New York City - Landscape Paintings

Signed lower right: W Whittredge

Anita Mazzucca (b. 1945, New Jersey) completed her BFA in 1967 at the Pratt Institute in New York. She creates detailed landscape paintings sourced from the parks and farmland of her...

Title: Alley Medium: Oil on canvas Size: 23 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is...

5024 Florence Italy city scape set in a carved wood frame Signed L.Kohn

This work by Lucien Adrion is a wonderful representation of his impressionistic works depicting the "Pont De La Concorde" bridge across the Seine in Paris with the Eiffel tower in the distance. Using a bright palette of colors, Adrion executes this piece with much attention to detail with figures and cars over the bridge and a man leaning against the edge overlooking the bright water and reflections. There is a boat lower right and we can feel the warmth of the sun contrasted with the cool breeze of the water. The figures are wonderfully executed by the artist in a very whimsical way that leaves us with an essence of fun and enjoyment from that sunny day at the Seine. As this tourist destination was a favorite of the artist to find inspiration and highly attractive subjects and compositions to represent. The piece is signed by the artist lower right and titled on verso, it comes housed in a French giltwood frame with hanging wire on verso ready to be displayed. Art measures 20 x 29 inches Frame measures 25.5 x 34.5 inches Lucien Adrion was born May 25, 1889 in Strasbourg, France. He was a French Post-Impressionist painter, draftsman, and printmaker known for his depictions of the French countryside and beaches, as well as Parisian life including landscape, still life, figure, and landmarks paintings. He began his initial studies in Strasbourg as a technical draughtsman. In 1907, at the age of 18, he left his hometown Strasbourg and traveled to Paris, where he found employment in a large drafting company to work as a fashion illustrator. Adrion changed his mind upon arrival and rather than working for a large company, he decided to peruse his artistic career by traveling to London, Munich, and Frankfurt. As the World War broke out he had to go to Berlin, where he studied as an engraver with Hermann Struck, who was also the teacher of Marc Chagall. He remained in Berlin until the war ended and after the demobilization, Lucien would study engraving under Franz Ritter von Struck...

In many ways Ernest Lawson bridges the work of the American Impressionists and the Realists of Robert Henri’s circle. Although he is often thought of as a painter of pure landscapes, who’s primary interests were light and atmospheric effects, after settling in Washington Heights...

Y. Gonez (French, mid-20th century) Flower Market at La Madeleine, Paris, ca. 1950s Oil on canvas, in a Montparnasse-style frame With bold strokes and a flourish of color, Y. Gonez ...

5164 American Modern monochromatic seascape Image size 24x19" Framed Signed Jerry Gaster

Antique European impressionist street scene oil painting. Oil on board. Framed. Signed. Measuring: 18 by 25 inches overall, and 13 by 20 painting alone. In excellent original cond...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Antique American school modernist landscape oil painting. Oil on canvas. Signed. Framed. Measuring 18 by 21 inches overall. In excellent original condition. Handsomely framed in a ...

Antique American modernist painting. Watercolor and gouache on paper. Framed. Signed. In excellent original condition. Handsomely framed in a modern molding. Excellent condition, ...

This lyrical 1935 oil painting by rare female American artist Eva L. Stephey captures a solitary white swan gliding through a twilight pond, encircled by blooming pink lotus flowers ...

Signed lower left: H. GASSER

Title: Cockscomb Flower III Medium: Oil on canvas Size: 12 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Thi...

Leo Cahn Untitled, 1947 Oil on board 35 3/4 x 23 3/8 in. Framed: 42 1/2 x 30 1/2 x 2 in. Signed and dated lower left

Jules Cavailles French, 1901-1977 View from a Parisian window 1937 Oil on canvas 24 ½ x 20 ¾ inches (62 x 53 cm) Framed: 27 x 23 inches (86 x 76 cm) Signed lower right and verso: J...

19th century Hudson River School landscape oil painting. Oil on board. Framed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready ...

Frame size: 34x26.5" Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an inspiration to begi...

3940 Dutch bucolic landscape oil painting on canvas Cows and sheep grazing Image size 9x11"

Antique American school modernist landscape sunset painting. In excellent original condition. Handsomely framed in a giltwood molding. Excellent condition, ready to hang and enjoy....

Title: My Hometown Scenery III Medium: Oil on canvas Size: 14 x 14 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: ...

Artist: Margaretha E. Albers, American (1881 - 1977) Title: South Street, New York Year: circa 1940 Medium: Oil on Canvas, signed l.r. Size: 20 in. x 16 in. (50.8 cm x 40.64 cm)

3787 Antique folk art oil painting Image size 17x23.5" Folk art wood frame

Signed (at lower left): WILLIAM S. SCHWARTZ

Vintage signed modernist seascape painting by Gabriel Godard (Born 1933). Oil on canvas. Framed. Signed. Housed in a wide giltwood frame. Thick impasto and wonderful colors. I...

Signed (at lower left): W.R. Miller/ 1851

Title: Xuefeng Mountain I Medium: Oil on canvas Size: 15.5 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Thi...

Signed and dated lower left: F. Rondel / 1860

It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...

Title: Set The Sail Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Title: After the rain Medium: Oil on canvas Size: 15 x 20 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

Well painted English late 20th-century marine scene of a Yacht racing off The Fast Net Lighthouse which is situated off the coast of Ireland. Ian McLean wa...

Havana, Cuba - Time marches on everywhere. In Cuba, as in many tropical countries, the pace seems slower in the country and in the villages, but accelerated, almost frenetic, in big ...

Hayley Lever Winter in St. Ives Signed lower left Oil on canvas 8 1/2 x 11 1/4 inches Hayley Lever’s versatility has worked against his posthumous reputation. He was never associat...

Impressionist New York City winter city-scene depicting the New York City Library on 42nd Street with pedestrians going through the snow in a most intimate, yet energetic way. Christ...

Antique American school modernist seascape sunset oil painting. Oil on canvas. Signed. Framed. Measuring: 28 by 32 inches overall, and 20 by 24 painting alone.. In excellent origina...

6011 Oil on canvas the streets of Paris set in a vintage wood frame Image size 9.5x8"

Nicely painted American impressionist fall landscape painting. Great colors and thick impasto. Housed in wide gold giltwood frame. Oil on canvas. Image size, 16"H x 20"L.

Voyeur is a monochromatic architectural painting and a cityscape. It is Oil and Acrylic on Wood Panel, 30x30. It is sold individually or as a diptych with Ruled by Shapes/Destroyed by Geometry. Jason Wright was born in the United States (1975). He studied Painting and Graphic Design at the Corcoran College of Art and Design in Washington, DC. Jason was immersed in art from a young age, illustrating and designing graphics for the surfing, skateboarding, and snowboarding industry. Apart from his current body of work, he is an accomplished mix media painter, as well as a medaled action sports athlete. His current work focuses on the theory of shelter, and explores the relationship between the simplistic shape of a home and it's ever presence in our lives, his work is generally rendered in a dusk, dawn, or full moon setting. Wright’s passion for HDR and long exposure photography...

19th century English Folk Art Landscape with Cottage. This charming English Victorian 19th-century folk art landscape is a delightful portrayal of pastoral life, blending a quaint t...

Signed and dated lower left: PAUL CORNOYER / 1912

5090 Italian large costal scene painting set in a walnut frame Signed lower left and rear

A wonderful Impressionist Snow covered pastoral scene of the colorful and quaint early morning Carversville Pa Bucks County. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much feeling into this large scale work. It is almost as if we are there in the snow in the early morning, bringing a beautiful feeling of nostalgia. Christopher is known for capturing the beauty and simplicity of an earlier time of the 20th Century; old New York, families working together, villages and farms and friends taking walks together. Many are depicted in recognizable historical settings and this piece is an excellent example of this as he captures a snow-filled historic setting of Bucks County with the calm, endearing charm of a snowy morning. Christopher engages his audience with the quick use of brushwork and great attention to picking up the energy passionately of his subjects. This piece is signed lower right and it comes housed in a wood carved antique gold tone wood frame ready to be displayed with hanging with wire on verso. Art measures 12.5 x 15.5 inches Frame measures 15 x 19 inches Christopher Willett, was born in 1959 in Bucks County Pennsylvania and is mostly known for his landscape paintings. Willett, a painter with a family lineage dating back to ancestors arriving in this country aboard the Mayflower and Victory, settling Plymouth. Some recorded family history finds a Willett ancestor, Augustine Willett whom was a Captain of historic repute under the command of General Washington. Additionally, in more recent history, Willett artisans became renowned for their designs and beautiful works in stained glass that adorn the Bryn Athen Cathedral- for the Pit Cairn estate. Willett, is also a descendant of the renowned painter Edward Hicks...

3944 Antique oil on artist board,1965 Set in a period frame Image size 19.5x15.5" Signed

5-2729a Vintage underwater seascape on canvas Displayed in a silvered wood frame Image size 15.5x 23

This antique Italian oil painting features a vibrant sunlit mountain landscape rendered in warm golden tones and dramatic purples. Painted in an impressionist style, the composition ...

Title: Old Town River View Medium: Oil on canvas Size: 27 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 20...

Title: Unnamed Paper Plane III Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2012 Artist: Mingjun Wang...

Havana, Cuba – The initial smaller painting/study for the larger piece entitled, “Moonlight Serenade”. Whereas the larger painting features two cars plus a full moon, here a solitary...

Frame size: 28.75x23" Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an inspiration to beg...

In northern Norway the midnight sun sets over the stillness of a strange dusk that will rise again in moments. Surrounded by mysterious dark mountains and unbelievable views of the a...

5-2646 Scandinavian figurative landscape ,oil on artist board Displayed in a gilt wood frame Image size 19,5x15.5 overall 23.5x 19.5

#5-3293a VintageFrench Impressionistic style landscape, oil palette technique on a board ,signed by Savino, displayed in a wood frame.

A prominent 19th century landscapist, Hudson River School painter James McDougal Hart's (1828-1901) A Day in November, 1863 is oil on canvas and measures 10.5 x 18 inches. The painti...

Blick aufs Meer Gaston Sebire, French (1920–2001) Oil on Canvas, signed lower right Size: 36 x 28 in. (91.44 x 71.12 cm) Frame Size: 44 x 36.5 inches Provenance: Wally Findlay Gallery

In his watercolor painting, “Man in a Rowboat,” Henry Martin Gasser paints a man standing in a small boat on a creek between two houses; power lines stretch across the sky above.

5163 Vingage American framed painting Montauk Fleet Signed James Salmone Image size 23x19"

Leon Foster Jones Corner of my Garden, 1902 Signed and dated lower left Oil on canvas 26 x 25 inches Provenance Goldfield Galleries, Los Angeles, California Private Collection, Virg...

Roy Cleveland Nuse was a Pennsylvania Impressionist artist and a teacher at the Pennsylvania Academy of the Fine Arts in Philadelphia, Pennsylvania.