Palm Beach Sports Equipment and Memorabilia

Christie's: West East The Niall Hobhouse Collection, 2008, Anglo Indian Collection. A fascinating selection of exquisite treasures from both the West...

Late 19th to early 20th century bocce balls, France, set of three boxwood, iron and brass nails. The first ball has the letters PP in brass, the second ha...

A.C.U approved Cromwell racing motorcycle crash helmet. A silver painted motorcycle, pudding basin shape helmet made in England by Cromwell. This helmet has a cork interior, fitted with a fabric headband and straps keeping a space between the head and outer case of the helmet. Strong leather neck and ear flaps are also fitted as is a chin strap and goggle strap to the rear. Inside the helmet is a cloth Cromwell trade label stating it conforms to A.C.U requirements, it has the British kite mark and is sized 7. This is an ACU (Auto-Cycle Union) approved racing helmet...

Vintage A.C.U. motorcycle racing crash helmet, Everoak. A fine silver painted motorcycle helmet made in England by Everoak. This helmet has a cork i...

Rare Limited Edition GUCCI x adidas golf ball case handbag or shoulder bag in blue and white color ways, with removable and adjustable shoulder strap and push closure / made in Italy...

Vintage carved whitewashed four panel Anglo Indian folding screen. Each panel measures 20" by 73". A great accent piece or room divider.

An exceptionally rare and evocative 16th- century Gothic Italian (Pisa) tournament helmet, forged entirely in wrought iron, weight 2.9 kg and presented together with its original pe...

Augusta National Golf Club, US Masters 1988 Tournament Badge. A pre-owned 1988 US Masters Golf Tournament spectators badge. The eventual winner ...

Golf mezzotint of 'Henry Callender Esq' (Captain of the society of Golfers at Blackheath) after Lemuel Francis Abbott (1760-1803). Henry Callend...

Early 20th century pair of lawn bowls in original case, English. Lignum vitae bowls in leather travel case with expected wear. Marked "MM" & "B". Case: 10.5" w., 7.5" h., 5 3/8" d. ...

PRESENTING an EXTREMELY UNIQUE and RARE 19C British Tunbridgeware Hair Pin/Bobbin or Slide. This slide is unlike any of it’s kind we have seen before, it is a VERY RARE survivor. From circa 1860 – 80 and made in Tunbridge Wells, England. Made of walnut with gorgeous marquetry inlay on the entirety of the front with classic Tunbridgeware micro-mosaic all over the front. The rear is walnut. The marquetry inlay appears to be various different woods, namely, maple, walnut and satinwood. Would have been worn in a Lady’s hair bun with the micro-mosaic facing forward. This would have belonged to a VERY ELEGANT LADY in the mid to late 19th Century. Tunbridge ware is a form of decoratively inlaid woodwork, typically in the form of boxes, that is characteristic of Tonbridge and the spa town of Royal Tunbridge Wells in Kent in the 18th and 19th centuries. The decoration typically consists of a mosaic of many very small pieces of different coloured woods that form a pictorial vignette. Shaped rods and slivers of wood were first carefully glued together, then cut into many thin slices of identical pictorial veneer with a fine saw. Elaborately striped and feathered bandings for framing were pre-formed in a similar fashion. There is a collection of Tunbridge ware in the Tunbridge Wells Museum and Art Gallery in Tunbridge Wells. The famous makers of Tunbridge ware were in the Tunbridge Wells area of Kent; their most notable work was from circa 1830-1900. Early makers of Tunbridge ware, in Tunbridge Wells in the mid-18th century, were the Burrows family, and Fenner and Co. In the 19th century, around 1830, James Burrows invented a technique of creating mosaics from wooden tesserae. Henry Hollamby, apprenticed to the Burrows family, set up on his own in 1842 and became an important manufacturer of Tunbridge ware, employing about 40 people. Edmund Nye (1797–1863) and his father took over the Fenner company when William Fenner retired in 1840, after 30 years in partnership with him. Thomas Barton (1819–1903), previously apprenticed at the Wise factory, joined the Nyes in 1836, and worked as Nye’s designer; he took over the business in 1863 and continued there until his death. In Tonbridge (near to Tunbridge Wells), George Wise (1703–1779) is known to have had a business in 1746. It continued with his son Thomas, and Thomas’s nephew George (1779–1869), who took over in 1806. In its early years the company made articles such as workboxes and tea caddies with prints of popular views; later items had pictures created from mosaics. Their workshop in Tonbridge, Wise’s Tunbridge Ware Manufactory, was next to the Big Bridge over the Medway; the building was demolished in 1886 to widen the approach to the bridge. Tunbridge ware became popular with visitors to the spa town of Tunbridge Wells, who bought them as souvenirs and gifts. Articles included cribbage boards, paperweights, writing slopes, snuffboxes and glove boxes. At the Great Exhibition of 1851, Tunbridge ware by Edmund Nye, Robert Russell and Henry Hollamby was shown; Edmund Nye received a commendation from the judges for his work. He exhibited a table depicting a mosaic of a ship at sea; 110,800 tesserae were used in making the picture. The manufacturers of Tunbridge ware were cottage industries, and they were no more than nine in Tunbridge Wells and one in Tonbridge. The number declined in the 1880s; competent craftsmen were hard to find, and public tastes changed. After the death of Thomas Barton in 1903 the only surviving firm was Boyce, Brown and Kemp, which closed in 1927. Marquetry was an old technique which was continued by Nye and Barton to create images such as birds or butterflies. ‘Green Oak’ as caused by the fungus Chlorociboria aeruginascens. Stickware and half-square mosaic was invented by James Burrows in about 1830: a bunch of wooden sticks of different colours, each having triangular or diamond-shaped cross section, were tightly glued together; in the case of stickware, the resulting block was dried, then turned to form an article such as the base of a pincushion. For half-square mosaic, thin slices were taken from the composite block, and applied to a surface. Tesselated mosaic, was a development by James Burrows of half-square mosaic; it was adopted by George Wise and Edmund Nye. Minute tesserae were used to form a wide variety of geometric and pictorial designs. Many sorts of wood were used for the various colours; about 40 were in regular use. Only natural colors were used; green was provided by “green oak”, produced by the action of fungus on fallen oak. Designs for articles were often taken from designs of Berlin wool work.

Mid-late 19th century Anglo-Indian Raj Era Walking Stick. Malacca with sterling handle. Indecipherable Indian hallmarks on the silver. Brass tip - very worn with joint opened 0.5". s...