New York City - Landscape Paintings

Artist: Alexandre Sacha Garbell, French (1903 - 1970) Title: Israel Year: circa 1958 Medium: Gouache on Paper, signed Image Size: 4.5 x 6.5 inches Frame Size: 12.75 x 15.25 inches

Artist: Vladimir Poutchkov (Russian/American XXth) Title: Landscape with Ruins Year: circa 1985 Medium: Tempera and Watercolor on Paper, signed l...

In his oil painting, “Birches in Autumn,” Carl Wuermer paints abrook running through a meadow and bordered by evergreens and birches displaying autumn color.

Antique American modernist surreal oil painting. Oil on canvas. Framed. Signed illegibly.

"Night Tripper" Triptych - Set of 3 night driving road landscape paintings by Edie Nadelhaft - Oil on canvas. Painting size: 12" x 12" inches (each) I...

Title: Church in Qingdao Series III Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. N...

Title: Qingdao Series II Medium: Oil on canvas Size: 19.5 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This...

“Battling Lovers” is part of a series of representational arboreal paintings by Allison Green. It depicts two thin, bare white birch trees with tangl...

Title: Summer Fantasy Series IV Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note:...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer h...

Georg Hermann Engelhardt (German, 1855-1934), Alpine Mountain Village Scene, Oil on Canvas, 1934, signed and dated lower right, giltwood frame. Canvas: 27.5" H x 38.25" W; frame: 31....

After Eugene Joseph Verboeckhoven (Belgian, 1798-1881), "Passing the Brook", Oil on Canvas, 1854, unsigned. Image: 29" H x 40" W; frame: 34" H x 46" W.

Michael Knigin, American (1942 - 2011) - Cosmic Desire V, Year: 2009, Medium: Chromogenic Print and Acrylic on canvas, signed and dated in pen lower left, titled on verso, Size: 49.7...

Anne Diggory (b. 1951) Grandstand Crowd, Saratoga Springs Racecourse, New York Oil on panel 26 x 31 inches Initialed lower right: APD Anne Diggory lives ...

Rafael Fernandez - New Years Eve, New York, Year: circa 1960, Medium: Gouache on Board, signed lower right, signed in pencil on verso, Image Size: 7 x 8 inches, Size: 11 x 8.5 in. (...

Paul Greene (1925 - 2020) Berkshire Hills Landscape, Massachusetts Oil on canvas 50 x 97 inches Signed lower right Provenance: Private Collection, Great Barrington...

Fernando Batista (American, b. 1925), Harbor Scene, Oil on Canvas, signed lower left, with artist plaque to wood frame. Image: 19.75" H x 23.5" W; frame: 25" H x 29.5" W. Provenance:...

Title: Women Salon Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paintin...

Henriette Amiard Oberteuffer (1878 - 1962) Low Tide - Brittany, France Oil on canvasboard 18 x 21 1/2 inches Signed lower right Painter, printmaker, and teacher Henriette Amiard Oberteuffer (1878-1962) was born in Le Havre, France and studied at the Academie Julian in Paris with Jean-Paul Laurens and Benjamin Constant. She moved with her husband and fellow artist George Oberteuffer...

Very nicely painted American school abstract landscape painting. Framed in a period modernist wood molding. Oil on board. Image size, 24H by 29L.

Title: The Fighter Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paintin...

Title: The Helicopter Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

Title: Qingdao Series I Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pa...

Gouache on paper Signed and dated, l.r. 9 x 12 inches This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at Univ...

John Milton Metheany III (American, 1935-2020), Abstract Forest Clearing, Oil on Board, signed lower right, label to verso, giltwood frame. Image: 23" H x 25.25" W; frame: 24.5" H x ...

Franz Priking (1927 - 1979) Cityscape in France, n.d. Oil on canvas 46 x 32 inches Signed and dated lower left Provenance: Private Collection, New York ...

Born in Harlem, William Waithe studied painting, drafting and architecture at New York University and Queens College. He was known for painting outdoors, and is particularly identifi...

Antique American modernist view of homes in winter signed Timmens. Oil on board, circa 1935. Signed. Displayed in a period modernist frame. Image, 24"L x 20"H, overall 30"L x 25"H.

An Impressionist landscape painting of a lake and trees in Autumn by contemporary artist Erik Freyman. Nicely framed. Signed lower left Canvas size: 12 x 16 inches Frame size: 17.5...

Title: Resting Place Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Title: Daily Life Series III Medium: Oil on canvas Size: 20 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Th...

Title: Flying Crow Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paintin...

Very finely painted view of the Flatiron building in New York City. Oil on canvas. Framed. Signed. Measuring 29 by 37 overall and 20 by 28 painting alone.

Artist: Stanley Sobossek, American (1918 - 1996) Title: untitled - Village Canal Year: circa 1965 Medium: Oil on Canvas, Signed Size: 24 x 30 inches (60.96 x 76.2 cm)

John Edward Costigan Through the Woods Signed lower right Oil on masonite 30 x 27 1/2 inches John Costigan was a self-taught painter and trained printer distinguished by his impres...

This beautiful landscape painting by Olga is part of her Pandemic series she did during the Covid 19 pandemic. As oppose to the chaos the world is experiencing due to the pandemic, h...

Artist: Wolf Rohricht, German (1886 - 1953) Title: German Landscape Year: circa 1935 Medium: Oil on Canvas, signed l.r. Size: 32 x 40 inches [81 x 101.5 cm] Frame Size: 38.5 x 46.5 ...

“Summer Wave 1” - Oil, Acrylic, and Ink on Canvas, 48 x 48 inches Comes with a champagne color floater frame. “Summer Wave 1” radiates with a lush vibrancy, where waves of layered s...

HIERVE EL AGUA, an oil painting on canvas by Anna Ortiz, depicts a true landscape in Oaxaca, Mexico, with the artist's own intervention – a statue of a god ...

During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years of working predominantly in the studio. It has been heal...

HUEHUETEOTL, an oil painting on canvas by Anna Ortiz, depicts the ancient deity, the god of fire, as a woman feeling the weight of the world, enduring the p...

Nicely painted surreal nocturnal abstract oil painting by Paul Allen Reed (1919 - 2015) . Great color and composition. Framed. Signed verso.

Title: Greenery Medium: Oil on canvas Size: 15 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting i...

Unframed  10 x 7.5 inches Framed 13.25 x 10.25 inches During these difficult times I have been finding respite and refuge in nature, once again painting outdoors, after many years o...

David Shapiro (1944-2014) Hazy Day #2 Acrylic on board 29 7/8 x 30 7/8 in. Framed: 37 1/2 x 38 5/8 in. Signed lower right: David Shapiro Signed & inscribed verso: "Hazy Day #2" Davi...

Frank J. Boros (1943 - 2017) Tuesday - 8 O'clock Oil on canvas 48 x 51 inches Signed lower right Accompanied by original purchase invoice and letter from the artist. Provenance: T...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed illegibly.

Ernest Fiene Along the Kanahawa River, West Virginia, 1936 Signed lower right Oil on canvas 26 x 36 inches Fiene made a series of paintings, drawings and lithographs which are based on his travels through Pennsylvania and West Virginia during the winter of 1935-36. The industrial areas of Pennsylvania and West Virginia are represented in numerous oils, among which are some of his most well-known. Fiene wrote of the trip, "The increasing snow and atmospheric conditions [in the Kanawha River valley} enhanced this mountainous coal mining country with a majestic beauty." Winter on the River is Fiene's only American Artists Group print and there were only two lithographs produced from the West Virginia trip. The American Artists Group (AAG), under the direction of Carl Zigrosser, who was then working at New York's famed Weyhe Gallery, published ninety-three prints by over fifty artists in 1936 and 1937. Zigrosser's goal was to popularize contemporary American art through original prints offered at the low price of $2.75. The project was also a means to provide income for impoverished artists during the Depression. The prints were featured in many of the leading print exhibitions and publications of the period. The lithograph produced from this image is now in the collection of the Amon Carter Museum, Baltimore Museum of Art, Cleveland Museum of Art, Philadelphia Museum of Art, Pensacola Museum of Art, San Francisco Fine Arts Museum, Syracuse Museum, Yale University Art Museum. Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Gouache on paper Signed and dated, l.l. This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at University of Cali...

Gigi Mills' work is born out of her desire to simplify and reduce each moment to its essence; she achieves this by omitting mundane details from life that can often obscure genuine e...

Title: The Forgotten Sunflower III Medium: Oil on canvas Size: 21 x 16 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. No...

Title: The Forgotten Sunflower II Medium: Oil on canvas Size: 21 x 15 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Not...

Title: Four Season Series IV Medium: Oil on canvas Size: 11.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note...

Wonderful early American modernist sunset seascape painting. Oil on canvas. Framed. No signature found. Measuring 22 by 24 overall and image size, 20 by 18 inches.

"Endless Summer" is a well-known artwork among Peter Schenck's many remarkable paintings, and addresses subject matter that continues to engage the artist – the tools of painting and art making, including brushes, tubes of paint and palette knife are arranged in a child-like tableau alongside brightly colored and eroticized inflatables of the hand, the breast, the dollop of paint... And all of it reminiscent of toys on a beach under blue skies where anything should be possible. From Peter Schenck: "Endless Summer mixes up the time-honored tradition of the still life with my feelings on an artist's attachment to their tools – brush, palette, paint – an attachment at times bordering on erotic, at times feeling awkward and all-thumbs. I was also taking on Tom Wesselmann's concentrated still lives of the 60s and 70s, banal and erotic all at once." "Endless Summer" is an acrylic paint on canvas measuring 30" tall by 25" wide. It was included in the group show "Sitting Still" at Bravin Lee Programs Gallery, New York City in October 2017, and showed alongside work by Fairfield Porter, Thomas Nozkowski, Janet Fish, Robert DeNiro Sr...

Artist: Harry Lane, American (1891 - 1973) Title: Stockbridge Bowl Medium: Oil on Board, signed Size: 22 in. x 32 in. (55.88 cm x 81.28 cm) Frame Size: 28 x 38 inches

Gouache on paper This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at University of California, Berkeley. After...

Oil on Canvas, Made in Florence, Italy Daylight explores a playful world where dreams and reality meld together to create surreal moments. When engaging with Piussi's work, we enter an arena where we are immersed in childlike delight. We experience snapshot images of a world reduced to its essence, in a seemingly comic-book style that has echoes of Giotto and Paolo Uccello, and even of medieval illuminations. My work is simple: the subject matter is stripped to basics, so all that is engagement, controversy and links to reality is taken away, and what remains is an icon with an aura of philosophical suspension, and a window into the enigma of existence. Piussi’s work is directly influenced by artists Alex Katz and David Hockney, and his style reflects a comprehensive understanding of the work of Giotto and Paolo Uccello. In "Girl on a Rock with Mask”, the figure represented in this painting conveys a blank mood, such that the viewer is invited to examine their own intimate feelings that arise when observing the image. Piussi creates a universe of more profound truths in his examination of the tranquility of everyday life: he reminds us of our need for reflection, shows us a fearlessness in the face of stillness and the passage of time. The broad repertoire of his paintings, with their naturalistic color and semi-abstract shapes, presents us with Piussi’s views concerning our contemporary lives. Rather than mimic the appearance of nature, Piussi reaches for its essence, in visions that are devoid of distracting details. Women stand on the shores of quintessentially peaceful seas; they are self-contained, at ease. These women are unwitting replicas of classical goddesses. Or we see a proud diver echoing Neptune, holding his trident. Piussi was born in 1967 in Udine and raised in Florence, where he majored in sculpture at the Institute D’Arte. He completed his artistic education at Milano's Brera Art Academy where he majored in painting. Piussi went on to live in Florence, where he now pursues his passion for painting, bronze, terracotta sculpture and bas-reliefs. Giacomo Piussi...

Long Island City Contemporary artist Frederick Mershimer created this oil painting on a wooden panel in 2005. The painting (wood panel) is 10.25 x 21.25 inches (26 x 54 cm). This ...

The large abstract painting "BLACK MIRROR" by Jeffrey Kurland is an acrylic on canvas measuring 94" tall by 72" wide. BLACK MIRROR is new work from the long hot summer of 2020. Often...