Poland

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XXI Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in f...

Vase, jug, pitcher, glassworks Prokuplje Yugoslavia. This rare and brilliant bernstein colored and white marbled glass is shining all over. Retro art. Vintage. Riche art deco made 1...

Chairs designed by Prof. Rajmund Halas. Made of beechwood. Chair is after a complete upholstery renovation; the woodwork has been refreshed. Seat and back is dressed in crème, durabl...

Dast is made of solid brass and white glass. Finished and assembled by hand. The piece features rounded matte glass shade that amplifies the glow from a single point of light. LED...

"Tafla O6" contemporary mirror by Zieta Original Zieta mirror, delivered with certificate. Polished stainless steel Measures: 55 x 50 x 6 cm. Zieta is best known for his collecti...

Dining chair called "Butterfly" with medium light stained beech legs and fully upholstered seat and back in beautiful boucle italian fabric (color number 06). This chair can be c...

Art Deco sideboard from the 1940s. Furniture in very good condition, after professional renovation. Dimensions: height 133 cm / width 189 cm / depth 60 cm

Eclectic Mahogany Display Cabinet From the Mid. 20th Century An Eclectic display cabinet, glazed on three sides, featuring single-leaf glass doors and four glass shelves, adorned wi...

Contemporary Bench inspired of 1960s style. The bench consist of an upholstered part, a seat and wooden legs narrowing downwards, characteristic of the 1960s style. Bench was designed by Vintola...

Teak coffee/side table with ceramic top. Manufactured in the mid-20th century in Denmark. A small coffee table, ideal even for small rooms. The simple, minimalist form has been brok...

This Bauhaus UFO pendant lamp was designed by Josef Hurka for Napako. Manufactured in the 1930s/1940s in the Czech Republic. It is in original vintage condition with nice patina.    

James Mont (1904-1978) "King Cole" armchairs, circa 1955. They are super-comfortable armchairs made in the 1960s. The armchair made of bentwood. Very unique and beautiful. Perfect fo...

Beautiful armchairs model GFM-142, designed by Edmund Homa. The armchairs was made in the 1960s in the Gosciecinska Furniture Factory. Frame is made from solid beechwood. The GFM-142 armchair is regarded one of the best polish armchair design from the previous age. The armchair have been thoroughly renovated. The tension belts have been changed, new upholstery foams - upholstery material has been used...

Pichet espagnol (A.R. 245) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / 152/200 / Madoura (underneath) white earthenware ceramic pitcher, par...

Art Deco table from the 1950s. Furniture in very good condition, after professional renovation. Dimensions: height 79 cm / dia. 80 cm

Contemporary realistic figurative mixed media drawing on cardboard by Polish artist Andrzej Szypluk. Monochromatic drawing of a female in nude. PROVE...

Antique Edwardian gold ring with amethyst and natural pearls, Great Britain, early 20th century Made of 9-karat yellow gold (0.375 fineness) Decorated with a majestic amethyst meas...

K67 is a kiosk design created in 1966 by the Slovenian architect and designer Saša J. Mächtig. Very good contition, preserved in its original form. 2 original canopies included. Weig...

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Pablo Picasso — L'Atelier du vieux peintre Technique: Original color lithograph on paper, printed in five colors Date: 1954 Publisher/Printer: Mourlot, Paris Unnumbered and unsigne...

A desk from the 1960s brought from Denmark. The furniture is in very good condition, after professional renovation. Dimensions: height 75 cm / width 148 cm / depth. 78 cm

Chair type A5828. Colloquially called "heart". The furniture was designed by Helena and Jerzy Kurmanowicz. They were produced in Radomsko Woodworking Factory and we thoroughly renova...

A medium mirror in a dark brown wood decorative frame from Belgium. The frame is made of wood. Mirror is in very good vintage condition, one cracks in the frame (picture). Original g...

Chairs designed by Prof. Rajmund Halas. Made of beechwood. Chair is after a complete upholstery renovation, the woodwork has been refreshed. Seat and back is dressed in crème, durabl...

Paweł Myszka graduated from the European Academy of Arts in Warsaw. He holds a Master of Arts degree in Graphic Design and Painting and graduated with hon...

Stools from the turn of the 1960s and 1970s. Beautiful, well crafted dark green upholstery. The stools consists of an upholstered part, a seat and wooden legs narrowing downwards, ...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Old rigid bracelet made of 18-karat yellow gold (750 fineness) and platinum. The openwork front of the bracelet is set with rose-cut diamonds. Origin: Western Europe, circa 1920. V...

Dining chair called "Butterfly" with dark walnut stained beech legs and fully upholstered seat and back in beautiful boucle italian fabric (color number 03). This chair can be cu...

This model is called Z-chair. Designed in 1968 in the GDR by Ernst Moeckl and Siegfried Mehl, German Version of the Panton chair. Also called kangaroo chair or variopur chair. Produced in eastern Germany. Chair is after full renovation, glossy red wine color lacquer (RAL 3005...

A sofa in the style of Louis Philippe, made in France around 1890. Sofa has undergone professional renovation in our workshop. The seat and backrest of the furniture were covered wit...

Pink vase in amazing shape. Produced in 1960s in Poland. Glass in perfect condition. The vase looks like it has just been taken out of the box. No jags, defects etc. The outer re...

Beautiful porcelain platter-bowl in ecru color decorated with gilding and a floral motif A product of the valued German manufacturer Rosenthal, signed with the mark used in the year...

Chair type A5828. Colloquially called "heart" in amazing hand tufting wool. The furniture was designed by Helena and Jerzy Kurmanowicz. They were produced in Radomsko Woodworking Fac...

This rare leather sofa was designed during the 1950s. A form referring to the design of the Bauhaus school, where the aim was to combine creative ima...

Desk in mid-century style with two drawers and brass handles. The tapered legs are finished with brass plated aluminum feet. Desk made of solid American walnut wood and wood covered ...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Salvador Dali (1904-1989) - Le centaur de Crête Lithograph from 1970. Dimensions of work: 68 x 50 cm On B...

Unique alpaca wool armchair, designed by Edmund Homa. The armchair was made in the 1960s in the Gosciecinska Furniture Factory from solid beechwood. The GFM type armchair is regarded...

20th-Century Rectangular Oak Dining Table We present you an oak table from the early 20th century. This piece of furniture has undergone renovation.

JAR Chair in Zebra Green/Yellow Wool by Vintola Studio W 17.72" x H 29.93" x D 15.75" Seat Height: 17.72" 100% natural wool, Beech wood. The JAR Chair features exquisite hand-tuft...

Agata Czeremuszkin-Chrut was born in 1983 in Czestochowa, Poland. She graduated from the Academy of the Fine Arts in Wroclaw (2008) with the Master degree in Painting. In 2007 she st...

Ergonomic shape, round dining table. Legs are removable. We used solid oak wood. This is contemporary dining table inspired of 1960s style. Table was designed by Vintola Studio, a ...

Stool from the turn of the 1960s and 1970s. Beautiful, well crafted beige upholstery. The stool consists of an upholstered part, a seat and wooden legs narrowing downwards, character...

This sophisticated side table was designed by Maison Jansen and manufactured in France during the 1970s. Frame has an total original gold-plated and chrome metal finish. The table sh...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Wall Clock in Black Glazed Wooden Case, 1890s A wall clock housed in a wooden, glass-fronted case. The case is painted black and remains unrestored. The dial is enameled, and the pe...

Neoclassical Fireplace, Ca.1890-1900 Solid oak Antique Neoclassical Fireplace Mantel made with solid oak wood with frame with m...

Ring in the form of a women's signet ring, comes from France from the mid-20th century. The ring is made of 18-karat gold. Centrally decorated with a natural oval sapphire weighing...

Object 057 console table by NG Design. Dimensions: D 90x W 20 x H 90 cm. Materials: powder coated steel, marble Nero Marquina Also available: all of objects available in different ...

Armchair designed by Mieczyslaw Puchala in a classic edition. Dark wood combined with a green fabric gives it elegance and nobility. The chair has undergone a full carpentry and upho...

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle d'...

Vintage mirror in a golden decorative sun-shaped frame from Italy. The frame is made of wood. Good original condition, the mirror has minimal flaws. All is shown on pictures. Beautif...

Gold-plated vintage ring in the shape of a star, set with faceted natural garnets. Jeweller's size: 13 (53) - no size adjustment possible. Weight: 3.5g Origin: Germany, second hal...

Chair type A5828. Colloquially called "heart". The furniture was designed by Helena and Jerzy Kurmanowicz. They were produced in Radomsko Woodworking Factory and we thoroughly renova...

midcentury French modern candlesticks, circa 1960. Very good condition. No damages. Made of wood. Beautiful decoration and good gift. Only one unique piece.

Object 076 Armchair by NG Design Dimensions: W 85 x D 102 x H 78 cm Materials: Bouclé Fabric, Oak Also Available: All of objects available in different materials and colors on deman...

Agata Czeremuszkin-Chrut was born in 1983 in Czestochowa, Poland. She graduated from the Academy of the Fine Arts in Wroclaw (2008) with the Master degree in Painting. In 2007 she st...

Joanna Mrozowska Born in 1976 in Warsaw. Studied in the Department of Painting in the Academy of Fine Arts in Warsaw; she graduated with a Master’s degree in painting, with the cycle...

TRN Wall lamp Designer: Pani Jurek Model shown in main picture: TRN, Black Ceramic tube: 5 cm x 36 cm / 14,17" x 1,97" Ceramic tube diameter: 5 cm / 1,97" Depth: 13,5 cm / 5,32" Bu...

"Plopp" stool by Zieta, black version Model standard Measure: 50 cm high, 35 cm diameter Halfway between design and engineering Zieta Prozessdesign does not only wants to fo...