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Item Ships From: New York City
Water Reflection, Abstract Color Photography by Geoffrey Baris, Red, Black
By Geoffrey Baris
Located in New York, NY
Water Reflection, Abstract Color Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certificate of authenticity. Signed and numbered...
Category
2010s Abstract New York City - Abstract Photography
Materials
Color, Archival Pigment
Water Reflection, Abstract ColorPhotography by Geoffrey Baris, Blue, Black
By Geoffrey Baris
Located in New York, NY
Water Reflection, Abstract Color Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certificate of authenticity. Signed and numbered...
Category
2010s Contemporary New York City - Abstract Photography
Materials
Color, Archival Pigment
Scars Prenzlauer Berg 612, Archival ink print on kozo (mulberry) paper
By Tamara Rafkin
Located in New York, NY
archival ink prints on mulberry paper. signed by the artist. edition of 3
Tamara Rafkin has been creating artwork most of her life and exhibiting her work for more than twenty yea...
Category
2010s Contemporary New York City - Abstract Photography
Materials
Archival Paper, Archival Pigment
"Abstract Composition XII" in Pink Red Green Black Modern Art Spots
Located in Brooklyn, NY
"Abstract Composition XII" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail whic...
Category
2010s Abstract New York City - Abstract Photography
Materials
Plexiglass, Photographic Paper
"Abstract Composition IV" in Black Turquoise Blue Yellow Orange Modern Art Spots
Located in Brooklyn, NY
"Abstract Composition III" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail whic...
Category
2010s Abstract New York City - Abstract Photography
Materials
Plexiglass, Photographic Paper
Big Sight, Large Scale Limited Photography by Pico Garcez
By Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category
2010s Realist New York City - Abstract Photography
Materials
Cotton, Archival Paper, Inkjet, Archival Pigment
"Abstract Composition VIII" in White Cream Black Modern Art Spots
Located in Brooklyn, NY
"Abstract Composition VIII" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail which largely goes unnoticed. Ins...
Category
2010s Abstract New York City - Abstract Photography
Materials
Plexiglass, Photographic Paper
Dust #4545, 40"x50" limited edition photograph
By Sasha Bezzubov
Located in New York, NY
40"x50" photograph edition of 5, signed on the reverse. Sasha Bezzubov’s photographic approach has developed through diverse series that address the contemporary condition and explore the nature of the document. Sasha Bezzubov uses a large format camera to photograph the people and the land in diverse series including, The Gringo Project, Expats and Natives, Things Fall Apart, The Searchers, Albedo Zone, Facts on the Ground and most recently, Republic of Dust.
Bezzubov is a two-time recipient of the Fulbright Scholarship Award. His work has been included in numerous solo and group exhibitions including International Biennial of Photography and Visual Arts (Liege, Belgium); Tucson Museum of Art; Museum Belvedere (The Netherlands); Herter Art Gallery (University of Massachusetts); Wavehill (New York); New Orleans Museum of Art; and Noorderlicht Photography Festival (The Netherlands). In 2009 Nazraelli Press published Bezzubov’s monograph Wildfire (introduction by Bill McKibben). In 2011 Daniel Cooney Fine Arts published Facts on the Ground (introduction by Lucy Lippard) to accompany the exhibition. His work is in permanent collections of the Metropolitan Museum of Art, the Museum of the City of New York, and the Joy of Giving Something Foundation. Bezzubov’s work has appeared in the New York Times Magazine, Harper’s, The Telegraph Magazine, Esquire, Newsweek, Time, Art & Auction, and Details; and has received critical acclaim in The New Yorker, Freeze, The Village Voice, The Brooklyn Rail and Print. In 2012, The Sylvia Bongo Foundation invited Sasha Bezzubov to Gabon, Central Africa. Republic of Dust, the series of photographs that resulted from this experience was exhibited at Front Room Gallery ( 48 Hester Street...
Category
2010s Contemporary New York City - Abstract Photography
Materials
Archival Pigment
Aluminum Siding Bale, 45"x30"
By Stephen Mallon
Located in New York, NY
45"x30" unframed photograph, signed on the reverse
This photograph is from Stephen Mallon's series, "American Reclamation" and depicts bailed Aluminum Siding.
The recycling indus...
Category
2010s Contemporary New York City - Abstract Photography
Materials
Photographic Paper, C Print
"Abstract Composition III" in Turquoise Blue Green Orange Modern Art Spots
Located in Brooklyn, NY
"Abstract Composition III" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail whic...
Category
2010s Abstract New York City - Abstract Photography
Materials
Plexiglass, Photographic Paper
"Abstract Composition VII" in Green Cream Black Modern Art Spots
Located in Brooklyn, NY
"Abstract Composition VII" by James Chadwick is from his series that takes from vintage patterning, zooming in to see the abstraction of the detail whic...
Category
2010s Abstract New York City - Abstract Photography
Materials
Plexiglass, Photographic Paper
Hand
By Mika Rottenberg
Located in New York, NY
Mika Rottenberg
Hand, 2008
C-print
27 x 20 inches (image and sheet)
28 x 21 inches (frame)
Unsigned
Category
Early 2000s Contemporary New York City - Abstract Photography
Materials
C Print
Atacama Mountains - Bright Landscape Photography by Brazilian Photographer
By Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category
2010s Realist New York City - Abstract Photography
Materials
Cotton, Archival Paper, Inkjet, Archival Pigment
"Diver in the Water" Edition of 5
By Stephen Mallon
Located in New York, NY
"Diver In Water" 40"x60" photograph - edition 1/5 (unframed)
Please inquire about additional editions and availability This iconic photograph is from the artist's series: "Brace F...
Category
21st Century and Contemporary Contemporary New York City - Abstract Photography
Materials
Photographic Paper, C Print
Pico Garcez - Atacama #1, Landscape Photography
By Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category
2010s Realist New York City - Abstract Photography
Materials
Cotton, Archival Paper, Inkjet, Archival Pigment
Mohamed Yakub White Gray Abstract Flower Oculus Architectural Figurative
Located in Nantucket, MA
Printed on Hahnemuhle paper. 310gsm 100% cellulose. This paper gives the illusion of velvet- gorgeous texture to image.
Epson Ultrachrome ProInk printer. Unframed image is 35.5"h x 33"w. Available unframed plus shipping in a tube. Photograph can be printed larger sizes.
This photograph is part of the Oculus Series. Mohamed roamed the Oculus Transportation building designed by Calatrava in NYC. Formal, elegant and other worldly.
Mohamad does not use titles for his photographs. Such naming or framing can constrain or shape a viewer’s engagement with an image. Without such titles, his imagery conjures imaginative spaces, movement and flow, worlds without the constraints of gravity, a visionary place of the mind or an otherworldly cosmos. In this way, his earlier fascination with streams of...
Category
2010s Abstract New York City - Abstract Photography
Materials
Archival Paper
Mohamed Yakub Abstract Oculus Architecture White Gray Photograph, Kenyan
Located in Nantucket, MA
Printed on Hahnemuhle paper, 310gsm 100% cellulose. This paper gives you a velvet like finish to the photograph. Printed on Epson Ultrachrome ProInk.
Available in larger sizes. Unframed image is 24"h x 41"w. priced at $5200 plus shipping in a tube.
This photograph is part of a Book of images he created with his photography of the Oculus Transportation Building in NYC designed by Calatrava. Mohamad does not use titles for his photographs. Such naming or framing can constrain or shape a viewer’s engagement with an image. Without such titles, his imagery conjures imaginative spaces, movement and flow, worlds without the constraints of gravity, a visionary place of the mind or an otherworldly cosmos. In this way, his earlier fascination with streams of light...
Category
2010s Abstract New York City - Abstract Photography
Materials
Archival Paper
Environmental aerial landscape color photograph: "My Land, My Landscape #37"
Located in New York, NY
32"x48" edition of 3 signed by the artist (fine art color photograph) This aerial landscape photograph depicts the sediments and water interacting at a tailing dam. Intense red, crim...
Category
2010s Contemporary New York City - Abstract Photography
Materials
Photographic Paper, Archival Pigment
Melting World 02
By Ori Gersht
Located in New York, NY
From the series Floating World
Category
2010s New York City - Abstract Photography
Materials
Archival Pigment
"Lines of Nature", Contemporary Abstract Landscape Color Photograph, 40"x60"
By Zoe Wetherall
Located in New York, NY
40"x60" limited edition of 5, signed on reverse by the artist. This aerial landscape photograph portrays horizontal bands of greens, browns, greys and beige from foliage, water, san...
Category
2010s Contemporary New York City - Abstract Photography
Materials
Archival Pigment
"Weeks 533" Edition of 5
By Stephen Mallon
Located in New York, NY
"Weeks 533" 30"x45" and 40"x60" photograph - edition 1/5 (unframed)
Please inquire about additional editions and availability This iconic photograph is from the artist's series: ...
Category
21st Century and Contemporary Contemporary New York City - Abstract Photography
Materials
Photographic Paper, C Print
Hangzhou, Zheijiang, China
By Lois Conner
Located in New York, NY
Lois Conner
Hangzhou, Zheijiang, China, 1998
Pigment ink on Hahnemühle cotton paper
17 x 35 1/2 inches (sheet)
29 3/8 x 45 3/4 inches (frame)
AP 3
Signed
Category
Late 20th Century Contemporary New York City - Abstract Photography
Materials
Rag Paper
Floating World 03
By Ori Gersht
Located in New York, NY
From the series Floating World
Category
2010s New York City - Abstract Photography
Materials
Archival Pigment
Pinned Down, Maine, 2012
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category
2010s Contemporary New York City - Abstract Photography
Materials
Archival Pigment
Hanging Garden
By Ori Gersht
Located in New York, NY
From the series Floating World
Category
2010s New York City - Abstract Photography
Materials
Archival Pigment
Pico Garcez - Atacama #1, Landscape Photography
By Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections.
Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart...
Category
2010s Realist New York City - Abstract Photography
Materials
Cotton, Archival Paper, Inkjet, Archival Pigment
Golden Light, Adirondacks, NY
By Lynda Churilla
Located in Hudson, NY
FINCH , Hudson, NY
ABOUT
In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work.
On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage...
Category
2010s Contemporary New York City - Abstract Photography
Materials
Archival Pigment
Remedy Weekend (Pink) metallic paper
By Wendy Small
Located in New York, NY
40"x32" photogram, metallic paper
Wendy Small’s “Remedy” photograms are made by collecting leaves, weeds, or flowers from a specific place (indicated in the title) and placing those ...
Category
2010s Abstract New York City - Abstract Photography
Materials
Photogram
Murmures 12
Located in New York, NY
Murmures 12
2020
Archival pigment print
32 × 24 in 81.3 × 61 cm
Edition of 1
“To see ourselves we need a mirror and when we look at the mirror what do we see?
Eleni Paridi's photo...
Category
2010s Contemporary New York City - Abstract Photography
Materials
Archival Pigment
Magnetic Alchemy 3.023 AD
Located in New York, NY
Magnetic Alchemy 3.023 AD
2019
Archival pigment print
32 × 24 in 81.3 × 61 cm
Edition of 1
“To see ourselves we need a mirror and when we look at the mirror what do we see?
Eleni ...
Category
2010s Contemporary New York City - Abstract Photography
Materials
Archival Pigment
Big Sight, Photography by Pico Garcez
By Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections.
Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart...
Category
2010s Realist New York City - Abstract Photography
Materials
Cotton, Archival Paper, Inkjet, Archival Pigment
Large Scale Color Photograph of Abstract Waterscape "In the Deep" series 1. #13
Located in New York, NY
Large Scale Limited edition color photograph, 40"x60" depicting an abstract waterscape that has a painterly feel. Below a golden yellow sky, a wave is pulled back to shore, with lines of rose pink, deep blue, turquoise and warm white. The photographer Danny Weiss...
Category
2010s Contemporary New York City - Abstract Photography
Materials
Photographic Paper
Floating Lane
By Ori Gersht
Located in New York, NY
From the series Floating World
Category
2010s New York City - Abstract Photography
Materials
Archival Pigment
"Watertight Hatches" Maritime Large Scale Color Fine Art Photograph
By Stephen Mallon
Located in New York, NY
C Print Photograph 40"x60" edition of 5, available unframed. This color photograph depicts an abstract composition of Watertight Hatches from the USS Radford, prior to its controlled...
Category
21st Century and Contemporary Contemporary New York City - Abstract Photography
Materials
C Print
"Track Lines" Large Scale Contemporary Minimalist Landscape Photograph
By Zoe Wetherall
Located in New York, NY
Horizontal stripes of white and brick red are masterfully composed to capture an elemental pattern within a track field. The textured green and beige ground activate the overall fie...
Category
2010s Abstract New York City - Abstract Photography
Materials
Archival Pigment
Scars Halensee 967, Archival ink print on kozo (mulberry) paper
By Tamara Rafkin
Located in New York, NY
archival ink prints on mulberry paper. signed by the artist. edition of 3
Tamara Rafkin has been creating artwork most of her life and exhibiting her work for more than twenty yea...
Category
2010s Contemporary New York City - Abstract Photography
Materials
Archival Paper, Archival Pigment
"In the Deep" Lavender Large Scale Abstract Color Photograph, Waterscape Wave
Located in New York, NY
Large Scale Limited edition color photograph, 40"x60" depicting an abstract waterscape with a lavender sky. This contemporary landscape photograph has has a painterly feel; the artist has captured a rising cusp of a wave with blue and cool white, against a violet and pink sky. The photographer Danny...
Category
2010s Contemporary New York City - Abstract Photography
Materials
Photographic Paper
"Diver in Icy Water" Edition of 5
By Stephen Mallon
Located in New York, NY
"Diver in Icy Water" 40"x60" photograph - edition 1/5 (unframed)
Please inquire about additional editions and availability This iconic photograph is from the artist's series: "Bra...
Category
21st Century and Contemporary Contemporary New York City - Abstract Photography
Materials
Photographic Paper, C Print
Horizons, New York, NY, 2016
By Benjamin Heller
Located in Hudson, NY
CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...
Category
2010s Contemporary New York City - Abstract Photography
Materials
Archival Pigment
Pink Cab - Florescent Abstract Photograph of New York City
By Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category
2010s Abstract Expressionist New York City - Abstract Photography
Materials
Cotton, Archival Paper, Inkjet, Archival Pigment
"Animals Feeding" Framed Contemporary Minimalist Landscape Photograph
By Zoe Wetherall
Located in New York, NY
framed in a white hard wood, shadowbox frame with spacers and plexi. 40"x60" limited edition photograph, signed by the artist. (unframed) Please inquire about framing options. This...
Category
2010s Contemporary New York City - Abstract Photography
Materials
Archival Pigment
"Bryce Canyon" American Landscape Photograph, Utah
By Zoe Wetherall
Located in New York, NY
28"x432 photograph, edition of 5 (limited edition archival pigment print)signed on reverse
This photograph gives an abstract view of the American Landscape of Utah from an aerial view. Taken from the air of a hot air balloon over Bryce Canyon...
Category
2010s Contemporary New York City - Abstract Photography
Materials
Archival Pigment
"Beatles 27" 40"x50" large format photogaraph, limited edition of 5
By Sasha Bezzubov and Jessica Sucher
Located in New York, NY
40"x50" edition 5, signed on the reverse. This photograph was taken in India at the Ashram where the Beatles stayed and wrote many famous songs. The abstract composition in aqua and white of a decaying wall captures the texture of the surface of the ruin, with a strong geometric split and organic texture of plants and ivy vines.
The collaborative artist team of Sasha Bezzubov and Jessica Sucher worked on this project, "The Searchers" and captured this stunning photograph prior to the location being reopened to the public.
The Searchers is a series of large-scale photographs examining Western...
Category
Early 2000s Contemporary New York City - Abstract Photography
Materials
Archival Pigment
Scars Mitte 105, Archival ink print on kozo (mulberry) paper
By Tamara Rafkin
Located in New York, NY
archival ink prints on mulberry paper. signed by the artist. edition of 3
Tamara Rafkin has been creating artwork most of her life and exhibiting her work for more than twenty yea...
Category
2010s Contemporary New York City - Abstract Photography
Materials
Archival Paper, Archival Pigment
Surrendering Into
By Victoria Goldman
Located in Hudson, NY
Color, Women, Woman, Water, Swimming, Summer, ocean, ocean photography, photography, color photography, Victoria Goldman, archival pigment print, water, woman, swimming
color photog...
Category
21st Century and Contemporary Contemporary New York City - Abstract Photography
Materials
Archival Pigment
Tree, 1995
By Todd Burris
Located in Hudson, NY
Black and white, nature, trees, grainy, film, sky, nature, B&W, black and white photography, tree, Todd Burris, outdoors.
Listing is for UNFRAMED print. Inquire within for framing.
...
Category
21st Century and Contemporary Contemporary New York City - Abstract Photography
Materials
Archival Ink, Archival Paper
Fuzzy Dice
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary New York City - Abstract Photography
Materials
Silver Gelatin
Squiggles
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary New York City - Abstract Photography
Materials
Silver Gelatin
Alex Collar
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary New York City - Abstract Photography
Materials
Silver Gelatin
Surf
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
1980s Contemporary New York City - Abstract Photography
Materials
Silver Gelatin
"Exotic Aroma of Memory", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary New York City - Abstract Photography
Materials
Archival Pigment
"Champion Spark Plug", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary New York City - Abstract Photography
Materials
Archival Paper, Pigment
"Rope Starter", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary New York City - Abstract Photography
Materials
Archival Paper, Pigment
"Drive Chain", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York City - Abstract Photography
Materials
Archival Paper, Pigment
"Lead Screw", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York City - Abstract Photography
Materials
Archival Paper, Pigment
"Portal", 2011
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 15.
Price Range: $500.00 to $3500.00
Size Range: 8" x10", 11" x14", 16" x 20", 20" x 24", 30" x 40"
If...
Category
21st Century and Contemporary Contemporary New York City - Abstract Photography
Materials
Archival Pigment
Dark Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 2 of 25.
If the...
Category
21st Century and Contemporary Contemporary New York City - Abstract Photography
Materials
Archival Paper
"Mid City, Los Angeles, December 2001", Los Angeles, 2001
By Thomas Michael Alleman
Located in Hudson, NY
A much needed reminded stands out amidst the hectic LA commute: DREAM.
Thomas Alleman’s urban landscapes convey the pulsating energy and sensual excitement of city life. With an eye...
Category
21st Century and Contemporary Contemporary New York City - Abstract Photography
Materials
Archival Pigment
