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Item Ships From: New York City
Folk Dance on Independence Day, Modern Screenprint by Mark Tobey
By Mark Tobey
Located in Long Island City, NY
Mark Tobey, American (1890 - 1976) - Folk Dance on Independence Day, Year: 1972, Medium: Screenprint on laid Richard de Bas, signed and numbered in pencil, Edition: 35/175, Image S...
Category
1970s Modern New York City - Figurative Prints
Materials
Screen
Le Supplice du Garrot, Old Masters Heliogravure Etching by Francisco de Goya
By Francisco Goya
Located in Long Island City, NY
Francisco de Goya, After by Amand Durand, Spanish (1746 - 1828) - Le Supplice du Garrot, Year: 1875, Medium: Heliogravure, Size: 12.5 x 8.5 in. (31.75 x 21.59 cm), Printer: Amand Durand, Description: An Amand Durand etching...
Category
1870s Old Masters New York City - Figurative Prints
Materials
Etching
$1,600 Sale Price
20% Off
Hands, Large Abstract Etching by Louisa Chase
By Louisa Chase
Located in Long Island City, NY
Artist: Louisa Chase, American (1951 - 2016)
Title: Untitled (Hands)
Year: 1990
Medium: Etching and Chine Colle, Signed and Numbered in Pencil
Edition: 30
Paper Size: 35 x 50.5 Inche...
Category
1990s Abstract Expressionist New York City - Figurative Prints
Materials
Etching
Joseph Hirsch, (Cutting the Beard)
By Joseph Hirsch
Located in New York, NY
A man with lots of whiskers is trimming his facial hair while looking in a mirror. The male figure and his beard are carefully drawn but Hirsch has cleverly just briefly sketched in ...
Category
Mid-20th Century Ashcan School New York City - Figurative Prints
Materials
Lithograph
Summer Breeze, Signed Art Deco Screenprint by Erté
By Erté
Located in Long Island City, NY
Artist: Erte
Title: Summer Breeze
Year: circa 1982
Medium: Serigraph, Signed and Numbered in Pencil
Edition: 197/300
Image Size: 26.5 x 19 inches
Size: 30.5 in. x 23 in. (77.47 cm x ...
Category
1980s Art Deco New York City - Figurative Prints
Materials
Screen
"Vincent: A Delirium, " Collection of 6 prints with prose by Frederic Tuten
By Eric Fischl
Located in Long Island City, NY
Artist: Eric Fischl, American (b. 1948)
Title: Vincent: A Delirium
Year: 1993
Medium: Collection of 6 Aquatints with prose by Frederic Tuten, lithograph inset into cover, signed and ...
Category
1990s Contemporary New York City - Figurative Prints
Materials
Aquatint
Nu se Tordant les Cheveux, Cubist Lithograph after Pablo Picasso
By Pablo Picasso
Located in Long Island City, NY
A lithograph reproduction from the Marina Picasso Estate Collection after the Pablo Picasso painting "Nu se tordant les cheveux". The original painting was completed in 1952. In the...
Category
1980s Modern New York City - Figurative Prints
Materials
Lithograph
Cosmicstrip III, Aquatint Etching by Roberto Matta
By Roberto Matta
Located in Long Island City, NY
Cosmicstrip III by Roberto Matta, Chilean (1911–2002)
Date: 1959
Etching, signed and numbered in pencil
Edition of 21/50
Image Size: 14.75 x 19.25 inches
Frame Size: 23.75 x 28 inche...
Category
1950s Surrealist New York City - Figurative Prints
Materials
Etching, Aquatint
Music to Heaven, Modern Lithograph by Ira Moskowitz
By Ira Moskowitz
Located in Long Island City, NY
Ira Moskowitz, Polish/American (1912 - 2001) - Music to Heaven, Year: 1972, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 29.5 x 21 in. (74.93 x 53.34 cm...
Category
1970s Modern New York City - Figurative Prints
Materials
Lithograph
Claude a Deux Ans
By Pablo Picasso
Located in Long Island City, NY
In this vibrant print, Pablo Picasso welcomes the viewer into an interior scene in which a young female figure plays with her wheeled horse. Focusing on the theme of children and the...
Category
Late 20th Century Cubist New York City - Figurative Prints
Materials
Lithograph
$10,000
Raymond Pettibon 1993-2006 (a collection of 6 announcements)
By Raymond Pettibon
Located in NEW YORK, NY
Raymond Pettibon 1993-2006:
A curated set of 6 vintage Raymond Pettibon illustrated announcement cards.
Medium: 6 offset printed announcement cards. 1993-2006.
Dimensions ranging from: 4.125 x 5.375 inches to 8.75 x 5.5 inches.
Condition: Each in good to very good overall vintage condition.
Each unsigned from an edition of unknown.
Published on the occasion of the following Pettibon exhibitions:
- Ikon LTD./Kay Richards, 1999
- Feature 1993
- Macba 2002
- Regen Projects 2006
- Santa Monica: Museum of Modern Art 2001
- David Zwirner 1997
Further background on announcement cards:
"The only way you could let people know a show was happening was through an announcement or a poster. The art world was also much smaller at the time, so if you mailed out 200 invites, you were reaching a good core of the art world." (Rosen).
Raymond Pettibon is a contemporary American artist known for his stylized ink drawings combining images and text. His inventive narratives blend historical content with consumer culture to yield incisive critiques of contemporary society. “I was making my work as transparent as possible, without equivocations, without calling attention to itself, without apology,” he explained. “There's a lot of conventions in the art world that are not to be transgressed, but my economy of means doesn't abide by those strictures.” Born Raymond Ginn on June 16, 1957 in Tucson, AZ, the artist is self-taught, but cites drawings by William Blake, Edward Hopper, Francisco Goya, and John Sloan as instructive to his practice. Deriving inspiration from comics, cartoons, and other pop culture iconography, Pettibon began designing album covers and ephemera for his brother’s band Black Flag in the mid-1970s. He went on to produce cover art for Sonic Youth, the Minutemen, and the Foo Fighters. In 2017, the artist was the subject of the major retrospective “Raymond Pettibon: A Pen of All Work,” held at the New Museum in New York, where he currently lives and works. Today, his works can be found in the collections of the Centre Georges Pompidou in Paris, The Museum of Modern Art in New York, and the Tate Gallery in London, among others.
Related categories:
Raymond Pettibon poster...
Category
1990s Pop Art New York City - Figurative Prints
Materials
Offset
Bonnard's Bath
By Mel Ramos
Located in Long Island City, NY
Artist: Mel Ramos
Title: Bonnard's Bath
Year: 1979
Medium: Lithograph, signed and numbered in pencil
Edition: 500, HC
Paper Size: 21 x 28 inches
Frame Size: 29 x 35 inches
Category
1970s Pop Art New York City - Figurative Prints
Materials
Lithograph
Challah, Folk Art Etching with Aquatint by Ira Moskowitz
By Ira Moskowitz
Located in Long Island City, NY
Ira Moskowitz, Polish/American (1912 - 2001) - Challah, Year: circa 1970, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 45/120, Size: 10 x 11.75 in. (25.4 ...
Category
1970s Folk Art New York City - Figurative Prints
Materials
Etching
Le cercle visceral du Cosmos from La Conquete du Cosmos Etching by Salvador Dali
By Salvador Dalí
Located in Long Island City, NY
Artist: Salvador Dali, Spanish (1904 - 1989)
Title: Le cercle visceral du Cosmos from La Conquete du Cosmos
Year: 1974
Medium: Etching with Litho...
Category
1970s Surrealist New York City - Figurative Prints
Materials
Lithograph, Etching
Girl in Blue, Modern Portrait Lithograph by Charles Levier
By Charles Levier
Located in Long Island City, NY
Girl in Blue
Charles Levier, French (1920–2003)
Date: circa 1970
Lithograph, signed in pencil l.r.
Edition of 250
Image Size: 24 x 17 inches
Size: 30 x 22 in. (76.2 x 55.88 cm)
Category
1970s Fauvist New York City - Figurative Prints
Materials
Lithograph
Psalm of Psalms, Folk Art Lithograph by Ira Moskowitz
By Ira Moskowitz
Located in Long Island City, NY
Ira Moskowitz, Polish/American (1912 - 2001) - Psalm of Psalms, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 68/300, Image Size: 29.75 x 21.25 inch...
Category
1980s Folk Art New York City - Figurative Prints
Materials
Lithograph
Untitled (Interior with Figures) [Acrobat]
By Jared French
Located in New York, NY
Engraving (State IV)
11.5 x 6.75 inches (29.2 x 17.1 cm), sheet
6 x 4 inches (15.24 x 10.16 cm), plate
Literature:
Alfonso Panzetta, Jared French by Jared French: 600 Unpublished W...
Category
1930s New York City - Figurative Prints
Materials
Engraving
Zsa Zsa, Erté, Original Lithograph (Signed)
By Erté
Located in New York, NY
“Zsa Zsa” is a wonderful original Art Deco lithograph created by a famous Russian-born French artist Erté (Romain de Tirtoff).
Image size (with signature): 2...
Category
Late 20th Century Art Deco New York City - Figurative Prints
Materials
Lithograph
Ancient Gold, Pop Art Archival Pigment Print by Michael Knigin
By Michael Knigin
Located in Long Island City, NY
Michael Knigin, American (1942 - 2011) - Ancient Gold, Year: 2010, Medium: Archival Pigment Print, signed, numbered, dated, and titled, Edition: AP, Image Size: 22 x 17 inches, S...
Category
2010s Pop Art New York City - Figurative Prints
Materials
Pigment
Klimt, Lithograph by Estelle Ginsburg
Located in Long Island City, NY
Klimt
Estelle Ginsburg, American
Date: circa 1979
Screenprint, signed and numbered in pencil
Edition of 500, AP 50
Size: 21.5 in. x 29 in. (54.61 cm x 73.66 cm)
Category
1970s Expressionist New York City - Figurative Prints
Materials
Lithograph
Kiki Smith, Toxicology, Linotype and engraving, Signed by artist & poet, Framed
By Kiki Smith
Located in New York, NY
Kiki Smith
Toxicology, 2009
Linotype and engraving in black, gray, and yellow on white wove paper. Printed from a magnesium engraving on Vandercook cylinder presses.
Hand signed by ...
Category
Early 2000s Contemporary New York City - Figurative Prints
Materials
Etching, Linocut
Basquiat Boxing Poster 1997
By Michael Halsband
Located in NEW YORK, NY
Basquiat boxing poster 1997:
This rare double-sided 1997 Basquiat boxing poster was published on occasion of the 1990s exhibition, “Jean-Michel Basquiat Works and Portraits” at Parco...
Category
1990s Pop Art New York City - Figurative Prints
Materials
Lithograph, Offset
Fred Nagler, Harlem River (New York City)
By Fred Nagler
Located in New York, NY
Massachusetts-born Fred Nagler studied at the Art Students League from 1914 to 1917, with George Bridgeman and Robert Henri, and eventually became a member of the Board of Control. ...
Category
1920s Ashcan School New York City - Figurative Prints
Materials
Etching
Tennis, Contemporary Lithograph by Beryl Cook
By Beryl Cook
Located in Long Island City, NY
Artist: Beryl Cook, British (1927 - 2008)
Title: Tennis
Medium: Lithograph, signed and numbered in pencil
Edition: 300
Size: 34 in. x 27 in. (86.36 cm x 68.58 cm)
Category
1980s Contemporary New York City - Figurative Prints
Materials
Lithograph
$1,200 Sale Price
20% Off
Grotesque, Surrealist Ink Drawing on Paper by Leonard Baskin
By Leonard Baskin
Located in Long Island City, NY
Artist: Leonard Baskin, American (1922 - 2000)
Title: Grotesque
Year: 1969
Medium: Ink on Paper, signed
Size: 40 in. x 27.5 in. (101.6 cm x 69.85 cm)
Frame Size: 45 x 32 inches
Category
1960s Surrealist New York City - Figurative Prints
Materials
Ink, Paper
John Chamberlain, Signed Western Union cable re: sculpture show at Leo Castelli
By John Chamberlain
Located in New York, NY
John Chamberlain
Hand Signed Letter re: Leo Castelli Exhibition, 1982
Typewriter on paper (hand signed)
6 1/2 × 8 1/2 inches
Hand-signed by artist, Signed in purple felt tip marker
Hand signed telegraph/letter refers to Chamberlain's exhibition at the legendary Leo Castell Gallery.
A piece of history!
John Chamberlain Biography
John Chamberlain (1927 – 2011) was a quintessentially American artist, channeling the innovative power of the postwar years into a relentlessly inventive practice spanning six decades. He first achieved renown for sculptures made in the late 1950s through 1960s from automobile parts—these were path-breaking works that effectively transformed the gestural energy of Abstract Expressionist painting into three dimensions. Ranging in scale from miniature to monumental, Chamberlain’s compositions of twisted, crushed, and forged metal also bridged the divide between Process Art and Minimalism, drawing tenets of both into a new kinship. These singular works established him as one of the first American artists to determine color as a natural component of abstract sculpture. From the late 1960s until the end of his life, Chamberlain harnessed the expressive potential of an astonishing array of materials, which varied from Plexiglas, resin, and paint, to foam, aluminum foil, and paper bags.
After spending three years in the United States Navy during World War II, Chamberlain enrolled in the Art Institute of Chicago and Black Mountain College, where he developed the critical underpinnings of his work. Chamberlain lived and worked in many parts of the United States, moving between New York City, Long Island, Los Angeles, Santa Fe, Connecticut, and Sarasota, before finally settling on Shelter Island. In many ways, each location provoked a distinct material sensibility, often defined by the availability of that material or the limitations of physical space. In New York City, Chamberlain pulled scrap metal and twelve-inch acoustic tiles from the ceiling of his studio apartment. He chose urethane in Los Angeles in 1965 (a material he had been considering for many years), and film in Mexico in 1968. He eventually returned to metal in 1972, and, in Sarasota, he expanded the scale of his works to make his iconic Gondolas (1981 – 1982). The movement of the artist and the subsequent evolution of the work is indicative not only of a kind of American restlessness but also of Chamberlain’s own personal evolution: he sometimes described his use of automobile materials as sculptural self-portraits, infused with balance and rhythm characteristic of the artist himself.
Chamberlain refused to separate color from his practice, saying, ‘I never thought of sculpture without color. Do you see anything around that has no color? Do you live in a world with no color?’. He both honored and assigned value to color in his practice—in his early sculptures color was not added, but composed from the preexisting palette of his chosen automobile parts. Chamberlain later began adding color to metal in 1974, dripping and spraying—and sometimes sandblasting—paint and lacquer onto his metal components prior to their integration. With his polyurethane foam works, color was a variable of light: ultraviolet rays or sunlight turned the material from white to amber. It was this profound visual effect that brought the artist’s personal Abstract Expressionist hand into industrial three-dimensional sculpture. Chamberlain moved seamlessly through scale and volume, creating material explorations in monumental, heavy-gauge painted aluminum foil in the 1970s, and later in the 1980s and 1990s, miniatures in colorful aluminum foil and chromium painted steel.
Central to Chamberlain’s works is the notion that sculpture denotes a great deal of weight and physicality, disrupting whatever space it occupies. In the Barges series (1971 – 1983) he made immense foam couches, inviting spectators to lounge upon the cushioned landscape. At the end of his career, Chamberlain shifted his practice outdoors, and through a series of determined experiments, finally created brilliant, candy-colored sculptures in twisted aluminum foil. In 2012, four of these sculptures were shown outside the Seagram Building in New York, accompanied by playful titles such as ‘PINEAPPLESURPRISE’ (2010) and ‘MERMAIDSMISCHIEF’ (2009). These final works exemplify Chamberlain’s lifelong dedication to change—of his materials, of his practice, and, consequently, of American Art.
Chamberlain has been the subject of numerous solo exhibitions, including two major Retrospectives at the Solomon R. Guggenheim Museum in New York NY in 2012 and 1971; ‘John Chamberlain, Squeezed and Tied. Foam and Paper Sculptures 1969-70,’ Dan Flavin Art Institute, Dia Center for the Arts, Bridgehampton NY (2007); ‘John Chamberlain. Foam Sculptures 1966–1981, Photographs 1989–2004,’ Chinati Foundation, Marfa TX (2005); ‘John Chamberlain. Current Work and Fond Memories, Sculptures and Photographs 1967–1995,’ Stedelijk Museum, Amsterdam, Netherlands (Traveling Exhibition) (1996); and ‘John Chamberlain. Sculpture, 1954–1985,’ Museum of Contemporary Art, Los Angeles CA (1986). Chamberlain’s sculptures are part of permanent exhibitions at the Chinati Foundation in Marfa TX and at Dia:Beacon in upstate New York. In 1964, Chamberlain represented the United States in the American Pavilion at the 32nd International Exhibition of the Venice Biennale. He received many awards during his life, including a Doctor of Fine Arts, honoris causa, from the College for Creative Studies, Detroit (2010); the Distinction in Sculpture Honor from the Sculpture Center, New York (1999); the Gold Medal from The National Arts Club Award, New York (1997); the Lifetime Achievement Award in Contemporary Sculpture by the International Sculpture Center, Washington D.C. (1993); and the Skowhegan Medal for Sculpture, New York NY (1993).
-Courtesy Hauser & Wirth
Leo Castelli
Leo Castelli was born in 1907 in Trieste, a city on the Adriatic sea, which, at the time, was the main port of the Austro-Hungarian Empire. Leo’s father, Ernest Kraus, was the regional director for Austria-Hungary’s largest bank, the Kreditandstalt; his mother, Bianca Castelli, was the daughter of a Triesten coffee merchant.
With the outbreak of World War I in 1914 the Kraus family relocated to Vienna where Leo continued his education. A particularly memorable moment for Leo during this period of his life was the funeral of Emperor Francis Joseph which he witnessed in November of 1916. Leo and his family returned to Trieste when the war ended in 1918. With the fall of the Austro-Hungarian Empire Trieste embraced its new Italian identity. Motivated by this shift Ernest decided to adopt his wife's more Italian-sounding maiden name, Castelli, which his children also assumed.
In many ways the Castelli’s return Trieste after the war marked an optimistic new beginning for the family. Ernest was made director of the Banca Commerciale Italiana, which had replaced the Kreditandstalt as the top bank in Trieste. This elevated position allowed Ernest and Bianca to cultivate a cosmopolitan life-style. Together they hosted frequent parties which brought them in contact with a spectrum of political, financial, and cultural luminaries. Growing up in such an environment fostered in Leo and his two siblings, Silvia and Giorgio, a strong appreciation of high culture. During this time Leo developed a passion for Modern literature and perfected his fluency in German, French, Italian, and English.
After earning his law degree at the University of Milan in 1932, Leo began his adult life as an insurance agent in Bucharest. Although Leo found the job unfulfilling and tedious, the people he met in Bucharest made up for this deficiency. Among the most significant of Leo’s acquaintances during this time was the eminent businessman, Mihail Shapira. Leo eventually became friendly with the rest of the Shapira family and in 1933 he married Mihail's youngest daughter, Ileana.
In 1934 Leo and Ileana moved to Paris where, thanks to his step-father’s influence, Leo was able to get a job in the Paris branch of the Banca d'Italia. In the same year, Leo met the interior designer René Drouin, who became his close friend. In the spring of 1938, while walking through the Place Vendôme, Leo and René came across a storefront for rent between the Ritz hotel and a Schiaparelli boutique. The space immediately impressed them as an ideal location for an art gallery, a plan which became reality the following spring in 1939. The Drouin Gallery opened with an exhibition featuring painting and furniture by Surrealist artists including Léonor Fini, Augene Berman, Meret Oppenheim, Max Ernst, and Salvador Dali. Despite the success of this initial exhibition, the gallery proved short-lived. Germany invaded Poland on September 1, 1939 marking the start of World War II and consequently the temporary end of the Drouin gallery. René was called to serve in the French army, while Leo, Ileana, and their three-year-old daughter Nina moved to the relative safety of Cannes, where Ileana’s family owned a summer house.
As the war escalated, it became evident that Europe was no longer safe for the Castelli family—Leo and Ileana were both Jewish. In March of 1941, Leo, Ileana and Nina fled to New York bringing with them Nina’s nurse Frances and their dog, Noodle. After a year of moving around the city, the family took up permanent residence at 4 East 77 Street in a townhouse Mihail had bought. Nine months after his arrival in New York, in December of 1943, Leo volunteered for the US army, expediting his naturalization as a US citizen. Owing to his facility with languages, Leo was assigned to serve in the U.S. Army Intelligence Corp, a position which he held for two years, until February 1946.
While on military leave in 1945 Leo visited Paris and stopped by Place Vendôme gallery where René had once more set up business selling work by European avant-garde artists such as Jean Dubuffet and Jean Fautrier. The meeting not only rekindled René and Leo’s friendship but also the latter’s interest in art dealing, a pursuit which Leo began to view as more than a mere hobby but as a potential career. After reconnecting, the two friends decided to go back into partnership with Leo acting as the New York representative for the Drouin Gallery. Working in this capacity, Leo began to form relationships with some of the New York art world’s most influential figures, including Peggy Guggenhiem, Sydney Janis, Willem De Kooning, and Jackson Pollock.
By the late 40s Leo’s ties with René Drouin had begun to slacken, while his alliance with the dealer Sydney Janis became closer. Janis opened his New York gallery in 1948 and in 1950 invited Leo to curate an exhibition of contemporary French and American artists. The show drew a significant connection between the venerable tradition of European Modernism and the emerging artists of the New York School. Not long after this, in 1951, Leo was asked by these same New York School artists to organize the groundbreaking Ninth Street Show. This exhibition was instrumental in establishing Abstract Expressionism as the preeminent art movement of the post-war era.
Leo founded his own gallery in 1957, transforming the living room on the fourth floor of the 77th Street townhouse into an exhibition space. Perhaps the most critical moment of Leo’s career occurred later that year, when he first visited the studios of Robert Rauschenberg and Jasper Johns. In 1958 Leo gave Johns and Rauschenberg solo shows, in January and March respectively. For Johns, this was the first solo show of his career. These exhibitions received wide critical acclaim, solidifying Leo’s reputation not only as a dealer but as the arbiter of a new and important art movement.
Over the course of the 1960s Leo played a formative role in launching the careers of many of the most significant artists of the twentieth century including Roy Lichtenstein, Andy Warhol, Claes Oldenberg, Cy Twombly, Donald Judd, Dan Flavin, Robert Morris, Bruce Nauman, Richard Serra, Joseph Kosuth and Lawrence Weiner. Through his support of these artists Leo likewise helped cultivate and define the movements of Pop, Minimalism, Conceptual Art, and Post-Minimalism.
As business expanded over the course of the 60s and artistic trends shifted in favor of larger artworks, Leo realized that his townhouse gallery was not sufficient to meet these new demands. Indicative of the trend toward maximal art...
Category
1980s Abstract Expressionist New York City - Figurative Prints
Materials
Ink, Lithograph, Offset
Pierrot avec Parapluie, Surrealist Etching by Marc Chagall
By Marc Chagall
Located in Long Island City, NY
Marc Chagall, Russian (1887 - 1985) - Pierrot avec Parapluie, Year: 1927, Medium: Etching and Aquatint on Richard de Bas, Image Size: 14.25 x 11.5 inches, Size: 22 x 16 in. (55.88 ...
Category
1920s Surrealist New York City - Figurative Prints
Materials
Etching
Femme Dessinant, Femme Assoupi - Cubist Lithograph after Pablo Picasso
By Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme Dessinant, Femme Assoupi". The original painting was completed in 1935. In the 1970's ...
Category
1980s Modern New York City - Figurative Prints
Materials
Lithograph
George's Car Wash, Pop Art Screenprint by Seymour Chwast
By Seymour Chwast
Located in Long Island City, NY
Artist: Seymour Chwast, American (1931 - )
Title: George's Car Wash
Year: Circa 1978
Medium: Screenprint, signed and numbered in pencil
Edition: 250, AP 50
Image Size: 30.5 x 23 ...
Category
1970s Pop Art New York City - Figurative Prints
Materials
Screen
Quels sont ils ces Rivages, Psychedelic Art Lithograph by Theo Tobiasse
By Théo Tobiasse
Located in Long Island City, NY
Artist: Theo Tobiasse, French/Israeli (1927 - 2012)
Title: Quels sont ils ces Rivages
Year: circa 1980
Medium: Lithograph, signed in pencil
Edition: Essai
Image Size: 40 x 27 inches
...
Category
1980s Impressionist New York City - Figurative Prints
Materials
Lithograph
Roy Lichtenstein As I Opened Fire (set of 3 lithographic posters)
By (after) Roy Lichtenstein
Located in NEW YORK, NY
Roy Lichtenstein As I Opened Fire, set of 3 Lithographic Posters:
An authorized reproduction of Roy Lichtenstein's painting entitled "As I Op...
Category
1960s Pop Art New York City - Figurative Prints
Materials
Lithograph, Offset
Beach
By Marcia Marx
Located in Long Island City, NY
Artist: Marcia Marx, American (1931 - 2005)
Title: Beach
Year: circa 1975
Medium: Lithograph, signed and numbered in pencil
Edition: 250
Paper Size: 25 x 38 inches
Category
Late 20th Century Post-Modern New York City - Figurative Prints
Materials
Lithograph
$450
Andries Stilte oversized Towel Wall Hanging (limited edition sold out) 70" x 60"
By Kehinde Wiley
Located in New York, NY
Kehinde Wiley
Andries Stilte oversized beach towel, 2008
Silkscreen on 100% Cotton Large Beach Towel or hanging tapestry
70 × 60 inches
Edition of 2000
In original packaging with ta...
Category
Early 2000s Contemporary New York City - Figurative Prints
Materials
Cotton, Mixed Media, Screen
Raymond Pettibon illustrated Punk flyer 1980 (Raymond Pettibon punk art)
By Raymond Pettibon
Located in NEW YORK, NY
Raymond Pettibon Punk Art 1980:
Rare early Raymond Pettibon illustrated punk flyer published on the occasion of:
The Dead Kennedys & Circle Jerks at The Whisky A Go Go: August, 1980....
Category
1980s Pop Art New York City - Figurative Prints
Materials
Offset
Harmony, Framed Vintage Etching by Frank Dicksee
Located in Long Island City, NY
This is an etched rendition of a painting by Frank Dicksee. Harmony is one of the most well-known pictures by Dicksee, depicting a young man staring adoringly into the eyes of a girl...
Category
1870s New York City - Figurative Prints
Materials
Etching
Marlborough-Saidenberg Trumpet Player
By (after) Pablo Picasso
Located in Brooklyn, NY
The image featured on the original poster for Pablo Picasso's 1971 exhibition at Marlborough Gallery, cataloged as number 170 in Christopher Czwiklitzer's Picasso's Posters, depicts a trumpet player...
Category
1970s Cubist New York City - Figurative Prints
Materials
Lithograph
D1-6 Holy Mountain
By Peter Doig
Located in Boston, MA
Artist: Doig, Peter
Title: D1-6 Holy Mountain
Series: D1 Zermatt
Date: 2022
Medium: Giclee Print on Cotton Smooth Rag
Unframed Dimensions: 44.75" x 35.4"
Framed Dimensions: 48...
Category
2010s Contemporary New York City - Figurative Prints
Materials
Cotton, Giclée
Untitled (Profile Looking Left)
By Hughie Lee-Smith
Located in Rancho Santa Fe, CA
Inscribed and signed lower center: "Monoprint H Lee-Smith"
Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob
This item is in our New Yo...
Category
1960s Post-War New York City - Figurative Prints
Materials
Paper, Monotype
1984 Olympics Lithograph (Hand Signed, Limited Edition w/ Olympic Committee COA)
By Raymond Saunders
Located in New York, NY
Raymond Saunders
Los Angeles 1984 Olympic Games (Hand Signed with Olympic Committee COA), 1982
Lithograph
Signed in graphite pencil on the front. Accompanied by a letter of authentic...
Category
1980s Abstract New York City - Figurative Prints
Materials
Lithograph
Keith Haring Into 84 (set of 3 Haring Shafrazi announcements)
By Keith Haring
Located in NEW YORK, NY
'Keith Haring Painted Man'/Keith Haring Into 84:
A complete set of 3 announcement cards for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, ...
Category
1980s Pop Art New York City - Figurative Prints
Materials
Offset
Petite Fille a la Robe Verte, Cubist Lithograph after Pablo Picasso
By Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Petite Fille a la Robe Verte (Paloma Picasso)". The original painting was completed in 1956. In the 1970's after Picasso's death, Marina Picasso, his granddaughter, authorized the creation of this lithograph by Laurent Marcel Salinas, who worked closely with Picasso during his lifetime. The limited edition print run was completed and published by Marina Picasso in conjunction with Jackie Fine Arts in 1982. The lithograph is printed on French Arches paper, ink-stamped by the Estate verso, and hand-signed and numbered edition of 500 by Marina Picasso on the recto. The embossed seal of the Estate is lower right and the printer's chop, lower left. The work is presented in an excellent brown wood frame with silk linen matting using all acid-free conservation materials.
Petite Fille a la Robe Verte (Paloma Picasso)
Pablo Picasso (After), Spanish (1881–1973)
Portfolio: Marina Picasso Estate Lithograph...
Category
1980s Modern New York City - Figurative Prints
Materials
Lithograph
Les Deux Matrones, Art Nouveau Etching by Georges Rouault
By Georges Rouault
Located in Long Island City, NY
Artist: Georges Rouault, French (1871 - 1958)
Title: Les Deux Matrones from Le Reincarnations du Pere Ubu
Year: 1928
Medium: Aquatint on Arches, signed in the...
Category
1920s Expressionist New York City - Figurative Prints
Materials
Aquatint
Les Panaches Panaches from Les Diners de Gala, Lithograph by Salvador Dali
By Salvador Dalí
Located in Long Island City, NY
A lithograph with added etching from Salvador Dali's series "Les Diners de Gala". This print is titled "The plumes plumes". A larger than life fish is se...
Category
1970s Surrealist New York City - Figurative Prints
Materials
Lithograph
Close Up, Pop Art Lithograph by Lester Johnson
By Lester Johnson
Located in Long Island City, NY
Artist: Lester Johnson, American (1919 - 2010)
Title: Close Up
Year: Circa 1980
Medium: Lithograph, signed and numbered in pencil
Edition: 175
Paper Size: 28 ...
Category
1980s Contemporary New York City - Figurative Prints
Materials
Lithograph
Modernist Lithograph Les Deux Personnages by Mihail Chemiakin
By Mihail Chemiakin
Located in New York, NY
This beautifully harmonized and intriguing Mid-Century Modernist Lithograph entitled Les Deux Personnages (The Two Characters) is by the Russian artist Mihail Chemiakin and originate...
Category
1980s Surrealist New York City - Figurative Prints
Materials
Lithograph
Vellum Sketches II
By Ida Applebroog
Located in New York, NY
Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences and the School of the Art Institute of Chicago. She received a MacArthur Foundation Fellows...
Category
21st Century and Contemporary Contemporary New York City - Figurative Prints
Materials
Aquatint
$2,800 Sale Price
20% Off
Keith Haring No On 64 (Keith Haring Aids activist announcement)
By Keith Haring
Located in NEW YORK, NY
Keith Haring ‘No On 64’ (Keith Haring 1986):
A rare vintage 1986 Keith Haring activist announcement illustrated by Haring in effort to denounce California's Proposition 64. Proponents of the then ballot, argued that the measure would merely return AIDS to the list of communicable diseases under public health laws. Opponents characterized 64 as an effort to force HIV-positive individuals out of their jobs and into quarantine. The measure was soundly defeated by voters. A rare historic 1980s Keith Haring activist collectible with striking imagery; seldom comes to market.
Offset printed folding announcement card.
8.5x11 inches.
Good overall vintage condition. Minor signs of aging & handling.
Printed signature from a scarce edition of unknown; few known to have survived. Please message us for more works in this category.
Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C.
Related Categories:
Keith Haring figurative. Keith Haring foundation. Keith Haring activist. Keith Haring Aids...
Category
1980s Pop Art New York City - Figurative Prints
Materials
Paper, Lithograph, Offset
Santa sitting on the Globe Gouache
Located in New York, NY
Original gouache with stencil by Warner Kreuter. Wisconsin, 1929. Initialed lower/mid right. Dated lower left. Mounted on green card stock. Unframed.
Category
Early 20th Century Art Deco New York City - Figurative Prints
Materials
Paper, Gouache
Tanks #1.
By Louis Lozowick
Located in New York, NY
This 1929 lithograph by Louis Lozowick was printed in an edition of 50. Lozowick signed this impression in pencil lower right with a monogram on stone, in the lower left. The sheet...
Category
Mid-20th Century Modern New York City - Figurative Prints
Materials
Lithograph
One Can't Tell Why - Proof from the Disasters of War
By Francisco Goya
Located in New York, NY
Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...
Category
1810s Old Masters New York City - Figurative Prints
Materials
Drypoint, Etching, Aquatint
Beauty Rages, Pop Art Giclee Print by Michael Knigin
By Michael Knigin
Located in Long Island City, NY
Michael Knigin, American (1942 - 2011) - Beauty Rages, Portfolio: Vintage Nudes, Year: 2001, Medium: Giclee signed, numbered, dated, and titled in pencil, Edition: AP, Image Size...
Category
Early 2000s Pop Art New York City - Figurative Prints
Materials
Giclée
Jane Dickson Brooke Alexander 1988 (announcement)
By Jane Dickson
Located in NEW YORK, NY
Jane Dickson New York 1988:
A rare 1980s announcement card published on the occasion of Dickson's exhibition at Brooke Alexander, Inc. from January 9 - February 3, 1988; 59 Wooster S...
Category
1980s Surrealist New York City - Figurative Prints
Materials
Offset
$272 Sale Price
20% Off
Turn to Me I See Eternity popular limited edition Valentine's day print Signed/N
Located in New York, NY
Stephen Powers
Turn to Me I See Eternity, 2016
Three color screenprint on 235g Coventry Rag
Pencil with artist's trademark hat logo and numbered from the edition of 100
12 × 12 inche...
Category
2010s Pop Art New York City - Figurative Prints
Materials
Screen, Pencil
Woman with Apples (Sepia), Lithograph by Branko Bahunek
By Branko Bahunek
Located in Long Island City, NY
Woman with Apples (Sepia)
Branko Bahunek, Croatian (1935)
Lithograph, Signed in Pencil
Edition of 50
Size: 28.5 in. x 21 in. (72.39 cm x 53.34 cm)
Category
1990s New York City - Figurative Prints
Materials
Lithograph
Dances of Guanajuato, Folk Art Lithograph by Vic Herman
Located in Long Island City, NY
Vic Herman, American (1919 - 1999) - Dances of Guanajuato, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Image Size: 13 x 23.5 inches, Size: 1...
Category
1970s Folk Art New York City - Figurative Prints
Materials
Lithograph
Rare Original Keith Haring Record Art (Keith Haring 1984)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Record Art 1984:
Medium: Offset Lithograph on record jacket, vinyl record
Dimensions: 12 x 12 inches.
Cover: Fair to good overall...
Category
1980s Pop Art New York City - Figurative Prints
Materials
Lithograph, Offset
$180 Sale Price
20% Off
Blind Man’s Bluff at the Imperial Russian Court, Lithograph by Philippe Noyer
By Philippe Henri Noyer
Located in Long Island City, NY
"Blind Man’s Bluff at the Imperial Russian Court" lithograph is hand-signed and numbered in pencil. Philippe Noyer was born June 28, 1917 in Lyon. After a traditional course of study at the elite Ecole des Roches, Noyer enrolled in the Beaux Arts (Fine Arts) School of Lyon, before going to Paris to study at the Paul Colin School of Art and experience the whirlwinds of Surrealism first hand on Paris' Left Bank. Philippe Noyer started his painting career in 1943. That same year he met the famous Paris art...
Category
1980s Art Deco New York City - Figurative Prints
Materials
Lithograph
SCULTURE - VETRO - DEDICATA AL MAESTRI DEL VETRO DI MURANO ROBERT WILLSON
Located in New York, NY
Robert Willson
SCULTURE - VETRO - DEDICATA AL MAESTRI DEL VETRO DI MURANO ROBERT WILLSON, 1964
Offset lithograph on wove paper
27 1/2 × 20 1/2 inches
Un...
Category
1960s Contemporary New York City - Figurative Prints
Materials
Lithograph, Offset
Martin Wong, Futura 2000 Semaphore Gallery New York, 1986
By Martin Wong
Located in NEW YORK, NY
Martin Wong, Futura 2000 Semaphore Gallery New York, 1986:
Rare original, highly collectible 1980s graffiti announcement published on on the occasion of:
‘Semaphore Gallery Cordiall...
Category
1980s Pop Art New York City - Figurative Prints
Materials
Offset
Mexican Babysitter, Folk Art Screenprint by Millard Sheets 1949
By Millard Sheets
Located in Long Island City, NY
Mexican Babysitter
Millard Owen Sheets, American (1907–1989)
Screenprint, signed and numbered in pencil
Edition of AP
Image Size: 24 x 11 inches
Category
1940s American Modern New York City - Figurative Prints
Materials
Lithograph