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Item Ships From: New York City
D from Logo Suite (Magenta) Silkscreen on 3-D Molded Plastic Over Wood Signed/N
By Richard Smith
Located in New York, NY
3-D sculpted multiple (to be hung on the wall) by British Pop Art pioneer Richard Smith: Richard Smith D from Logo Suite (Magenta), 1971 Silkscreen on 3-D Molded Plastic Over Wood P...
Category

1970s Pop Art New York City - Abstract Sculptures

Materials

Plastic, Wood, Mixed Media, Screen, Pencil

Wall Two, Basswood Sculpture
Located in New York, NY
Basswood carved sculpture.
Category

2010s Contemporary New York City - Abstract Sculptures

Materials

Wood

Bruce # 9
By Ray Geary
Located in New York, NY
Ray Geary Bruce #9, 2016 Steel Incised signature, title and date on the underside 10 x 7 inches Bruce # 9 is one of ten unique sculptures that popular young sculptor Ray Geary made exclusively for the Whitney Museum. Below is how the Museum described the series: These fanciful totemic objects, lovingly named Bruce, are made of steel purchased from a scrap metal yard in the Meatpacking District...
Category

2010s Abstract New York City - Abstract Sculptures

Materials

Steel

"Kearsarge", Abstract, Large-Scale Outdoor Metal Sculpture in steel
By Carole Eisner
Located in New York, NY
"Kearsarge" by Carole Eisner Abstract, Outdoor Sculpture in welded steel Carole Eisner has worked with scrap and recycled metal for 40 years creating elegant, abstract forms welded ...
Category

1980s Abstract New York City - Abstract Sculptures

Materials

Steel

Resin Abstract Circle Sculpture: 'Circle'
By Kelly Bugden + Van Wifvat
Located in New York, NY
The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday archetypes take shape in unexpected combinations of materials. The works emerged as the tactile and visual senses channeled the ritualistic power and materiality of selected artifacts. The resulting objects exist in a space between what they were originally and what they could become. A wheel, for example, is distorted as if seen through a prism. Their collaboration grew out of years of shaping materials into one-of-a-kind objects. Intuitively, the process of creating with their hands took an inward turn. Prism is a travelogue through memories and dreams, yielding abstract forms that capture moments of transformation. Van Wifvat grew up with eight siblings and studied sculpture and environmental design in Minneapolis at MCAD. In 1979, he opened a storefront art gallery to promote the work of local artists. The space featured printed materials—art books, periodicals, fanzines, and postcard’s. Wifvat moved to New York in 1983 to study at the Fashion Institute of Technology and Parsons. In 1987, he co-founded Van Gregory & Norton design studio, specializing in convex mirrors and curtain hardware...
Category

2010s Conceptual New York City - Abstract Sculptures

Materials

Ceramic, Resin, Wood, Glaze, Handmade Paper

Spiral, Enameled Laser Cut Steel Sculpture by Von Ringelheim
By Paul von Ringelheim
Located in Long Island City, NY
Artist: Paul von Ringelheim, Austrian/American (1933 - 2003) Title: Spiral 1 Medium: Painted Flame-Cut Steel Sculpture Size: 47 x 52 x 8 in. (119.38 x 132.08 x 20.32 cm)
Category

1970s Abstract Expressionist New York City - Abstract Sculptures

Materials

Steel

Charles Birnbaum, 372 Wall Piece No.20, 2017, porcelain, 19.5x15.5x7 in, Visionary
By Charles Birnbaum
Located in Darien, CT
Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was one of a select group of the esteemed Ken...
Category

2010s Baroque New York City - Abstract Sculptures

Materials

Digital Pigment, Porcelain

"Magic Circle Deep Cell Variation", Hand & Laser Cut Paper Wall Relief Sculpture
By Rogan Brown
Located in New York, NY
"Magic Circle Deep Cell Variation" by Rogan Brown Laser and hand cut paper, framed in plexiglass shadowbox Available by commission. Please allow 8-12 weeks production time. Rogan B...
Category

2010s Abstract New York City - Abstract Sculptures

Materials

Paper

Futura 'Johnny' vinyl art figure (Futura Mindstyle)
By Futura
Located in NEW YORK, NY
'Johnny' by Futura: Futura Figurative Pop Art Sculpture. The ‘Johnny’ vinyl art figure from NYC graffiti legend Futura is inspired by a classic 80s horror...
Category

21st Century and Contemporary Pop Art New York City - Abstract Sculptures

Materials

Resin, Vinyl

"LUNGE 2-20", Industrial Abstract Sculpture in slate stone & steel metal
By John Van Alstine
Located in New York, NY
"LUNGE 2-20" by John Van Alstine Slate, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while explor...
Category

2010s Abstract New York City - Abstract Sculptures

Materials

Stone, Slate, Metal, Steel

"JAMÓN JAMÓN VIII", glaze ceramic sculpture, table, food, bait, identity, vessel
By Andrew Cornell Robinson
Located in Toronto, Ontario
"JAMÓN JAMÓN VIII", 2019, in slipcast glazed ceramic by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include c...
Category

21st Century and Contemporary Contemporary New York City - Abstract Sculptures

Materials

Ceramic, Slip, Glaze

Polished Chrome L-Shaped Sculpture
Located in Long Island City, NY
This large chrome sculpture is whimsical in design yet strong in construction. The reflective surface allows the observer to become apart of th...
Category

20th Century Contemporary New York City - Abstract Sculptures

Materials

Metal

Lapis 152 - white blue 3D abstract floral geometric ceramic wall composition
By Marie Laforey
Located in New York, NY
Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...
Category

2010s Contemporary New York City - Abstract Sculptures

Materials

Clay

Untitled (Arrows), Graffiti Sculpture by John Crash Matos
By John Crash Matos
Located in Long Island City, NY
A unique spray painted cut steel sculpture by New York Graffiti artist, John "Crash" Matos. signed and dated lower edge. Crash (b. John Matos, Bronx, New York, Oct. 11, 1961) is a g...
Category

2010s Street Art New York City - Abstract Sculptures

Materials

Steel

Interpretations of a Wave (14)
By Paul von Ringelheim
Located in Long Island City, NY
This painted steel flame cut sculpture by Paul von Ringelheim is a vibrant abstract expressionist work. With his sculpture, Von Ringelheim creates an enti...
Category

20th Century Abstract Expressionist New York City - Abstract Sculptures

Materials

Steel

Ceramic and textile sculpture: 'No. 5'
By Ak Jansen
Located in New York, NY
This is part of a collection of ceramics, textiles, and drawings by Ak Jansen which comprise his first solo show in New York City. Born in the Netherlands, Jansen’s work occupies que...
Category

2010s Contemporary New York City - Abstract Sculptures

Materials

Gold

Liz Sweibel, Untitled (Scrapings #2), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint. Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect. Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives. Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...
Category

2010s Abstract Expressionist New York City - Abstract Sculptures

Materials

Wood, Paint, Found Objects

polygon in space #25 - large geometric bright color wall sculpture
By Zin Helena Song
Located in New York, NY
Zin Helena Song was born in Seoul, South Korea in 1983 and completed her undergraduate studies there at the Kook Min University before traveling to New York, where she earned her MFA...
Category

21st Century and Contemporary Modern New York City - Abstract Sculptures

Materials

Wood, Acrylic

"VERTICAL 4", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
By Harold Wortsman
Located in Toronto, Ontario
Vertical 4, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 4 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary New York City - Abstract Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

Liz Sweibel, Untitled (Scrapings #3), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consist...
Category

2010s Abstract New York City - Abstract Sculptures

Materials

Wood, Paint, Found Objects

Abstract Polished Chrome Sculpture by Chinni
By Peter Chinni
Located in Long Island City, NY
This chrome sculpture by Peter Chinni, from 1968, is an modern abstract expressionist work. The reflective surface of the twist adds an element of i...
Category

1960s Abstract Expressionist New York City - Abstract Sculptures

Materials

Metal

Paintbrushes (Orange Red and Green) IV
By Fernandez Arman
Located in Long Island City, NY
An accumulation sculpture of paintbrushes by the great accumulator sculptor, Arman. This work features 13 paintbrushes with various shades of paint in oranges, greens, and reds again...
Category

1990s Conceptual New York City - Abstract Sculptures

Materials

Resin, Paint

Untitled #3 - abstract geometric, organic white glazed porcelain sculpture
Located in New York, NY
Joan Lurie Untitled #3 White Glazed Porcelain 20" x 14" x 14" 2019 Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for the f...
Category

21st Century and Contemporary Contemporary New York City - Abstract Sculptures

Materials

Porcelain

"Eidolon", Minimalist Abstract Metal Sculpture in Reflective Nickel-Plated Steel
By Michael Enn Sirvet
Located in New York, NY
"Eidolon" Minimalist Abstract Metal Sculpture by Michael Enn Sirvet Nickel-plated steel About Michael Enn Sirvet's Eidolon Series This is a ghostly blade in reflective steel. Its o...
Category

2010s Abstract New York City - Abstract Sculptures

Materials

Metal, Steel

The Eye, Abstract Copper and Wood Sculpture
Located in Long Island City, NY
Artist: Unknown Medium: Hand-Hammered and Welded Copper and Wood Construction Size: 89 in. x 19 in. x 2 in. (226.06 cm x 48.26 cm x 5.08 cm)
Category

20th Century Modern New York City - Abstract Sculptures

Materials

Copper

Pandora's Box, Polished Bronze Sculpture, by Stefan Vladescu 1993
By Stefan Matty Vladescu
Located in Long Island City, NY
Artist: Stefan Matty Vladescu, Romanian/American (1952 - ) Title: Pandora's Box Year: 1993 Medium: Bronze Sculpture, signature and date inscribed Size: 34.5 in. x 10 in. x 10 in. (87...
Category

1990s Modern New York City - Abstract Sculptures

Materials

Bronze

The cover of Newsweek - 2
Located in New York, NY
Title: The cover of Newsweek - 2 Materials: Magazines, Books, Iron Mesh, Transparent sealing materials Size: 31.4 × 33.4 × 1 inches Rarity: Unique Medium: Mixed Media Signature: Can ...
Category

2010s Contemporary New York City - Abstract Sculptures

Materials

Iron

Moon 1 - intricate white 3D abstract geometric circle pulled paper drawing
Located in New York, NY
Finesse and delicacy are what characterize best Antonin Anzil’s artistic practice. Paper as a medium seems incompatible with the idea of engraving or sculpturing; and yet. Using a sh...
Category

2010s Abstract Geometric New York City - Abstract Sculptures

Materials

Archival Paper

LXXV, Abstract Marble Sculpture by Domenico Casasanta
By Domenico Casasanta
Located in Long Island City, NY
This piece is a unique hand-carved white marble Modern sculpture by Spanish-Venezuelan artist, Domenico Casasanta. The artist uses simple...
Category

2010s New York City - Abstract Sculptures

Materials

Marble

Hommage à Nadar
By Arman
Located in New York, NY
Arman Hommage à Nadar, 1986 Bronze with black patina, sliced movie camera 22 x 9 x 12.63 inches AP from edition of 75
Category

1980s Contemporary New York City - Abstract Sculptures

Materials

Bronze

Waves and Circles, Large Outdoor/Indoor Steel Sculpture
By Hans Van de Bovenkamp
Located in Long Island City, NY
Artist: Hans van de Bovenkamp, Dutch (1938 - ) Title: Circles and Waves Year: 1986 Medium: Steel Sculpture Overall Size: 87 x 50 in. (220.98 x 127 cm)
Category

1980s Modern New York City - Abstract Sculptures

Materials

Steel

Linda Stein, Brought/Left Behind 856 - Contemporary Art Mixed Media Sculpture
Located in New York, NY
This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabinets of curiosities to highlight the global displacement and traumatic memory ...
Category

2010s Contemporary New York City - Abstract Sculptures

Materials

Metal

"FOR THE OLD ONES", sculpture, clay, abstract, contemporary, ceramic, tribal
By Harold Wortsman
Located in Toronto, Ontario
FOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary New York City - Abstract Sculptures

Materials

Limestone

Spiral#1-Blue, large maple sculpture
By Eric Pesso
Located in Brooklyn, NY
Large maple abstract sculpture, geometric spiral, created from one tree trunk. This sculpture is subtracted from the single block using primarily hand tools, not an assembled constru...
Category

2010s Abstract New York City - Abstract Sculptures

Materials

Maple, Latex

Wall sculpture: 'Untitled'
By Samuelle Green
Located in New York, NY
Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – tha...
Category

2010s Contemporary New York City - Abstract Sculptures

Materials

Mixed Media

#5- intricate gold color 3D abstract geometric drawing with pulled paper fiber
Located in New York, NY
Finesse and delicateness are what best characterize Antonin Anzil’s artistic practice. Using a sharp tool to carefully pull the fiber of the paper from the front, the artist gives bi...
Category

2010s Abstract Geometric New York City - Abstract Sculptures

Materials

Archival Paper

"Flash" Abstract, Cast Stainless Steel Metal Sculpture by John Ruppert
By John Ruppert
Located in New York, NY
"Flash" by John Ruppert Cast stainless steel, from a fragment of a tree struck by lightning Edition of 3 Over the past 35 years, John Ruppert has been working in cast metals; manufa...
Category

2010s Abstract New York City - Abstract Sculptures

Materials

Metal, Steel, Stainless Steel

"Roland, " George Sugarman, Abstract Steel Sculpture
By George Sugarman
Located in New York, NY
George Sugarman (1912 - 1999) Roland, 1970 Patinated steel 17 3/8 x 16 x 5 1/4 inches Incised with the artist's signature and numbered "15/17" on the underside Manufactured by Lippin...
Category

1970s Abstract New York City - Abstract Sculptures

Materials

Steel

"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
By Harold Wortsman
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary New York City - Abstract Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

"Small Mandala 2", Hand Cut, Laser Cut Paper Wall Relief Sculpture
By Rogan Brown
Located in New York, NY
"Small Mandala 2" by Rogan Brown Laser and hand cut paper, framed in plexiglass shadowbox Available by commission. Please allow 8-12 weeks production time. Rogan Brown creates abst...
Category

2010s Abstract New York City - Abstract Sculptures

Materials

Paper

Oh, Georgia (Homage to O'Keeffe)
By Carolee Thea
Located in Long Island City, NY
Artist: Carolee Thea Title: Oh, Georgia (Homage to O'Keeffe) Year: 1986 Medium: Unique Wall Sculpture: Oak, Varnished Plywood and Bone Construction, signed and dated verso Size: ...
Category

1980s Surrealist New York City - Abstract Sculptures

Materials

Oak, Plywood, Found Objects

Paintbrushes I
By Arman
Located in Long Island City, NY
Artist: Arman, French/American (1929 - 2005) Title: Paintbrushes I Year: 1991 Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed Edition: 20,...
Category

1990s Dada New York City - Abstract Sculptures

Materials

Epoxy Resin, Found Objects, Mixed Media, Oil

Sculpture ceramic vessel: 'Creature Medium 2'
By Ak Jansen
Located in New York, NY
Ak Jansen was born in Dongen, The Netherlands, in 1988. He studied at the Design Academy Eindhoven focusing on textile design, material culture, and techniques of fabrication. He wor...
Category

2010s Abstract New York City - Abstract Sculptures

Materials

Clay, Glaze

"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
By Harold Wortsman
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary New York City - Abstract Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

"Primal", Abstract, Large-Scale Outdoor Metal Sculpture in steel
By Carole Eisner
Located in New York, NY
"Primal" by Carole Eisner Abstract, Outdoor Sculpture in welded steel Carole Eisner has worked with scrap and recycled metal for 40 years creating elegant, abstract forms welded in ...
Category

Early 2000s Abstract New York City - Abstract Sculptures

Materials

Steel

Broken Wall, Conceptual Acrylic, Plaster, and Resin Painting by Curtis Mitchell
By Curtis Mitchell
Located in Long Island City, NY
Artist: Curtis Mitchell, American (1954 - ) Title: Broken Wall Year: 1989 Medium: Mixed Media Wall Sculpture (Plaster, Resin, Acrylic), signed and dated ...
Category

1980s Conceptual New York City - Abstract Sculptures

Materials

Resin, Plaster, Acrylic

"Striper", Bronze Wall Relief Sculpture, Abstract, Metal, Contemporary
By Kevin Barrett
Located in New York, NY
"Striper" by Kevin Barrett Sculptural wall piece in bronze metal Barrett is noted for creating contemporary metal sculpture and sculpture wall pieces for indoor and outdoor display....
Category

2010s Abstract New York City - Abstract Sculptures

Materials

Metal, Bronze

"CUBE, PYRAMID & SPHERE", sculpture, clay, abstract, geometric, installation
By Harold Wortsman
Located in Toronto, Ontario
CUBE, PYRAMID & SPHERE is a major work created over a five-year period. It is a variable installation, composed of 4 geometric sculptures of high-fired clay pigmented with oxides, a block of wood found in the ocean, river gravel, limestone, and slate shattered to fragments. Note the surface textures, the ground of natural stone, the colors black, umber, copper and tan throughout, the pattern of slate fragments. CUBE, PYRAMID & SPHERE is characteristic of Wortman's practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. CUBE, PYRAMID & SPHERE was exhibited at BASE: Immersive Art Experiences, Industry City, Brooklyn, NY, 2017. It was also reproduced in Tussle Magazine, alongside "An Interview with Harold Wortsman...
Category

21st Century and Contemporary Contemporary New York City - Abstract Sculptures

Materials

Limestone, Slate, Stone

EC 15 - textural abstract circle shape nature inspired white sculpted paper
Located in New York, NY
Anne-Charlotte Saliba's artistic universe is largely inspired by nature, its abyssal dimension as well as its vegetal or mineral forms. Her sculpted artworks are a confrontation of smooth and grainy texture on the same linear paper. A cloud of small perforations, incisions, and punches which play on the elasticity of the paper, to create a topographic relief. A controlled wandering of dotted lines, scales and bumps are drawn following the movement of her hand on the paper. The flow is both free and thoughtfully planned, allowing unexpected movements and completely abandoning set patterns at times. Saliba sees herself more like an artisan than an artist in the sense that she is working with texture and touch to create unique intricate sculpted artworks. Playing with light and shadow, each in her own way ennobles a seemingly banal material with a genuine concern for ethics. Like modern-day memento mori, Saliba’s works transport us into dreamlike worlds in which the evanescence of paper echoes the transience of life, subtly reminding us to enjoy the present moment. Anne-Charlotte Saliba works and lives near Lyon, France. Her work has reviewed in numerous publications and has won the prestigious price for Jeune Creation de Métiers d’Art in 2020. She is now represented by the Muriel Guépin Gallery...
Category

2010s Abstract New York City - Abstract Sculptures

Materials

Archival Paper

Arrow Knight 670 - Contemporary Mixed Media Wearable Performance Sculpture
Located in New York, NY
Arrow Knight 670 is from Linda Stein's Body-Swapping Armor series. These wearable sculptures are ambiguous and androgynous in form, allowing the wearer to explore new and different b...
Category

Early 2000s Contemporary New York City - Abstract Sculptures

Materials

Metal

Sinuous Dance, sculpture of two abstracted figures, black marble with wood base
By Lilian R. Engel
Located in New York, NY
My sculpture is inspired by the connection of the human form to nature. I use natural materials, stone, wood and metal to bring to life organic forms moving through space. The delica...
Category

2010s Contemporary New York City - Abstract Sculptures

Materials

Marble

"White Washed" Abstract Paper Wall Relief Sculpture, Mixed Media Collage
By Joan Giordano
Located in New York, NY
"White Washed" by Joan Giordano Mixed media, archival newspapers, photographs, corrugated cardboard Museum shown and collected artist Joan Giordano is known for her unique hand made paper sculpture and wall relief sculpture and Japanese influenced wall scrolls...
Category

2010s Abstract New York City - Abstract Sculptures

Materials

Paper, Mixed Media, Newsprint, Cardboard

"Bloom No. 5" from the Bloom Series, Abstract, Organic Sculpture in Glass
By Norman Mooney
Located in New York, NY
Bloom No. 5 from the Bloom Series by Norman Mooney Edition of 10 + 2AP Clear float glass, aluminum Inspired by the work of the 19th century biologist Ernst Haeckel and his study of ...
Category

2010s Abstract New York City - Abstract Sculptures

Materials

Metal

Vessel #2, multicolored mixed media sculptural piece, textured, 22" diameter
By Francie Hester
Located in New York, NY
Acrylic paint and aluminum leaf on acrylic glass. 22" diameter. This is a time that has forced us to redefine. Redefine how we live, how we interact, how we see, what we value. Th...
Category

2010s Abstract New York City - Abstract Sculptures

Materials

Glass, Mixed Media, Acrylic

Untitled #5 - abstract geometric, organic white glazed porcelain sculpture
Located in New York, NY
Joan Lurie Untitled #5 White Glazed Porcelain 18" x 12" x 11" 2019 Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for the f...
Category

21st Century and Contemporary Contemporary New York City - Abstract Sculptures

Materials

Porcelain

"DESK SET I", majolica glazed earthenware sculpture, faience, ceramic, tin glaze
By Andrew Cornell Robinson
Located in Toronto, Ontario
"DESK SET I", 2012, in majolica glazed earthenware by artist Andrew Cornell Robinson, is one of a series of sculptural objects that are also kn...
Category

21st Century and Contemporary Contemporary New York City - Abstract Sculptures

Materials

Glaze

Large Abstract White Onyx Sculpture by Leonardo Nierman
By Leonardo Nierman
Located in Long Island City, NY
Artist: Leonardo Nierman (1932 - ) Title: Untitled Year: circa 1979 Medium: White Onyx, signature engraved Size: 24 x 43.5 x 7.25 inches Base: 4 x 13.25 x 13.25 inches
Category

1970s Modern New York City - Abstract Sculptures

Materials

Stone, Marble

"Presto", Colorful, Abstract Painting on Aluminum Panel by Kevin Barrett
By Kevin Barrett
Located in New York, NY
"Presto" by Kevin Barrett Epoxy, acrylic, and urethane on carved aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall relief...
Category

2010s Abstract New York City - Abstract Sculptures

Materials

Metal

Modernist Ceramic Platinum-Plated Crouching Man Sculpture by Jaru, circa 1970
By Jaru
Located in New York, NY
This Modernist ceramic sculptures depicts an abstracted and cubist human form sitting cross legged with his back bent forward and arms outstretched. The sculpture, realized by Jaru o...
Category

1970s Abstract Expressionist New York City - Abstract Sculptures

Materials

Ceramic

"Pump", Red, Abstract Aluminum Metal Wall Relief Sculpture by Kevin Barrett
By Kevin Barrett
Located in New York, NY
"Pump" by Kevin Barrett Abstract wall relief sculpture in painted aluminum Barrett is noted for creating contemporary metal sculpture and sculpture wall pieces for indoor and outdoo...
Category

21st Century and Contemporary Abstract New York City - Abstract Sculptures

Materials

Metal

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