New York City - Landscape Paintings

Impressive early American modernist beach scene oil painting by Brooks Kelly (1935 - 2012). Framed. Oil on canvas, lain to board. Signed. Image size, 12H by 16L.

Title: Sleepless City Medium: Oil on canvas Size: 15.5 x 11.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

Title: Light And Shadow Medium: Oil on canvas Size: 15.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Thi...

Title: Mountain Top Medium: Oil on canvas Size: 23.5 x 29 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

Artist: Charles Cobelle, French (1902 - 1994) Title: Monument Year: circa 1960 Medium: Acrylic on Canvas, signed l.r. Size: 24 x 30 in. (60.96 x 76.2 cm) Frame: 28.75 x 33 inches

Very finely painted and impressive mid 20th century impressionist seascape with a pelican. Exhibition label verso. Framed.

Title: Water Study II Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

This painting depicts a whimsical seascape of a Connecticut town with the village houses and buildings ashore, with a few boats anchored in the area. The bright colors and quick brus...

Antique American modernist abstract landscape oil painting. Oil on canvas. Framed.

George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found...

"Gnarly" is a stunning, elegant painting depicting a mystic olive tree in the center, surrounded by a rich golden background. Artist Anastasia Gklava is an expert at applying gold le...

Nikol Schattenstein (1877 - 1954) Day at the Beach Oil on canvas 27 3/4 x 33 1/2 inches Signed lower left Provenance: Descended in the family of the artist Estate of Howard Aronso...

Here we have a beautiful period 1921 charming oil painting by Emile Ancelet. Painting depicts a mother and child in a landscape. Painted almost Like a ...

Title: Hometown Medium: Oil on canvas Size: 15.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Wolf Kahn Ocean Cove, 1996 Pastel on paper painting Hand signed and dated by Wolf Kahn on the lower right Frame included: matted and framed in a wood frame with UV plexiglass This u...

Title: Next To Water And Mountain Medium: Oil on canvas Size: 15.5 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: T...

Renwick Taylor Above the Bay, 1925 Oil on board Signed (Lower right and verso): RENWICK TAYLOR

Antique American impressionist seascape oil painting by Ralph Von Lehmden (Born 1908). Oil on canvas. Signed. Framed. Measuring 15 by 22 inches overall and 13 by 20 painting alone.

Title: Lake Reflection Medium: Oil on canvas Size: 19.5 x 27.25inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. No...

2757 Autumn in France, oil on canvas displayed in a green matted wood frame.Signed in the back by a Russian artist.

Marion Maas (American, b. 1930) Untitled, c. 1980s Oil on canvas 21 7/8 x 27 1/2 in. Framed: 23 1/2 x 29 1/4 x 1 in. Signed lower right Landscape, figurat...

Georgina Klitgaard (1893 - 1976) Buttermilk Bay, Cape Cod, Massachusetts, 1933 Oil on canvas 18 x 30 inches Signed lower right Provenance: Frank K. M. Rehn Galleries, New York Harold Ordway Rugg Private Collection, Western New York Georgina Berrian was born in Spuyten Duyvil, New York in 1893. She was educated at Barnard College...

Wolf Kahn Summer Studio, 2012 Signed lower center Pastel on paper 9 x 11 1/2 inches An important member of the second generation New York School, Wolf ...

Title: Untitled Medium: Oil on canvas Size: 22 x 18 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa A...

Very finely painted winter impressionist landscape by Allen Dean Cochran (1888 - 1971). Oil on canvas. Housed in a spectacular, period, gold giltwood frame. Signed.

Artist: Charles Cobelle, French (1902 - 1994) Title: Eiffel Tower with Three French Flags Year: circa 1959 Medium: Acrylic on paper, Signed lower right Size: 24 x 32 in. (60.96 x 81....

Sara MacCulloch South Harbour , 2021 oil on canvas 16 x 16 in. (macc083) This original oil painting on canvas by Sara MacCulloch depicts a serene and beautiful coastal beach scene i...

Title: Stream Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is ...

Title: Looking The City From Distance Medium: Oil on canvas Size: 23 x 30 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2000 Circa Artist: Mingjun Wang...

Signed indistinctly lower right

Charles Cobelle, French (1902 - 1994) - Paris Bridges 1. Year: circa 1950, Medium: Acrylic on Canvas, signed lower left, Size: 20 x 24 in. (50.8 x 60.96 cm), Frame Size: 30.5 x 34.5 ...

Title: Stone path Inside The Building Medium: Oil on canvas Size: 19.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent conditi...

Title: Warm Winter Medium: Oil on canvas Size: 17.5 x 17.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pa...

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

Artist: Joseph Dande, Hungarian (1911 - ) Title: Snowy Banks of the River Year: circa 1960 Medium: Oil on Canvas, signed l.l. Size: 24 x 36 in. (60.96 x 91.44 cm) Frame: 32 x 44 inches

#5-2752b Tuscan Country House Landscape, a country scene painting , oil on artist board displayed in a gilt-silver wood frame, signed lower left by Wane. Image size 17 H x 12.5 W

Nice quality modernist painting. Oil on canvas. Framed. Image size, 16L x 12H.

Countryside, 1876 Oil on canvas 13 1/2 x 11 in. Framed: 17 1/2 x 15 x 1 1/2 in. Signed lower left and dated 1876

A quaint depiction of Figures in the snow by the Cabin in the Country. Nemethy uses fine detailed techniques with wonderful impressions. We can feel the warmth of the piece with uniq...

A charming depiction of Restaurant Cafe, located in Amsterdam. A cozy impressionistic street scene with colors of vibrant turquoise, lush greens, and yellow ochres. This painting was...

"Loch Long" by John Brandon Smith (British, 1848-1884), is a 19th-century British Romantic oil on canvas landscape painting. Signed "J.B. Smith on the lower right and is in a giltwoo...

Mystery European Artist Untitled (Countryside Farmette), c. 1880 Oil on canvas 12 x 10 in. Framed: 16 x 13 1/2 x 1 1/2 in.

“Bright Blooms 4” - Oil, Acrylic, and Ink on Canvas, 36 x 48 inches “Azalea Light” radiates with a lush vibrancy, where soft magenta blooms and golden hues blend effortlessly with t...

A fine depiction of a winter season by Palisade Mountain during twilight. For this wonderful depiction, Nemethy uses a fine technique which depicts the landscape and the pathway in a...

Victor Mikhail Arnautoff (1896 - 1979) Motion (Mile Rocks Lighthouse), San Francisco, 1939 Oil and tempera on board 60 x 40 inches Signed lower left Provenance: The artist California School of Fine Arts (CFSA) John & Lynne Bolen Fine Arts, Huntington Beach, California Exhibited: New York, World's Fair, Exhibition of Contemporary American Art, 1939. San Francisco Museum of Art, 1962. Literature: American Art from the New York World's Fair 1939, Poughkeepsie, 1987, no. 11, p. 41, illustrated. Robert W. Cherny, Victor Arnautoff and the Politics of Art, Urbana, Illinois, 2017. The lighthouse in the distance is the Mile Rocks Lighthouse in San Francisco Bay, built in 1906 after many shipwrecks made the lighthouse necessary. In 1962 the lighthouse was reduced in size to make room for a helipad. Arnautoff was the son of a Russian Orthodox priest. He showed a talent for art from an early age and hoped to study art after graduating from the gymnasium in Mariupol. With the outbreak of World War I, he enrolled in the Yelizavetgrad Cavalry School. He went on to hold military leadership positions in the army of Nicholas II and the White Siberian army. With the defeat of the Whites in Siberia, he crossed into northeastern China and surrendered his weapons. Arnautoff remained in China for five years. He again tried to pursue art, but was impoverished and took a position training the cavalry of the warlord Zhang Zuolin. He met and married Lydia Blonsky and they had two sons, Michael and Vasily. In November 1925 Arnautoff went to San Francisco on a student visa to study at the California School of Fine Arts. There he studied sculpture with Edgar Walter and painting with several instructors. His wife and children joined him, and they all continued to Mexico in 1929, where, on Ralph Stackpole...

Antique French modern painting of a fall forest. Oil on board, circa 1950. Signed. Image size, 15.5L x 9.75H. Housed in a period giltwood f...

George Howell Gay (American, 1858-1931) Untitled Seascape, c. late 19th-early 20th century Watercolor on board 12 x 17 3/4 in. Framed: 16 1/4 x 22 1/4 in. Signed lower right: Geo Howell Gay George H. Gay was well known for his watercolor landscapes, seascapes and paintings of rivers and ships, mostly along the shores of New England. Gay also painted snowscapes, but these are scarcer. It is unusual to find an oil painting by this artist, as he worked mainly in watercolor. Some of his works display a tonalist aesthetic. He was born in Milwaukee, Wisconsin on July 2, 1858, and lived in Chicago and then in 1889, settled in Bronxville, New York. Gay was a pupil of Paul Brown and Henry Elkins in Chicago. He is known to have exhibited at the National Academy of Design in 1890; Boston Art...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Jasper F. Cropsey An Autumn Landscape Signed and dated J.F. Cropsey 1898 Oil on canvas 14 x 24 inches Provenance Private Collection Texas, acquired in the early 1900s Thence by desc...

Albert Heckman Glasco Landscape, circa 1940 Signed lower right Oil on canvas 25 1/4 x 39 1/2 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...

#5-3281a Red Barn,vintage acrylic palette on board, set in a wood frame, signed by M.Federe lower right .Image size 13.5 H x 9.5 W Age wear on the frame

Nicely painted American school abstract geometric painting. Oil on canvas. Framed.

Streeter Blair Overholser Family, 1890, Sterling, Illinois, 1949 Signed, titled, and dated lower left Oil on canvas 8 x 10 inches Primitive painter St...

This painting depicts a whimsical scene of a nude sun bather resting by the lake with the trees and vegetation on the background. The bright colors and quick brush strokes are what m...

Listed vintage oil painting of rolling waves in Gloucester, MA. This work was created by listed female artist Regina Gates. Regina Martin Gates was born in 1896 in Watervliet, Alban...

Artist: George Shawe, American (1915 - 1995) Title: Craig's Cove, Nova Scotia Medium: Oil on Canvas, signed Size: 24 in. x 30 in. (60.96 cm x 76.2 cm) Frame Size: 31.5 x 37.5 inches

Title: Spring Series III Medium: Oil on canvas Size: 16 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This p...

Narcisse Diaz de la Peña Nymphs in a Landscape Estate sale seal lower left Oil on board 9 1/4 x 11 1/4 inches Narcisse Diaz de la Peña was born in 1808 in...