Ohio

Pair of antique Victorian Gothic Style highback throne chairs. Features a walnut frame with pierced and carved back, upholstered in a red velour with tufted back. The chair is acce...

A rich purple amethyst pendant in a pear cut shape with a little natural diamond accent for a lovely added shine! If you love this setting, we can make it work for any center stone! ...

Manufacturer: Pedersen & Hansen. Period or model: Mid-Century Modern. Specs: Teak. Condition: This Pedersen & Hansen Teak mirror is in excellent vi...

2 ornate late Victorian chairs. Made from quartersawn oak with a countoured back featuring applied and scrolled foliate over a pierced splat back. The seats are embroidered with rose...

This 17 piece porcelain demitasse set was made by Vista Alegre of Portugal for Mottahedeh. The pieces have been finished in the heavily gilded ...

A stunning ring showcases a dazzling 20.04-carat pink tourmaline in an elegant emerald cut, measuring 25x10mm. The vibrant pink hue of the tourmaline is expertly framed by a delicate...

Designer: Stephen K Stuart. Manufacturer: Modern steel. Period or model: 20th century. Specs: Metal, leather. Condition: This modern steel studio sofa...

Elevate your style with this 0.6ct Tanzania Ring in solid 14K yellow gold. Featuring a stunning emerald cut tanzanite stone, accented with sparkling eart...

Antique early American style pine two step bedstep / stool / library steps featuring hand cut nails and upright handle / hand rail. Dimensions: 13" x 12.5" x 41" (Width x Depth x He...

Modern teak credenza - 1909 - Craft Associates Furniture This modern teak credenza from the Cambre Collection for Craft Associates Furniture is expertly crafted. The legs and door...

A large Mid Century staved teak center piece or serving bowl with rounded edges and beveled top rim . Early production with the three duck mark and branded Dansk manufactures mark , ...

Magnificent John Widdicomb Burled Walnut Credenza and Hutch, circa 1950s this piece is absolutely stunning in every way. Genuine Amethyst stones ...

Untitled Abstraction Pen and ink on paper, 1932 Signed and dated in ink lower center Condition: Excellent Sheet/Image size: 10 3/8 x 6 1/4 inches Frame size: 16 1/2 x 12 1/2" Provena...

A very well artisan crafted Mid-Century Modern 925 sterling silver concave pin back or hanging necklace in the brooch pendent style giving the wearer two choices in wear ability. The...

untitled (Duck taking to flight, flushed by a dog) Drypoint & Aquatint, c. 1940 signed lower right Created while the artist was a commercial artist working in Minneapolis, after his ...

Kenneth Marcus Hugh (American, 1916-2011) Small Craft Advisory Watercolor on paper Signed lower right 15 in. h. x 22.5 in. w., image 20.25 in. h. x 28.25 in. w., matted Kenneth Marc...

A very well crafted Mid Century cube club chair in a comfortable nice tightly woven mellow canary yellow fabric sourced from Herman Miller . Having square stainless steel tubed legs ...

Clarence Holbrook Carter (American, 1904-2000) On the Red Line, 1965 Acrylic on textured paper Signed and dated lower right 24 x 31 inches 32.5 x 39 inches, framed There is damage ...

Glowing Tree Etching, engraving & lift ground, 1958 Signed, titled and annotated in pencil (see photos) Edition: Artist Proof (there was a published addition of 30 with five stencil ...

Toothill furniture was founded by Reg Toothill in Newton Aycliffe after World War II. By the 1960's Toothill was focused on designing and producing contemporary furniture in the Dan...

Inari Kozo Tasaburo- Kabuki Color woodcut, c. 1820 Signed: ‘Toyokuni’ Publisher: ‘Yamamoto Heikichi’ Censor: Hama and Magome Very good impression and color Sheet/Image size: 15 1/2 x...

These classic design stud earrings feature two round 0.36 cttw blue diamonds with natural earth mined diamonds in all solid 14K white gold. These earrings make a beautiful april birt...

Richard Andres (American, 1927–2013) S. F. L., 1955 oil on canvas signed lower right, signed and titled verso 42 x 70 inches Richard Andres was born in Buffalo, New York in 1927. A ...

Paintings on mica originating in India were produced in standard sets for the colonial tourist market. They imitated paintings on glass, which were popular in Europe. Subject matter included Hindu...

1980s White Furniture Company Mandarin dining table, 330-12. Rectangular form with mahogany and burlwood top. Includes 2 leafs for extensions and table pads. Dimensions: 40" x 62"...

Surrealist landscape with doorway, animal and figures Watercolor on heavy paper, n.d. Unsigned Stamped with the artist's estate stamp (see photo) Provenance: Estate of the artist R...

Turn of the century drawing signed E. Rantz on laid paper. Watermark: Lalanne Frame: 29 3/4 x 24 Image: 24 3/4 x 18 3/4"

Non-Objective Drawing (Double sided composition) Graphite on paper, 1938 Initialed "B" by the artist lower right corner Created while the artist was imprisoned in a Gestapo Prison fo...

Beautiful Tiffany & Co. earrings that will become your favorite! 18 karat yellow gold and sterling silver. Sugarloaf cabochon black onyx center stones. Approximately 17.5mm x 20mm. O...

Centered Rings Screen print, 1971 Signed and numbered in pencil From: Twelve Progressions Commissioned by Martha Jackson Graphics Printer: Domberger, Stuttgart, Germany Their drystam...

Dropping In Drypoint, c. 1940 Signed lower right (see photo) Titled lower left Condition: Excellent Brown paper tape around the sheet edges from the printing and air dryi...

Antique silver plate Art Nouveau Topazio silver plate and cut lead glass pitcher / caraffe / claret. Holds 28 fl ounces. Very good condition. Dim...

Untitled Pastel on paper, 1922 Signed with the artist's initials in pencil Provenance: Estate of the artist Francis M. Nauman (label) Private collection, NY A very early abstract/cubist work by Kelly. Created while the artist was studying with Arthur Carles in Philadelphia. Leon Kelly (October 21, 1901 – June 28, 1982) was an American artist born in Philadelphia, PA. He is most well known for his contributions to American Surrealism, but his work also encompassed styles such as Cubism, Social Realism, and Abstraction. Reclusive by nature, a character trait that became more exaggerated in the 1940s and later, Kelly's work reflects his determination not to be limited by the trends of his time. His large output of paintings is complemented by a prolific number of drawings that span his career of 50 years. Some of the collections where his work is represented are: The Metropolitan Museum in New York, The Whitney Museum of American Art, the Museum of Modern Art, the Philadelphia Museum of Art, and Boston Public Library. Biography Kelly was born in 1901 at home at 1533 Newkirk Street, Philadelphia, PA. He was the only child of Elizabeth (née Stevenson) and Pantaleon L. Kelly. The family resided in Philadelphia where Pantaleon and two of his cousins owned Kelly Brothers, a successful tailoring business. The prosperity of the firm enabled his father to purchase a 144-acre farm in Bucks County PA in 1902, which he named "Rural Retreat" It was here that Pantaleon took Leon to spend every weekend away from the pressures of business and from the disappointments in his failing marriage. Idyllic and peaceful memories of the farm stayed with Leon and embued his work with a love of nature that emerged later in the Lunar Series, in Return and Departure, and in the insect imagery of his Surrealist work. "If anything," he once said,"I am a Pantheist and see a spirit in everything, the grass, the rocks, everything." At thirteen, Leon left school and began private painting lessons with Albert Jean Adolphe, a teacher at the School of Industrial Art (now the University of the Arts) in Philadelphia. He learned technique by copying the works of the old masters and visiting the Philadelphia Zoo, where he would draw animals. Drawings done in 1916 and 1917 of elephants, snakes and antelope, as well as copies of old master paintings by Holbein and Michelangelo, heralded an impressive emerging talent. In 1917, he studied sculpture with Alexander Portnoff but his studies came to an abrupt halt with the start of World War I. Being too young to enlist, he joined the Quartermaster Corp at the Army Depot in Philadelphia, where he served for more than a year loading ships with supplies and, along with other artists, working on drawings for camouflage. By 1920, the family's fortunes drastically changed. His father's business had failed due to the introduction of ready made clothing and his marriage, unhappy from the beginning, dissolved. Broken by circumstance Pantaleon left Philadelphia to begin a wandering existence looking for work leaving Leon to support his mother and grandmother. He found a job in 1920 at the Freihofer Baking Company where he worked nights for the next four years. Under these circumstances Leon continued to develop his skills in drawing and painting and learned of the revolutionary developments in art that were taking place in Paris. During the day he was granted permission to study anatomy at the Philadelphia School of Osteopathy where he dissected a cadaver and perfected his knowledge of the human figure. He also met and studied etching with Earl Horter, a well known illustrator, who had amassed a significant collection of modern art which included work by Brancusi, Matisse, and Cubist works by Picasso and Braque. Among the artists around Horter was Arthur Carles, a charismatic and controversial painter who taught at the Pennsylvania Academy of Fine Arts. Leon enrolled in the Academy in 1922, becoming what Carles described as, "his best student". In the next three years Leon work ranged from academic studies of plaster casts, to pointillism, to landscapes of Fairmount Park in Philadelphia, as well as a series of pastels showing influences from Matisse to Picasso. Clearly influenced by Earl Horter's collection and Arthur Carles he mastered analytical cubism in works such as The Three Pears, 1923 and 1925 experimented with Purism in Moon Behind the Italian House. In 1925 Kelly was awarded a Cresson Scholarship and on June 14 he left for Europe. Paris The first trip to Europe lasted for approximately three and a half months and introduced Kelly to a culture and place where he felt he belonged. Though he returned to the Academy in the Fall, he left for Europe again a few months later to begin a four-year stay in Paris. He moved into an apartment at 19 rue Daguerre in Paris and began an existence intellectually rich but in creature comforts, very poor. "I kept a cinderblock over the drain in the kitchen sink to keep the rats out of the apartment" he once explained. He frequented the cafes making acquaintances with Henry Miller, James Joyce and the critic Félix Fénéon as well as others. His days were split between copying old master paintings in the Louvre and pursuing modernist ideas that were swirling through the work of all the artists around him. The Lake, 1926 and Interior of the Studio, 1927, now in the Newark Museum. Patrons during this time were the police official Leon Zamaran, a collector of Courbets, Lautrecs and others, who began collecting Kelly's work. Another was Alfred Barnes of the Barnes Collection in Philadelphia. In 1929 Kelly married a young French woman, Henriette D'Erfurth. She appears frequently in paintings and drawings done between 1928 and the early 1930s. Philadelphia The stock market crash of 1929 made it impossible to continue living in Paris and Kelly and Henriette returned to Philadelphia in 1930. He rented a studio on Thompson Street and began working and participating in shows in the city's galleries. Work from 1930 to 1940 showed continuing influences and experimentation with the themes and techniques acquired in Paris as well as a brief foray into Social Realism. The Little Gallery of Contemporary Art purchased the Absinthe Drinker...

Side View Seated Female Nude Graphite on paper, c. 1890's Unsigned Provenance: Rookwood Pottery Factory Collection, Cincinnati Spanierman Gallery, New York (label) Drawings from the...

Floral still life oil on canvas in a heavy texture impressionist style titled "Oeillets sur Fond Rouge" (carnations on a red background). Frame is carved wood in a distressed finish ...

These natural blue opals are gorgeous and will be a favorite! 14 karat yellow gold tear drop shape, bezel set. Natural blue stone with beautiful fleck. Approximately 13 mm X 11mm. St...

A very modern looking early heavy glass cocktail shaker with round ball top , frosted edge to the collar with two pour spout areas . The top has cut grooves to each end for shots or pours as pictured and a very well thought out design for the professional bar keeper . Weighted perfectly for the hand and tight lid manufactured by the Cambridge Glass...

Kenneth Marcus Hugh (American, 1916-2011) Reflections on a North Shore, 2009 Watercolor on paper Signed and dated ’09 lower right 20.5 x 28.5 inches 30 x 37.5 inches, framed Kenneth...

Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy BERTU HOME stumps? Kiln Dried Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to a specific moisture level. This process helps with major cracking, long-term moisture issues, and bugs. Eco Friendly In an effort to replenish the trees we use, we plant 50+ trees a year. In addition, we practice salvage logging. Where do we source these? Some of the trees fall naturally. Some have damage from severe wind, lightning, flood, disease, or other natural disturbance so they need to be cut and removed before they fall. Others are fresh cut because people want them off their land. Salvage logging may reduce erosion, reduce intensity of future wildfires, and slow buildup of pest insects. Family Owned These are made from our family to yours. Quality is of utmost importance, and we hand cut, de-bark, sand, and finish every piece with care. Commercial Grade These stumps are meant to be loved and USED. Each is finished with a durable commercial-grade finish. This finish is tough enough for spills, kids, and holds up in hotel and hospitality settings. This tree stump table is made in the heart of Ohio with locally sourced wood. The stump can be used for a side table, a stool, or grouped together for a coffee table. Each stump is made from a solid trunk of red cedar...

Les deux tures coifffes d’un turban avec une aigrette (The two headdresses of a turban with a crest) Etching, 1618 From: Varie Figure (16 plates) Condition: Trimmed withing the plate...

Richard Andres (American, 1927–2013) Saturday on Wednesday, c. 1975 acrylic on canvas signed lower right, signed and titled verso 48.5 x 62.5 inches Richard Andres was born in Buff...

Night Life at the Moulin Rouge Pen and ink drawing, c. 1890 Signed lower left (see photo) A scene of the night life near the Moulin Rouge, Paris. The Moulin Rouge is the famous caba...

Un plaideur auquel manquent malheureusement les pieces les plus importantes, les pieces de cent sous. (A litigant who unfortunately doesn't have the most important details to success..dollars and cents) Series: Croquis par Daumier, No. 1 As published in Le Charivari, Paris, October 20, 1865. Croquis (Sketches by Daumier) is a series of 4 prints...

Richard Andres (American, 1927–2013) Untitled, 1968 acrylic on canvas signed lower right, signed and titled verso 88.5 x 50.5 inches Has an indent and a tear in the canvas. See phot...

Getting Ready for the Revolution - Learning How to Ride in the Subway Litho crayons on illustrator’s board, c. 1932 Signed: Adolf Dehn (VED) lower right corner (signed by Virginia Dehn, the artist’s widow) Tilted along the upper edge of the recto in pencil by the artist Verso inscriptions: “VF 3168.D” in a circle, also annotated in red pencil “32” in a circle and “699 Provenance: Mary Ryan Gallery, exhibition entitled Adolf Dehn Lithographs, 1927-1940, Nov. 16 to Dec. 12, 1982. The original exhibition notice us affixed to the backing board of the frame Note: A drawing intended or used in the publication Vanity Fair, for whom Dehn worked in the mid 1920’s to the 1930’s. Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...

This beautiful hard to find piece is sure to be noticed! Mitchell Peck Sterling Silver floral design necklace with 18 karat yellow chevron pattern Stamped "MP", "STER", "18K" Approx...

A midcentury chandelier with six white globes sitting on wave like sinusoid- sphere brass metalwork with radiating hanging rods fusing at the top into a shaft of bronze. Retains the ...

This is a deposit on (4) counter stools. The remaining half and entire shipping cost will be due upon completion before shipping. These White Oak Counter Stools...

By designer The Golden Bear, tag line states "The Symbol of Vail Valley" in Colorado. This necklace is beautiful. 14 karat yellow gold collar is hand hammered. Approximately .75 inch...

Bertu Side Table, Natural Wood Side Table, the Roma, Maple Bertu Side Table, Natural Wood Side Table, the Roma, Maple Please scroll down to read important instructions about our st...

Robe Grise Pochoir (silk screen) printed in colors, 1923 Signed by the artist in pencil lower right (see photo) The artist won a gold medal in Paris in 1925 for his pochoirs Condition: Two spots in the upper left corner associated with the printing. Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982) Biography Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators. In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli . In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia. In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous. His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino...

This charming pair of gilded olive brown Mintons pâte-sur-pâte footed moon flask vases feature a romantic caged putto motif executed in white slip on a bla...

Viva, Warhol and Ultra Violet Collage on board, 1973 Signed with estate stamp on reverse (see photo) The original photograph used in this collage depicts Viva (Susan Hoffman, born 19...

Pair of Michael Rozell Studio bar stools figured walnut and leather USA 2020. We can make these in custom material and sizes so as quantity.

An unusual 63" long bench or chaise by Swaim. This bench has an espresso finished base with curved stretchers. At each end there is a tall flared upholstered arm. Two removable cushi...

Spectacular Widdicomb piece. Two independent display cases join together and are capped by a single crown that finishes off the piece brilliantly. Incredible details. The cabinet fea...

Meissen Porcelain, blue sword mark 1st choice, Pfeiffer period 1924-1934, acanthus decor, model no. Y33 Dimensions: 5.75" x 3" (Diameter x Height)

Six mid-century English Chippendale / Georgian-style dining chairs by Norris Reproductions of Richmond, Virginia. Made from mahogany with scalloped crest rail, pierced back splat, a...

Georg Jensen Sterling Bracelet designed by Astrid Fog. Circa 1969. Georg Jensen iconic original sterling silver bracelet designed by Astrid Fog, Demark. Design #184 early sought afte...

These beautiful brass and glass cityscape shelves by Paul Evans could be used as a floating shelf or a floating credenza. The brass bases are 14" x 14" and the glass is 60" long and ...