New York City - Landscape Paintings

This painting captures an impressionistic scene at the beach with beautiful brushwork and whimsical colors. The work is a following of Edward Potthast, capturing the beach and times ...

Painted by Hudson River School artist Julie Hart Beers (1835-1913), "Summer along the Boquet River" is oil on canvas and measures 9 x 11 inches. It is signed and dated 1875 at the lo...

A Painting depicting an amusement park exploding in vibrant colors. The painting is signed "William Wright" lower right. Oil on Canvas. 20 x 24. Nicely framed.

Charles-Théodore Frère (French, 1814-1888) "A Street Scene in Cairo" In a carved wood frame painted to mimic tortoiseshell with a pale green velour liner.  Circa 1888 Signed Oil...

Nicely painted mid century hard edge abstract by Gabrielle Roos. Oil on canvas. Signed verso.

3924 Landscape oil painting on artist board Set in a pickled oak period frame Image size 19.5x15.5" Signed on verso

A whimsical oil painting depicting a Courtyard Scene in Lombardy, Italy by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produced in the first hal...

Title: After The Snow Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

Original Oil Painting by Anita Mazzucca Anita Mazzucca (b. 1945, New Jersey) completed her BFA in 1967 at the Pratt Institute in New York. She creates detailed landscape paintings s...

Title: Small Pond Under The Mountain Medium: Oil on canvas Size: 15 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. ...

Title: Summer Medium: Oil on canvas Size: 11.5 x 15 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting i...

Title: Red House Medium: Oil on canvas Size: 33 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting ...

This painting depicts an impressionistic scene of New York City of the Empire State Building from Madison Square Park and 5th Avenue in the summer on a busy day with cars on the stre...

Ernest Fiene China Town, 1925 Signed and dated to lower right ‘Ernest Fiene 1925’. Watercolor on paper 18 1/2 x 14 5/8 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Nicely painted large atmospheric sunset seascape painting. Large and impressive in person. Oil on canvas. Framed. Signed. Image size, 24"H x 48"L.

4026 Cows at rivers edge oil on canvas landscape painting Set in a period frame Image size 16x20"

Nicely painted 19th century woodland interior landscape painting. Oil on board. Framed. Image size, 7.5 by 9.5 inches. Housed in period frame.

Very nicely painted mid century modernist abstract oil painting. Framed. Oil on board. Signed. Image size, 26H by 19L.

5095 Primative village winter scene scating scene on board set in a silver gilt wood frame signed Lane Hanford

Nicely painted mid century impressionist oil painting by Kamil Kubik (1930 - 2011). Oil on board. Housed in a nice giltwood impressionist frame. Signed.

Irwin Hoffman Baseball in the Farmyard Signed lower right Oil on canvas 24 1/2 x 29 1/2 inches Irwin D. Hoffman was born on Chelsea Street, East Boston in 1901, one of four sons of...

Harrison Bird Brown (1831 - 1915) Grand Manan Oil on canvas 12 x 20 inches Signed with initials lower left Harrison Bird Brown was born in 1831 in Portland, Maine, and is best known for his White Mountain landscapes and marine paintings of Maine's Casco Bay...

Impressive early American impressionist beach scene oil painting by Carl W. Brandien (1886 - 1965). Framed. Oil on board. Signed. Image size, 9H by 12L.

A charming depiction of The Plaza Hotel in New York City with figures walking down the street, with a horse and carriage scene in the distance. A cozy impressionistic street scene wi...

Painted by Hudson River School artist Johann Hermann Carmiencke, "Hudson River Landscape" is oil on canvas and measures 12 x 18 inches. The painting is signed and dated 1865 at the l...

Title: Early In The Morning Medium: Oil on canvas Size: 27 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Thi...

Signed lower left in arrowhead: RA Blakelock.

#5-3303 French Riviera,vintage acrylic on board set in a wood frame,signed by Misishi .Image size 10.5 H x 13.5 W

Large and impressive early European impressionist painting. Housed in a great gold giltwood frame. Oil on canvas. Signed. Image size, 20H by 30L.

Antique American impressionist seascape oil painting by J. Redding Kelly (1870 - 1939). Oil on board. Signed. Framed. Measuring 18 by 21 inches overall and 12 by 16 painting alone.

Title: Memory I Medium: Oil on canvas Size: 31 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unst...

A wonderful Impressionist Snow covered pastoral scene of the colorful and quaint early morning Carversville Pa Bucks County. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much feeling into this large scale work. It is almost as if we are there in the snow in the early morning, bringing a beautiful feeling of nostalgia. Christopher is known for capturing the beauty and simplicity of an earlier time of the 20th Century; old New York, families working together, villages and farms and friends taking walks together. Many are depicted in recognizable historical settings and this piece is an excellent example of this as he captures a snow-filled historic setting of Bucks County with the calm, endearing charm of a snowy morning. Christopher engages his audience with the quick use of brushwork and great attention to picking up the energy passionately of his subjects. This piece is signed lower right and it comes housed in a wood carved antique gold tone wood frame ready to be displayed with hanging with wire on verso. Art measures 12.5 x 15.5 inches Frame measures 15 x 19 inches Christopher Willett, was born in 1959 in Bucks County Pennsylvania and is mostly known for his landscape paintings. Willett, a painter with a family lineage dating back to ancestors arriving in this country aboard the Mayflower and Victory, settling Plymouth. Some recorded family history finds a Willett ancestor, Augustine Willett whom was a Captain of historic repute under the command of General Washington. Additionally, in more recent history, Willett artisans became renowned for their designs and beautiful works in stained glass that adorn the Bryn Athen Cathedral- for the Pit Cairn estate. Willett, is also a descendant of the renowned painter Edward Hicks...

Antique American modernist abstract oil painting. Oil on canvas. Image size, 24L x 36H.

Pacita Abad Morning has broken, 2001 Oil, sequins, painted cloth stitched on canvas 12 × 12 in l 30.5 × 30.5 cm 18 x 18 in l 45 x 35 cm (Frame included) Exhibited: Hadeland Glassver...

Alison Bolton studied fine art at Salisbury School of Art and Hornsey College of Art with Maurice de Sausmarez. After leaving college, Alison resumed painting once her children were ...

Title: Reed I Medium: Oil on canvas Size: 16 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is ...

Antique American impressionist fall landscape oil painting by Leonard Rodowicz (1898 - 1981). Oil on board. Signed verso. Framed. Measuring 16 by 19 i...

Title: House Landscape Medium: Watercolor on paper Style: Impressionist Size: 14"" x 21 1/2"" Frame Size: 21"" x 28 1/2"" Age: 1970s Signature: Taeko Yonetani Provenance: ...

5-3737 Acrylic on artist board set in a vintage wood frame

Impressionist pastoral scene of a quaint marine view of the docks and fishermen of the iconic fishing shack on Bearskin Neck located on Bradley Wharf in the harbor town of Rockport, ...

5070 Antique oil painting men on tropical island setting sail

Wonderful American impressionist landscape oil painting by John J. Inglis (1867 - 1946). Colorful and vibrant cherry blossom view. Framed. Oil on canvas. Signed. Image size, 24H...

Frederick Dickinson Williams Fishing in Autumn, 1914 Signed and dated lower left Oil on board 9 1/4 x 6 7/8 inches Frederick Dickinson W...

Impressionist landscape along the French Riviera probably from Agay, France, c. 1922 captures the light in this beautiful region showing the nuances of the landscape Bears Signature...

Title: Birch Forest Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Kendrick Lamar 2023 Acrylic on canvas 10 x 8 inches Signed and dated on verso by the artist Matthew Hanzman is a self taught painter whose work ranges from bold, whimsical figuratio...

Nicely painted European impressionist cityscape oil painting. Framed. Oil on canvas. Signed.

Antique oil painting of soldiers and woman on the street. Oil on board. Framed.

Title: Spring Stream Medium: Oil on canvas Size: 16 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Joseph Rodefer DeCamp (1858 - 1923) Summer Landscape Oil on board 11 x 15 inches Signed lower right Born in Cincinnati, Ohio on November 5, 1858, Joseph DeCamp began his artistic career in his teens and remained active throughout his life. Although he initially painted landscapes, Decamp became a renowned and respected portraitist. He was famous for his images of men of high society and women within domestic interiors. Decamp began his artistic training in 1873 when he enrolled in the McMicken School of Art and Design in Cincinnati. The head of the school, Thomas Satterwhite Noble, was a European-trained painter whose "insistence on rigorous draftsmanship, true to the academic manner in which he had been trained, exerted a lasting influence on DeCamp." DeCamp studied under Noble for five years, but was also a student of Frank Duveneck at the Ohio Mechanics Institute. He adopted Duveneck's bold, realistic style and many of his paintings executed throughout the 1870s and 1880s reflect this influence. Like most American artists of his generation, DeCamp went abroad to study. In 1878, following in the footsteps of Duveneck and other Midwesterners, he traveled to Munich to attend the Royal Bavarian Academy. Soon after his arrival, however, he gravitated away from the academy and towards Duveneck and eventually followed his mentor to Florence and Venice. During these years, DeCamp focused on landscape and portraiture as his primary subjects. These themes would continue to occupy the artist when he returned to America in 1883. When DeCamp arrived back in the United States in 1883, he first settled in Cincinnati, but soon moved to Cleveland to teach at what is now Case Western Reserve University. He then relocated once more to the Boston area, where he would remain for most of his life. DeCamp began teaching at Wellesley Female Academy and, in the fall of 1885, began as an instructor at the School of Drawing and Painting at the Museum of Fine Arts in Boston. He quickly established himself as one of the leading figures in the Boston art community and became a founding member of The Ten American Painters, formulated in 1897. This group included Childe Hassam, John Henry Twachtman, Julian Alden Weir, Frank Benson, Thomas Dewing, Willard Metcalf, Robert Reid, Edward Simmons...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Lauded by critics and collectors alike, the art of Gary Ernest Smith resonates in the mind and memory of contemporary America. Over the past years the artist’s one-man shows have att...

This painting depicts an impressionistic scene in a Parisian Village in France on a spring day, with beautiful brushwork and whimsical colors. The energy of the street is captured wi...

3600a Oil on artist board Set in a simple white wood frame

5-3537 Reverse oil painting on glass with gilt detailing. Set in a gilt wood frame Image size 9.5x7.5"

This painting depicts a colorful landscape scene by Pont Neuf with Notre Dam in the distance behind the bridge. The attractive perspective is what makes this painting so interesting ...

A rare modern impressionist view of the Seine and the Notre Dame Cathedral in Paris by well listed artist Manuel Ortiz de Zarate. Signed Ortiz and created c. 1930 this wonderful p...

Hannah's Window is a figurative artwork featuring a female swimmer in a red bathing suit moving through the water. It is a mixed media painting on painted wood grained paper. Artwork is 26 x 20. It is framed to 32 x 26 with a white frame. This is part of the latest series by Hawaii artist, Carol Bennett. Carol Bennett spends all of her time surrounded by water, and a great deal within it. Her work is a meditative journey through both the water and through life. She is intrigued by how life continues to flow and change, being both in the moment and timeless. The viewer will experience being in a state “flow” – where the currents of the ocean suspend life and self, and the unexpected floats to the surface. Carol's work has been featured in many solo and group exhibits throughout California, New York, Martha's Vineyard and Hawaii including a 2007 solo show at the First Hawaiian Center at the Contemporary Museum of Art (Honolulu) and a 2018 group show "Making Waves" exhibit at the Honolulu Museum of Art. Her work was seen alongside April Gornik, Agnes Martin, Kiki Smith, and Pat Steir. In 2019, she was also featured in exhibits at the Maui Arts & Cultural Center, the Hawaii State Art Museum and a solo exhibit at the Honolulu Museum of Art. She has been featured in Hamptons Cottages & Gardens, Ocean Home Magazine and the New York Times. Carol's artwork has also been featured in Designer Showhouses in Westchester NY and the Hamptons, and is part of public and private collections around the world. Elisa Contemporary Art...