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Item Ships From: New York
"The Abby Garden", Penzance, Cornwall, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Silver Gelatin
"To Coastal Walk", Little Dartmouth, Dartmouth, Devon, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Silver Gelatin
"So We Balance Ourselves", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
"Minutes", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
"Firstgiving", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
2010s Contemporary New York - Still-life Photography
Materials
Archival Pigment
"Hope Is a Waking Dream, New York", 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
"No. 2", New York, 2007
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
"Running Lights", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
"Mainspring", New York, 2007
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
"Monumental Stillness", New York, 2007
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
"Counteracting Gravity by Gentle Movement", New York 2007
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
"1940", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
"Solex Carburetor 1928", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Paper, Pigment
Light Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 1 of 15.
Price ...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Paper
Dark Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 2 of 25.
If the...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Paper
"Marston Excelsior", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Paper, Pigment
"Knotted Wire Brush", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Paper, Pigment
"Oil Distribution Manifold", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Paper, Pigment
"Trip Hammer", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Paper, Pigment
"Cutting Dies", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Paper, Pigment
B-52 Cockpit
By Phillip Buehler
Located in New York, NY
40"40" photograph, edition of 5, signed and editioned on reverse
framed in natural wood shadowbox frame
This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery.
For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...
Category
2010s Contemporary New York - Still-life Photography
Materials
Archival Pigment
Sci-Fi at Napeague Lane - Framed
By Keith Ramsdell
Located in New York, NY
Dye Sublimation on Aluminum. Limited Edition. Floats in sleek white contemporary wooden frame. Limited Edition. Board painted by the artist. Shot in The Hamptons.
About the...
Category
2010s Contemporary New York - Still-life Photography
Materials
Dye Transfer
Bus Ride, limited edition photograph
By Ken Ragsdale
Located in New York, NY
30"x40" photograph of created landscape of paper. from the series: "The Hundred- Acre Wood" signed on reverse edition of 5.
The installation landscape scene created by Ken Ragsdale exisits only to be photographed. With each scene, the artist meticulously cuts paper and folds each component to be captured by his lens. This photograph of cut paper constructions depicts a bus ride through a forest scene from the artists memory. The hues of ambient amber, green, red and blue are created through lighting the staged scene created in white paper
Ken Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. This series focuses on a time period of 1974-78, in the regions of Northern Idaho, to Eastern Oregon and the areas between. As his working drawings solidify the dimensions of the objects which represent his memories from that era, Ragsdale considers the landscape, terrain and weather, filtered through his personal memories and experiences.
Once the composition and components are determined as to capture the aura of a memory, schematic drawings are documented and prepared for hand assembly. Laboriously the schematics are cut out, folded and tabbed to create their final 3-dimensional formats. As each object is placed and the structures oriented, Ragsdale modifies the scenes to perfectly frame each scenario for the final photograph. From simple sheets of white Bristol Vellum, the atmosphere and lighting brings each image to life and allows for a reminiscent view of a wistful past.
Pacific Northwest native Kenneth Ragsdale’s work, derived from personal memories, involves a mixture of drawing, painting, sculpture, paper-craft, theatre...
Category
2010s Contemporary New York - Still-life Photography
Materials
Pigment, Archival Pigment
4250 lbs
By Stephen Mallon
Located in New York, NY
C Print Photograph, signed
30"x45", edition of 5
available unframed
please inquire about additional print sizes
This photograph is from Stephen Mallon's series: "The R...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
C Print
Saveur de Creme
By Akiko Ida and Pierre Javelle
Located in White Plains, NY
A witty and whimsical chromogenic print in diptych format from the Minimiam Series by Akiko Ida and Pierre Javelle. This small scale scene depicts astronauts exploring the Mars-like...
Category
2010s Contemporary New York - Still-life Photography
Materials
C Print
Surfboard at White Sands - Framed - Ltd Ed of 10
By Keith Ramsdell
Located in New York, NY
Black and white. Dye sublimation on aluminum. Floats in sleek white contemporary wooden frame. Limited Edition of 10. Matte Finish gives the piece a painting feel. Surfboard pa...
Category
2010s Contemporary New York - Still-life Photography
Materials
Metal
4250 lbs, 40"x60" limited edition photograph
By Stephen Mallon
Located in New York, NY
C Print Photograph, signed and editioned on reverse, edition of 5
available unframed 40"x60" please inquire about additional print sizes
The photographer has captured the detail...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
C Print
The Scout
By Ken Ragsdale
Located in New York, NY
30"x40"
available unframed
edition 1 of 5
Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. Th...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
A Fine Prospect
By Ken Ragsdale
Located in New York, NY
30"x40"
available unframed
edition 1 of 5
From the series: "The Hundred Acre Wood"
Ragsdale’s process begins with rough sketches of places ...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
Bus Ride
By Ken Ragsdale
Located in New York, NY
available unframed, signed on reverse by the artist, edition of 5 From the series: "The Hundred Acre Wood"
This photograph depicts a scene created completely out of paper, the artis...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
Kampos Project #5 (Flowers in a Vase on a Nightstand)
By Stratis Vogiatzis
Located in New York, NY
Kampos Project #5 (Flowers in a Vase on a Nightstand), 2016
Archival pigment print on Hahne Muehle 200 gm
Edition of 7
20 x 35 cm - $1200
40 x 60 cm - $1900
70 x 90 cm - $2900
Stra...
Category
2010s Contemporary New York - Still-life Photography
Materials
Archival Pigment
Synesthesia - LA-852HZ (Green)
By Ashley G. Garner
Located in New York, NY
LA-852HZ (Green)
Archival pigment print on Aluminum
24 x 36 inches
Edition of 5
The synesthesia phenomenon is traditionally said to be the confusion of senses; like hearing color or...
Category
2010s Contemporary New York - Still-life Photography
Materials
Archival Pigment
Birth of Flight
By Phil Marco
Located in New York, NY
Aluminum mounted giclee archival print. Sits about an inch off the wall.
ABOUT THE ARTIST
Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.”
“I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.”
Martin Scorsese.
Phil’s work is represented in MOMA, The Museum of the Moving Image,
and The George Eastman Museum of Photography.
His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...
Category
2010s Conceptual New York - Still-life Photography
Materials
Archival Ink, Giclée
Triangles on Hudson River - Framed - Ltd Ed of 10 - Floats in white frame
By Keith Ramsdell
Located in New York, NY
Black and white. Dye sublimation on aluminum. Floats in sleek white contemporary wooden frame. Limited Edition of 10. Matte Finish gives the piece a painting feel. Shot in NYC.
About the Artist:
Keith Ramsdell...
Category
2010s Contemporary New York - Still-life Photography
Materials
Metal
Driftwood at Harbour Island - Framed - Ltd Ed 2/10 - Floats in white frame
By Keith Ramsdell
Located in New York, NY
Driftwood in the water. Dye sublimation on aluminum. Floats in sleek white contemporary wooden frame. Limited Edition 2/10. Matte Finish gives the piece a painting feel. Shot in Bahamas.
About the Artist:
Keith Ramsdell...
Category
2010s Contemporary New York - Still-life Photography
Materials
Metal
Lisbon Pipes - Framed - Ltd Ed of 10
By Keith Ramsdell
Located in New York, NY
Black and white. Dye sublimation on aluminum. Floats in sleek white contemporary wooden frame. Limited Edition of 10. Matte Finish gives the piece a painting feel.
About the A...
Category
2010s Contemporary New York - Still-life Photography
Materials
Metal
Like Ice in the Sunshine II (L.A.) No. 55
By Simone Rosenbauer
Located in New York, NY
15 x 15 archival pigment print (image size 14 x 14 inches), edition 8.
Signed, titled, dated and editioned on frame label provided.
Framing also available at an additional cost.
In ...
Category
2010s Contemporary New York - Still-life Photography
Materials
Archival Pigment
Black Simmons at Atlantic Beach - Framed - Ltd Ed of 10
By Keith Ramsdell
Located in New York, NY
Surfboard on the beach. Dye sublimation on aluminum. Floats in sleek white contemporary wooden frame. Limited Edition of 10. Matte Finish gives the piece a painting feel. Surfboard painted and surfed by the artist.
About the Artist: Keith Ramsdell...
Category
2010s Contemporary New York - Still-life Photography
Materials
Metal
Martini Glass - Framed - Ltd Ed 2/10
By Keith Ramsdell
Located in New York, NY
Dye Sublimation on Aluminum. Floats in sleek white contemporary wooden frame. Limited Edition. Shot in The Hamptons. Ltd Ed. 2/10.
About the Artist:
Keith Ramsdell...
Category
2010s Contemporary New York - Still-life Photography
Materials
Metal
Apple & Heritage Museum, Huon Valley, TAS
By Simone Rosenbauer
Located in New York, NY
14 x 14 inch fine art pigment print, framed to 22 x 21 inches
Edition 8. Signed, titled, dated and editioned on label verso.
Through her Small Museum project, Simone Rosenbauer ...
Category
21st Century and Contemporary Contemporary New York - Still-life Photography
Materials
Archival Pigment
Driftwood at Harbour Island 60x60
By Keith Ramsdell
Located in New York, NY
Archival pigment print. Water. Driftwood. Sand. Beach. Soft palate. Limited Edition. Framed with white wood with floating image set off the glass. No mat. Non-glare glass. Beautiful quality.
About the Artist:
Keith Ramsdell...
Category
2010s Contemporary New York - Still-life Photography
Materials
Archival Pigment
8 - Framed - Ltd Ed of 10
By Keith Ramsdell
Located in New York, NY
Pilings at beach. Black and white. Dye sublimation on aluminum. Floats in sleek white contemporary wooden frame. Limited Edition of 10. Matte Finish gives the piece a painting...
Category
2010s Contemporary New York - Still-life Photography
Materials
Metal
Kroma: Graelsia isabellae-R-F
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention ...
Category
2010s Naturalistic New York - Still-life Photography
Materials
Color, Dye Transfer
Maquina 2
By Steve Schlackman
Located in New York, NY
Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this...
Category
2010s Photorealist New York - Still-life Photography
Materials
Photographic Film, Digital, Photogram, Digital Pigment
Sea Whips, Under water sea life in pinks and blues
By Chris Leidy
Located in Brookville, NY
This large color photograph by Chris Pulitzer Leidy is the essence of underwater sea life in vibrant blues and pinks. Printed on pigment matte paper. Framed in a 2" wide white maple wood frame. Perfect beach house photograph...
Category
2010s Color-Field New York - Still-life Photography
Materials
Photographic Paper
Coral Peonies Northumberland Strait
Located in New York, NY
Created as an archival pigment print by Vaughn Sills in 2017, Coral Peonies Northumberland Strait is hand-signed by the artist, dated and numbered, measuri...
Category
21st Century and Contemporary New York - Still-life Photography
Materials
Archival Pigment
Tempus Fugit
By Phil Marco
Located in New York, NY
Face mounted Plexi. Aluminum Braced. Archival Print. Humorous, conceptual subject matter.
ABOUT THE ARTIST
Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.”
“I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.”
Martin Scorsese.
Phil’s work is represented in MOMA, The Museum of the Moving Image,
and The George Eastman Museum of Photography.
His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the...
Category
2010s Conceptual New York - Still-life Photography
Materials
Archival Pigment
Flores del Campo - Field Flowers in Lace
Located in Brooklyn, NY
This intricate artwork by Fidel Santos depicts what the artist refers to as a "fieldscape", a beautifully rendered lace depiction of flowers. This mixed media piece transforms the cr...
Category
21st Century and Contemporary Baroque New York - Still-life Photography
Materials
Plexiglass, Archival Ink, Mixed Media
Cigarettes 3
Located in Brooklyn, NY
Taking inspiration from Irving Penn and Robert Mapplethorpe, Max Grant's Cigarette Photographs find beauty in the mundane, raising the banal to elegance.
...
Category
21st Century and Contemporary American Modern New York - Still-life Photography
Materials
Photographic Paper
Cigarettes 2
Located in Brooklyn, NY
Taking inspiration from Irving Penn and Robert Mapplethorpe, Max Grant's Cigarette Photographs find beauty in the mundane, raising the banal to elegance.
...
Category
21st Century and Contemporary American Modern New York - Still-life Photography
Materials
Photographic Paper
Cigarettes 1
Located in Brooklyn, NY
Taking inspiration from Irving Penn and Robert Mapplethorpe, Max Grant's Cigarette Photographs find beauty in the mundane, raising the banal to elegance.
...
Category
21st Century and Contemporary American Modern New York - Still-life Photography
Materials
Photographic Paper
Catacombs 3
Located in Brooklyn, NY
Taking inspiration from Robert Mapplethorpe, Max Grant's Catacomb images look at the macabre beauty of the human anatomy, recollecting his time in the Paris Catacombs. This collectio...
Category
21st Century and Contemporary American Modern New York - Still-life Photography
Materials
Photographic Paper
Catacombs 1
Located in Brooklyn, NY
Taking inspiration from Robert Mapplethorpe, Max Grant's Catacomb images look at the macabre beauty of the human anatomy, recollecting his time in the Paris Catacombs. This collectio...
Category
21st Century and Contemporary American Modern New York - Still-life Photography
Materials
Photographic Paper
Orchid Composition 18
Located in Brooklyn, NY
Taking inspiration from Robert Mapplethorpe, Max Grant's series "Floral Noir" is a delicate dance between simplicity and elegance.
Grant's adept play with...
Category
21st Century and Contemporary American Modern New York - Still-life Photography
Materials
Photographic Paper
Kroma: Marpesia Cosita-R
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention ...
Category
2010s Naturalistic New York - Still-life Photography
Materials
Color, Dye Transfer
Tropical Plant Leaf Detail, Color Nature Photography by Geoffrey Baris, Magenta
By Geoffrey Baris
Located in New York, NY
Tropical Plant Leaf Detail, Color Nature Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certificate of authenticity. Signed and ...
Category
2010s Contemporary New York - Still-life Photography
Materials
Color, Archival Pigment
Floral Noir: Rose Composition 140
Located in Brooklyn, NY
Taking inspiration from Robert Mapplethorpe, Max Grant's series "Floral Noir" is a thoughtful combination of simplicity and elegance.
In this striking bla...
Category
21st Century and Contemporary American Modern New York - Still-life Photography
Materials
Photographic Paper
Orchid Composition 251
Located in Brooklyn, NY
Taking inspiration from Robert Mapplethorpe, Max Grant's series "Floral Noir" is a delicate dance between simplicity and elegance.
Grant's adept play with lighting transforms the ...
Category
21st Century and Contemporary American Modern New York - Still-life Photography
Materials
Photographic Paper
