New York City - Interior Paintings

A charming oil painting depicting an interior scene of an elegant woman crossing her legs, reclining on a chair. She exudes a calmness while we can feel the breeze coming through th...

Artist: Pietro Bulloni, Italian (1947 - ) Title: Programma Preferito (Roma) Year: 2015 Medium: Oil on Canvas, signed, dated, and titled verso Image Size: 12 x 12 inches Size: 15.5 x ...

Colin Ruffell is an English painter of interiors, cityscapes, and many other unique subjects. This bold and evocative 1970s painting by English artist Colin Ruffell captures a nosta...

Modernist artist studio scene. Framed. Oil and watercolor on paper. Signed. Image size, 22.5H by 17.5L.

Vintage American modernist interior scene with figures by Carol Lauttenbauch. Oil on canvas. Large scale work. Amazing detail and an intricate composition. Very impressive in per...

Antique American modernist interior scene with two monkeys. Oil on canvas. No signature found. Framed. Image size, 39H x 26L.

Charles Allan Cooke (British, early 20th century) Military Motor Ambulance Station, World War I, ca. 1916–1918 Oil on canvas, signed and inscribed on reverse In this powerful and ra...

Impressive early American modernist large flower still life oil painting. Framed. Oil on board. Image size, 35H by 23L.

Antique American oil painting. Oil on canvas. Measuring 18 by 22 inches.

William Fisher (American, 1891-1985) Untitled, 20th Century Oil on canvas/illustration 23 3/4 x 29 3/4 in. Framed: 31 x 37 1/4 x 1 in. Signed lower right: William Fisher William Fis...

After Bartolome Esteban Murillo (Spanish, 1618-1682), "The Little Fruitseller", Oil on Canvas, 19th century, apparently unsigned, depicting young girl and boy counting money over var...

Charles Blum (New York, 1925-1998), Windowsill Garden, Oil on Masonite Panel, 1966, signed and dated lower right, wood frame. Image: 48" H x 23.75" W; frame: 53" H x 29" W. Provenanc...

5158 Antique American oil painting straberries in a basket interior scene Late 19th century

A strong modernist oil painting depicted in 1969 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 21.75 x 18 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

Wonderful American modernist portrait painting. Framed. Oil on canvas. Image size, 20H by 16L.

French mid-Century Flower painting with thick impasto brush or palette knife strokes. One notable artist known for their mid-20th-century flower paintings with impasto is Vincent va...

Nicely painted early 1900's oil painting. by Richard Hook. Great color and composition. Nicely framed.

This still-life painting by George Weissbort exemplifies his mastery of classical realism and meticulous attention to detail. The composition is elegantly restrained, featuring a rus...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

A charming depiction of an interior scene with a woman playing the piano passionately. A cozy impressionistic scene with warmth and feeling. Whimsical details through out and beautif...

6010 Vintage Modernist Impressionist still life hydrangea bouquet in a torquoise vase, oil on canvas signed by P.Russo Unframed

An outstanding oil painting depicting a religious figure seated in a Synagogue with decorated columns and in between arches. The bright colors and quick brush strokes are what make t...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

Impressive early American modernist opera view interior oil painting by Dorothy Van Loan (1904 - 1999). Framed. Oil on canvas. Signed. Image size,...

Very impressive antique American flower still life oil painting. Stunning and unique original frame. Oil on canvas. Painting size, 18H by 14L. Exceptional quality. Signe...

A charming depiction of an interior scene with Piano and Chandelier. A cozy impressionistic scene with warmth and feeling. Whimsical details through out and beautiful brushwork. This...

Very nicely painted American school modernist painting. Oil on canvas. Signed. Nicely framed. Image size, 16L x 20H.

Impressive early American modernist flower still life painting by Henrietta Elizabeth Dodd Hoopes (1904 - 1996). Oil on board. Framed. Signed. Image size, 22 by 15 inches.

Very impressive mid 20th century modernist interior view. So well painted with great color and bold expressive strokes. Signed illegibly. Housed in a period modernist frame. Oil ...

Impressive early American modernist interior flower still life oil painting. Framed. Oil on canvas. Signed. Image size, 30H by 24L.

Oil on canvas signed and dated on reverse. Part ot a human and animal series by the artist ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic...

Robert W. Petrick City Life Acrylic on Canvas 36 x 36 x 1 inches This dynamic abstract "Construction" by Robert W. Petrick is inspired by city life. East Village, New York. Int...

We love this piece painted in relative monochromes of midnight blues and sage greys evoking stately strength and calm. 32 x 28 x 2 inches Oil paint, cold wax on canvas, stretched on...

Impressive Paris school modernist still life oil painting. Framed. Oil on canvas. Signed. Image size, 36H by 29L and overall 36 by 43 inches.

Antique impressionist flower still life oil painting. Oil on canvas. Signed. Framed. Measuring 31 by 37 inches overall.

Nicely painted American impressionist seashell still life painting by Chuck Fee Wong (1931 - 2008). Framed. Oil on canvas. Signed. Image size, 16H by 20L.

Nice modernist portrait for sale here. Oil on board. Signed. Nicely framed. Image size, 9L x 10H.

Modernist dog portrait. Finely painted. Measuring 24 by 30 inches.

Impressive early American impressionist theatre interior painting. Oil on canvas. Framed. Signed. Image size, 30 by 36 inches.

A cozy little jewel, we are charmed by the rich choice of color and intimate details throughout this miniature work. This painting depicts a woman in her bedroom near the Mantel with...

Impressive early American modernist still life oil painting. Framed. Oil on canvas. Signed. Image size, 10H by 8L.

Wonderful early American modernist cactus still life oil painting. Framed. Oil on canvas. Signed. Image size, 20H by 24L.

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...

Wonderfully painted American modernist still life oil painting. Framed. Oil on canvas. Image size, 24H by 20L. Finely executed realist school.

Very finely painted realist still life oil painting. Oil on canvas. Signed. Framed. Image size, 20H by 23L.

This artist is a recipient of the Pollock-Krasner grant awarded to artists with established abilities, established by the wife of Jackson Pollock. We love the work of this artist bec...

Very nicely painted American school Trompe L'oeil still life painting. Finely executed with great detail. Signed. Framed. Ready to hang!

A charming depiction of an interior scene with Piano and Chandelier. A cozy impressionistic scene with warmth and feeling. A sophisticated scene with stunning details and beautiful brushwork. Whisical, this piece captures the essence of a Parisian living room...

Vintage American modernist abstract interior painting. Oil on canvas, circa 1930. No signature found. Image size, 20L x 16H. Framing available.

Oil on canvasboard. Framed. No signature found.

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

Vintage American modernist abstract painting titled "Praying Mantis". Oil on canvas, circa 1970. Signed. Image size, 12L x 16H. Housed in a period wood frame.

Title: Production Plan-3 Medium: Oil on canvas Size: 11.5 x 11.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

Realistic landscape painting by Edie Nadelhaft - Oil on canvas, 16 x 20 inches. An avid motorcyclist, Edie Nadelhaft takes annual weeks...

This painting depicts an interior scene done in Paris. The fun details are what make this painting so attractive and desirable; there is a wine bottle and flowers on top of the table...

Title: Room Medium: Oil on canvas Size: 16 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2014 Artist: ShaoHua Nong...

Make an offer on the fabulous Figure Multiple painting by Giancarlo Impiglia, Italian/American (1940). Date: 1989 Oil on Canvas, signed, dated, and title...

An interesting and colourful classic 1950s English Interior. Jack Griffin was an English painter of interiors, landscapes and riverside scenes. He mostly painted in England, but was ...

Very impressive early American modernist flower still life oil painting. Framed. Oil on canvas. Image size, 12H by 16L. Exceptional...

This is a stunning elegant, colourful and textured oil painting. Ekaterina Popova's series titled "In the Bedroom" captures the light subtleties and f...