New York - Abstract Photography

ABOUT THIS PIECE: Freeforms : Exploring form and color combinations in a series of freestanding paper foil sculptures. Using natural light I arranged foiled shapes in different posit...

ABOUT THIS ARTIST: Igor Vitomirov has over 15 years experience of working in photography. He loves nature and people and expressing their interactions w...

ABOUT THIS ARTIST: Julian Montague is an artist living and working in Buffalo, New York. His work spans a wide range of mediums and approaches, from long term conceptual projects to ...

ABOUT THIS ARTIST: Igor Vitomirov has over 15 years experience of working in photography. He loves nature and people and expressing their interactions w...

ABOUT THIS PIECE: Freeforms : Exploring form and color combinations in a series of freestanding paper foil sculptures. Using natural light I arranged foiled shapes in different posit...

ABOUT THIS ARTIST: Mischelle Moy is a Brooklyn-based visual artist who uses digital photography and photo-manipulation techniques to depict a vibrant and dreamy yet otherworldly vers...

ABOUT THIS ARTIST: John C. Harman (b. 1975) is a vector artist based in Waynesboro, Virginia. His career path took many turns over the years before ending up in a design related rol...

ABOUT THIS ARTIST: Niko (aka c-nik) is a multidisciplinary artist, currently based on a pixel in a city that never sleeps, quietly working to create peace from chaos in surreal arcs ...

ABOUT THIS PIECE: Freeforms : Exploring form and color combinations in a series of freestanding paper foil sculptures. Using natural light I arranged foiled shapes in different posit...

"UNTITLED (Horizon)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials dir...

ABOUT THIS ARTIST: Studio Mierswa-Kluska looks back on almost 20 years of creative collaboration between two photographers, Andreas Mierswa, Markus Kluska, and their team. From the v...

ABOUT THIS PIECE: Freeforms : Exploring form and color combinations in a series of freestanding paper foil sculptures. Using natural light I arranged foiled shapes in different posit...

ABOUT THIS PIECE: Freeforms : Exploring form and color combinations in a series of freestanding paper foil sculptures. Using natural light I arranged foiled shapes in different posit...

ABOUT THIS ARTIST: Studio Mierswa-Kluska looks back on almost 20 years of creative collaboration between two photographers, Andreas Mierswa, Markus Kluska, and their team. From the v...

Abstract landscape sepia toned photograph of clouds on a sky horizon Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inc...

Abstract still life photograph of a magenta cana lily flower on a white sky background Photograph printed on Japanese Kozo paper infused with encaustic Edition 1/12, 36 x 22.5 inches...

Abstract still life photograph of pink magenta Bougainvillea flowers and green leaves against a white sky background Photograph printed on Japanese Kozo paper infused with encaustic ...

Ripple Effect I Medium: Black & White Photography (printed on metal) Size: 30" x 20" (larger sizes available - inquire within) 16x24 on metal - 20x30 on metal Made to Order Water R...

Abstract digital print on black/white photo paper 31.5 x 26.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Abstract still life photograph of yellow Acacia flowers and green leaves against a white sky background Photograph printed on Japanese Kozo paper infused with encaustic on four panel...

Abstract landscape sepia tone photograph of clouds Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches ...

unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...

Listing includes framing with UV plexi, free shipping in the US, and 14-day return policy. Corinne Vionnet Mecca from the series "Photo Opportunities" 15 x 20 inch archival pigmen...

Chris Dean is a Detroit based artist specializing in the medium of lenticular printmaking. Dean's brightly colored work uses lenticular's unique capacity for illusion to create interactive compositions of depth and motion. The visually dense work prioritizes direct experience and focuses on the intersection of the recognizable and the unfamiliar. Dean began exploring lenticular and related processes as a student at San Jose State in the mid 90's during the rise in interest in virtual reality technologies. Working first with stereoscopic processes and later lenticular, Dean has spent the years exploring approaches to these interactive mediums. Dean has exhibited widely in the United States and beyond and is the owner of the lenticular production company Midwest Lenticular. CV SELECTED SOLO*, GROUP EXHIBITIONS AND INSTALLATIONS ​ 2019 Krause Gallery - Custom Culture New York, NY Harold Golen Gallery The Lenticular Show Miami, Florida 2016 Krause Gallery - Surface New York, NY Krause Gallery - Emerging to Established New York, NY Art Basel Scope Miami, Florida ScopeNYC New York, NY LACMA Stereoscopic and lenticulars 2014/15 Krause Gallery Speaking in Tongues New York, NY Krause Gallery Emerging to Established New York, NY Art Basel Scope Miami, Florida 2013 Doyle Auctions New York, NY Krause Gallery Emerging to Established New York, NY Strychnin Gallery Attention Earth Berlin, Germany Strychnin Gallery 10th Aniversary Show Berlin, Germany Harold Golen Gallery Geode Miami, Florida 2012 Ace Museum All In For The 99% Los Angeles, California 232 East Lyric II Royal Oak, Michigan 2011 Linus...

Swept Away 4 ( Unique Gestural Abstract Camerless Photograph in Black and Pink) Abstract photograph, chromoskedasic monoprint 20 x 16 inches 28 x 24 inches framed, custom black wood,...

Colorful, Maximalist style floral still life photograph of pink, green, yellow, and cream colored flowers and succulents Archival digital print, made to order 30 x 30 inches, editio...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Abstract landscape photography for a snow filled creek bed during winter Archival digital print 36 x 32 inches, edition of 30 Additional sizes available This contemporary, archival ...

Listing includes framing with UV plexi, free shipping to US, and 14-day return policy. Corinne Vionnet Agra from the series "Photo Opportunities" 15 x 20 inch archival pigment prin...

"UNTITLED (Zig)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials directl...

Abstracted floral still life color photograph, yellow magnolias in an abstract motif Archival digital print 24 x 24 inches, edition of 50 Print is unframed and made to order Addition...

Abstracted still life photograph of white leaves with accents of cream, blush, and white gold Archival digital print, made to order 30 x 30 inches, edition of 30 Additional sizes av...

unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...

Abstracted landscape photograph of clouds and blue sky on three panels Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 i...

Unique chromoskedasic monoprint mounted on aluminum 40 x 25 inches Signed on reverse This contemporary, abstract style chromoskedasic monoprint was created by experimental photograp...

Archival digital print 40 x 40 inches, edition of 15 Additional sizes available This contemporary, archival digital print was made by fine art photographer, Lisa Frank, in 2017. The...

Unique chromoskedasic monoprint mounted on aluminum 40 x 25 inches Signed on reverse This contemporary, abstract style chromoskedasic monoprint was created by experimental photograp...

Swept Away 3 (Gestural, Abstract Black and Gray Monoprint on Photographic Paper) Unique chromoskedasic monoprint 20 x 16 inches 28 x 24 inches framed, custom black wood, 8 ply mat, n...

“She” The Frequency, Giclee Print, Abstract Photography, Limited Edition Creator: Hatice Besun Creation year: 2015 Dimension: 11 x 10” External Dimension( with white border) : Heigh...

Untitled, 8AJ_3061 (Abstract photography) Archival pigment print, blind embossed stamp, and signed by the artist. Limited edition of 7. Unframed. Shipments are in a hard tube, protected with acid-free tissue. Jurek Wajdowicz...

“Flow” The Frequency, Giclee Print, Abstract Photography, Limited Edition Creator: Hatice Besun Creation year: 2016 Dimension: 20 x 20” External Dimension( with white border) : Heig...

Title: Red And Green Beans Medium: Oil on canvas Size: 19.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year...

“Earrings” The Frequency, Giclee Print, Abstract Photography, Limited Edition Creator: Hatice Besun Creation year: 2016 Dimension: 24 x 16" External Dimension( with white border) : ...

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and represents awareness with...

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and represents awareness with...

"Unforgotten Series No 2" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. This is a wonderful colorful and abstract urban inspired artwork. ...

ABOUT THIS ARTIST: Igor Vitomirov has over 15 years experience of working in photography. He loves nature and people and expressing their interactions with different emotions. Igor's...

ABOUT THIS ARTIST: Igor Vitomirov has over 15 years experience of working in photography. He loves nature and people and expressing their interactions with different emotions. Igor's...

ABOUT THIS ARTIST: Igor Vitomirov has over 15 years experience of working in photography. He loves nature and people and expressing their interactions with different emotions. Igor's...

Thomas Demand Cuttings 2014 Set of six pigment prints Each image: 14 3/8 x 19 3/8 inches; 37 x 49 cm Each sheet: 20 5/8 x 26 inches; 52 x 66 cm Each frame: 22 1/2 x 26 3/4 inches; 5...

“Street” The Frequency, Giclee Print, Abstract Photography, Limited Edition Creator: Hatice Besun Creation year: 2019 Dimension: 20 x 30” External Dimension( with white border) : He...

Food, Abstract, Still Life, Lemons, Color Photography. lemon, lemon table, Daniel Epstein, color color photograph Price and size range (Custom mural sizes...

Matthew Conradt Gilt Glitches Slowly Mixed media on Mylar 55 x 63 inches 2017 this item is not framed Matthew Conradt’s mixed media and photo transfer works investigate the current...

Original mixed media work by Canadian artist Brian Wood. This work comes in a contemporary frame presentation. Brian Wood is an artist working with multip...

Empire in Green / From the series of Lights of New York / Photograph Creator: Hatice Besun Creation year: 2021 Dimension: 48 x 32" External Dimension( with white border) Height: 48....

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and represents awareness with...

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and represents awareness with...

Rainbow Light can manifest anywhere and anytime, representing ominscience and it can dissolve instantly, representing impermanence. It is without shadow and represents awareness with...