Paris - Decorative Objects

A patined bronze or brass candlesticks in the style of Giacometti.

Vase Burgeon Red with all structure in fine ceramic in red coral finish.

This is an antique wooden netsuke made in Japan around Showa period 1950s. Netsuke is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fast...

This is an antique wooden netsuke made in Japan around Taisho period 1920s. Netsuke is a miniature sculpture, originating in 17th century Japan...

This is a box for the matcha powder using while tea ceremony in Japan. It is called 'Natsume'. It is made with wood. The design is a boat and it is hand painted. The material is with...

This is a Japanese lunch box. This is made of paulownia woods and painted with lacquer-Wajima. It can be used as decoration. Family crest: This fam...

A vibrant Art Nouveau trumpet vase in Amberina (red shading to amber), c. 1890–1910 with ruffled rim. Hand-worked tool marks and the transitional ombré point to late-Victorian/Art N...

Vase Burgeon White with all structure in fine ceramic in white and grey finish.

Delaunay vase, one of the vases from the "Suprematic" collection. The collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernis...

WILHELM KÅGE. Lock urn, stoneware, "Argenta", Gustavsberg. Marked Gustavsberg Kage. Green glaze with silver decoration of dragons. Bears a gift inscription in silver inlay on the ins...

Sculptural Postmodern Ringoletto Vase by Ron Arad for Rosenthal, 2000s. Height: from 16 cm to 24 cm

An icon of Art Deco design in its largest size by René Lalique for the legendary House of Worth. Dans la Nuit—“In the Night”—captures the poetry of the cosmos in sculpted glass. Its...

Candleholder blue parrot set of 2 in hand painted blue porcelain, glazed porcelain. Handcrafted details in solid bronze. Each piece: L15xD15xH49cm.     

Sculpture Samuraï all in stoneware, hand-crafted piece with subtle engraved details and decorated with enamels.

Bring a touch of whimsy to your home or office with the charming wooden bird from the Tweety series. Designed by Kateryna Sokolova, this minimalist sculpture is an attractive accent...

Slender tear-drop vase in luminous yellow cased glass, hand-decorated with black enamel motifs; flared lip. Signed “Legras” to the body, French Art Nouveau, Saint-Denis workshop. Lov...

This is a fire bowl called 'Hibachi' in Japanese. This was made from only one wood. Outside is made with wood but inside with metal. It was used for a fire bowl but now, we can use a...

Gabo vase, one of the vases from the "Suprematic" collection. Collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernist moveme...

WILHELM KÅGE. Large bowl, "Argenta", model 1107 II, Gustavsberg, stoneware with silver decoration. Marked Argenta 1107 11 Made in Sweden, inside with fish, height approx. 8, diameter...

Sculpture Leopard Dark Brown Sit all in ceramic, hand-painted piece.

IMPORTANT GERMAN PIETÀ FROM THE 14th CENTURY ORIGIN: GERMANY, REGION DE COLOGNE PERIOD: BEGINNING IF THE 14th CENTURY, ca. 1330 Height: 98 cm Length: 45 cm Depth: 33 cm Polychromed linden wood Good condition of conservation Provenance : particular Alsatian collection The theme of the Pietà or Vesperbild appears in Germany at the end of the 13th century, reflecting the mysticism of the late Middle Ages. Although the theme does not exist in the Gospels, it was often mentioned in contemporary devotional literature. Indeed, during the first half of the 14th century, mystical thought and devotional practices changed under the impulse of a number of religious, among them Heinrich Suso and St Bridget. In his writings, Suso placed important emphasis on contemplation and meditation in the footsteps of Christ's martyrdom. This will have great impact in the field of art, especially in Germany and later in France. The emphasis will from now on be on grief, death is shown in a straightforward way. The wounds of Christ are gaping and bloody. The suffering of Christ and the seven sorrows of the Virgin Mary are meditated upon. This piece demonstrates the interest of the faithful in these representations where pathos reigns. The virgin is represented seated in a frontal position. The bust is very elongated. She is wearing a red dress with a simple neckline and a blue mantel...

This is a Japanese Kutani porcelain vase from 1950s. Kutani ware is a traditional Japanese porcelain originating in Ishikawa Prefecture in the 17th century. It is known for its vivi...

WILHELM KÅGE. Vase, "Argenta", model 1076 IE, Gustavsberg, stoneware with silver decoration. Marked Gustavsberg Argenta, height approx. 11 cm. Good condition. Wilhelm Kåge was a Swe...

This striking Hanukkiah by Studio Gaïa embodies the poetry of contrast — carved from Grand Antique marble and White Onyx, it reinterprets the ritual of Hanukkah with sculptural preci...

Sculpture leopard sit in hand painted ceramic.

Candleholder Blue Birds Set of 2 with hand-painted porcelain, with bronze details, for 2 candles, candles not included.

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

Sculpture Blue Wading with base structure in solid brass and porcelain and with bird' structure in hand-painted porcelain with brass details.

Vase Toucan colorful, Emaux de Longwy from France, not waterproof vase, decorative vase, exceptional piece in limited edition of 50 pieces. Eartenware handcrafted.

This sculptural Hanukkiah by Studio Gaïa reinterprets the spirit of Hanukkah through a contemporary lens, blending multicolored onyx and natural travertine with remarkable artisanal ...

Sculpture Danish dog In hand painted ceramic.

Ceramic jewelry box by Mithé Espelt, France, 1960s Stamped clay, enamels in shades of green, gold, blackened wood box Date of creation: around 1955-1960 Bibliography: " Mithé Espelt,...

Superb jade green "Bresse" rooster vase by Rene Lalique. Model created in 1931. Dimensions in cm ( H x D ) : 10.5 x 10 Signed René Lalique Secure shipping. Félix Marcilhac, René ...

Sculpture gold dragon all made in porcelain and gold-plated in 24-karat. With gold-plated polished brass whiskers. Exceptional piece.

Superb and extremely rare Daum # Nancy vase designed after a drawing by Edmond Lachenal, France late 1800s. Signed, etched and gilt "Daum # Nancy, d'après E. Lachenal". Decorations o...

This textured glass chandelier is composed of individually cast glass petals which are mounted on a brass structure in the shape of a lilypad flower. The chandelier is composed of 24...

Sculpture panther in solid black bronze. With carved relief finish.   

An exceptional sculptural candelabra candle holder, Post-Modernist, Brutalist, Shabby-Chic, plant-inspired composition of folded and welded metal rods mounted on a tripod base, decor...

Vase Blue Fishes Medium with all structure in porcelain, hand-painted porcelain and with solid bronze base and details.

Sculpture white parrot all handcrafted in porcelain. Hand-painted and with details in solid bronze.  

Superb Lalique Virgin and Child sculpture on a black lacquered wooden base, France 1970s. Beautiful crystal form which captures the subject's devotion a...

Sculpture leopard black and white right. All in hand-crafted ceramic made in Italy.

Sculpture Samurai Raku red and silver made in Raku ceramic which have metallic silvered sheen. Raku ceramics Samurai are distinguished by their raw appearance. The smoking techn...

Sculpture Horse Black with all structure in porcelain in black matte finish.

Sculpture gilded peacock handmade in precious porcelain one by one, feather by feather. Each feather is unique. Made with shiny porcelain, hand-painted ...

Sculpture happy bronze all in green solid bronze.

Superb and rare art déco sculpture by Géo Maxim (1885-1940) representing a woman running after her greyhounds. Beautiful green patina on the regula affixed to a superb black and oran...

Superb limited edition Salvador Dali "Fleur du Mal" (Evil's Flower) glass paste sculpture edited and manufactured by Daum in 1968. In very good condition. Dimensions in cm ( H x L ...

Original chair in golden oak, satin finish. Flared legs, backrest and seat upholstered in a textured cream fabric by Dedar.

Concorde Model Scale 1/36 sculpture, in resin fiber, on aluminium polished base. From Air France Agency. On base: height 110cm.

Sculpture R2D2 life size model star wars. Set upon a millennium falcon base. sculpted in resin and with accurate lights and sounds. With rotative hea...

Sculpture white parrot on ring in hand painted white porcelain with brass details.

Wide oval mirror in glazed ceramic, finish mat, designed by Laura Gonzalez. Braided and wavy detail. All is crafted in France.

Superb and large sculpture of two alert greyhounds in beautiful Art Deco period green patina. Attributed to Louis Albert Carvin. Set on an elegant brown and white veined marble base....

Sculpture elephants black with all structure in porcelain in black matte and shiny gold finish.

Sculpture stone Totem D made with soapstone and with carbon steel ornaments. Totem realized by milling soapstone into geometrical shapes.

Hand-sculpted ceramic Sculpture or decorative vase "Kanan" with stylized face One of a kind handmade piece signed by the French ceramicists DALO, 2025 The height is 37 cm

Box quartz and marble in black marble with lid. With natural quartz on lid's top.

WILHELM KÅGE. Footed bowl with a rounded form, "Argenta", Gustavsberg 1940s, green-glazed stoneware with silver geometric decor. Marked on the bottom with “Gustavsberg Argenta, A9"....

This is an antique wooden netsuke made in Japan around Meiji period 1900s. The signature is written on the back side 'Sekisen'. Netsuke is a miniature sculpture, originating in 17th...