Poland

Stool from the turn of the 1960s. Beautiful beige high quality upholstery. The stools consists of an upholstered part, a seat and wooden legs narrowing downwards, characteristic of t...

This exceptional bentwood bench settee was made in early 20th century and is attributed to Josef Hoffmann designed for Thonet - Mundus. This model appeared in the catalog in 1907, an...

Beautiful Cheetah - Italian ceramic, perfect condition, produced in 1960s. We have also another big cats for sale, check our products. Only one unique piece available. Signed "made i...

The painting is signed on the back Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They ...

The “Bumerang Chair” is a characteristic piece of furniture from the Polish People’s Republic (PRL) era. Its name comes from the distinctive shape of th...

Springy, very comfortable and stabile dining seats. They are contemporary chairs inspired of 1960s style. They can be used as armchairs and dining chairs. Chair was designed by Vintola Studio, a Polish brand created by Ola Szewczul, designer of vintage interior architecture and photographer. Designed in 2023, produced from 2024 at the Vintola Studio Factory in Poland. Well crafted hand made product. The whole armchair is covered with high-quality wool. Very beautiful and comfortable item! All options of fabrics and wood colors are possible to prepare. Change of dimensions are also possible. Please ask for more informations. About the fabric used in this option: A linen fabric, whose pictorial personality is defined by the printed reproduction of a 17th century design, which transforms into a contemporary tapestry to revive one of the noblest forms of the textile tradition, thanks to a modern-day sensitivity. An ideal solution for curtains or seating of medium-intensive use. Dedar...

Marc Chagall (1887-1985) - Nous habitons parmi les fleurs...(We Live Among the Flowers...) Lithograph from 1967. The edition of 56/75 on Arches paper. Dimensions of work: 63.2 x 5...

Springy, very comfortable and stabile club seats. They are contemporary chairs inspired of 1960s style. They can be used as armchairs and dining chairs. Chair was designed by Vint...

Stools from the turn of the 1960s. Beautiful leopard high-quality upholstery. The stools consists of an upholstered part, a seat and wooden legs narrowing downwards, characteristic of the 1960s style. We can prepare this stools also in another option of fabric and wood. Please check the last pictures with color samples.

Dining table, 'Superellipse', by Bruno Mathsson and Piet Hein for Fritz Hansen. Beech tabletop. Chrome-plated steel legs.

Painted ceramic, very good original vintage condition. No damages or cracks. Beautiful and unique decorative mini sculpture. Mini White Dalmatian Dog Sculpture was produced in Italy....

Original Bauhaus wardrobe designed by Hynek Gottwald, manufactured in Czechoslovakia during the 1930s/1940s. Features three doors, two interior clothing rails, two shelves, and the i...

A contemporary piece with the soul of the 1960s. Designed by Ola Szewczul for Vintola Studio, this chair blends elegance, nobility, and everyday comfort. It was created for interiors...

A wonderful armchair made in the 1960s in Poland. Stabile design of the furniture and a comfortable seat. Furniture after full upholstery renovation, refreshed woodwork. The whole is...

Chair type A5828. Colloquially called "heart". The furniture was designed by Helena and Jerzy Kurmanowicz. Chair was produced in Radomsko Woodworking Factory and we thoroughly renova...

Beautiful vase made from Murano glass in perfect condition. The vase looks like it has just been taken out of the box. No jags, defects etc. Only one unique piece. Venetian glass (...

Beautiful armchair and foot stool, designed by Edmund Homa. The armchair was made in the 1960s in the Gosciecinska Furniture Factory from solid beechwood. The GFM type armchair is re...

Chair designed by Prof. Rajmund Halas. Made of beechwood. Chair is after a complete upholstery renovation, the woodwork has been refreshed. Seat is dressed in leopard, durable and pl...

A contemporary piece with the soul of the 1960s. Designed by Ola Szewczul for Vintola Studio, this chair blends elegance, nobility, and everyday comfort. It was created for interiors...

A beautiful mirror in a light decorative frame with flowers from Italy. The frame is made of glass and plastic. Mirror is in good vintage condition. Few yellow flowers is missing. Or...

Chair designed by Prof. Rajmund Halas. Made of beechwood in medium oak color. Chair is after a complete upholstery renovation; the woodwork has been refreshed. Seat and back is dress...

Stools from the turn of the 1960s and 1970s. Beautiful velour upholstery in blue color. The stools consists of an upholstered part, a seat and wooden legs narrowing downwards, charac...

Very original and classic armchair produced in Czech Republic by furniture designer J. Halabala. Made in the 1950s, the eye-catching Silhouette and comfortable design has an enduring...

Beautiful chairs type 200/128, designed by Juliusz Kedziorek and manufactured by Goscieninska Furniture Factory in Poland. A very characteristic form...

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

A sculptural pair of Marbella stools attributed to the renowned brazilian designer Sergio Rodrigues, reflecting the bold materiality and organic modernism associated with his work. T...

Chairs designed by Prof. Rajmund Halas. Made of beechwood. Chair is after a complete upholstery renovation, the woodwork has been refreshed. Seat is covered in Promenade Kafkaïenne...

Designed by Jindřich Halabala and made in 1940 by UP Závody in Czechoslovakia, this dressing table with mirror has a restored wooden frame with a satin varnish finish. The original m...

Beautiful stool designed by Edmund Homa. The stool was made in the 1960s in the Gosciecinska Furniture Factory from solid beechwood. The GFM type stool is regarded one of the best ...

The B-7522 armchairs was designed in the 1960s by Zenon Baczyk, it was produced by Swarzedz Furniture Factories in Poland. Furniture kept in perfect condition, after full upholstery ...

The GFM armchair is an icon of the Polish design of the PRL period. The famous armchair was designed in 1962 by the Polish interior designer and furniture designer Edmund Homa. Pr...

Vintage glass in very good condition. The vase looks like it has just been taken out of the box. No jags, defects etc. Only one unique piece.

Armchairs produced in the 1960s by Radom Furniture Factories. Very comfortable seat covered with high quality fabric. The armchairs are fully carpentry and upholstery. We can prepare...

(US tax includeed fast shipping) A contemporary piece with the soul of the 1960s. Designed by Ola Szewczul for Vintola Studio, this chair blends elegance, nobility, and everyday com...

Classic French Togo by Michel Ducaroy for luxury brand Ligne Roset. Originally designed in the 1970s the iconic Togo sofa is now a design classic. Timeless comfort and style make thi...

Beautiful armchair GFM-142, designed by Edmund Homa, a polish architect, designer of Industrial Design and interior architecture, professor at the Academy of Fine Arts in Gdansk, Pol...

Originally designed in 1946 by the renowned French designer René Gabriel, this pair of lounge chairs is a refined example of the post-war French reconstruction movement. With a focus...

The Atlantis armchairs from the 1960s, produced in the Silesian furniture factory in Świebodzin, are a unique example of mid-century Polish design. Thanks to their compact dimensions...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Refrence: Cramer 112; Orozc...

Chair designed in 1960s by Prof. Rajmund Halas. It is jar type model. Made of beechwood. Chair is after a complete upholstery renovation, the woodwork has been refreshed and painted...

Dining chair called "Heart" with dark brown walnut stained beech legs and fully upholstered seat and back in beautiful velvet italian fabric. This chair can be customized to your sp...

Elegant and organic, the Pétale side tables by Jorge Zalszupin are true icons of 1960s Brazilian design. Inspired by nature, their petal-shaped tops and light bases embody the perfec...

This original lounge chair was produced by PEEM in Finland in the 1970s and represents a refined example of Scandinavian modern design. Upholstered in leather, it offers balanced pro...

Between the Landscape and Geometry, hand weaving, linen yarn, wool, acrylic textile paint, 70 x 65 cm, 2024. There is a second painting from this series - my other article here, mat...

Springy, very comfortable and stabile club seats. They are contemporary chairs inspired of 1960s style. They can be used as armchairs and dining chairs. Chair was designed by Vint...

Springy, very comfortable and stabile dining seats. They are contemporary chairs inspired of 1960s style. They can be used as armchairs and dining chairs. Chair was designed by Vi...

Beautiful chair type 1020 colloquially called "shell" produced by the Slupsk centre of furniture industry in the 1960s in Poland. They are after full renovation upholstery and carp...

Polish production chairs from Plastics Factory 'Krywald' in Knurow have embossed signatures. They come from the 70s. The author of this project is the Danish architect Steen Østergaa...

Pablo Picasso (1881-1973) - Faune Lithograph from 1957. The edition 211/275. The work itself is unnumbered; however, its numbering is documented by the presence of a Xerox copy of ...

The “Bumerang Chair” is a characteristic piece of furniture from the Polish People’s Republic (PRL) era. Its name comes from the distinctive shape of th...

Wooden nutcrackers figure from the Erzgebirge. The region Erzgebirge formerly Eastern Germany is famous for this special kind of nutcrackers, where intricate carving has been their h...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

‘Horizon. Cabo Sardão’ 2020 Handwoven painting, linen, woollen, silk, cotton yarn, acrylic textile paint, 135 x 65 cm Handwoven painting from the series ‘Horizons’, based on a portuguese landscape...

Hanging lamp by Napako, made in Czechoslovakia in the 1940s. It has three arms with original glass shades and a chromed metal structure. A stylish and authentic piece of vintage Czec...

Springy, very comfortable and stabile dining seats. They are contemporary chairs inspired of 1960s style. They can be used as armchairs and dining chairs. Chair was designed by Vi...

Chair designed by Prof. Rajmund Halas. It is JAR type model. Made of beechwood. Chair is after a complete upholstery renovation, the woodwork has been refreshed. Seat and back is dre...

Dining chair called "Butterfly" with brown walnut stained beech legs and fully upholstered seat and back in beautiful italian fabric produceed Tiger Mountain - by Dedar one of the mo...

Beautiful chair type 1020 colloquially called "shell" produced by the Slupsk centre of furniture industry in the 1960s in Poland. They are after full renovation upholstery and carp...

Classic French Togo by Michel Ducaroy for luxury brand Ligne Roset. Originally designed in the 1970s the iconic Togo sofa is now a design classic. Timeless comfort and style make thi...

The set of vintage brass candlesticks is an elegant proposal that catches the eye with its timeless aesthetics and nobility of the material. The brass from which they are made gives ...