Ohio

Brutalist bronze sculpture by Spanish artist Venancio Blanco 1923-2018. Very nice condition. Dimensions: 5" depth x 10.5" W x 11" H.

Twenty-three earth-mined diamonds sparkle across this delicate solid 14K rose gold band, totalling 0.23 carats. The warm rose gold flatters the diamonds' brilliance, and the slim pro...

Beautiful Drylund rosewood entertainment cabinet with tambour doors. Features 1 adjustable shelf, 1 pull out shelf, and 2 holes for electronics cables...

Portrait of a Seated Woman Oil on canvas, c. 1930 Unsigned Provenance: estate of the Artist by Descent to the Heirs Signed in oil with the artist’s initials “PH...

Bold 1.6ct AAA Zambian emerald (8×6mm) with natural diamond accents set in solid 14K gold. A striking statement piece that blends timeless elegance with confident sparkle. "Big gree...

Unknown Artist, France, late 19th century Anonymous c. 1900 Rondelle on antique laid paper Ink, Watercolor and or Gouache Unsigned An Art Nouveau preliminary design for a decorative ...

This high quality, gorgeous dragonfly pin will be the highlight of any outfit! Beautiful detail! 18 karat gold. 87 rough and single cut round diamonds, bead set, approximately 1.74 ...

Unknown Russian Artist Russian Orthodox Church, Middle 19th century Unsigned Illuminated in red, yellow blue and green pigments and gold leaf on paper ...

Mid-century brutalist style mirrors with textured, raised geometric design in oak with dark walnut finish. 22 1/2" wide x 49" high. Sold as a pair.

Ontario St. Grading and Temporary Ramps Drypoint, August 1929 Signed in pencil lower right (see photo) From: The Cleveland Set (23 plates), this being No. 13 Edition: Small A brilliant example of American industrial art. A wonderful, rich impression, with lots of burr and contrasts. Louis Conrad Rosenberg 1890-1983 An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology. He then enrolled at the Royal College of Art, London, to study etching techniques under Malcolm Osborne...

This minimalist diamond band is crafted in solid 14K gold and features a refined row of brilliant round diamonds for a clean, timeless sparkle. Designed with a sleek and modern silho...

Untitled (Big Momma in Profile) Signed by the artist lower right: "Sedrick Huckaby III" Tempera and gesso on book board (Board size) 32 x 20 inches Frame: 40 x 28-1/2" (101.6 x 72.4 cm.) Exhibited: seenUNseen: The Kerry and C. Betty Davis Collection and the Northeast Ohio Response, The Artists Archive of the Western Reserve and The Sculpture Center, September 20-November 19, 2019 Illustrated: seenUNseen: The Kerry and C. Betty Davis Collection and the Northeast Ohio Response, The Artists Archive of the Western Reserve and The Sculpture Center, page 29 A copy of the catalog accompanies this work when purchased Provenance: Valley House Gallery Sedrick Huckaby's large-scale paintings draw inspiration from his family history and his African-American roots. Born in Fort Worth, Texas, Mr. Huckaby received his B.F.A. from Boston University in 1997 and his M.F.A. from Yale University in 1999. He has taught as a professor at Tarrant County College in Forth Worth and currently is a professor of water media at the University of Texas in Arlington. Mr. Huckaby has been honored as a Fellow at the Fine Arts Work Center in Provincetown, at the Skowhegan School of Painting and Sculpture, as a Kate Neal Kinley Memorial Fellow at the University of Illinois, and as a Brandeis Mortimer Hays Traveling Fellow, which gave him the opportunity to study the works of European masters abroad. His own work has been included in exhibitions at the Studio Museum in Harlem and the Park Avenue Armory in New York City, at the African American Museum in Dallas, at the San Angelo Museum of Fine Arts in Texas, and at the Hammond House Museum in Atlanta. His work A Love Supreme, comprised of pieces forming an 80-foot long painting of quilts...

Temple of Isis Philae (verso) Dpouoble sided watercolor, 1902 Signed on front lower left: "Henry Bacon" and dated 1902 Note: The Temple of Isis is located on the Island of Philae at ...

Landscape with Trees Watercolor on paper, 1929 Signed in pencil lower right corner Obviously influenced by the Cezanne works in the collection of ...

Retained Time Color mezzotint, c. 1970's Signed, titled and numbered in pencil by the artist (see photos) Edition: 30 (15/30) Condition: Excellent Image size: 11 7/8 x 15 3/4 inches Sheet size: 30 x 22 inches Sonja Lamut: A contemporary illustrator, painter and mezzotint engraver, Sonja Lamut received her B.F.A. from the University of Arts, Belgrade, Yugoslavia, and her M.F.A. from Hunter College, City University of New York. She is presently Assistant Professor of Illustration at the Fashion Institute of Technology, New York City. During her career Sonja Lamut has illustrated numerous books, particularly in the field of children's literature. These include, Voyages of Doctor Dolittle, The Great Green Notebook of Katie Roberts, The Famous Adventures of Jack, Lemuel the Fool, Little Mermaid, Thanksgiving is for Giving Thanks (New York Times Children's Books list Bestseller), Love You, Soldier, . She is also the author and illustrator of the following works; Too Noisy!, Bugs and Halloween Costumes. Sonia Lamut's art has been the subject of solo and group exhibitions at institutions such as Gallery shows in New York, Boston Miami, Greenwich Stockholm, Ljubjiana and numerous other national and international group shows. Today her art is included in the following collections; the Brooklyn Museum, New York, the Museum of Modern Art , Fredrikstad, the Museum of Modern Art, Ljubljana, the Museum of Modern art, Belgrade, he National Museum, Krakow and many other important private and public institutions. For several decades, the American artist, Sonja Lamut has produced a number of striking works of art in the most demanding of all graphic media -- the mezzotint. In 1974 she was a participating artist in the exhibition, "International Mezzotint Today" in London, England. Utilizing the unique, black tonal values of this intaglio method she has created intriguing imagery, such as, "Cage". Courtesy: Art of the Print Collections Brooklyn Museum, New York Grafiska Sallskapet, Stockholm Museum of Modern Art, Fredrikstad Museum of Modern Art, Ljubljana College Board, New York Utubo Gallery, Kyoto Museum of Modern Art, Belgrade National Museum, Krakow Awards/Publications: “Grand Prix” in Mediterranean Art...

Thirsty: The Appearance of a Town Geisha - a So-Called Wine-Server - in the Ansei Era Color woodcut, 1888 Signed; Seal: Taiso (see photo) Plate 22 from the series "Thirty-two Aspects...

A Mod styled table lamp with black lacquered solid wood base, chrome handle to the top, large aluminum shade to the side with bulb and dimmer switch. Can use a large white ball bulb ...

Untitled (Portrait) Drypoint printed in blue-black graphite mixed with silver, 1974 Signed and dated lower ight (see photo) From: Series entitled Six Drypoints Edition: 23 (4/23) Numbered lower left (see photo) Print Shop: Crown Point Press Printer: Jeannie Fine Publisher: Parasol Press, New York Note: A portfolio is in the collection of the National Gallery, Australia, Fine Arts Museums of San Francisco- de Young/Legion of Honor, Davis Museum at Wellesley College and the Yale University Art Gallery. Condition: Excellent Image/Plate size: 6 3/8 x 5 3/8 inches Sheet size: 24 x 20 inches From a portfolio of six drypoints, printed with unqiue combination of blue-black graphite shavings combined with silver to create the appearence of an original drawing. I know of no other artist to use a similar printing technique. William Bailey studied art at the University of Kansas, Yale University and Yale School of Art where he studied with Josef Albers receiving his MFA in 1957. Mr. Bailey’s first exhibition in New York was at Robert Schoelkopf Gallery in 1968, where he showed regularly until its closing in 1990. During the 90’s he exhibited at the Andre Emmerich Gallery and on its closing, exhibited at the Robert Miller Gallery. In 2004 Bailey moved to the Betty Cuningham Gallery where his most recent exhibition was held from April 30 - June 11, 2016. Mr. Bailey’s work has been exhibited extensively in both America and Europe. He is represented in the collections of The Whitney Museum of American Art, The Museum of Modern Art, the Pennsylvania Academy of Fine Arts, and the Hirschhorn Museum and Sculpture Garden, among others. He was awarded a Guggenheim Fellowship in painting in 1965. Mr. Bailey was elected to The National Academy of Design in 1983 and to The American Academy of Arts and Letters in 1986. Mr. Bailey taught at The Yale School of Art from 1958 to 1962 and from 1969 to 1995. He has also taught at The Cooper Union, University of Pennsylvania and Indiana University. He maintains studios in New Haven and in Umbertide, Italy. Courtesy Betty Cunningham Gallery Tribute to William Bailey THE NEW YORK TIMES William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep. Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than life. “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the William Harrison Bailey...

El Ultimo viaje del buque fantasma, Plate X Color lithograph, 1976 Signed in pencil lower right corner (see photo) From: Gabriel Garcia Marquez, El Ultimo viaie del buque Fantasma (The Last Voyage of the Ghost Ship (1868), 12 illustration by Wilfredo Lam Edition: 99 (6/99) This one of an edition of 99 from the delixe edition of the book of the same title There was an additional edition of 200 books, signed and numbered on the justification page Publisher: Poligrafa, Barcelona Printer: Poligrafa, Barcelona The Gabriel Garcia Marquez/Lam book is an illustrated version of the short story, a man recalls the night during his boyhood when an enormous passenger ship went aground in his small town on the shores of the Caribbean. It is considered a Latin American masterpiece of surrealism and transculturation. (See below analysis of the story) Sheet size: 29 7/8 x 22 inches Condition: Very fresh colors and condition Slight scuffing verso from previous hinges Reference: Lam-Tonneau-Ryckelnck CR360 About the author and the storyline of the book by Marquez: Gabriel García Márquez was born in 1927, he is a famous Colombian writer, novelist, short story writer, screenwriter and journalist. In 1982 he received the Novel Prize for Literature. He is an author sometimes inherently related to magical realism and his best-known work is the novel One Hundred Years of Solitude...

Beauty Otami - Kabuki Note: Kabuki actor Nakamura Matsue is in the role of courtesan otami. She is standing in front of a small tea shop in a garden. Color woodblock, c. 1800-1810 Si...

This oil painting by Richard Matthews is titled "Billiards Table Corner." Richard Matthews is an American artist from the 20th century. This painting features 3 solid and two striped...

Antique 19th century Royal Vienna Belle Epoque period liddled and handled pedestal vase / trophy urn featuring a Angelica Kaufmann Neoclassical scene with a women dancing with cherub...

Lot of 22 antique 19th Century Chinese export Canton dinnerware.. Made from porcelain with traditional blue and white pagoda landscape design. Includes several dinner and salad pla...

Mid century modern walnut and marble sheaf of wheat table by Edward Wormley for Dunbar. Removeable new marble top. Two are available. Price reflects one table. Dimensions: 24" diamet...

Couple Embracing Sumi ink drawing, c. 1928 Signed lower right: Shinsui (early variant signature) Most probably an illustration for one of the four volum...

Gorgeous 4.1ct star ruby ring in solid 14K gold, featuring a 10×8 mm oval cabochon with shimmering natural diamond accents. Finished with a leafy shank design, this bold yet elegant ...

Rare antique Victorian Art Nouveau Fostoria converted Gone with the Wind parlor oil lamp. Pierced floral brass base - molded frosted / satin glass body...

Spectacular Widdicomb piece. Two independent display cases join together and are capped by a single crown that finishes off the piece brilliantly. Incredible details. The cabinet fea...

Bring some sophistication into any room with our Charlotte Waterfall Bench, in a beautiful white boucle fabric. These are hand-crafted by our upholstery shop in Medina, Ohio, and are...

Preliminary study for Cretan Dancer bronze sculpture Unsigned Graphite on tracing paper, 1930-1934 Sheet size: 6 7/8 x 7 1/8 inches Created while the artist was woring in Paris, c. 1...

Handel Organ Concerto Opus 4 No.6 B Flat Major - III Allegro Watercolor and mixed pigments on paper, c. 1960's Signed and titled recto (see photos) Condition: Excellent Image: 19 3/4...

Antique copper boiler, firewood bin or wash tub with lid and turned wood handles. Dimensions: 23.5" x 11" x 17" (W x D x H)

The Woman and the Street Etching, 1927-1930 Signed in the plate lower right corner (see photo) From: The Fables of La Fontaine, Plate 84 From the deluxe portfolio edition of 40 examp...

Untitled (Woman by the Windows) Unsigned. Pastel on board, c. 1915 Created while the artist was in Giverny, France Provenance: Gift of the artist to his wife, Mary Hess Buehr by Desc...

Baker Stately Homes Collection Neoclassical ebonized and gold bench. Circa 1940-1949. Baker Furniture Regency bench from the Stately Hom...

Place Le Soir (The Square at Evening) Color lithograph on wove paper, 1899 Unsigned (as issued) From: Quelques aspects de la vie de Paris (Some Aspects of Parisian Life), 1899, Plate...

"R" From: MORE? Series (5 works) Signed with the artist's initials lower right (see photos) Watercolor on Yupo, 2018 Signed with the artist's initials lower right (see photo) Exhibit...

Couverture pour Douze Lithographies en Couleurs, ou Passage et Interieurs Color lithograph, 1896-1898 Unsigned (as issued) From: Douze Lithographies en Couleurs, ou Passage et Interi...

(Darius II with his hand over his face) Signed with the artist's initials lower right Watercolor on Twinrocker heavy weight paper, 2019 Depicts the artist's son. Condition: Excellent...

Trees (Trees in Circle) Etching & drypoint with monotype inking, 1953-1955 Signed in pencil An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...

Still Life with bottle and newspaper Silver gelatin print, 1950's, printed 1967 Signed in pencil on the mount lower right Provenance: Gift of the Artist Akron A...

Untitled Engraving, drypoint & carborundum, c. 1960's Signed and numbered in pencil lower margin (see photos) Edition: 25 (9/25) Printed by the artist Condition: Adhesive residue on ...

Delicate bows shimmer with natural diamonds in these leverback earrings, crafted in solid 14K yellow gold. Feminine and timeless, they add a touch of refined sparkle to any look, day...

Now available by commission. Base can be a bronze base or a carved wood base. Casting takes about 3 months. Semaphore Woman IV is a cast bronze sculpture on a cast bronze base. The ...

A very large and impressive antique American Empire wall vanity mirror, made of flamed mahogany featuring rectangular form with a deep beveled frame. Dimensions: 28 1/4" x 1 3/4" x ...

Still Life with Peaches and Grapes Oil on paper, 1890 Signed and dated lower right (see photo) Image size: 5 8 5/8 inches Frame size: 10 x 13 1/2 inches Housed in the original frame ...

Extraordinary Pair of Fully Upholstered Side Chairs from Flair by Bernhardt. Freshly and professionally Reupholstered in a decadent Cobalt Blue Velvety Chenille from Kravet. Gorgeous.

A very well-done mixed media artwork of a woman's portrait using woodblock printing and paint brushes giving the piece a unique aesthetic and depth. Painted by Cincinnati artist Rita...

Untitled (Standing man with umbrella behind) Graphite on paper, c. 1890's Unsigned Provenance: Estate of the Artist Lucien Goldschmidt (1912-1992), noted art ...

Elegant mid-century modern walnut dresser by T.H. Robsjohn-Gibbings for Widdicomb features a curved front, captivating spear-shaped silver finish tipped pulls, and 6 deep drawers wit...

This striking amphora Art Nouveau vase was made in the Turn-Teplitz region of Bohemia by Riessner, Stellmacher & Kessel, established in 1892. The vase has an ovoid form with a thick molded floral and foliate band located at the neck. The body of the vase rests upon a raised pedestal foot decorated with a series of intertwined stylized roots. The neck and foot have been glazed in a matte green color with burnished gold highlights. The body of the vase is flanked by a pair of arched gilded handles made in the form of naturalistic woody branches. The body of the vase has been finished in a mottled matte glaze executed in a dull gold color enabling the cream color beneath to show through. The center of the vase transitions to a violet hue which is covered by a high glaze iridescent band having pink and purple undertones. The iridescent band features an armorial crest executed in black accented with gilded details. The crest itself consists of a checkerboard shield surmounted by a trio of stylized flowers with a spade motif, all of which are flanked by lions rampant. The design includes a series of large dots arrayed in a symmetrical manner. The opposite side of the vase echoes the motif found on the front and has a checkerboard shield, nine spade-shaped flowers and several dots. The vase is in excellent condition with no chips, cracks or repairs. As an antique item, the piece shows minor signs of age and use consisting of wear to the gilded decoration. The vase stands 11.75" tall and is 2.25" across the mouth. The foot is just over 5" in diameter and bears impressed marks including a circular ''Imperial Amphora Turn...

A set of five Foster & McDavid dining chairs, walnut, circa 1960s. Founded in Florida in 1950s. One arm chair and four side chairs. These chairs have been reupholstered in a beautiful textured black velvet fabric. If you take a look at the pictures, the back fabric is a different design than the front fabric, making the back even more unique with its exposed lattice structure...

Bold 1.5 ct tsavorite garnet set in solid 14K gold, ✨ accented with natural diamonds for a sparkle that steals the spotlight. Green glam, golden glow — this tsavorite garnet owns th...

One of the finest sets of these I have encountered. Original Moire Upholstery fabric in a Berry color and showing only subtle signs of use/wear. Just a gorgeous set of chairs. A set ...

The Red Dress Watercolor on paper, mounted on board by the artist, 1926 Signed and dated, 1926 lower left (see photo) Condition: Mounted on support board by the artist ...

Pierre Cardin Sculptural Chrome Grid Table Base. Circa 1970-1979, Mid-Century Modern Period. Dimensional table base in flat chrome bar form. Adjustable shapes. Great Vintage conditio...

America's Daughter Lithograph, 2016 Signed in pencil lower right Edition: Edition: 40 (15/40) From: America's Family (Five Images) Published by: Valley House Gallery and Sculpture ...

Victor Samones 1937-1989 bronze study "Cosmos" sculpture Acapulco Mexico. 22" bronze soccer goal keeper male grasping a ball. Mounted on a 3/4" thick acrylic base. Signed 3 from an e...

Summertime Lady can be commissioned. You can have it with the black finish or painted Ferrari Red. I've cast it in a pale green patina for a pool in Bermuda. Outstanding focal point ...

Les Fruits 2 Oil on masonite, 1967 Signed and titled lower right (see photos) Signed with the estate stamp verso: Beni Kosh Collection #254 (see photo) Condition: Good Board size: 7 ...