South Coast - Art

Gold Country, a rustic figurative landscape of early California pioneers by an unknown artist (American, 20th Century). Excellent workmanship and ...

Colorful abstract watercolor of imaginative shapes in a tropical setting with botanical landscape elements by Claire Wolf Krantz (American, b. 1938). Signed "Claire Wolf Krantz" lower right. Titled "Spires" lower center. Dated "11/18/77" and numbered "II" in a series lower left. Peach colored mat and bronze tone metal frame. Image, 14"H x 14"L. Kranz is an artist and art critic living in Chicago, she uses fictional and real elements in her works. She is known for mixed media works layering photograph...

A richly flowing cape drapes his shoulders, as he crouches low, eyes looking upward, “Jacques” raises his hands to test the confining walls of his imaginary box. “Jacques” reminds us...

America Martin "Wreath of Flowers in Hair" (Diptych) Ink on Cotton Paper 25 x 45 Inches Diptych Size Left piece comes framed: 25 x 22.5 Inches Unframed 31.5 x 28.5 Inches Framed ...

Colorful Modernist Still Life with Fruit and Water Jug by Ellis Hopkins (American, b. 1952). This bold still life depicts a bowl of fruit resting on a table with a large green jug....

Signed by the artist on the front of the mount. Printed later circa 1980-90s. Excellent condition. The piece does NOT include the frame. Frame shown just for reference. From the esta...

A Cowboy And His Horse - Gouache On Paper Gouache on paper painting depicting a cowboy and his horse by a campfire by Reinaldo Manzke (Brazilian, 1906-1980). A cowboy is seen sittin...

Portrait of the Artist by the Artist Original Charcoal Drawing on Paper 1960 Excellent detailed original drawing of the artist by Eugene Hawkins (American, b. 1933). A realistic dep...

"Plovers at Tamagawa" from "Six Jewel Rivers" - Woodblock Print on Paper This print, sometimes titled "Chidori No Tamagawa" "Plovers at Tamagawa", is from the series Mu Tamagawa ("Six Views of Tama River", also known as "Six Jewel Rivers" or "Six Crystal Rivers") by Kubo Shunman...

Unmounted, unsigned. Authenticated and stamped by the Brett Weston Archive. Printed later.

Fun and colorful contemporary Fauvist interior scene of a black cat lounging on a red couch in a brightly hued room in primary colors, by Jonathan Taylor (American, b.1966). Signed "J. Taylor" in bottom right. Displayed in a giltwood frame. Image size: 19.5" H X 23.5" W. Artist Jonathan Taylor was born in 1966 and was raised in Bar Harbor Maine...

This midcentury landscape photograph, captured by society photographer Slim Aarons, features a midcentury chalet with a view at the Sugarbush Mountain ski resort in Warren, Vermont i...

William Fisher (1891 - 1985) William Fisher was born in Brooklyn, NY in 1891. He studied at the Brooklyn Institute of Art and Science and at Pratt Institute. Following service as an ambulance driver in WWI, he remained in Europe after the war and studied painting in Rome, Italy for one year. Upon his return from Rome, to New Jersey, he pursued his painting and began to teach small art classes. In the 1920's Fisher became a successful illustrator. His work appeared in Saturday Evening Post, Mc Calls, Harpers and other popular magazines. He later did pen and ink sketches for the Villager, a weekly Greenwich Village newspaper. Microfilmed pages of the Villager are preserved in New York University's Washington Square Library. His sketches also appeared on the cover of the Gotham Guide, which was sold Fridays at news stands in Manhattan. In partnership with Margaret Kilburn, an artist and crafts person, Fisher opened an art gallery and school at 33 West 8th St in NYC during the 1930s. They also opened a summer art gallery and school in 1949 in Kennebunkport, Maine, which ran for many years, and, after the NY gallery closed (around 1952), they made a full time commitment to living and working in Kennebunkport, Maine. Fisher was the recipient of over 100 awards. His work was widely exhibited in Philadelphia, Pa., Montclair, Trenton, and Newark, NJ, the Currier Gallery in New Hampshire and the Brick Store Museum in Kennebunk, Maine. William Fisher and Margaret Kilburn were familiar and beloved figures in Kennebunkport. They taught generations of local children, and they participated in numerous exhibits with other artists, both in the Kennebunkport area and throughout Maine. Mr Fisher always insisted on marching in the local Memorial Day parade, until he was well in his 90's, because he didn't want to ride in a car provided for older veterans. Many homes in the Kennebunks have his works, including members of the Bush family, and they were purchased by numerous out of state and Canadian summer visitors. There are several examples of his works in the Kennebunkport Town Offices and in local churches. Fisher loved to paint "big" canvases, usually local Maine scenes...

Masri Hayssam (Lebanese, born 1965) "Untangled" 2018 Acrylic paint, Oil paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. This powerful mixed-media a...

Restrained landscape with a child playing with a cat by an unknown artist. Although nearly monochromatic, there is exquisite details in the foliage in the foreground. to the left. In...

Titled and dated with artists reference number and stamped on the back of the mount and signed by Cole Weston. This piece was loaned to Art in Embassies...

Striking Sierra Mountain landscape by California artist Genevieve Rogers (American, 1904 - 1984), circa 1960s. Unsigned, but acquired with a collection of her work. Unframed. Image s...

Subtly colored abstract geometric composition by J. Swidler (20th Century). A grid of 15 squares has been laid out in pencil, each square divided into different sections. Some of the...

Mid century figurative of romantic adventures by Duleich (American, 20th Century). Presented in a wooden frame. Signed "Duleich '59" lower left. Image size, 30.25"H x 24"W. Framed si...

Pigs on a Trolley - Vintage Picture Book Two-Page Spread Illustration A two-page spread in India ink pen and watercolor by Irene Pattinson (Ameri...

Turn of 20th Century Spanish-American War Coast Guard Cutter with Cannons Original Oil Painting A fine example of maritime ship portraiture oil painting of a Coast Guard Cutter with cannons under sails during the Spanish American War by renowned Nautical British/American painter Captain William Lindsay Challoner (British/American 1852-1901), 1901. Auction values Luminous and striking painting with seaman unfurling sails heading into rough waters. Challoner served as captain of a naval vessel (Coast Guard Cutter) during the Spanish-American War. Here he is depicted on the deck of the ship while seamen scramble aloft on the rigging during a gale. The captain stands tall before the cannons at the ready to fend off intruders. His paintings are rare and highly prized by museums and Nautical collectors alike. Signed: Lower right corner "W. Challoner" Not framed Dated: "1910" Provenance: A local Monterey Bay area estate find. Condition: Professionally restored (conservation report available) Image size: 27.75"H x 47.38"W William Lindsay Challoner lived the peripatetic life of a mariner, spending much of his time at sea, and in ports such as New Orleans and San Francisco, California. He was born in Bedminster, England, and attended the York Naval Academy. In 1880, Challoner married Mary Cadogan. That same year, the couple immigrated to Argentina and then New Orleans. They had one son, William Lindsay Challoner, Jr. Lloyd’s Lists record Challoner as master aboard J.P. Macheca, a “Clipper Schooner” running bananas from Jamaica during the mid-1880s. The clipper also raced at the Southern Yacht Club in New Orleans. As is often the case, Challoner’s middle name is misspelled as “Lindsey” in J.P. Macheca & Co. records. He is also said to have served as captain for vessels in the Morgan Line. Painting was at first an avocation for Challoner, but his draftsmanship and handling of paint suggest academic training. He may also have learned to make precise topographical drawings at the York Naval Academy. Many of his ship portraits are in the English tradition, notably followers of Samuel Walker, a leading English maritime artist in the 1850s. Like his Liverpool counterparts, Challoner used receding linear and atmospheric perspective to focus on the crisp portraits of specific ships. At their best, his canvases are highly finished, a style that imitates the Venetian tradition of topographical city views associated with Giovanni Antonio Canal, also known as Canaletto. However, Challoner’s restrained bravura paint handling also may bear witness to the influence of the French Impressionists. Challoner seems to have arrived in New Orleans about 1880. He advertised in the press and exhibited at the Creole Art Gallery and Grunewald’s Music Store in New Orleans. In 1887, Challoner moved to San Francisco, where he exhibited his maritime scenes at the Mechanic’s Institute and became a U.S. citizen. He may have been back in New Orleans after 1891, and served as captain of a naval vessel during the Spanish-American War. His art clients tended to be men involved in the shipping industry—ship owners and commission merchants, along with professional clubs and maritime benevolent societies. Challoner’s principal competition in New Orleans was August Norieri, a talented ship portraitist and painter of marines. While Norieri lived hand-to-mouth, Challoner drew a handsome salary working as a ship captain, presumably until shortly before his death at the age of 49. Securing the commission for painting the newly founded New Orleans Yacht Club suggests that Challoner was held in higher regard as an artist than Norieri. The two artists together met the market demand for ship portraiture and marine views in the port city, as had Edward Arnold and James Guy...

Unique mid century modern abstract limited edition serigraph titled "Poor Butterfly" by Madrid-based artist Mil Lubroth (American, 1925-2004). Lubroth uses a layering technique to build the fragmented form of the butterfly in neutral earth-tones, black and grey. Her serigraph “Poor Butterfly” was exhibited at the Brooklyn Museum’s 13th Biennial National Print Exhibition in 1962. Signed "Mil Lubroth" lower right. Numbered 30/50 lower left and titled center. Displayed in a grey mat and metal frame with plexiglass. Image window: 19"H x 26"W. Paper size: 23.5"H x 32"W. Madrid artist...

Bold surrealist/fantasy composition by Ana Nak-he Powelson (20th Century). A large green and yellow object is the focal point of this composition. There...

High contrast landscape of a farm in winter by Dessie Wilcox (American, b. 1948). Signed and dated "Dessie Wilcox '94" in the lower right corner. Presen...

Original Mid-Century Red Farmhouse Watercolor Landscape Painting Beautiful mid-century 1940's watercolor of a bucolic farmhouse scene - sunset, undul...

Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, 1969. 48 x 72 inches $6100 40 x 60 inches $5400 30 x 40 inches $4200 20 x 30 inches $3900 Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Antibes is a resort town between Cannes and Nice on the French Riviera (Côte d’Azur). It’s known for its old town enclosed by 16th-century ramparts with the star-shaped Fort Carré. This overlooks luxury yachts moored at the Port Vauban marina. The forested Cap d’Antibes peninsula, dotted with grand villas, separates Antibes from Juan-les-Pins, a chic resort with buzzing nightlife and the Jazz à Juan music festival. Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Vintage Slim Aarons, Vintage Hotel du Cap Eden-Roc photograph, Vintage Antibes...

Skiers on the slopes at Courchevel, France, 1963. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Modern estate edit...

"Carousel" Abstracted Horses with Texture in Acrylic on Canvas Dynamic composition of horses by Marion J. Denton (American, 20th Century). Two horses are shows in bold colors, with ...

This 1660 winter landscape photograph, captured by society photographer Slim Aarons, features an individual skiing at Sugarbush, a mountain resort in Vermont, April 1960. This is an...

"Midday Shadows, Shark Cove" is an atmospheric oil painted on location in Hawaii by noted California artist Jacobus Baas. This plein air painting exhibits the subtle touch and beauti...

Gorgeous watercolor/gouache painting of a family of ducks swimming in a lake at dawn by Bill Reynolds (American, 1918-2008), 1970. The foreground is...

Maura Petersen (American, born 1956) "Lounging Figure" 2019 Acrylic Paint, Canvas, Stretcher Bars The artist signed the back of the painting. In "Lounging Figure", Maura Petersen en...

Wonderful mid-century watercolor of abstracted jellyfish by Bobbi Merrill (American, 20th Century), 1964. Signed lower left corner. Title "Jelly fish in Red Sea" and dated "4/5/64" o...

A beautiful abstracted landscape, mixed media print and painting, in soft pastel hues by California artist Katherine Chang Liu (American, 20th-century). Signed and dated "Katherine C...

Mid Century Autumn Landscape, Showers Beneath San Gabriel Hills by Aletha Martin Vibrant autumn landscape of a crystal clear stream under the San Gabriel Mountains by California art...

This is a one-of-a-kind original textural abstract artwork by San Diego artist, Alexander Arshansky. Its dimensions are 36"x36"x2". It is unframed. A Certificate of Authenticity will...

Reclining nude bronze on black marble sculpture by sculptor Laura Smith. The contrast of the bronze patina on marble makes the figure appear as if floating. There is some discolorati...

"Bottled Roses" is a colorful example of Bryan Mark Taylor's modern approach to Impressionism. This beautiful oil on panel captures the rich colors of the rose in the vase. This pai...

Lesley Anne Spowart (American, born 1957) "Awakening" 2017 Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the back of the painting. Lesley Anne Spowart's Awake...

The Rainbow Pipe - Fauvist Portrait and Interior in Pastel on Paper Brightly colored abstract portrait by Michael William Eggleston (American, 20th Century). A blue-faced figure on ...

MATT BILFIELD '1978-PRTL' 1,978 Wooden Dowels in Architectural Plywood 23 x 23 in _________________ My creative journey is guided by a deep appreciation for order, precision, and t...

"Impressions of the High Sierras", a Lithobrome Photograph by Sigismund Blumann (American, 1872-1956). Signed "Sigismund Blumann" lower right. Titled "Impressions of the High Sierras" and signed "Sigismund Blumann" on verso. Unframed. Image size, 10.25"H x 13.25"W. Sigismund Blumann (1872–1956) (figure 1) was a prominent tastemaker in Californian photography during the 1920s and 1930s. Based in the San Francisco Bay Area for his entire career, he edited magazines, wrote books, and made creative photographs. From 1924 to 1933 Blumann edited Camera Craft, the leading West Coast photographic monthly. Subsequently he established his own periodical, Photo Art Monthly, which he published until 1940. In these two magazines — for over fifteen years — Blumann found a large audience of mainstream pictorial photographers. In addition, he wrote five instructional books on photography...

Beautiful mid century landscape painting of an arched bridge over a glassy lake with tiny figures by unknown artist Hovanessi...

Mid century portrait of a woman with pearls and a blue shirt by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with ...

"I'm a Lyrical Dancer" - Original Painting In the Style of Keith Haring If Keith Haring and Henri Matisse collaborated on a piece of work, it might look like this. Five dancers stri...

A secluded ancient site with lush foliage overlooking a brilliant blue cove is the subject of this watercolor triptych combined in single framing by artist Isabel McCauley...

Vibrant set design by Russian artist Natalia Gontcharova (1881-1962). Two angelic figures are the central focus of this piece, but the rest of the set is laden with details, includin...

This is an original George M. Walker floral still life painting. This painting has been previously owned. Its dimensions are 27.5" x 23.5" x 1". It is framed. Walker was born in Oklahoma on Sept. 6, 1901. Walker was a resident of Bartlesville, Oklahoma. In 1930 he settled in San Diego, CA. He painted as a hobby and was a long-time pupil of Alfred Mitchell...

Mid Century Impressionist Still Life in Tissue Paper on Cardboard Impressionist still life by Honora Berg (American, 1897-1985). Pieces of tissue paper have been cut out and thought...

Gorgeous oil painting titled "Golden Hillside" by Ervin Darai (American, 1912-1979). Signed lower right. Unframed. Image, 48”H x 37”W. Hungarian-born Darai was a set designer for ...

"Moorea" is an beautiful hand pulled serigraph created from the oil painted on location in Tahiti by Maria Bertran. This Contemporary Impressionist painting captures a timeless scene...

Gorgeous nocturnal period oil painting landscape of a cabin in the San Rafael, California countryside surrounded by the blue mountains of Mt Tamalpais by Abbie (Adelaide) Crocker (American b-1834-1909), c.1886. Faint signature on verso in lead pencil. Unframed. Image, 18"H x 26"W. An early and significant Oakland artist whom studied with Thaddeus Welch...

Brightly colored one-of-a-kind multi-layer abstract composition in primary colors, one of one created by Michael William Eggleston (American, 20th Century). Initialed "MWE" on the bo...

Mid Century Impressionistic French Etching - "Degel en Haute Loire" ("Thaw in High Loire) by Andre Jacquemin Wonderful French Impressionist winter landscape of Loire hills by Andre Jacquemin (French, 1904-1992), 1950. The bare trees and undulating landscape and hills draws the viewer in and evokes a peaceful and serene feeling. Signed and dated: Within etching and below image Series Number: 161/200 Condition: Good Image size: 8.25"H x 15"W Paper size: 15"H x 22"W Mat size: 20"H x 24"W André Jacquemin was born in Epinal, France in 1904. While attending art school in Paris he studied under Charles Walter, where he learnt the techniques of etching and practiced by copying the most famous artists and visited all the museums to learn more about the masterpieces of past and present. In 1925, he underwent military service at Fort de Domont outside Paris together with Louis-Joseph Soulas and Edouard Mac-Avoy. Four years later, with a few other up-and-coming artists including Yves Alix, Amédée de la Patellière and Jacques Villon, André Jacquemin founded "la jeune Gravure Contemporaine", a society of Printmakers. In 1930, he simultaneously received the Foundation Florence Blumenthal prize and an allowance to go on a study trip from Spain to Morocco for 14 months. Back from Morocco, his career developed very rapidly. At the beginning of 1932, he exhibited his work at the Simonson gallery. It was a success: he sold everything he had done in Morocco and Spain. The same year, he was elected as a fellow of the French Society of Painter-Etchers/Engravers (Peintres Graveurs Français). In 1936, he was awarded the national arts prize, given for the first time to an etcher. The following year he along with Jacques Villon, Marcel Gromaire 1937 Venice Biennale to represent French gravure...

The essence of dance is captured in a single, soaring moment in "Flight in Attitude, Red, Atelier". Richard MacDonald freezes time as the performer arches upward in a sweeping attitu...

Classic Interior design and Family Dinner by Architectural Digest illustrator David Mode Payne (American, 1907-1985). The scene depicted is an interio...

Portrait of a Woman with Teapot and Tropical Plants Striking portrait of a woman at a table with a teapot in a lush tropical setting by San Jose artist R. A. "Bobbie" Dixon (America...

11 x 14 inch image is an edition of 45. Three other sizes available. Mina Afshari was born in Tehran, Iran. Her life and art are shaped by her journey from oppression to freedom. Gr...

Vivid and evocative feminist abstract expressionist figurative painting of woman and the many facets of her life, represented by multiple female figures engaged in various activities throughout the chaotic and colorful abstract expressionist canvas, by Audrey E. Gabrielson (American, 1932-2018), 1976. Verso has an abstract portrait with signature. Unframed. Image size: 29.75"H x 31.50"W Audrey Gabrielson was an artist, poetess, sculptor, whom lived in San Francisco. She was born in Canada in 1932 and drew, colored, modeled in clay when very young. She studied at Reed College, Portland, studying with famous West Coast artist, Louis Bunce. in San Francisco she painted with artists Cucaro, Alexander E. Anderson, and Raymond Howell. She had shown in North Beach, Modesto, Gualuala Hotel, Sausalito, Abbey Party Rents (S.F.) and many more. She had ongoing exhibits at Alberta Art, Red Deer and Uglies, Lacombe. Her art was collected by national and international collectors such as authors C.Y. Lee (“Flower Drum Song”), Alfred Coppel (“34 East”); musical promoter, Ilka Pardinas, FLY, Los Angeles. Additionally, she worked in bronze, studying under S.F. sculptor C.B. Johnson. Her art was influenced and inspired by German Expressionists, Van Gogh, Lautrec, Picasso, Klimpt, Schiele, Tamayo, Conners, Park – and many more. Obituary: Born in Alberta, Canada, Audrey passed away at her home in San Francisco's Bernal Heights neighborhood, surrounded by loved ones. Gabrielson was an artist, poet, sculptor, photographer, muse and an integral part of the San Francisco art scene of the late 1950s to late 1970s. She was a friend and contemporary of artists such as Benny Bufano...

Step back in time to the sunlit shores of the French Riviera with Slim Aarons' Cannes Watersports. This exquisite photograph captures the quintessential spirit of the 1950s holiday g...