New York City - Figurative Prints
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Item Ships From: New York City
Ultraviolet Flowers - A Limited Edition Photograph - Tom Blachford & Kate Ballis
By Tom Blachford
Located in Brooklyn, NY
Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis.
The series takes its name from the marriage of two words. Fluorescence (me...
Category
2010s Contemporary New York City - Figurative Prints
Materials
Inkjet, Photographic Paper, Archival Pigment
Ultraviolet Flowers - A Limited Edition Photograph - Tom Blachford & Kate Ballis
By Tom Blachford
Located in Brooklyn, NY
Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis.
The series takes its name from the marriage of two words. Fluorescence (me...
Category
2010s Contemporary New York City - Figurative Prints
Materials
Photographic Paper, Inkjet, Archival Pigment
A Maiakovski (For Mayakovsky) signed by Alechinsky & Christine Rochefort #10/50
By Pierre Alechinsky
Located in New York, NY
Pierre Alechinsky
A Maiakovski, 1958 (For Mayakovsky)
Color lithograph and offset lithograph with text
Pencil numbered 10/50 and signed by BOTH artist Pierre Alechinsky and writer C...
Category
Mid-20th Century Modern New York City - Figurative Prints
Materials
Offset, Lithograph, Pencil
Raymond Pettibon illustrated Punk flyer 1980 (Raymond Pettibon punk art)
By Raymond Pettibon
Located in NEW YORK, NY
Raymond Pettibon Punk Art 1980:
Rare early Raymond Pettibon illustrated punk flyer published on the occasion of:
The Dead Kennedys & Circle Jerks at The Whisky A Go Go: August, 1980....
Category
1980s Pop Art New York City - Figurative Prints
Materials
Offset
Baseball Game: realist large-scale black and white drawing of sports game
By Michele Zalopany
Located in New York, NY
This print depicts a baseball game mid-play. An umpire crouches with his hand up, and the batter stands poised. In the lower right, spectators peer onto ...
Category
1980s Contemporary New York City - Figurative Prints
Materials
Lithograph
Things to Come tray
By Herbert Bayer
Located in New York, NY
Herbert Bayer
Things to Come tray, 2018
Porcelain dish with metallic gold edge and silkscreened image
Limited edition of an unknown quantity, originally distributed by the Museum of Modern Art, before it sold out.
Measurements:
Box:
5.5 x 5.5 inches
Tray:
5 x 5 inches
Provenance:
Originally distributed by the Museum of Modern Art, before it sold out
Manufacturer:
Galison Publishing LLC and The Museum of Modern Art
Herbert Bayer biography:
Artistic polymath Herbert Bayer was one of the Bauhaus’s most influential students, teachers, and proponents, advocating the integration of all arts throughout his career. Bayer began his studies as an architect in 1919 in Darmstadt. From 1921 to 1923 he attended the Bauhaus in Weimar, studying mural painting with Vasily Kandinsky and typography, creating the Universal alphabet, a typeface consisting of only lowercase letters that would become the signature font of the Bauhaus. Bayer returned to the Bauhaus from 1925 to 1928 (moving in 1926 to Dessau, its second location), working as a teacher of advertising, design, and typography, integrating photographs into graphic compositions.
He began making his own photographs in 1928, after leaving the Bauhaus; however, in his years as a teacher the school was a fertile ground for the New Vision photography passionately promoted by his close colleague László Moholy-Nagy, Moholy-Nagy’s students, and his Bauhaus publication Malerei, Photographie, Film (Painting, photography, film). Most of Bayer’s photographs come from the decade 1928–38, when he was based in Berlin working as a commercial artist. They represent his broad approach to art, including graphic views of architecture and carefully crafted montages.
In 1938 Bayer emigrated to the United States with an invitation from Alfred H. Barr, Jr., founding director of The Museum of Modern Art, to apply his theories of display to the installation of the exhibition Bauhaus: 1919–28 (1938) at MoMA. Bayer developed this role through close collaboration with Edward Steichen, head of the young Department of Photography, designing the show Road to Victory (1942), which would set the course for Steichen’s influential approach to photography exhibition. Bayer remained in America working as a graphic designer for the remainder of his career.
-Courtesy of MOMA
More about Herbert Bayer:
Herbert Bayer (1900-1985) was born in Austria, where he entered into an apprenticeship under the architect and designer, Georg Smidthammer, with whom Bayer learned drawing, painting, and architectural drafting, inspired by nature and without formal knowledge of art history. In 1920, Bayer discovered the theoretical writings of the artist Vassily Kandinsky, as well as Walter Gropius’ 1919 Bauhaus manifesto, in which Gropius declared the necessity for a return to crafts, in which were found true creativity and inspiration. Bayer traveled to Weimar to meet Gropius in October of 1921 and was immediately accepted into the Bauhaus. There, he was deeply influenced by the instruction of Kandinsky, Johannes Itten and Paul Klee.
In 1928 Bayer moved to Berlin together with several members of the Bauhaus staff including Gropius, Moholy-Nagy and Marcel Breuer. He found work as a freelance graphic designer, particularly with German Vogue, under its art director Agha. When the latter returned to Paris, Bayer joined the staff full time, and also worked increasingly with Dorland, the magazine's principle advertising agency. It was in the period from 1928 to his emigration to America in 1938 that he developed his unique vision as an artist, combining a strongly modernist aesthetic sense with a rare ability to convey meaning clearly and directly. This seamless combination of art, craft and design mark Bayer as true prophet of Bauhaus theories.
Bayer followed Gropius to America in 1938, and set his breadth of skills to work later that year in designing the landmark Bauhaus 1918-1928 exhibition at the Museum of Modern Art. Bayer flourished in New York as a designer and architect, but it was his meeting with the industrialist Walter Paepcke in 1946 that allowed him to harness his concepts of 'total design' to the postwar boom. Paepcke was developing Aspen as a cultural and intellectual destination, and found in Bayer the perfect collaborator. Bayer was designer, educator and indeed architect for Paepcke's Aspen Institute...
Category
2010s Bauhaus New York City - Figurative Prints
Materials
Metal
Vintage Bob Dylan Souvenir Poster (Milton Glaser Bob Dylan 1960s)
By Milton Glaser
Located in NEW YORK, NY
Original 1967 Milton Glaser Fold Out Poster for Bob Dylan's Greatest Hits.
Offset lithograph printed in colors 33 x 22 in (83.82 x 55.88 cm)
Fold lines as issued; very good vinta...
Category
1960s Pop Art New York City - Figurative Prints
Materials
Lithograph
Keith Haring Safe Sex! (vintage Keith Haring poster)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Safe Sex poster 1987:
A fun, witty, classic Haring illustration created by the artist in conjunction with his many Aids Awar...
Category
1980s Pop Art New York City - Figurative Prints
Materials
Lithograph, Offset
Keith Haring Fertility: set of 5 announcements 1983 (Keith Haring Tony Shafrazi)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Fertility 1983:
A complete set of five 1983 Keith Haring Tony Shafrazi promotional cards published to promote Keith Haring's “The F...
Category
1980s Pop Art New York City - Figurative Prints
Materials
Offset, Lithograph
Louise Bourgeois "Be Calm" Limited Edition Ceramic Dish
By Louise Bourgeois
Located in New York, NY
Louise Bourgeois
Be Calm Butter or Trinket Dish, 2017
Screenprint on Ceramic
6 × 4 × 1 inches
Unframed
Stamped by artist's estate, bears printed copyright and name stamp of The Easto...
Category
2010s Contemporary New York City - Figurative Prints
Materials
Ceramic, Screen
Memento, signed: Dr. Martin Luther King John F. Kennedy Malcolm X, Civil rights
By Kerry James Marshall
Located in New York, NY
Kerry James Marshall
Memento, 1997
Featuring civil rights leaders:
Dr. Martin Luther King, John F. Kennedy, Medger Evers, Andrew Goodman, James Chaney, Michael Schwerner, Malcolm X, Black Panthers
6-Color lithograph with gold powder on soft white Somerset paper with deckled edges
Pencil signed, titled and numbered 6/33 on the front
Frame included: elegantly floated and framed in a handmade museum frame with UV plexiglass
This is an excellent impression of a scarce and consequential 1997 Kerry James Marshall graphic work printed by Master Printer Ross Zirkle (1955-2007) at Tamarind Institute, Albuquerque, New Mexico (the publisher).
Other examples of this work are in major public institutions such as SFMOMA, the Birmingham Museum of Art, the Yale University Art Gallery and the Library of Congress - which is why Memento is so elusive and rarely found on the market.
The present example is elegantly floated and framed in a white wood hand made museum frame with UV Optium Acrylic glazing - the highest quality.
Measurements:
Framed:
33 inches vertical by 47 inches horizontal by 2 inches
Artwork:
30 inches vertical by 44 inches horizontal
Bibliography:
Pamela Franks and Robert E. Steele, Embodied: Black Identities in American Art from the Yale University Art Gallery, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2010), 62, ill.
Text from the Yale University Art Gallery website:
Kerry James Marshall’s Memento memorializes the persons associated with the Civil Rights movement in the 1960s. The work depicts multiple headshots of civic leaders and other individuals who died during this era, such as Medger Evers and members of the Black Panther Party. Rather than drawing these images, Marshall uses the newspaper obituary photographs that the general public is accustomed to seeing. He exalts the fallen individuals by placing angel wings behind most of the images. A black woman carrying an urn of flowers stands before portraits of Dr. Martin Luther King, Jr., and John F. Kennedy. The woman turns toward the viewer, asking us, and the larger community, to “mourn” with her.
And from the Birmingham Alabama Art...
Category
1990s Contemporary New York City - Figurative Prints
Materials
Gold
Vintage Le Corbusier '69 David Hockney Exhibition Poster Kilim southwest rug
By (after) David Hockney
Located in New York, NY
Shading in bright turquoise above a Southwestern style thunderbird Kilim rug adorns this original exhibition poster for David Hockney's 1969 show at Andre Emmerich, New York. This po...
Category
1960s Realist New York City - Figurative Prints
Materials
Lithograph
Culture Carriers Stamp Out Art (Lt. Ed. hand signed stamp on franked envelope)
By Joe Tilson
Located in New York, NY
JOE TILSON
Culture Carriers Stamp Out Art (Hand Signed), from the Collection of Art Critic Anthony Haden-Guest, 1971
Lithograph mounted on franked Air...
Category
1970s Pop Art New York City - Figurative Prints
Materials
Mixed Media, Lithograph, Ink, Offset
Ultraviolet Flowers - A Limited Edition Photograph - Tom Blachford & Kate Ballis
By Tom Blachford
Located in Brooklyn, NY
Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis.
The series takes its name from the marriage of two words. Fluorescence (me...
Category
2010s Contemporary New York City - Figurative Prints
Materials
Inkjet, Photographic Paper, Archival Pigment
Ultraviolet Flowers - A Limited Edition Photograph - Tom Blachford & Kate Ballis
By Tom Blachford
Located in Brooklyn, NY
Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis.
The series takes its name from the marriage of two words. Fluorescence (me...
Category
2010s Contemporary New York City - Figurative Prints
Materials
Inkjet, Archival Pigment, Photographic Paper
Baseball Game: realist large-scale black and white drawing of sports game
By Michele Zalopany
Located in New York, NY
This print depicts a baseball game mid-play. An umpire crouches with his hand up, and the batter stands poised. In the lower right, spectators peer onto the field. The awning of the stadium, silhouetted in black, cuts lines across the top of the composition, rising over a hillside crowded with homes. This finely-drawn lithograph features Zalopany's characteristic mastery of light and shadow, from the delicate texture of the field, to the spectators backlit in shadow.
The composition of Baseball Game was taken from a page in an old picture book, depicting a downtown section of Caracas, Venezuela that is home to a number of Art Deco buildings, all built in the 1950's. Found images are a regular inspiration for Zalopany's large-scale realism. This print calls additionally on Zalopany's regular depiction of nature contrasted with the man-made: here, a behemoth stadium rises beside rolling hills, themselves punctuated with more buildings than trees. This contrast is enhanced by the use of textured, delicate handmade paper, which lends warmth to this dramatic black-and-white drawing.
Image 37.5 x 28 in. / 95.25 x 71.2 cm. Paper 51 x 36 in. / 131 x 93 cm. Lithograph on Korean kozo paper. Edition 70. Signed by the artist lower right in pencil, numbered lower center in pencil.
Born in 1955 in Detroit Michigan, Michele Zalopany is a contemporary American artist best known for her large-scale watercolor and pastel paintings based on photographs found in digital picture collections, old books, and flea markets, etc. Found photographs and film screen shots that had originally served other purposes -- family snapshots, police photos...
Category
1980s Contemporary New York City - Figurative Prints
Materials
Lithograph
August, Pop Art Print by Fritz Genkinger 1969
By Robert Indiana
Located in Long Island City, NY
Artist: Fritz Genkinger, German (1934–2017)
Title: August (Number 8)
Year: 1969
Medium: Silkscreen, signed and numbered in pencil
Edition: 6/100
Size: 14 x 12 in. (35.56 x 30.48 cm)
...
Category
1960s Pop Art New York City - Figurative Prints
Materials
Screen
O'Neill accuses Faulkner of lack of loyalty and support (Nancy & Jim Dine)
By R.B. Kitaj
Located in New York, NY
Ronald B. (R.B.) Kitaj
Nancy and Jim Dine, or O'Neill accuses Faulkner of lack of loyalty and support (Kinsman 40), 1970
16 Color Silkscreen with collage and coating on different wove papers
Hand signed and numbered in pencil 29/70 on the front. The back (which is framed) bears the Kelpra Studio blindstamp
Frame included: held in the original vintage metal frame
Very rare stateside. Other editions of this work are in the permanent collections of major institutions like the British museum, which has the following explanation: "The artist Jim Dine and his wife Nancy were close to Kitaj and his family, especially after the death of Elsi, Kitaj's first wife in 1969. They sometimes stayed with the Dines at their farm in Vermont during Kitaj's second teaching sojourn in the United States. Dine and Kitaj held a joint show at the Cincinnati Museum of Art in 1973. In the catalogue both artists contributed an insightful 'essay' on each other with Dine stressing Kitaj's obsession with all things American and baseball-related...' The alternate title, "O'Neill accuses Faulkner of lack of loyalty and support" can be seen on the artwork itself, and clearly is some kind of inside joke among friends. By the way -- do you see the way the colored dots are placed over the figures? Kitaj was doing this well before Baldessari who made it famous; that's how pioneering he was at the time.
Referenced in the catalogue raisonne of Kitaj's prints, Kinsman, 40
Published and printed by Chris Prater of Kelpra Studio, Kentish Town, United Kingdom
Ronald Brooks (RB) Kitaj Biography
R.B. (Ronald Brooks) Kitaj was born in 1932 in Cleveland Ohio. One of the most prominent painters of his time, particularly in England where he spent some four decades spanning the late 1950s through the late 1990s, Kitaj is considered a key figure in European and American contemporary painting. While his work has been considered controversial, he is regarded as a master draughtsman with a commitment to figurative art. His highly personal paintings and drawings reflect his deep interest in history; cultural, social and political ideologies; and issues of identity.
Part of an extraordinary cohort who emerged from the Royal College of Art circa 1960, which included Peter Blake, Patrick Caulfield, and David Hockney, Kitaj was immediately pegged as one of its leading figures. The London Times greeted his first solo show in 1963 as a long-awaited and galvanizing event: “Mr. R.B. Kitaj’s first exhibition, now that it has at last taken place, puts the whole ‘new wave’ of figurative painting in this country during the last two or three years into perspective.” In 1976, KItaj curated the exhibition The Human Clay, and in the essay he wrote for it he proposed the existence of a “School of London”—a label which stuck to a group of painters that includes Francis Bacon, Frank Auerbach, Lucian Freud, Leon Kossoff, Michael Andrews...
Category
1970s Pop Art New York City - Figurative Prints
Materials
Mixed Media, Screen, Pencil
Kraka Jackie Boom, Screenprint by Kenny Scharf
By Kenny Scharf
Located in Long Island City, NY
Artist: Kenny Scharf, American (1958 - )
Title: Kraka Jackie Boom
Year: 1997
Medium: Serigraph, Signed and Numbered in pencil
Edition: 150
Image Size: 32 ...
Category
1990s Pop Art New York City - Figurative Prints
Materials
Screen
Gala's Castle (Plate K) , 1974
By Salvador Dalí
Located in Greenwich, CT
Gala's Castle – signed ‘Dalí’ lower right and numbered A 11/195 lower left, from the edition of 462 (there were also 35 'A' Roman, 195 'F' Arabic, and 35 'F' Roman, plus 2 additional suites on japon). Framed in an ornate gold-tone moulding.
Cataloging: Micheler-Löpsinger 675; Field 74-8 Plate K
Dalí’s series of colored etchings After Fifty Years of Surrealism reflects on the artist’s long...
Category
20th Century Surrealist New York City - Figurative Prints
Materials
Stencil, Etching
Beryl Cook (1926-2008) Large Group Portrait 178/275 Limited Edition Print "Tango
By Beryl Cook
Located in New York, NY
Title: Tango
Medium: 178/275 Limited Edition Print
Painting Size: 24" x 36.5"
Condition: This artwork is in good overall condition for its age.
Signature: Signed
Artist: Beryl Cook ...
Category
21st Century and Contemporary Contemporary New York City - Figurative Prints
Materials
Archival Pigment
Art About Art, iconic Whitney Museum of American Pop Art lithographic poster
By Roy Lichtenstein
Located in New York, NY
Roy Lichtenstein
Art About Art Whitney Museum of American Art 1978 poster, 1978
Offset lithograph poster
Frame included: held in the original vintage frame
Provenance:
from the collection of Jack Martin...
Category
1970s Pop Art New York City - Figurative Prints
Materials
Lithograph, Offset
Sunning
By Gigi Mills
Located in New York, NY
Gigi Mills' work is born out of her desire to simplify and reduce each moment to its essence; she achieves this by omitting mundane details from life that can often obscure genuine e...
Category
2010s Contemporary New York City - Figurative Prints
Materials
Giclée, Archival Ink, Archival Paper
Wuxtry! [Extra!]
By Albert Abramovitz
Located in New York, NY
Albert Abramovitz (1879-1963), Wuxtry! [Extra?!], linocut in colors, c. 1936, signed in pencil lower right and titled lower center [also initialed in the plate]. In very good conditi...
Category
1930s American Realist New York City - Figurative Prints
Materials
Linocut
![Wuxtry! [Extra!]](https://a.1stdibscdn.com/archivesE/upload/a_5153/1491148788368/IMG_0968_master.JPG?width=240 "matt abramovitz")
2779494: The Olympic Runner (Limited Ed. Hand Signed with Olympic Committee COA)
By Jonathan Borofsky
Located in New York, NY
Jonathan Borofsky
2779494: The Olympic Runner
Los Angeles 1984 Olympic Games (Hand Signed with Olympic Committee COA), 1982
Offset Lithograph on Parson'...
Category
1980s Contemporary New York City - Figurative Prints
Materials
Lithograph, Offset, Pencil
Keeping the Culture. mixed media signed print, renowned African American artist
By Kerry James Marshall
Located in New York, NY
Kerry James Marshall
Keeping the Culture, 2011
Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges
20-1/4 x 30-1/4 inches
Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front
Published by Africa House International, Chicago
Unframed
Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier. Marshall, along with his dealer, were voted by ArtReview the top two of the 100 most influential people in the art world of 2018 - even ahead of the #MeToo movement, and ahead of figures like Jeff Koons, Larry Gagosian and Eli Broad! His paintings now sell for tens of millions of dollars - after P. Diddy paid $21 million for a painting. The present work "Keeping the Culture" is an extremely desirable work of art and exemplifies Marshall's style. For a feature profile/article written for Marshall's first retrospective - a blockbuster show entitled "MASRY" at the Museum of Contemporary Art, LA, the Museum of Contemporary Art Chicago and the Met Breuer in New York, Barbara Isenberg of the LA Times wrote: ." The New York Times called the show “smashing” and its subject “one of the great history painters of our time.” The New York Review of Books and Artforum magazine put large images from the show on their January covers. “I’ve been acutely aware that museums are behind their academic colleagues in terms of thinking of representation and people of color,” MOCA chief curator Helen Molesworth says. “I find Kerry’s paintings ravishing — they are drop dead, great paintings — and they have an extra level of reward for people who hold in their heads a history of Western painting.” Marshall is a compelling storyteller, whether on canvas or in conversation. Talking at length during a visit to MOCA, he is easygoing but eloquent, recalling his neighborhood in Birmingham, Ala., where he was born in 1955, or about growing up black there and in Los Angeles. He remembers the names of teachers who encouraged him. Asked when he first began to notice a lack of black subjects...
Category
2010s Contemporary New York City - Figurative Prints
Materials
Screen, Pencil, Mixed Media, Linocut
Will Barnet: A Timeless World (hand signed, dated and warmly inscribed)
By Will Barnet
Located in New York, NY
Will Barnet: A Timeless World (hand signed, dated and warmly inscribed), 2000
Softback monograph with stiff wraps (hand signed, dated and warmly inscribed)
Hand signed, dated and warmly inscribed to Margo by Will Barnet on the half title page
12 × 9 × 1/2 inches
We believe the colleague Margo refers to renowned African American artist Margo Humphrey, who also worked at the Rutgers Center for Innovative Printmaking with Will Barnet.
The full inscription reads:
Sep 21 2000
To my colleague -Margo-
with appreciation and
affection
Will Barnet
Book information:
Published by the Montclair Art Museum, New Jersey and Distributed by Rutgers University Press
English; Paperback; 124 pages containing 43 color and 20 black-and-white illustrations
Publisher's blurb:
Painter and printmaker Will Barnet has actively participated in the New York art world for nearly 70 years. A leading figure in the Indian Space painting movement of the late 1940s, Barnet stressed the spatial structures of Northwest Coast Indian art. Throughout the 1950s and into the 1960s, he made a series of hardedged, totemic abstractions marked by their "all-positive" space, which he described as austere, classical expressions of Indian culture. He then moved on to new art forms in the 1960s and 1970s, creating a series of family and art world portraits that achieved a remarkable balance between the formal demands of abstraction and the humanist aspects of representation.
Will Barnet: A Timeless World is the first substantial publications to unify Barnet's prodigious output. Art historian Gail Stavitsky provides an overview of this artist's entire career. Twig Johnson, the museum's curator of Native American Art, discusses the relationship of Barnet's work to this important indigenous artistic tradition. Jessica Nicoll, chief curator at the Portland Museum of Art, explores the profound impact of New England upon Barnet and his work. Many of Barnet's works are beautifully reproduced in this catalog, containing 43 color and 20 black-and-white illustrations.
More about Will Barnet:
Will Barnet was born in Beverly, Massachusetts in 1911. He has taught and exhibited widely over his more than seventy-five year career. His works are in the collection of virtually every American museum, including locally The Guggenheim Museum, The Metropolitan Museum of Art, The Museum of Modern Art, and The Whitney Museum of American. He is an elected member of the American Academy of Arts and Letters. In fall 2011 the National Academy Museum will present a retrospective exhibition being organized by Bruce Weber. Barnet is represented exclusively by Alexandre Gallery...
Category
Early 2000s Contemporary New York City - Figurative Prints
Materials
Ink, Offset, Lithograph, Mixed Media, Paper
Hello Willow, signed monotype (unique), from the Tim Hunt and Tama Janowitz sale
By Tracey Emin
Located in New York, NY
Tracey Emin
Hello Willow, from the Estate of Andy Warhol curator Tim Hunt and his widow, bestselling author Tama Janowitz, 1997
Monotype on paper. Created expressly for Willow, the d...
Category
1990s Contemporary New York City - Figurative Prints
Materials
Monotype, Pencil, Paper
My Love We Wont - coveted, whimsical 1960s silkscreen by beloved female artist
By Niki de Saint Phalle
Located in New York, NY
Niki de Saint Phalle
My Love We Wont, 1968
Lithograph and silkscreen on wove paper
Signed and numbered 51/75 in graphite pencil on the front
Frame included: elegantly floated and framed in a museum quality white wood frame with UV plexiglass
From the Brooklyn Museum, which has an edition of this work in its permanent collection:
"Throughout her long and prolific career Niki de Saint Phalle, a former cover model for Life magazine and French Vogue, investigated feminine archetypes and women’s societal roles. Her Nanas, bold, sexy sculptures...
Category
1960s Modern New York City - Figurative Prints
Materials
Screen, Mixed Media, Lithograph, Pencil
Bernard Sanders, (Abstraction with Sun)
Located in New York, NY
Bernard Sanders (1906-1967) was a master of minimalist prints. In several I've posted the subject is really atmosphere and tension.
This could be r...
Category
Early 20th Century American Modern New York City - Figurative Prints
Materials
Etching
Eman si pasión [Emancipation / Participation]
By Cecilia Vicuña
Located in New York, NY
Visual poems, the works in Vicuña’s PALABRARmas series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña t...
Category
2010s Contemporary New York City - Figurative Prints
Materials
Screen
![Eman si pasión [Emancipation / Participation]](https://a.1stdibscdn.com/cecilia-vicuna-prints-works-on-paper-eman-si-pasion-emancipation-participation-for-sale/a_9443/a_137140921704297406679/CV_LM27767_Eman_si_pasion_Parti_si_pasion_01_hr2_master.jpg?width=240 "Cecilia Vicuña - Eman si pasión [Emancipation / Participation]")
Keith Haring Into 84 poster (vintage Keith Haring)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Into 84 exhibition poster:
Vintage original 1980's poster designed by Keith Haring for his well-documented exhibition, 'Keith Haring: Into 84' at...
Category
1980s Pop Art New York City - Figurative Prints
Materials
Offset, Lithograph
Photos In+Out City Limits: Boston (hand signed by Robert Rauschenberg) Boxed Set
By Robert Rauschenberg
Located in New York, NY
Robert Rauschenberg
Photos In+Out City Limits: Boston (hand signed by Robert Rauschenberg), 1981
Monograph held in slipcase (Hand signed in graphite pencil)
Hand signed by Robert Rau...
Category
1980s Pop Art New York City - Figurative Prints
Materials
Paper, Ink, Mixed Media, Lithograph, Offset, Board
Owen Weiri (also Wiiri), The Coal Miner
Located in New York, NY
Owen Weiri (also Wiiri, 1916-1974) was a Finnish-American who served in the Spanish Civil War and then, during World War ll, in the American armed forces as a marine.
Industrial sub...
Category
1940s Ashcan School New York City - Figurative Prints
Materials
Etching, Aquatint
Rare Original Keith Haring Record Art (Keith Haring 1984)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Record Art 1984:
Medium: Offset Lithograph on record jacket, vinyl record
Dimensions: 12 x 12 inches.
Cover: Fair to good overall...
Category
1980s Pop Art New York City - Figurative Prints
Materials
Lithograph, Offset
Monograph: Just Kids Illustrated Edition (Hand Signed and dated by Patti Smith)
Located in New York, NY
Patti Smith
Just Kids Illustrated Edition (Hand Signed and dated by Patti Smith), 2018
Hardback Monograph (Hand Signed and Inscribed by Patti Smith)
Hand signed and dated by Patti Smith
9 4/5 × 7 1/10 × 1 1/4 inches
Provenance
Hand signed by Patti Smith for the present owner at a special book signing at the Museum of Modern Art
This beautiful hardback monograph is hand signed and dated by the artist, Patti Smith in ink on the title page.
Patti’s Smith’s exquisite prose is generously illustrated in this full-color edition of her classic coming-of-age memoir, Just Kids. New York locations vividly come to life where, as young artists, Patti Smith and Robert Mapplethorpe met and fell in love: a first apartment in Brooklyn, Times Square with John and Yoko’s iconic billboard, Max’s Kansas City, or the gritty fire escape of the Hotel Chelsea. The extraordinary people who passed through their lives are also pictured: Sam Shepard, Harry Smith...
Category
2010s Pop Art New York City - Figurative Prints
Materials
Ink, Offset, Lithograph, Mixed Media, Paper
Place Setting (bread basket, glasses, butter dish) signed/n, top realist painter
By John Moore
Located in New York, NY
John Moore (b.1941)
Place Setting, 1979
Lithograph on wove paper
Hand signed, dated, titled and numbered 29/100 by John Moore on the bottom front
17 × 22 inches
Unframed
This elegant still life lithograph is hand signed, dated, titled and numbered 29/100 by John Moore on the bottom front.
About John Moore:
John Moore is an acclaimed contemporary realist painter...
Category
1970s Realist New York City - Figurative Prints
Materials
Pencil, Lithograph
Rare Original 1980s Keith Haring Vinyl Record Art (Keith Haring Hiroshima)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Hiroshima 1988:
Rare 1988 7” Japanese vinyl record featuring original artwork by Keith Haring. Truly vibrant colors that make for stand-out wall art and unique vintage Keith Haring collectible. Rare and not to be passed upon.
*1st Pressing 1988 (not a re-issue)
Medium: Off-Set Lithograph on vinyl record cover and labels.
Dimensions: 7 x 7 inches.
Plate signed on lower right & dated 1988 by Haring
Light signs of handling; otherwise good to very overall vintage condition.
Includes the original record (very good condition).
Haring off-set illustrations appearing throughout the exterior and interior covers and record labels.
_
Keith Haring Album Art: a brief history:
Whether collaborating with Grace Jones, Andy Warhol, and Jean-Michel Basquiat, regularly frequenting clubs like Paradise Garage alongside close friend Larry Levan, or sketching DJ robots, New York artist and activist Keith Haring’s work was deeply entwined with the music world lending his vision to sounds by everyone from David Bowie to Run DMC. Looking for something cool to complement this work? Please feel free to browse additional items like this from Jean Michel Basquiat, Andy Warhol, Damien Hirst, Keith Haring & more on our 1stDibs gallery page.
Related Categories
Keith Haring prints. Keith Haring figurative. East Village art. Street art. 80s graffiti. Pop Art. Keith Haring animals.
Category
1980s Pop Art New York City - Figurative Prints
Materials
Offset, Lithograph
Walter DuBois Richards, The Lobster Float
By Walter DuBois Richards
Located in New York, NY
Ohio-born Walter DuBois Richards (1907-2006) was educated at the Cleveland School of Art. He re-located to New York around 1933 where he had a successful career as a commercial artis...
Category
1930s American Modern New York City - Figurative Prints
Materials
Woodcut
Untitled (Two Lilies)
By Lowell Nesbitt
Located in New York, NY
Created as an original screenprint in colors in 1979, Lowell Nesbitt's Untitled (Two Lilies) measures 8 7/8 x 10 in. (22.54 x 25.4 cm), unframed. Hand-signed, dated, and numbered in ...
Category
20th Century New York City - Figurative Prints
Materials
Screen
Looking at Art With Alex Katz, hardback monograph hand signed by Alex Katz
By Alex Katz
Located in New York, NY
Alex Katz
Looking at Art With Alex Katz (hand signed by Alex Katz), 2018
Hardback monograph with dust jacket (hand signed in black pen on the title page)
hand signed by Alex Katz in ...
Category
2010s Pop Art New York City - Figurative Prints
Materials
Mixed Media, Board, Offset, Lithograph, Ink, Paper
Stripes from the House of the Shaman (Rare poster, Hand Signed by Joseph Beuys)
By Joseph Beuys
Located in New York, NY
Joseph Beuys
Stripes from the House of the Shaman (Hand Signed), 1980
Offset lithograph hand signed by Joseph Beuys
Boldly signed on the recto in graphite pencil by Joseph Beuys
Published by: Anthony D'Offay Gallery, London
Frame included: held in original vintage frame
From the estate and collection of artist Tom Levine. Very rare when hand signed as is the present work. Vintage frame is included with this work. (see other photos)
Measurements:
Framed: 32.5 inches (vertical) by 24 inches (horizontal) by 1 inch (depth)
Print: 28.5 inches (vertical) by 19.5 inches (horizontal)
More about Joseph Beuys:
Joseph Beuys, who is recognized as one of the most influential artists of the postwar period, had a grand and ambitious goal for his work: the transformation of Western culture into a more peaceful, democratic, and creative milieu. His multifaceted career, which included sculpture, performance, lectures, activism, and even a campaign for elected office, were all part of an “expanded concept of art” that was aimed at advancing his utopian vision. In all its forms, his work is dense and highly allusive and draws on much of the accumulated knowledge of Western civilization, including history, religion, natural sciences, economic theory, and myth. A charismatic teacher, Beuys was mentor to a generation of younger artists who were inspired by his passionate fusion of art, life, and activism.
Service in World War II
Beuys was born in Krefeld, Germany, and as a youth pursued dual interests in art and the natural sciences. In 1940, at age 19, he joined the German air force. During his 5 years of service, he was wounded several times and interned in a British prisoner-of-war camp. He returned home in 1945 physically and emotionally depleted, and spent nearly a decade recuperating on a friend’s farm, where he made hundreds of drawings and small sculptures. Coming to terms with his involvement in World War II would be a lifelong process that informed much of his art.
Teaching at the Düsseldorf Art Academy, Sled
After the war, Beuys decided to dedicate himself to art. In 1961, he was appointed to a professorship at the Düsseldorf Art Academy and soon became the school’s most sought-after teacher. At the same time, he began to develop his sculptural practice. One of his best-known works from this period is Sled (1969), which he called a “survival kit”: an elemental means of transport carrying a felt blanket...
Category
1980s Conceptual New York City - Figurative Prints
Materials
Lithograph, Ink, Offset
Une Niit d'avril a Ceos
By Edouard Vuillard
Located in New York, NY
Une Niit d'avril a Ceos, theatre program for a production with sets by Maurice Denis with advertisement for La Revue blanche, 1894. Lithograph.
Ref:...
Category
1890s Art Nouveau New York City - Figurative Prints
Materials
Lithograph
The Rake's Progress 100% Silk Pocket Scarf in bespoke gift box
By David Hockney
Located in New York, NY
David Hockney
The Rake's Progress Silk Pocket Scarf, ca. 2020
100% silk scarf made in Italy and printed in the UK, held in the original presentation box
16 1/10 × 16 1/10 inches
Bear...
Category
2010s Pop Art New York City - Figurative Prints
Materials
Silk, Screen
Sometimes the Dress is Worth More Money than the Money (1 of 50 Hand Signed)
By Tracey Emin
Located in New York, NY
Tracey Emin
Sometimes the Dress is Worth More Money than the Money, 2001
Limited edition offset lithograph
Signed and dated by Tracey Emin on the front (one of approx. 50 hand signed...
Category
Early 2000s Contemporary New York City - Figurative Prints
Materials
Permanent Marker, Lithograph, Offset
Bernard Sanders, (Mesopotamian Figure)
Located in New York, NY
Clearly Sanders was looking at ancient Mesopotamian figures. Even the elaborate feathered wings can be found there -- made about 5000 years ago!
There's an initial 'S' in the plate...
Category
Early 20th Century American Modern New York City - Figurative Prints
Materials
Etching, Drypoint
Mr. Peanut - Pop Art Screenprint by Eduardo Paolozzi
By Eduardo Paolozzi
Located in Long Island City, NY
Artist: Eduardo Paolozzi, British (1924 - 2005)
Title: Mr Peanut
Year: 1970
Medium: Screenprint, signed and dated in pencil
Image: 27 x 19 inches
Frame Size: 35 x 25 inches
Category
1970s Pop Art New York City - Figurative Prints
Materials
Screen
Bernard Sanders, (Lovers)
Located in New York, NY
Clearly Sanders (1906-1967) was a master at these minimalist figurative prints. It's all about atmosphere and tension.
Perhaps reflecting the print here, (Lovers), he, in fact, w...
Category
Early 20th Century American Modern New York City - Figurative Prints
Materials
Etching, Drypoint
Lt Ed Hand Signed Book: Mario Testino Private View Bi-Lingual (Chinese-English)
By Mario Testino
Located in New York, NY
Mario Testino Private View Bi-Lingual (Chinese-English), hand signed and stamp numbered, 2012
Limited Collector's Edition Hardback Monograph with Lenticular Cover portrait of Lady Gaga. Enclosed in an Injection-Molded fitted Purple Acrylic Box (Purple). Hand Signed by Mario Testino and stamp numbered.
Boldly signed by Testino on the title page and numbered 57 of a worldwide edition of 1500.
18 × 13 1/2 inches
Held in Purple Acrylic Gift Box
This gorgeous, oversized lavishly illustrated hardback monograph - hand signed by Mario Testino and numbered from the limited edition of 1500 - with a dynamic lenticular cover featuring an iconic portrait of Lady Gaga, housed in custom fitted multi-lingual injection-molded purple acrylic display case with English and Chinese lettering, makes the perfect gift for any global fashion photography lover! The text of this book is by Graydon Carter, Karl Lagerfeld, Jennifer Allen, and Patrick Kinmonth. This volume contains 300 pages with numerous color photographs - all in excellent condition. There is some minor scuffing/scratching on the lenticular cover and, on the title page with signature, there's a one inch ink mark that was either part of the printing process or done by the artist himself when he signed the book in his inimitable hand, but it's otherwise in very good condition. The interior pages are bright and crisp and the photographs are absolutely dazzling. This book is from the international collector's edition of 1500 that were hand signed by Testino. Comes in the original publisher's box.
Measurements:
Injection-Molded Plastic Box: 22 3/4 x 18 1/4 inches
Book: 18 x 13 1/2 inches
Publisher's Box: 23 x 19 inches
The mere mention of Mario Testino’s name evokes a rush of adrenalin in anyone that cares, even a bit, about the worlds of fashion and celebrity. So omnipresent is he at major magazine shoots and A-list events—an insider if ever there was one—that he has become a celebrity himself. The launch of Testino’s latest book, to celebrate his inaugural exhibition in China, brings together an exciting selection of his best studio work with glamorous examples of his candid shots. A beaming Gwyneth Paltrow clutching her freshly-won Oscar, a fur-cloaked Jennifer Lopez atop a commode, and the unforgettable portraits of royalty...
Category
2010s Contemporary New York City - Figurative Prints
Materials
Paper, Acrylic Polymer, Plastic, Offset, Lithograph, Mixed Media, Ink
LOWEST $ DIB Post Impressionist “LE HAVRE” Lithograph 1930 Figures and Seascrape
By Raoul Dufy
Located in New York, NY
Here I have the lowest authentic priced Raphl Dufy Le Havre for sale!
Originally purchased purchased from Sotheby’s
I’m 1984 for approx $3500, I have attached a photo of receipt ...
Category
1930s Post-Impressionist New York City - Figurative Prints
Materials
Lithograph
Night: William Dunas Dance 4 (Pamela)
By Alex Katz
Located in Greenwich, CT
Night: William Dunas Dance 4 (Pamela) is a lithograph on paper with an image size of 25 x 31.25 inches. From the edition of 142, numbered 104/125 (there were also 17 artist proofs), ...
Category
20th Century Pop Art New York City - Figurative Prints
Materials
Lithograph, Paper
HOW TO SEE Looking, Talking and Thinking about Art (hand signed by David Salle)
By David Salle
Located in New York, NY
David Salle
HOW TO SEE Looking, Talking and Thinking about Art (hand signed, dated and inscribed), 2016
Hardback monograph with dust jacket (hand signed and inscribed to Kevin)
Hand ...
Category
2010s Contemporary New York City - Figurative Prints
Materials
Mixed Media, Offset, Lithograph, Ink, Paper
Kerouac's On the Road (10 sandwiches with bread and salami), SIGNED by Ed Ruscha
By Ed Ruscha
Located in New York, NY
Ed Ruscha
On the Road (10 sandwiches with bread and salami) (Hand signed and dated by Ed Ruscha), 2010
Letterpress on paper with tipped-in die-cut photograph
Hand signed and dated 20...
Category
2010s Pop Art New York City - Figurative Prints
Materials
Etching, Mixed Media, Pencil, Lithograph, Offset
Bernard Sanders, (Nude Woman with Orb)
Located in New York, NY
Sander's figures are captivating. Here a women stands facing right, just touching, and holding still, a globe shape, on a flat surface.
It was difficult getting the color to show p...
Category
Early 20th Century American Modern New York City - Figurative Prints
Materials
Drypoint, Etching
1988 Man, Signed and inscribed, Estate of Dorothy Berenson Blau, Littmann PP. 92
By Keith Haring
Located in New York, NY
Keith Haring
1988 Man, from the Estate of Dorothy Berenson Blau (with unique inscription), 1988
Silkscreen. Signed and inscribed to pioneering Miami dealer...
Category
1980s Pop Art New York City - Figurative Prints
Materials
Screen, Pencil
Monograph: I Need Art Like I Need God (Hand signed by Tracey Emin)
By Tracey Emin
Located in New York, NY
Tracey Emin
I Need Art Like I Need God (Hand signed by Tracey Emin), 1998
Softback monograph with stiff wraps (Hand signed by Tracey Emin)
Hand signed in black ink by Tracey Emin on ...
Category
1990s Pop Art New York City - Figurative Prints
Materials
Paper, Offset, Lithograph, Mixed Media, Ink
Aubervilliers (France)
Located in New York, NY
Trying my best to decipher the name I get Leo Tanenbaum. Well, (Sergeant) Sgt. Leo Tanenbaum. Sorry that I haven't been able to find a mid-century artist with this name. It's such an...
Category
1940s Abstract Expressionist New York City - Figurative Prints
Materials
Drypoint, Etching
Monograph: Philip Glass Words Without Music (book hand signed by Philip Glass)
Located in New York, NY
Philip Glass Words Without Music (hand signed by Philip Glass), 2015
Hardback monograph with dust jacket (hand signed by Philip Glass)
Hand signed by Philip Glass on the half title page
9 1/2 × 6 1/2 × 1 1/4 inches
Hand signed by Philip Glass on the half title page.
Makes an excellent gift!
Book information:
Publisher: Liveright Publishing Company, 2015
English; Hardcover; 432 pages; 32 pages of photographs
Publisher's blurb:
The long-awaited memoir by “the most prolific and popular of all contemporary composers” (New York Times).
A world-renowned composer of symphonies, operas, and film scores, Philip Glass has, almost single-handedly, crafted the dominant sound of late-twentieth-century classical music. Yet here in Words Without Music, he creates an entirely new and unexpected voice, that of a born storyteller and an acutely insightful chronicler, whose behind-the-scenes recollections allow readers to experience those moments of creative fusion when life so magically merged with art.
"If you go to New York City to study music, you'll end up like your uncle Henry," Glass's mother warned her incautious and curious nineteen-year-old son. It was the early summer of 1956, and Ida Glass was concerned that her precocious Philip, already a graduate of the University of Chicago, would end up an itinerant musician, playing in vaudeville houses and dance halls all over the country, just like his cigar-smoking, bantamweight uncle. One could hardly blame Mrs. Glass for worrying that her teenage son would end up as a musical vagabond after initially failing to get into Juilliard. Yet, the transformation of a young man from budding musical prodigy to world-renowned composer is the story of this commanding memoir.
From his childhood in post–World War II Baltimore to his student days in Chicago, at Juilliard, and his first journey to Paris, where he studied under the formidable Nadia Boulanger, Glass movingly recalls his early mentors, while reconstructing the places that helped shape his artistic consciousness. From a life-changing trip to India, where he met with gurus and first learned of Gandhi’s Salt March, to the gritty streets of New York in the 1970s, where the composer returned, working day jobs as a furniture mover, cabbie, and an unlicensed plumber, Glass leads the life of a Parisian bohemian artist, only now transported to late-twentieth-century America.
Yet even after Glass’s talent was first widely recognized with the sensational premiere of Einstein on the Beach...
Category
2010s Contemporary New York City - Figurative Prints
Materials
Paper, Offset, Lithograph, Mixed Media, Ink
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