Poland

Comfortable and stabile triangle stool. They are contemporary stools inspired of 1960s style. They can be used as a bar stools. Stool was designed by Vintola Studio, a Polish brand...

Painted ceramic, very good original vintage condition. No damages or cracks. Beautiful and unique decorative mini sculpture. Mini White Dalmatian Dog Sculpture was produced in Italy....

Ormolu bronze mantel clock flanked by a troubadour and musical instruments, signed 'Ferdinand Berthoud a Paris'. The end of the 18th and beginning of the 19th century was a crucial time in which new technological advances helped to make watches more accurate and more portable. During the 1790s, the production of gilded bronze increased considerably as working conditions improved. The freedom of trade initiated by the French Revolution allowed many casters to develop large factories. The new factory environment gave them a chance to execute all stages of bronze work including drawing, casting, gilding, assembly, and trade of art objects. While the bronzers took creative liberty in creating all kinds of clocks in contrast to the noble and rigorous structure carried by the movement of neoclassicism. Under the reign of Empire, the case designs started gradually to develop away from a proportionate and strict classicism towards a baroque style and revival style. The rediscovery of medieval civilization was one of the intellectual curiosities of the beginning of the 19th century, with much input from the Ancien Régime and its institutions, rites and the medieval churches in which family ceremonies occurred. This early nineteenth-century figural mantel clock is surmounted by a medieval musician. To be more precise, it is a french troubadour. Troubadours were known for composing and performing lyric poetry for the nobility back during medieval times. The clock is featuring a chiselled bronze troubadour, dressed in medieval fashion while holding a flute, playing a tune from sheet music called "Du Troubadour" that is resting on top of the rectangular clock case. In addition to that, the clock features a gilt bronze lute or vielle resting on a small stool on the opposite side of the clock’s case. The white enamel dial features the inscription Berthoud and is underlined by a bronze entourage chiselled with palmette motif, plus encompassed by c-scrolls and wreaths. The original hands are in blued steel and encircled by Roman numerals indicating hour next to Arabic numerals indicating minutes. The small details that adorn the hexagonal plinth are reliefs, depicting two water fountains or basins on both sides with a lyre in between. The sculpted image of a lyre raised above the background features also foliage garlands tied on top with ribbons. The clock rests on seven spinning feet. The clock was made in the well-known workshop of the Berthoud’s family that was recognized for their excellent work by the King. Berthoud Clockmakers History. Ferdinand Berthoud was a horologist and author of extensive treatises on timekeeping as well as a Swiss clockmaker serving the king of France, that produced many marine clocks, including a weight-driven version that inspired the first American sea-going clock. He was born in Plancemont, Switzerland, the son of an architect and judiciary. In 1741 he began a three-year apprenticeship as a clockmaker under his brother, Jean-Henri. He made his first marine chronometer in 1754 (sent for trial in 1761) and in 1764 was appointed a member of the Royal Society, London and Horloger Mécanicien de Sa Majesté et de la Marine ayant l'inspection de la construction des Horloges Marines. In 1769, Ferdinand Berthoud sent for his nephew Pierre-Louis Berthoud (1754–1813), commonly known as Louis Berthoud, a talented young watchmaker and clockmaker, inviting him to come to Paris from Couvet, Switzerland, to pursue his apprenticeship. Louis helped Ferdinand manufacture and repair the sea clocks...

20th century figurative etching print by Polish artist Leszek Rozga. This piece is signed by the artist. Iscription on the piece could be translated into '[This is a] jackdaw' writt...

Urszula Wilk – artist statment: I have always been interested in the idea of infiniteness of a painting and its opposite – that is the physical finitenes...

Contemporary figurative surrealist acrylic on canvas painting by Polish artist Marta Rynkiewicz. Artwork depicts vibrant landscape with architectural elements. Marta Rynkiewicz is ...

The modular shelving and bookcase system designed by Kai Kristiansen for FM Møbler is one of the iconic examples of Danish modernist design of the 1950s and 1960s. Designed for maxim...

Stool from the turn of the 1960s. The stool consists of an upholstered part, a seat and wooden legs narrowing downwards, characteristic of the 1960s style. Stool was designed by Edmund Homa...

A stunning glasses with flower design, made by one of the many glass manufacturers based in Bialystok, Poland. Hanger is included. Would make a great addition to any collection! Di...

The cabinet is crafted in Napoleon III style, which is also known as Second empire style. The main material of the cabinet is ebony with dark varnish finish. The top of the cabinet iscovered with Carrara marble, which was a popular combination of that time period. The large frizes atop and the small friezes on the bottom are sculpted with beautiful and delicate pearl-shaped motifs. The pearl motif dominates in this antique French cabinet, as it features also in the framing edge of the front panels of the door. It seems like the pearl motifs become an endless source of inspiration in this French gorgeous cabinet. On either side of the front corner panels of the cabinet is an image of a man's head gilded with ormolu, built into the modillions, where flowers hang from them.The corners of a cabinet are ornated with square rosettes which are overhung by rococo curves and shells. The acanthus leaf pattern complements the decoration of the 4 front corners of the cabinet. In the central door panel there is a medallion with a painting of two women with a goat standing by a tree surrounded by forest. The porcelain picture depicts the poetic beauty of people and landscapes in the French countryside. The bright colors in the porcelain painting brings more life in to the dark stained cabinet...

Beautiful and Unique Artistic Vase Author: Decorative Glassworks "Makora", Krosno Year of creation: 2nd half 20th century Information: laminated glass, hand-formed, mass decoration...

TRN Wall lamp Designer: Pani Jurek Model shown in main picture: TRN, Black Ceramic tube: 5 cm x 36 cm / 14,17" x 1,97" Ceramic tube diameter: 5 cm / 1,97" Depth: 13,5 cm / 5,32" Bu...

Atlantis sofa and Armchairs from the 1960s, produced in Czech Republic - at the moment they are unique. Due to their dimensions, they perfectly blend in ...

An exceptional 19th-century Empire-style mantel clock by Hartmann à Paris, meticulously crafted in gilt bronze. This distinguished timepiece showcases a finely detailed white enamel ...

A pair of armchairs GFM-142, designed by Edmund Homa. The armchairs were made in the 1960s in the Gosciecinska Furniture factory. They are made from solid beechwood. The GFM-142 armchair is regarded one of the best polish armchair design from the previous age. The armchairs have been thoroughly renovated. The tension belts have been changed, new upholstery foams, upholstery material has been used, green upholstery...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche III Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpen...

Decorative wood plate from Italy. The plate is hand painted. Plate is in good vintage condition. Original wood. Beautiful piece for every interior! Very nice as a gift. Only one un...

Chippensteeel 0.5 chair by Zieta, stainless steel (inox) Measures: 80 x 46 x 58 cm. “Chippensteeel 0.5” stainless steel version is a chair designed by Zieta Prozessdesign which...

Vase made in the Tarnowiec Glassworks located in Poland, designed by J. Słuczan-Orkusz. Soda glass, mass-colored, hand-formed. Vintage product from 1970s Dimensions: height 24 cm...

This Bauhaus floor lamp was manufactured in the Czech Republic in the 1940s. The lamp is preserved in its original, very good condition, fully functional.

Stools from the turn of the 1960s. Beautiful pink pattern high quality italian velvet upholstery. The stools consists of an upholstered part, a seat and wooden legs narrowing downwar...

– Bauhaus UFO pendant lamp designed by Josef Hurka for Napako – Produced in the 1930s – Made of chromed metal and glass, features four bakelite lampholders – In a original vintage co...

Vase made in the Tarnowiec Glassworks located in Poland, designed by J. Słuczan-Orkusz. Soda glass, mass-colored, hand-formed. Vintage product from 1970s Dimensions: height 29 cm...

It is possible to purchase the entire diptych. Please see my other items and offers. Birches IV, Part 3, acrylic, modeling paste on canvas Please ask me about shipping costs becaus...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

This original vintage glass ash tray bowl element was designed and produced in the 1970s in Lombardia, Italy. It is made in Sommerso Technique a...

Offered model: BARVA 1 Color : BROWN Barva vases collection is focused on combining abstract geometric forms of objects with the organic world of plants to offer endless possibilitie...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Armchair designed by Mieczyslaw Puchala. Dark brown wood combined with a mint green beautiful italian jacquard gives it elegance and nobility. The chair has undergone a full carpen...

Atlantis armchairs from the 1960s, produced in the Silesian furniture factory in Swiebodzin at the moment they are unique. Due to their dimensions, t...

Agata Czeremuszkin-Chrut was born in 1983 in Czestochowa, Poland. She graduated from the Academy of the Fine Arts in Wroclaw (2008) with the Master degree in Painting. In 2007 she st...

Rosalia - beautiful pinkish polished bronze wall sconce. Finish: polishes, not painted/coated (but can be waxed on demand). Mounting screws (x2) in polished copper (matching perfect...

19th-Century Louis Philippe Sewing Table with Inlaid Top We present you a sewing table, circa 1860, in the Louis Philippe style. The rectangular apron hides two drawers. It is toppe...

Table manufactured in Denmark in the 1960s. Table veneered with rosewood with beautiful grain. The table can be extended and has one insert. Its timeless form will fit perfectly int...

VASE “SCARF” Author: Decorative Glassworks "Makora", Krosno Year of creation: 2nd half 20th century Information: laminated glass, hand-formed, mass decoration with a crack motif. h...

The painting is framed behind glass. About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloquially referred to as the hormone of love...

Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and flora with the world of man, p...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

A lovely Mid-Century Modern blue glass vase from the 1960s. Original vintage good condition. Only one unique piece.

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Unique alpaca wool armchair, designed by Edmund Homa. The armchair was made in the 1960s in the Gosciecinska Furniture Factory from solid beechwood. The GFM type armchair is regarded...

Contemporary big scale oil on canvas abstract painting by Polish artist Klaudia Lata. This piece is mostly in black with emerald. Painting has abstract shapes mixed with soft blurry ...

Discover the exquisite craftsmanship of this unique Nils Jonsson teakwood sideboard, boasting a distinctive Scandinavian Modern style. Crafted with precision and elegance, it feature...

An inlaid chest of drawers from the end of the 19th century. Furniture in very good condition, after professional renovation. The chest of drawers is finished in a high-gloss polish...

Decorative metal plate from Poland. The plate is hand painted. Plate is in very good vintage condition, no damage or cracks. Original metal. Beautiful piec...

20th-Century Walnut Folding Chair Upholstered With Dark-Green Leather We present you a folding walnut chair from the 1st half of the 20th centur...

The painting is framed behind glass. Unframed Size: 74x54cm Framed: 95x74cm About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloqui...

2 Art Deco bedside tables.

Art Deco console from the 1950s, Poland. Furniture manufactured in Poland in the mid-20th century. The entire console is veneered with richly grained walnut. Beautiful form that wi...

Marta Bozyk (1973). A graduate of the Graphic Department of the Academy of Fine Arts in Krakow. She received a diploma with the Medal of the Rector of the Academy of Fine Arts in 1998. Winner of the Scholarship of the Creative City of Krakow (2000) and the city of Mino in Japan (2001). She is also a winner of the Technical Award at the International Print Exhibition in Taichung, Taiwan (2008) and the Equal Prize International Triennial of Art Bitola in Macedonia. He belongs to the artistic female group...

Mahogany table, Western Europe, circa 1880. Based on a three-legged base with brass rollers. Currently under renovation. dimensions height 77 cm diameter 119 cm

Chair type A5828. Colloquially called "heart". The furniture was designed by Helena and Jerzy Kurmanowicz. They were produced in Radomsko Woodworking Factory and we thoroughly renova...

This model is called Z-chair. Designed in 1968 in the GDR by Ernst Moeckl and Siegfried Mehl, German Version of the Panton chair. Also called kangaroo chair or variopur chair. Produc...

Kees Van Dongen (1877-1968) - La Garçonne Original Lithograph, pochoir from 1925. Arches paper (no watermark). Dimensions of work: 23.5 x 18 cm Publisher: E. Flammarion Éditeur. ...

Hand spun brass plate in patina finish. Warm light gently emits from under solid brass plate covered with brass mesh. Finished and assembled by hand. Original brass assembling techni...

Art Deco style table from the mid-20th century. Minimalist design will work perfectly in contemporary interiors. Furniture in very good condition, after professional renovation. The...

Beautiful Vintage Green Armchair, designed by Edmund Homa. The armchair was made in the 1960s in the Gosciecinska Furniture Factory. They are made from solid beechwood. The GFM type...

Solid and streamlined brass tube seamlessly wrapped with brass mesh. Finished and assembled by hand. BARBELL can be made horizontally balanced or counter-balanced. Self-adjusting ve...

21th century figurative etching print by Polish artist Leszek Rozga. This piece is signed by the artist. LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska pri...

Beautiful and Unique Artistic Vase Author: Decorative Glassworks "Makora", Krosno Year of creation: 2nd half 20th century Information: laminated glass, hand-formed, mass decoration...