Fine Art in New York City

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Basquiat record art 1983/2005: This Basquiat Beat Bop record was published c.2005 featuring a RARE limited edition highly decorative 24 x 24 inch (61 x 61 cm) double-sided fold-out p...

This restrike of Saul Steinberg’s 1953 poster, titled Dessins Récents, was presented at Galerie Maeght, located at 13 Rue Téheran in Paris. The poster, initially created to showcase ...

Goupilgravure (photogravure) was printed in Paris and published April 1, 1896, by Boussod Valadon & Co. Successors to Goupil & Co. Painted by Henry Sandham, 1894. "A BASEBALL GAME" depicts the 1894 "Temple Cup" game between the Baltimore Orioles and the New York Giants...

“Naturaleza” by Gloria Sáez is an evocative horizontal oil painting on canvas that captures the serene essence of a natural landscape. The artwork features a stunning palette of cool...

This painting depicts a whimsical portrait of a Young girl with beautiful expressive marks. There is great attention to detail, while an emotion is felt. The sepia color used and qui...

Artist: Larry Zox Title: Purple Composition Year: 1971 Medium: Linocut, signed and numbered in pencil Edition: 6/50 Paper Size: 22 x 30 in. (55.88 x 76.2 cm)

Jane Peterson Street In Paris (Eglise St. Julien), circa 1910 Signed lower right; artist's labels on the reverse Oil on canvas 24 x 18 inches Exhibited New York, Lincoln Glenn Galle...

Maurice Brianchon was born at Fresnay-sur-Sarthe in January 1899. He first studied in Bordeaux at the École des Beaux-Arts under Paul Quinsac, a sculptor; in 1917 he moved to Paris a...

Portrait of Andy Warhol, 1986 by Christopher Makos is an 10 x 8in vintage gelatin silver print on fiber paper. The photograph is stamped (in black ink) on verso (photo back). Provenance: Private Collector *** Artist’s Bio: Christopher Makos (1948- ) is an American photographer and visual artist. He studied architecture in Paris and was an apprentice to Man Ray. Andy Warhol was Makos' good friend and frequent portrait subject. His photographs of Andy Warhol have been exhibited in galleries and museums, including the Guggenheim Museum in Bilbao,Tate Modern in London, Whitney Museum of American Art in New York, IVAM in Valencia (Spain), Reina Sofia Museum in Madrid, among others. Makos’ pictures have appeared in publications, including Paris Match and the Wall Street Journal. The visual artist is the author of numerous books, such as Warhol/Makos In Context (2007), Andy Warhol China...

This is a painting of a man's head in a silver frame by Mark Beard. This work is made with oil on canvas, measures 12 x 9 inches, and is signed. ...

Tadashi Kawamata Untitled for the Relocation Project, Serpentine Gallery, London, 1997 Screenprint on wove paper Pencil signed, dated '97 and numbered 169/180. 34 1/2 × 24 3/4 inches...

Remnants of our consumer culture keep finding their way into my work. Our visual lives are cluttered with packages, clothing and furnishings that come at us in a swirl of color and p...

Diane Monet’s idyllic seaside retreat is shown with the same bright sunlight and flourishing flowers as is found in many of her other Impressionistic works. Vista Firaglioni Diane M...

ABOUT THIS PIECE: Blurring the lines between reality and abstraction Luca searches for rich textures, patiently waiting for the subtle moment when the soft lighting or harsh contrast...

Norman Parkinson's iconic image of models wear a variety of hats on the roof of the Condé Nast building on Lexington Avenue, New York City. Published in American Vogue on 15th Octobe...

This original signed poster, titled Expo de Gravures de la Guilde Graphique, was created by French Canadian artist Julien Lacroix for an exhibition. The poster, published in 1973, is...

Claire Burch (American, 1925-2009) Untitled, 20th century Oil on canvas 24 x 30 in. Framed: 31 2/3 x 37 3/4 x 1 1/2 in. Signed lower right: Claire Burch After attending grade school in Brooklyn, Burch completed a commercial art course at Washington Irving High School in Manhattan and received her B.A. in English from NYU. In the suburbs of Great Neck, New York, she first began writing poetry and articles which were published in Life magazine, The New Republic, Mademoiselle, McCall's, Saturday Review, Redbook, Good Housekeeping, and numerous literary quarterlies and anthologies.[1] Burch also developed a career as a psychiatric writer, publishing two books on the subject: Careers in Psychiatry and Stranger in the Family. In the early 1970s Burch became a playwright and painter. Her play Ten Cents a Dance was optioned to be directed by José Quintero, the famous O'Neill interpreter. Burch wrote a total of seven plays and several folk operas, but eventually moved on to filmmaking and video anthropology—she was an early adapter of video as a medium. In 1978, Burch moved to California with her longtime companion Mark Weiman, publisher and owner of Berkeley's Regent Press. She had endured a series of illnesses and wanted to escape the harsh climate of Manhattan. Burch gained insight and inspiration from insanity and the often unexpected behavior associated with it. She would often videotape homeless people in People's Park and Telegraph Avenue in Berkeley, which were collected in her film People's Park in Berkeley: Then and Now. The film documented the dispute between homeless activists and the University of California from the riots of 1969 through 1996 by interviewing park "regulars," and profiling the events surrounding the deaths of park supporters James Rector and Rosebud Denovo.[2] She also produced documentaries on noted cultural figures such as James Baldwin (whom she knew as a teenager), Timothy Leary and Country Joe McDonald. Also of note was Oracle Rising, a film about the legendary psychedelic newspaper The SF Oracle published in the Haight-Ashbury district during the Summer of Love. Her last completed film was Elegy for the Naked Guy...

Vintage abstract original oil painting. Oil on canvas. Framed.

"Minotaure Endormi Contemplé Par Une Femme" (1933) is a striking and emotionally charged work by Pablo Picasso, capturing the artist’s complex engagement with mythology, surrealism, ...

5-2620 Vintage original colored pastel on paper displayed in a gilt wood frame under glass.Arist unknown

Immerse yourself in the rich tapestry of 20th-century American art with this page from "American Art in the 20th Century," a 1993 portfolio by Te Neus Verlag, printed in Germany. Thi...

This first edition poster, titled Beach Umbrella, was published by the Metropolitan Museum of Art and is copyrighted by David Hockney. The artwork captures Hockney's vibrant and dyna...

6036 Anvertising collage for a 1956 Old Gold Cigarette advertising campaign 1956 Paper cutouts on a painted blue board Package image of cigarettes are from WW11

Alfred Jensen Untitled (Deluxe Artists & Collaborators Edition of the One Cent Life portfolio), 1964 Color lithograph on two pages wove paper (from the Artists & Collaborators hand s...

Max Ernst, German (1891 - 1976) - Group Exhibition Poster, Year: 1965, Medium: Lithograph Poster on MBM Arches, numbered in pencil lower left, Edition: 62/70, Size: 16.75 x 12 in. ...

Eve Nethercott, American (1925 - 2015) - Still Life with Fruit (P3.17), Year: 1960, Medium: Watercolor on Paper, Size: 13 x 17 in. (33.02 x 43.18 cm), Description: Beside the...

A large pop piece depicting Andy Warhols iconic Campbell's tomato soup holding a colorful bouquet of tulips. Bursting with impasto painting, and quick brushwork we are drawn to the m...

ABOUT THIS PIECE: "I wanted to photograph the pools to show the beauty of the architecture, while minimizing the modern elements. I love the geometry of the tiles, the lines on the b...

This exhibition poster/mailer was created for a 1976 exhibition of Fred Sandback's work held at Brook Alexander, Inc. and The John Weber Gallery. The piece serves as both an advertis...

Larry Bell, American (1939 - ) - Barcelona, Year: 1989, Medium: Lithograph, signed and numbered in pencil, Edition: 62/75, Size: 30 x 22 in. (76.2 x 55.88 cm)

This piece depicts a Tiger done with beautiful expressive colors and a distinctive street art design, this piece pops with energy and romantic beauty. Its composition and bold collag...

KAWS The Promise (black): A unique KAWS Companion featuring a blue & green globe being affectionately shared between parent & child. This timeless, highly collectible KAWS art toy wa...

Lithograph page from an issue of Derriere le Miroir, a french art periodical founded by Aime Maeght in the late 40's and published until the early 80's. In the words of the owner, th...

PKZ vintage Poster (man in top hat). 1927, Color lithograph. Lined on linen. PKZ has and still is an important department store in Zurich, Switzerland...

Andre Lhote (French, 1885-1962), "Portrait d'Anne (Mme. Lhote)" [Portrait of Anne (Mrs. Lhote)], Oil on Paper Laid to Canvas, 1930, signed "A. Lhote" lower right, Soufer Gallery and ...

Large silkscreen printed in over 20 colors, signed and numbered out of 225 in pencil by Rodney Greenblat. Blindstamped by Martin Lawrence Galleries. ...

Marc Chagall, After, Russian (1887 - 1985) - Bella, Medium: Giclee on paper, facsimilie signed and numbered in pencil, Edition: P/P, Image Size: 17 x 13 inches, Size: 24 x 17 in....

Anne Siems has created this artwork by painting and drawing over an archival print on thick 100% cotton fiber paper. All archival materials. Unframed size: 8.5x11 inches Frame size: 15x12x1 inch ANNE SIEMS (b. 1965, Germany) Artist Statement I was born in Berlin, Germany. From 1969 to 1971 I lived near Buenos Aires, Argentina. My first extended stay in the US was as an exchange student in 1986. Then in 1991, after finishing my MFA in Berlin, I moved to Seattle, WA. My work has moved from semi-abstract, room-filling plant and insect drawings...

Jack Hofflander, American (1920 - 2003) - Spring Balloons, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 22 x 30 inches, Size: ...

Oil on canvas Signed in black, u.l. This artwork is offered by ClampArt, located in New York City. Price includes framing. “Bruce Sargeant is a mythic figure in the modern art move...

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric configurations. Each of his prints has its own rhythm and, therefore, its own energy as part of a lyrical composition. Artist: Richard Anuszkiewicz Title: Midnight Suite (Blue with Black) Year: 1979 Medium: Intaglio Etching with Aquatint on Somerset, signed and numbered in pencil Edition: 95, AP 15 Image Size: 21.6 x 21.6 inches Paper Size: 31.25 x 30.2 inches Printer: Deli Sacilotto...

Antique American school modernist mixed media painting. Oil on board with gold leaf assemblage, circa 1930. Unsigned. Image size, 13L x 17H. Housed in a period wood frame most li...

Untitled XV Piero Dorazio, Italian (1927–2005) Date: 1973 Screenprint, signed and numbered in pencil Edition of 71/100 Size: 31 x 22 in. (78.74 x 55.88 cm)

Deer Crossing Creek David Jackson, American (1951) Oil on Canvas, signed lower right Size: 29.5 x 14.5 in. (74.93 x 36.83 cm) Frame Size: 35 x 20 inches

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper - Artist Authorized reproduction Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Artist: Thomas Strickland, American (1923 - 1999) Title: Flower Still Life Year: circa 1960 Medium: Oil on Canvas, signed u.l. Size: 20 x 24 inches Frame: 31 x 27.5 inches

KAWS KAWS at Yorkshire Sculpture Park (Hand Signed), 2016 Offset lithograph poster, uniquely signed and dated by KAWS 33 × 24 inches Signed and dated on the lower front Unframed Han...

Sol LeWitt Lines in Four Different Directions, 1997 Original drawing in black felt tip pen on postmarked (franked) postcard Signed, dated and inscribed "For Andrew Thanks for the Dra...

Kate #4, 2002 by American photographer Leonard Freed is a 8" x 10" signed black and white photograph, stamped vintage on verso (back of print). Model Kate remains forever complicit i...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Harbor Study 1. Year: circa 1950, Medium: Lithograph, signed and numbered in pencil, Edition: EA, Image Size: 13.5 x 19 inche...

6025 Paris street scene with people walking Framed Image size 7.5x9.5"

[Edith Thayer Cromwell (1893-1962)] Elephant n.d. Signed, u.r. Oil on canvas 23 x 29 inches This work is offered by ClampArt in New York City.

Louis Icart, French (1888 - 1950) - Mimi, Year: 1927, Medium: Color Etching, Signed in Pencil, Edition: 105/500, Image Size: 20.5 x 13 inches, Size: 27 in. x 19 in. (68.58 cm x ...

Ernest Fiene China Town, 1925 Signed and dated to lower right ‘Ernest Fiene 1925’. Watercolor on paper 18 1/2 x 14 5/8 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Title: Sky View Medium: Oil on canvas Size: 12 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting i...

Impressionist winter pastoral scene of a quaint snow covered home by New Hope, PA. Willett has portrayed this charming scene in a most intimate, yet energetic way, and has packed muc...

This is an assortment of 2 Lithographs by Andy Warhol, each piece described as follows: Andy Warhol's involvement in movie posters, particularly ...

Man with Flower and Bird Jovan Obican French/Yugoslavian (1918–1986) Date: circa 1980 Oil on board Size: 28 x 22 in. (71.12 x 55.88 cm) Frame Size: 30 x 24 inches

Title: Cute And Cool Dog Medium: Oil on canvas Size: 23.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Th...