New York - Figurative Paintings

Alex Sax is an artist and educator who is driven by curiosity and respect for her subject matter. She finds inspiration in nature, history and literature; and the resulting works are...

Provenance: Private Collection, New Jersey The present painting depicts Saint Vincent Ferrer preaching from a raised pulpit to a group of seven peopl...

"Floral Sheets" is a contemporary impressionist painting of a resting nude woman. A nude figure lies on her back on a bed. Colorful textiles surround her...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 25 1/4 x 32 1/4 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

With each subsequent exhibition, Green has expanded the botanical content from single trees, bushes and weeds to now entire gardens--teeming with growth and rich with animal and plant life. Depicting plants blooming and thriving during the night, her cast of anthropomorphic characters includes Starlings, Stargazer Lilies, King and Queen Proteas, Peace Lilies, Royal Mushrooms and Monarch Butterflies. Enveloped in darkness yet illuminated by the starry sky, Green’s lush and mystical environments invite viewers to sit amidst the gardens of metaphors and uncover the stories within. "Birds of Paradise...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Exploring the purity of the feminine form and the excitement of High-End Fashion, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composi...

Artist: Nina Usacheva-Green, Russian Title: Sirin and Alkonost Year: 1981 Medium: Oil on Canvas, signed Size: 40 x 29 inches Frame: 49 x 38 inches

MICHELE MIKESELL b. 1973, Alabama, USA In 2002, Michele Mikesell earned her Bachelor of Fine Arts with a minor in graphic design from Texas Women's University in Denton, TX. Mikesel...

Artist: Robert Philipp, American (1895 - 1981) Title: Sailor and Reading Woman Year: circa 1950 Medium: Oil on Canvas, signed l.r. and verso Size: 22 in. x 18 in. (55.88 cm x 45.72 c...

"Three Magenta Peonies" is contemporary realist oil painting pink flowers on black background. A classical painting subject and style, with a fresh and intriguing touch. Signed "Personett" lower left corner. Framed in a traditional black frame w gold trim. Framed dimensions: Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design, The Angel Academy of Art, and finally settled on the Florence Academy of Art, graduating in 2015. In January 2016 she apprenticed the painter Odd Nerdrum in Norway for eight months. Rachel Personett works strictly from life, and enjoys the challenged of painting the ephemeral. Working from life provides the opportunity to travel around the world painting the ever changing people and landscapes. Artist Statement My mother had studied advertising in college, so she knew a lot about arts and good craftsmanship. She did talks at my elementary school each week and on a different artist. I remember being very moved by the images of Van Gogh and Andrew Wyeth. At the Florence Academy I really liked Sargent, Sorolla, Willard Metcalf, Henri Fantin-Latour and Velazquez. At Odd Nerdrums I gained new respect for Rembrandt and was introduced to other Scandinavian...

A whimsical “Girl with Balloons” with a bright eiffel tower depicted and a shining moon in the dark star lit sky. She is adorned in Chanel and Van Cleef Apparel jewelry, all while ho...

The Costa Rican artist Francisco Zuniga (1912-1998) took, for a short while, drawing lessons at the Art School of San Jos, before he worked from 1928 to 1934 in his father's business...

Trumpet Player Marshall Goodman, American (1916–2003) Date: circa 1960 Oil on Canvas Size: 30 in. x 24 in. (76.2 cm x 60.96 cm) Frame Size: 32 x 26 inches

An oil painting featuring a typical western USA mountains. The oil painting is based on a photographic base using photo graphic paper laid on the canvas. Ayline Olukman is a multim...

Surrendering Compulsion, 2018 Oil and charcoal on canvas 42 x 57 inches Signed and dated on verso The Decent Series The realization that wholeness comes from self reflection and a d...

"Blue Light Nude, Bea" is a contemporary impressionist oil painting of Fenske's muse, Bea. The first painting of the "Bea Nudes Series" is a loose presentation of brushstrokes that ...

The quirky humor in this painting speaks for itself

This modern abstract painting by Peter Keil is on a smooth masonite board with a painted Tiffany Blue background, black abstract portrait with many ...

Sacha Newley (born 8 September 1965) is a British contemporary artist, portraitist, writer, and teacher known for his portrait paintings, including those of Christopher Reeve, Oliver...

Alfred Jensen Untitled two sided painting, 1947 2-sided gouache painting on board (one portrait is vertical; the other horizontal) 29 × 23 7/20 inches Signed and dated in paint on th...

Street Scene WPA American Scene Mid-20th Century Modern Coin Tower California SF Victor Arnautofff (1896 – 1979) City Street 12 x 14 inches Oil on board, c. 1930s Signed lower left BIO Born in the Ukraine of Russia, Victor Arnautoff became one of the most influential muralists in San Francisco in the 1930s and worked for the Federal Arts Project, WPA, in the expressive, social protest...

DUAL CITIZEN, an oil painting on panel by Anna Ortiz, depicts a mysterious two-headed totem in the middle of a landscape both strange and familiar – painted in rose and pink tones, w...

From the tender age of eight, John-Herbert Wright gravitated to painting as an escape, expressing a rich inner world. His work heavily relies upon dark figurations amongst an urban ...

Pair of Signed Art Nouveau Style Greek Mythology Scenes, Gouache on Board, one of the Gods on Olympus, other depicting Gods and mythical creatures on a rock at sea, both signed "Isab...

Martin Mull is an actor, musician, and artist whose visual work is noted for its combination of Pop Art and collage. Born on August 18, 1943 in Chicago, IL...

When viewing a painting by Matthew Grabelsky you can immediately see the great technical skill required, the sense of humor and the concept of the pa...

Antique American modernist street scene oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent conditio...

5057 Vintage American portrait of a southern country gil Set in a painted wood frame under glass Image size 13x10.5"

"Walking in the Vineyard" is a contemporary impressionist painting of a woman walking her dog through a Tuscan Vineyard. Framed Dimensions: 51.25 x 67 inches Ben Fenske (b. 1978)...

Artist: Edith Varian Cockroft, American (1881 - 1962) Title: Girl in a White Dress Year: 1961-1962 Medium: Oil on Canvas, signed l.r.(signed Cocroft) ...

Fun, vibrant mixed media piece. Homage to the late great Andy Warhol. And Coca Cola. On wood. About the Artist: Allen's work has gained recognition w...

Georgina Klitgaard Spanish Moss, Georgia Signed lower right Oil on artist's board 12 x 16 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to as...

oil on linen on mounted board *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works a...

Signed bottom-left. All of our works are covered by our own guarantee of authenticity which covers the work for its lifetime of ownership with the purchaser. We carry out stringent ...

John Edward Costigan Autumn Wood Interior, 1946 Signed, lower left "J.E. Costigan N.A." Oil on canvas 24 x 30 inches John Costigan was a self-taught painter and trained printer dis...

‘I have been working on eggshells since I was 8 years old, learning the traditional Ukrainian art of pysanky from my mother. This artistic and cultic use of eggs informs my work to t...

Painted from life, a subtle and colorful seascape. The South Ferry runs across the Peconic Bay, from North Haven, Sag Harbor, to Shelter Island. A humble spot in New York's famous Hamptons. Signed: Angel Ramiro Sanchez Angel Ramiro Sanchez was born in 1974 in Maracaibo, Venezuela. At age six was accepted with full scholarship into the Instituto the Niños Cantores del Zulia, school for musically gifted children. At age fourteen he began five years of apprenticeship with the realist painter, Abdon J. Romero, an eminent specialist in murals for churches and public buildings. In 1993, a study grant from Mgr. Gustavo Ocando Yamarte, Founder the Niños Cantores, enabled him to travel to Florence, Italy, where he studied at the renowned Accademia di Belle Arti, graduating Magna Cum Laude in 1997. At the same time, he was enrolled at The Florence Academy of Art,founded by painter Daniel Graves, where he received a diploma in Painting. Ramiro was appointed senior painting instructor at The Florence Academy of Art in 1997, and is currently Director of the Advanced Painting Program. Ramiro paints only from life, searching for accuracy beyond physical appearance to reach the psychological state of his subject. He believes the painter must draw his information from "all five senses" to tell the complete human story. Ramiros work is predominantly represented by th e Grenning Gallery in Sag Harbor, New York, but also Scriba Gallery, venice, Italy, Jack Meier Gallery, Houston, Tx. Ramiros works can be found in numerous private collections in Europe, The United States and South America. Public collections include: The Fondazione Stelline, Milan, Italy. The Fremantle Foundation for Foreing Artist in Tuscany at Villa Peyron, Florence, Italy and The Muscarelle Museum of Art at the College of William and Mary, Williamsburg, VA. USA. He shares his life and passion for art with his wife, the artist Melissa Franklin-Sanchez. Education 1993-1997 Florence Academy of Art, directed by Daniel Graves, Florence, Italy. 1993-1997 Accademia di Belle Arti di Firenze Graduated Magna Cum Laude, Thesis: Historic and Technical Notes of Academic Realism Today. 1995 Florence, Italy: Michael John Angel...

Ceravolo was introduced to Lichtenstein at a museum show in 1995, at that show, Lichtenstein and Ceravolo discussed the fact that Andy Warhol had painted portraits of Roy in the 1970...

Oliver Dennett Grover Grand Canal, 1926 Signed and dated lower left Oil on canvas 24 x 30 inches Grover's family relocated to Chicago during his childhood. There, he dedicated a si...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

"See No Evil" is an oil painting. It depicts a woman, the artist, Maryann Lucas covering her eyes with her hands. The two tone composition represents the artist's astrological sign, ...

In this series, Audrey Anastasi has shifted her focus away from naturalistic domestic settings to a dark, enigmatic, and some might say, unsettling, pl...

Painted en plein air on the Bluffs in Montauk, New York. The eastern most point on the end of Long Island is filled with sunlight on a crisp fall day. Surrounded by water, light reflects a silver surface on the ocean. Two figures walk toward the edge to gawk at the beauty of Montauk. Victor Butko was born into a long line of artists, and has been mentored in painting since the age of 8. He is currently the youngest artist exhibiting at Thomas Kearns McCarthey Gallery, one of the foremost dealers in the United States for Russian Impressionist...

Antique Victorian, Impressionist 19th century English oil, Fishings boat at Sea. Adolphus Knell was a superb painter of marine subjects during the middle of the 19th century. His wor...

A child of the American South, Elliott Daingerfield was born in Harper’s Ferry, Virginia, and raised in Fayetteville, North Carolina, where his father, C...

This work by the internationally collected artist Robert Mars features Brigitte Bardot and is titled "For the Sake of the Song". The art measures 30 x24" it is a unique one of a kind mixed media work on wood panel. An impressive layered collage of paint, mixed media, vintage...

Signed and dated lower left: WARREN B. DAVIS 06

Measures 22" x 18" and framed 27" x 24" x 3". About this artist: Born in Galatz, Romania, John Barber became a modernist painter of figures and scenes of...

Harrison Bird Brown Maine Cliffs, Rough Sea Signed lower right Oil on canvas 20 x 36 Provenance Estate of John Carter, Gloucester, MA Harrison Bird Brown was born in 1831 in Portl...

"The Rembrandt Room" is a realist oil painting by Steven J. Levin. It depicts three people in a museum gallery. One person is looking at the art, another is seated on a bench, with t...

5102 "Inseption" Oversized Surreal oil painting on wood panel Signed on verso Allison Kandis 95

First of a series of totem like images by the artist dealing with everyday ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought pr...

WWI American Scene Ashcan Modern 20th Century Historical Realism Industrial WPA "Constant Driving Will Win the War," 30 x 40 inches. Oil on canvas. Signed and dated 1918 lower right. In 1905, Gerrit Beneker began his art career as an illustrator. He married Flora Judd, his high school sweetheart from Grand Rapids and they moved to Brooklyn, NY. Gerrit's early passion was to create an art that would inspire and provide honor to the workingman. As such, he had no interest in painting portraits of pretty women, which were so often seen on the magazine covers of the day. Rather he wanted to seek out workingmen on the bridges, tunnels and skyscrapers of NYC, and paint them in their environments. He completed over 150 magazine covers, numerous ads including many for Ivory Soap...

An original expressionist painting by American female artist Jackie Felix.

Flowing patterns, a powdery palette and alluring symbolism invite you into the potently enchanting world of Anne Siems. Like many of her works, “Ermine” balances light and dark, magic, sensuality, life, the sacred and profane. Fun fact about the symbols: Ermine (also called stoat and weasel) refers to the species during its winter white colour phase. This arctic animal...

Oil Painting of modern renaissance figures by Cuban Artist Jesus Nordarse. Dark neutral Oil Painting of a Love and Sacrifice by Cuban Artist Jesus ...

Impressionist New York City winter city-scene depicting lights on the Street in New York City at the Roxy. Pedestrians in a most intimate, yet energetic way. Christopher is known for...

Parisian market scene by Alling Clements (American 1891-1957). Oil on wood panel. Inscribed on the reverse "Market Blvd Paris Alling M Clements 1926". Clem...

Frank Shifreen Couple 2021 18 x 24 inches Acrylic on Canvas Signed, titled and dated on verso These new works start from polar opposite impulses which juxtapose the purity and beau...