlay.

A lovely collection of 5 white tureens with Lids. EACH ONE IS UNIQUE. The sizes ranges from 11 – 12 diameter to 10 – 12 High. This set would be the perfect start to a kitchen sideboa...

This extraordinary First Edition Wedgwood rendering of the legendary Portland Vase is one of the rarest masterpieces of Josiah Wedgwood, the most important ceramics manufacturer of the 18th century. A tour de force of ceramic art, the Portland Vase First Editions are regarded as one of the greatest ceramic accomplishments of the 18th century, and they are a testament to the superior skill of Josiah Wedgwood, his extraordinary ambition and his tireless dedication to perfection. One of the very few First Editions still in private hands, this exceptional Wedgwood Portland Vase is one of the most important works of ceramics on the market. The story of Wedgwood and the Portland Vase is legendary. The original Portland Vase is the ancient world's most famous decorative arts masterpiece—a cameo glass vase dating to circa 25 CE with a frieze representing the myth of Peleus and Thetis, initially thought to be carved from stone. When it was first rediscovered around 1582, it captivated the world with its opaque white cameo figures over its rich blue background. After the vase was excavated it was owned by Cardinal Barberini, whose family later sold it to the Duke of Hamilton who eventually sold it to the Duchess of Portland, from whom the famed vase now takes its name. The famed British sculptor John Flaxman was likely the first to have brought the vase to Wedgwood’s attention. In a letter dated February 5, 1784, he wrote: “I wish you may soon come to town to see William Hamilton’s vase, it is the finest production of Art that has been brought to England and seems to be the very apex of perfection to which you are endeavouring to bring your bisque and jasper…” Indeed, the Portland Vase is a masterpiece of cameo-cutting, with a stunning frieze of opaque white cameo glass over its translucent deep blue form. Its beauty and translucence would inspire Wedgwood to undertake his years-long endeavor to precisely replicate the original in porcelain. Upon closer examination, Wedgwood realized the vase was not made of stone or earthenware, but of cameo glass—a technique so advanced it remains the masterpiece of cameo-cutting. Today, the vase is housed in the British Museum, where it is the second most viewed antiquity, only after the Rosetta Stone. It then took Wedgwood several painstaking years to craft his unparalleled copy of the vase, during which he perfected the jasperware technique that would become his crowning achievement. To this day, the renowned porcelain firm regards the vase as its most momentous triumph, so much so that the vessel’s silhouette is incorporated into the Wedgwood logo. The four years it took Wedgwood to complete his vase were not without tribulations. From the start, Wedgwood encountered numerous problems with his copies, from cracking and blistering to the difficulty of replicating the translucent effects of the original. The first acceptable copy was produced in October 1789 and sent to Wedgwood’s physician and friend Erasmus Darwin, the grandfather of Charles Darwin. Wedgwood presented another copy to Queen Charlotte in May 1790 and afterward organized a private exhibition of the vase at the Portland House in London. The viewing proved so popular that Wedgwood was forced to restrict the show to 1,900 visitors. Much of London wished to see Wedgwood’s greatest major achievement. Perhaps the highest praise of Wedgwood’s copy came from the famed artist Sir Joshua Reynolds, the founder of the British Royal Academy: “I can venture to declare it a correct and faithful imitation, both in regard to the general effect, and the most minute detail of the part.” Over the next few years, Wedgwood's oven records listed 43 First Edition copies of the Portland Vase produced between 1791 and 1796, 11 of which were broken during the firing process. In all, it is believed around 30 First Edition vases were completed, though an unknown number of these were somewhat damaged—one of these imperfect examples is currently held by the Victoria & Albert Museum in London. The perfect examples such as ours have found their way into the most important museum collections in the world. The British Museum (London), Art Institute of Chicago, Birmingham Museum of Art, Museum of Fine Arts (Boston) and the Fitzwilliam Museum (Cambridge, UK), among others, all hold one of these highly coveted vases in their collections. In terms of technical achievement, the First Edition Portland Vases...

Crafted by the celebrated French glassmaker René Lalique, this enchanting Ceylan vase is molded from opalescent glass with a blue stained wheel. The design...

One of only three of its kind, this commode was crafted by the famed and highly celebrated ébéniste François Linke. Blending the stunning marquetry of the Louis XV and XVI styles with the elegance of Art Nouveau, the commode exemplifies Linke's skilled craftsmanship. Inspired by François Alix's iconic "Meuble Soleil" design, Linke's creation showcases his signature genius in every aspect of the commode's construction. The superior quality of the breche marble shelves and top, marquetry and ormolu that form the undulating body of the cabinet serve as a testament to Linke’s unwavering dedication to perfection. The craftsman spared no expense, investing significant time and utilizing only the finest materials to create this work of art. Tens of thousands of hand-wrought chisel marks are visible within the ormolu frieze of scrolling foliage. The breathtaking marquetry landscape on the front is perhaps the commode's greatest feature, depicting a radiant sun bursting from behind trees, elegantly enhanced by Linke's unmistakable signature on the lower right molding and on the inside of the inner cabinets. For Linke, winning the coveted Gold Medal at the 1900 Paris Exhibition Universelle confirmed his already solid reputation as France's leading ébéniste. His work had long been admired for its exceptional quality and unique interpretation of the Louis XV style. Born in Bohemia in 1855, Linke moved to Paris in 1881 where he established his now-famous workshop and showroom. Word of Linke's superior work spread quickly through France, and he soon eclipsed even the finest furniture houses in Paris. Today, Linke is counted among the most important furniture makers of the late 19th and early 20th centuries, and his work is dearly coveted by collectors. As one of the most masterful furniture designers and bronziers of his time, François Alix would only supply designs and bronze pieces to the most skilled of his contemporaries. Linke chose this unique design personally and only produced three versions of this remarkable piece, with the first one crafted in 1910. A similar commode is housed in the Royal Collection Trust...

Pristine and immense in its breadth, this 994-piece silver set, created by the renowned C.J. Vander of London, is in a class of its own. When silver was the coinage of Great Britain, silver flatware sets became affirmations of economic prosperity and affluence. Only the most prestigious families could afford a set of twelve place settings. This complete Vander service comprised of almost 1,000 grapevine pattern pieces, with service for 60 people for a seated meal and service for 82 people for a buffet, was a monumental commission. All of the pieces are held in a remarkable seven-drawer velvet inlaid mahogany case, emphasizing the grandeur of this exceptional set. Vander created silver masterpieces using the time-honored traditions, now incredibly rare. Known for their elaborate designs and intricate engravings, Vander was one of the last remaining English flatware makers to employ the age-old method of hand forging flatware, where each piece of silver starts out as an ingot and is formed by a silversmith using a Hammer. After the pieces were forged, they would be hammered flat, polished, chased and decorated, and then polished again, all by hand. Though time-consuming, such craftsmanship ensured a product that was superior in every possible way. It was this firm's steadfast commitment to quality that made them the favorite of both royalty and nobility alike throughout Europe. Over 117 pounds of weighable silver, this 994-piece set includes: 82 table forks 82 soup spoons 82 table knives with stainless steel blades 82 dessert forks 82 dessert spoons 82 dessert/cheese knives with stainless steel blades 82 tea spoons 60 fish forks 60 fish knives 60 coffee spoons 60 pastry forks 60 grapefruit spoons 60 butter knives 37 table serving spoon...

Antique English Mahogany Display Cabinet with Glass Doors and Fitted Shelves, Circa 1890.

Antique English inlaid rosewood writing desk on casters with leather and galleried top, Circa 1890.

This monumental 19th-century ormolu liqueur casket is exemplary of the masterful craftsmanship of the famed luxury firm Baccarat. The doors open to reve...

An extra long vintage French porcelain seafood platter. fish serving platter, deep sided, so that the fish can be served with sauces and dressings, without risk of spillage. The moti...

A gorgeous sculpted gilt bronze candlestick by famous French artist, Pierre Casanove. Influenced by famed bronzers such as Giacometti, Casanove once wo...

Binocular Periscope Carl Zeiss Circa 1965 This exceptional binocular periscope, crafted by the renowned Carl Zeiss optical works, represents the pinnacle of mid-20th century German ...

This is an antique early 20th century French Limoges porcelain George Borgfeldt Co. fish platter and plates serving set of thirteen. One large platter and twelve plates in fantastic ...

The most exquisite flatware and hollowware sets of Belle Époque were unequivocally crafted in America with the greatest American craftsman being Tiffany & Co. The very best of Tiffan...

Antique 19th century Dutch Provincial marble-top ceramic tile stove, Circa 1880.

Exuding the elegance of Art Nouveau design, this dinnerware service for 12 from Tiffany Studios is composed of pastel-hued, opalescent green ...

This Italian carved mahogany writing table is said to have been crafted specifically for use by King Carlo Alberto (Charles Albert of Sardinia, 1798-1849). Both beautiful and functio...

Antique French provincial grandfather clock, circa 1870-1880.

Pair of Porcelain and Dorè Bronze Vases Sèvres Circa 1845 With porcelain vessels in the iconic Sèvres cobalt blue, encased in lavish doré bronze armatures, this pair of Louis XVI-style urns epitomizes the masterful craftsmanship and refined beauty of the famed porcelain manufactory. Each urn is adorned with three finely chased caryatid figures joined by floral garlands, resting upon a reticulated circular gilt bronze base. Since its founding in the 18th century, the Sèvres porcelain manufactory has been synonymous with the finest porcelain wares. Established under the patronage of Louis XV and Madame de Pompadour, the firm quickly became the official royal porcelain producer. Throughout the 19th century, Sèvres expanded its repertoire, designing distinct vase forms that ranged from neoclassical grandeur to Gothic delicacy. These exceptional urns pay homage to Pierre Gouthière, one of the most renowned bronze artists of the preceding century. Appointed gilder to King Louis XV in 1767, Gouthière revolutionized metalwork, pioneering a gilding technique that achieved an exquisite matte finish. Similar caryatid figures appear on vases once owned by the Duke of Talleyrand, while similar mermaid motifs—prevalent in Gouthière’s work—can be found on a serpentine marble vase in the Louvre. These vases embody the grandeur of Louis XVI-style ornamentation, blending rich materials with impeccable detail. Each: 19 3/4 high x 13" diameter Marked under bronze Sèvres Louis Philippe...

Grand Scale Antique Italian Majolica Porcelain Floral Vases, Circa 1910-1920. Signed by Mollica Family of Naples, Italy on the bottom of each vase.

Classic French Bistro Table Base in distressed iron with a round slate top. A beautiful accent table that fits in anywhere.

Antique English brass & enamel binoculars in original case, circa 1920-1930.

This magnificent English longcase, or grandfather, clock boasts a fine rosewood case inlaid with an intricate, balanced design. The face is crafted of chased silver in a foliate motif with fully hallmarked numerals by London silversmith James Stedstone Gouldsmith. The clock is a three-train movement run by three silver-plated weights and a mercury pendulum. The three weights power the time, the hour chime and the quarter-hour chime, and the clock strikes on nine tubular bells with a choice of either Whittington or Westminster chimes. Known commonly as “grandfather” clocks, it was not until the late 19th century that longcase clocks garnered this name. According to the origin tale, two brothers named Jenkins owned the George Hotel...

This pair of French Louis XVI open arm chairs (fauteuils) features beautifully carved walnut and dates back to the 19th century. The hand carving is truly fantastic, with delicate de...

English aluminum figural horsehead wine or champagne cooler made by Arthur Court Designs.

Antique 19th Century French Empire Style Finest Cut Crystal and Ormolu Chandelier.

Antique Japanese Satsuma Porcelain Vase on Stand, Circa 1910-1920's.

Antique French Provincial carved elm 2 door armoire with original brass hardware and fitted interior, Circa 1890's.

Antique French Napoleon III ormolu mounted mahogany grandfather clock Circa 1885-1890. This is a beautiful clock, with wonderful exotic wood inlays and ormolu finishings. It is in th...

Estate French Empire Gold Bronze and Steel Chandelier, Circa 1950's.

This lovely Chupicuaro lady wears an elaborate coiffure, large ear plugs, and a beaded jade necklace, all of which were highly prized by Chupicuaro nobility. ...

This intricately detailed 19th-century bracket clock from famed English firm J.C. Jennens & Sons is monumental in size, likely made for one of the great world exhibitions or perhaps to put in the firm's own store window. The eight-day timepiece has a triple fusee...

A very handsome "X" shaped chair with lovely inlay.  

Beautifully constructed, this French billiard table was almost certainly made for an aristocratic country house of the 19th century, an age when ...

Pair Antique French tapestry armchairs, circa 1890's. Substantial in size and beautifully carved--these chairs are upholstered with fine old tapestry....

This is a beautiful plate, executed to museum quality standards.

Antique American Art Deco Era "Hawkes" etched glass & sterling silver large format cocktail shaker, circa 1910's. Fine etching of flying ducks among cattails & reeds.

Pair antique English mahogany knife and fork cutlery urns / boxes, Circa 1910-1920. Exceptional size.

Pair Antique French carved walnut upholstered bergeres / Armchairs, Circa 1880.

Rare Antique English Victorian Solid Brass Playing Card Press, Circa 1880-1890.