Poland

TRN Wall lamp Designer: Pani Jurek Model shown in main picture: TRN, Black Ceramic tube: 5 cm x 36 cm / 14,17" x 1,97" Ceramic tube diameter: 5 cm / 1,97" Depth: 13,5 cm / 5,32" Bu...

DECORATIVE TRAY 60s Inlay scheme: 60s Colour scheme: Terracotta, Beige, Brown Available in individuals colors MATERIALS: MDF, painted rye straw, brass. DIMENSIONS (cm): 33х45x3,5. ...

A pair of armchairs GFM-142, designed by Edmund Homa. The armchairs were made in the 1960s in the Gosciecinska Furniture factory. They are made from solid beechwood. The GFM-142 armchair is regarded one of the best polish armchair design from the previous age. The armchairs have been thoroughly renovated. The tension belts have been changed, new upholstery foams, upholstery material has been used, green upholstery...

The cabinet is crafted in Napoleon III style, which is also known as Second empire style. The main material of the cabinet is ebony with dark varnish finish. The top of the cabinet iscovered with Carrara marble, which was a popular combination of that time period. The large frizes atop and the small friezes on the bottom are sculpted with beautiful and delicate pearl-shaped motifs. The pearl motif dominates in this antique French cabinet, as it features also in the framing edge of the front panels of the door. It seems like the pearl motifs become an endless source of inspiration in this French gorgeous cabinet. On either side of the front corner panels of the cabinet is an image of a man's head gilded with ormolu, built into the modillions, where flowers hang from them.The corners of a cabinet are ornated with square rosettes which are overhung by rococo curves and shells. The acanthus leaf pattern complements the decoration of the 4 front corners of the cabinet. In the central door panel there is a medallion with a painting of two women with a goat standing by a tree surrounded by forest. The porcelain picture depicts the poetic beauty of people and landscapes in the French countryside. The bright colors in the porcelain painting brings more life in to the dark stained cabinet...

Art Deco armchair from 1940, Czech Republic. Designed by a famous Czech designer Jindrich Halabala, (a Czech designer ranked among the most outstanding creators of the modern period....

Armchair designed by Mieczyslaw Puchala. Dark brown wood combined with a mint green beautiful italian jacquard gives it elegance and nobility. The chair has undergone a full carpen...

Contemporary big scale oil on canvas abstract painting by Polish artist Klaudia Lata. This piece is mostly in black with emerald. Painting has abstract shapes mixed with soft blurry ...

Salvador Dali (1904-1989) - Les Songes Drôlatiques de Pantagruel, Planche III Lithograph from 1973. Edition 6/250 on Japon paper. Dimensions of work: 76 x 56 cm Publisher: Carpen...

A lovely Mid-Century Modern blue glass vase from the 1960s. Original vintage good condition. Only one unique piece.

Spanish figurine of a goose maid by Lladro. Dimensions: height 24 cm / width 11 cm / depth 12 cm

An exceptional 19th-century Empire-style mantel clock by Hartmann à Paris, meticulously crafted in gilt bronze. This distinguished timepiece showcases a finely detailed white enamel ...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

"Rondel 36" contemporary mirror by Zieta Polished stainless steel Measures: 36 x 36 x 6 cm. Zieta Studio is a multidisciplinary team of architects, designe...

Chair type A5828. Colloquially called "heart". The furniture was designed by Helena and Jerzy Kurmanowicz. They were produced in Radomsko Woodworking Factory and we thoroughly renova...

Agata Czeremuszkin-Chrut was born in 1983 in Czestochowa, Poland. She graduated from the Academy of the Fine Arts in Wroclaw (2008) with the Master degree in Painting. In 2007 she st...

21th century figurative etching print by Polish artist Leszek Rozga. This piece is signed by the artist. LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska pri...

This original vintage glass ash tray bowl element was designed and produced in the 1970s in Lombardia, Italy. It is made in Sommerso Technique a...

This five-drawer chest of drawers comes from Czechoslovakia from around 1970s. The piece is in very good condition - it underwent careful renovation process. It is veneered with elm ...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

The artwork on paper will be sent unframed to you. Maciej Olekszy was born in 1982, Poland. Graduated from the Academy of Fine Arts in Poznan, Poland in 2007. Faculty of Painting i...

This table lamp was designed by Josef Hurka for Napako and manufactured in the Czech Republic in the 1960s. The lamp is in good, original condition, visible minor scratches, etc. pat...

Unique alpaca wool armchair, designed by Edmund Homa. The armchair was made in the 1960s in the Gosciecinska Furniture Factory from solid beechwood. The GFM type armchair is regarded...

Hand spun brass plate in patina finish. Warm light gently emits from under solid brass plate covered with brass mesh. Finished and assembled by hand. Original brass assembling techni...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Halabala, (a Czech designer ranked among the...

Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and flora with the world of man, p...

The painting is framed behind glass. Unframed Size: 74x54cm Framed: 95x74cm About Prymon’s Exhibition Dopaminum and his paintings: ”Dopaminum” - Tomasz Prymon Dopamine – colloqui...

Original oil on canvas on wooden stretcher, box canvas, signed on the front. Certificate of authenticity included. :: Painting :: Expressionism :: This piece comes with an official ...

Chair type A5828. Colloquially called "heart". The furniture was designed by Helena and Jerzy Kurmanowicz. They were produced in Radomsko Woodworking Factory in 1960s and we thorough...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Beautiful Vintage Green Armchair, designed by Edmund Homa. The armchair was made in the 1960s in the Gosciecinska Furniture Factory. They are made from solid beechwood. The GFM type...

This model is called Z-chair. Designed in 1968 in the GDR by Ernst Moeckl and Siegfried Mehl, German Version of the Panton chair. Also called kangaroo chair or variopur chair. Produc...

Kees Van Dongen (1877-1968) - La Garçonne Original Lithograph, pochoir from 1925. Arches paper (no watermark). Dimensions of work: 23.5 x 18 cm Publisher: E. Flammarion Éditeur. ...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Danish Highboard in beautiful teak wood. The piece was designed and made in 1960s and is a great example of Danish Mid Century Design in its best. It features two storage sections, e...

Beautiful and Unique Artistic Vase Author: Decorative Glassworks "Makora", Krosno Year of creation: 2nd half 20th century Information: laminated glass, hand-formed, mass decoration...

This magnificent Rococo style candelabra is a true masterpiece of artistry and craftsmanship, blending opulence and refinement in a breathtaking display of design. The vibrant green...

Chippensteeel 0.5 chair by Zieta, stainless steel (inox) Measures: 80 x 46 x 58 cm. “Chippensteeel 0.5” stainless steel version is a chair designed by Zieta Prozessdesign which...

Art Deco chairs by J. Halabal from 1940, The possibility of renovation in our studio to any condition of the chairs, matte gloss, etc. Measures: Width 46cm, depth 46 cm,...

Decorative metal plate from Poland. The plate is hand painted. Plate is in very good vintage condition, no damage or cracks. Original metal. Beautiful piec...

Solid and streamlined brass tube seamlessly wrapped with brass mesh. Finished and assembled by hand. BARBELL can be made horizontally balanced or counter-balanced. Self-adjusting ve...

These black table lamps were manufactured by Drupol and designed by Josef Hurka in the mid 1960s. Original, good condition, fully functional.

Ormolu bronze mantel clock flanked by a troubadour and musical instruments, signed 'Ferdinand Berthoud a Paris'. The end of the 18th and beginning of the 19th century was a crucial time in which new technological advances helped to make watches more accurate and more portable. During the 1790s, the production of gilded bronze increased considerably as working conditions improved. The freedom of trade initiated by the French Revolution allowed many casters to develop large factories. The new factory environment gave them a chance to execute all stages of bronze work including drawing, casting, gilding, assembly, and trade of art objects. While the bronzers took creative liberty in creating all kinds of clocks in contrast to the noble and rigorous structure carried by the movement of neoclassicism. Under the reign of Empire, the case designs started gradually to develop away from a proportionate and strict classicism towards a baroque style and revival style. The rediscovery of medieval civilization was one of the intellectual curiosities of the beginning of the 19th century, with much input from the Ancien Régime and its institutions, rites and the medieval churches in which family ceremonies occurred. This early nineteenth-century figural mantel clock is surmounted by a medieval musician. To be more precise, it is a french troubadour. Troubadours were known for composing and performing lyric poetry for the nobility back during medieval times. The clock is featuring a chiselled bronze troubadour, dressed in medieval fashion while holding a flute, playing a tune from sheet music called "Du Troubadour" that is resting on top of the rectangular clock case. In addition to that, the clock features a gilt bronze lute or vielle resting on a small stool on the opposite side of the clock’s case. The white enamel dial features the inscription Berthoud and is underlined by a bronze entourage chiselled with palmette motif, plus encompassed by c-scrolls and wreaths. The original hands are in blued steel and encircled by Roman numerals indicating hour next to Arabic numerals indicating minutes. The small details that adorn the hexagonal plinth are reliefs, depicting two water fountains or basins on both sides with a lyre in between. The sculpted image of a lyre raised above the background features also foliage garlands tied on top with ribbons. The clock rests on seven spinning feet. The clock was made in the well-known workshop of the Berthoud’s family that was recognized for their excellent work by the King. Berthoud Clockmakers History. Ferdinand Berthoud was a horologist and author of extensive treatises on timekeeping as well as a Swiss clockmaker serving the king of France, that produced many marine clocks, including a weight-driven version that inspired the first American sea-going clock. He was born in Plancemont, Switzerland, the son of an architect and judiciary. In 1741 he began a three-year apprenticeship as a clockmaker under his brother, Jean-Henri. He made his first marine chronometer in 1754 (sent for trial in 1761) and in 1764 was appointed a member of the Royal Society, London and Horloger Mécanicien de Sa Majesté et de la Marine ayant l'inspection de la construction des Horloges Marines. In 1769, Ferdinand Berthoud sent for his nephew Pierre-Louis Berthoud (1754–1813), commonly known as Louis Berthoud, a talented young watchmaker and clockmaker, inviting him to come to Paris from Couvet, Switzerland, to pursue his apprenticeship. Louis helped Ferdinand manufacture and repair the sea clocks...

An inlaid chest of drawers from the end of the 19th century. Furniture in very good condition, after professional renovation. The chest of drawers is finished in a high-gloss polish...

Marta Bozyk (1973). A graduate of the Graphic Department of the Academy of Fine Arts in Krakow. She received a diploma with the Medal of the Rector of the Academy of Fine Arts in 1998. Winner of the Scholarship of the Creative City of Krakow (2000) and the city of Mino in Japan (2001). She is also a winner of the Technical Award at the International Print Exhibition in Taichung, Taiwan (2008) and the Equal Prize International Triennial of Art Bitola in Macedonia. He belongs to the artistic female group...

20th century figurative etching print by Polish artist Leszek Rozga. This piece is signed by the artist. LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska pri...

Agata Czeremuszkin-Chrut was born in 1983 in Czestochowa, Poland. She graduated from the Academy of the Fine Arts in Wroclaw (2008) with the Master degree in Painting. In 2007 she st...

James Mont (1904-1978) "King Cole" armchairs, circa 1955. They are super-comfortable armchairs made in the 1960s. The armchair made of bentwood. Very unique and beautiful. Perfect fo...

This stunning Dental Cabinet was possibly manufactured in USA by Lee Smith & Sons in Pittsburgh, Pennsylvania. Notable for its distinctive nickel hinges and trim, as well as the iconic swing-out drawers synonymous with Lee Smith & Sons, this piece stands as a testament to an era of unparalleled craftsmanship. The piece is made of solid wood (and is pretty heavy). Adorned with twelve meticulously nickel-plated swing-out drawers, complemented by two discreet blind doors below and two elegant glass doors above, further enhanced by an extendable top this cabinet exudes both functionality and elegance. The piece was gently restored, wooden elements were cleaned and finished with high quality wax, nickeled metal parts remain in beautiful original vintage condition. A very unique and rare treasure that will be an unusual element of any original interior such as loft, barber shop etc. Among traders called the Holy Grail of antique medical furniture...

Table manufactured in Denmark in the 1960s. Table veneered with rosewood with beautiful grain. The table can be extended and has one insert. Its timeless form will fit perfectly int...

Rare wooden ox sculpture by uhknown artist from 1932 singed O.L.P. (original limited production)

Contemporary figurative patinated bronze sculpture by Italian artist Antonio Giancaterino. Sculpture shows foot with high heel and a wing which is covered in leaf gold. ANTONIO GIAN...

Contemporary colorful figurative surrealistic print on paper by Polish artist Rafal Olbinski. This print shows a woman sitting on chair with her feet on a Moon. There is parisian arc...

This set of two modern chairs was manufactured in Mauser, Germany during the 1970s. The frame was made from solid anodized aluminum tubulars and it is characteristic for Mausers design. The upholstery is original and is in brow color. The seat is located on belts. The history of the Mauser company dates back to 1896, when Alfons Mauser opened a factory for metal products - Zaunkönig. In 1903, Mauser also developed hermetic, lockable iron...

Chairs designed by Prof. Rajmund Halas. Made of beechwood. Chairs are after a complete upholstery renovation; the woodwork has been refreshed and painted in cherry lacquer. Seat and ...

Marc Chagall (1887-1985) - Maternité Suite of 5 etchings from 1926. The edition no. 953 of 960, on Lafuma de Voiron paper. Dimensions of work: 22 x 17.5 cm. Publisher: Au Sans Pa...

Mahogany table, Western Europe, circa 1880. Based on a three-legged base with brass rollers. Currently under renovation. dimensions height 77 cm diameter 119 cm

Vintage glass in very good condition. The vase looks like it has just been taken out of the box. Absolutely beautiful and rare red orange crystal. Made in Poland. Only one unique pie...

Late-19th Century Wall Clock in Walnut Case A wall clock in a glazed walnut case, dated to the late 19th century. The clock features a porcelain dial, a...

Set of Four Chairs designed by Mieczyslaw Puchala. Dark brown wood combined with a beautiful french velvet gives it elegance and nobility. The chair has undergone a full carpentry ...

The modular shelving and bookcase system designed by Kai Kristiansen for FM Møbler is one of the iconic examples of Danish modernist design of the 1950s and 1960s. Designed for maxim...