Paris Candelabras

Candle Holder Crocodile with metal structure in brass vintage finish, for 1 candle, candle not included.

An exceptional and spectacular candelabra candle holder sculpture, Post-Modernist, Brutalist, Shabby-Chic, plant-inspired composition of folded and welded metal rods mounted on a tri...

A tall and sculptural floor candleholder in hand-forged iron, France, circa 1960. Characteristic of the Brutalist aesthetic, this piece features a slender, tapered central shaft ador...

Jacques Adnet, a French architect and designer, began his career at one of the first modern art workshops, La Maîtrise, directed by Maurice Dufrêne. In 1928, Jacques Adnet found hims...

Carved olive wood two-light candlestick, 1970s. Rectangular free form, carved as a “puzzle piece” in the center. Signed Gunnar KANEVAD and dated 1977. DV2286.

A spectacular candlestick or candelabra sculpture, Post-Modernist, Brutalist, Shabby-Chic, "organic" tree composition of golden wrought iron rods, folded and welded, mounted on a tri...

Stunning pair of gilded and patinated bronze candelabras, featuring a winged cupid. He is standing on a sphere and holding a torch, which is surrounded by three curving candle branch...

Direct from Paris, a magnificent pair of Louis XVI silver plate 3-candle candelabra by France's premier silversmith "Christofle - Gallia Collection", meticulously restored to near new condition, includes two anti-tarnish storage wraps for easy storage, you can't go wrong buying quality, circa early 1900s. The French silversmithing brand Christofle stands as a paragon of artistry, quality, and timeless sophistication in the world of fine silverware. Founded in 1830 by Charles Christofle, the company has built a reputation for exquisite craftsmanship and pioneering innovation. Over nearly two centuries, Christofle has become synonymous with opulence, earning the favor of royalty, securing prestigious awards, and adorning homes and dining tables worldwide. From their revolutionary silver-plating processes to their dazzling silver plate candelabra, Christofle’s creations epitomize the pinnacle of silversmithing artistry. Charles Christofle’s foray into silversmithing began when he took over his wife’s family jewelry workshop. His entrepreneurial vision and artistic sensibilities allowed him to transform the modest enterprise into a global luxury brand. Early on, Christofle recognized the demand for high-quality yet affordable silverware, leading him to explore innovative methods for producing silver-plated items. This ingenuity was paired with a deep commitment to artistry, ensuring that every piece bore the hallmarks of French elegance and meticulous craftsmanship. Christofle’s philosophy of blending tradition with innovation set the company apart. In 1842, Charles Christofle obtained an exclusive license for the electroplating process developed by the English inventors George and Henry Elkington. This technology allowed the company to produce silver-plated goods of unparalleled quality and durability, democratizing the availability of fine silverware. The decision to adopt and refine this technique marked the beginning of Christofle’s ascent to global renown. The electroplating process revolutionized silversmithing by enabling the application of a thin layer of silver onto a base metal, typically copper or nickel silver. This innovation significantly reduced costs without compromising quality, making silverware accessible to a broader clientele. Christofle’s mastery of this technique elevated the art form, as their artisans meticulously ensured that every piece retained the luster, weight, and elegance of solid silver. Christofle’s silver plating involved several intricate steps, each requiring skill and precision. The base metal was first meticulously cleaned to ensure that the silver coating would adhere uniformly. The item was then submerged in an electrolytic bath, where an electric current deposited a fine layer of silver onto its surface. Finally, the piece underwent polishing and finishing, a process that demanded an artisan’s eye for detail and dedication to perfection. The company’s innovations did not stop at electroplating. Christofle continually refined their techniques, developing proprietary methods to enhance the durability and brilliance of their silverware. Their relentless pursuit of excellence ensured that Christofle pieces would retain their splendor for generations, cementing the brand’s reputation for quality and longevity. Christofle’s commitment to excellence quickly attracted the attention of European royalty and nobility. The brand’s association with regal splendor began in 1851, when Napoleon III appointed Christofle as the official purveyor of silverware to the French court. This prestigious commission marked a turning point in the company’s history, solidifying its status as a symbol of luxury and refinement. The French court’s endorsement opened the doors to further royal patronage across Europe and beyond. Christofle created bespoke silverware for monarchs, aristocrats, and heads of state, often crafting pieces that were as much works of art as functional items. Their designs graced palaces, embassies, and luxury liners, including the opulent dining rooms of the Titanic and the Orient Express. Among Christofle’s most notable commissions was the creation of the Sèvres table service for Napoleon III, a stunning collection that showcased the company’s technical prowess and artistic flair. The service featured intricate designs inspired by classical motifs, reflecting the grandeur and sophistication of the Second Empire. Christofle’s ability to seamlessly blend tradition with innovation ensured that their creations remained relevant and desirable, even as tastes and styles evolved. At the 1855 Exposition Universelle in Paris, Christofle was awarded a gold medal for their groundbreaking electroplating technique. This recognition underscored the company’s role as a pioneer in the field of silversmithing and solidified their reputation as a leader in luxury silverware. Subsequent exhibitions in London, Vienna, and Philadelphia further showcased Christofle’s mastery, earning them accolades for both technical innovation and artistic excellence. Christofle’s enduring appeal lies in their ability to strike a harmonious balance between form and function. Their pieces are not only visually stunning but also practical, reflecting the company’s commitment to creating silverware that enhances everyday life. This dedication to excellence has earned Christofle a place among the world’s most esteemed luxury brands. One of Christofle’s most iconic creations is their collection of silver plate candelabra. These masterpieces exemplify the company’s dedication to artistry and craftsmanship, serving as both functional lighting fixtures and decorative centerpieces. Christofle’s candelabra...

Impressive pair of large neo-Gothic church candelabras with eleven candle holders on three levels, in finely cut brass and bronze, decorated with leaves, flowers, scrolls, lily flowers and glass beads. Lion claw feet. In the spirit of Viollet Le Duc...

Here is a stunning pair of finely chiseled, bronze candlesticks from the mid-19th century. Each candlestick features ram's heads and grape clusters on the binet, while the shaft is a...

Beautiful pair of Louis XVI style amphora-shaped vases in gilded bronze and "canon de fusil" patinated bronze attributed to Maison Millet. The neck, decorated with twisted fluting, i...

Being Candle Holder by Edie Xu Dimensions: W 60 x D 46 x H 30 cm. Materials: Stoneware. Edie Xu, b. in New York and graduated from the Art Institute of Chicago in 2023. Her work sp...

This rare 19th-century three-arm candelabrum is crafted entirely from solid bronze — an unusual and refined choice compared to the more commonly used wrought iron of the period. Its ...

A small Arts & Crafts tazza in hand-hammered metal, featuring a pierced bowl with two detached handles. The flared stem rises from a boldly shaped quadrangular base, showcasing the m...

2 Part Incense Holder by Edie Xu Dimensions: W 12 x D 10 x H 8 cm. Materials: Stoneware. Edie Xu, b. in New York and graduated from the Art Institute of Chicago in 2023. Her work s...

Candlestick, 3-armed, "Medallion", chamotte stoneware, partly glazed. Stamped and labelled, Gustavsberg Sweden. Height 26.5 cm Width approx. 23 cm. Good condition, manufacturing mark...

An exceptional and spectacular candelabra sculpture, Post-Modernist, Neo-Classical, Shabby-Chic, composition of 3 deer horns in massive cast aluminum, decorated with 6 neo-classical ...

Superb pair of 19th century Christofle Rococo/Rocaille/Louis XV silver-plated candelabra. Very good condition. Oxidation. Dimensions in cm ( H x D ) : 46 x 33 Secure shipping

Pair of Venetian Glass Chandeliers in Murano Glass by Salviati & Co, 1950s. Featuring amethyst and clear glass with white overlay, dusted with gold, crafted in separate sections and ...

An exceptional sculptural Chandelier, Candelabra, Candlesticks, Candle holder, Brutalist, Rustic Modern, Shabby-Chic, , superb patinated wrought iron structure with 4 long light ar...

An exceptional sculptural candelabra candle holder, Post-Modernist, Brutalist, Shabby-Chic, plant-inspired composition of folded and welded metal rods mounted on a tripod base, decor...

Bronze pair of candelabras 19th century, Fratin Christophe Fratin (1801-1864) is a famous French animal sculptor who exhibited at the Paris Salon from 1831–1842 and 1850–1862, as wel...

Here is a stunning pair of finely chiseled, gilt bronze candlesticks from the mid-19th century. Each candlestick features ram's heads and grape clusters on the binet, while the shaft...

Rare pair of gilded and silvered bronze candle holders with engraved shafts decorated with rings embellished with colored cabochons in imitation of semi-precious stones. The religious character of these candles is recalled by the presence of angels in medallions in the center of the shaft, and by the presence of members of the Holy Family in a mandorla on each side of the tripod foot. A rich bestiary of fantastic animals inspired by the Middle Ages adorns the whole. The abundance of details transforms these candle holders from simple utilitarian objects during a religious celebration into a decorative artwork. Biography : Placide Poussielgue-Rusand (1824-1889) is a Parisian goldsmith and bronze maker known above all for his liturgical objects (chalices, ciboriums, patens, monstrances, etc.) and church bronzes...

Beautiful pair of Louis XVI-inspired cage-shaped girandoles in gilded bronze, with a crystal baluster shaft and with six light-arms. The whole is nicely decorated with crystal pendan...

This exquisite silvered bronze sculpture by Christophe Fratin is a perfect representation of 19th-century decorative art, skillfully blending intricate chisel work with opulent mater...

Pair of bronze candlesticks with their original dark brown patina by Christophe Fratin (1801-1864), an antique cast signed "fratin" in cursive, dating from around 1850. These candles...

Here is a stunning pair of finely chiseled, bronze candlesticks from the mid-19th century. These bronze candelabras, with a body resembling a tree trunk adorned with oak leaves and a...

A gilt bronze candlestick featuring an acrobatic bear holding a twisted binet adorned with gadroons. On a round, flower-shaped base, the bear supports the candle holder. The candlest...

Pair of 19th century Louis XVI style candelabra in patinated and gilded bronze and pink marble

Pair of candelabra in chiseled and gilded bronze, France, late 19th century

Pair of Empire bronze and marble candelabra with three branches each. The lights are supported by bronze caryatids with dark brown patina, who are dressed in long tunics à l’antique ...