Natalia Gontcharova

Stage Design for "Le Cog d'Or"

1913-1939

Abstract expressionist figure, a seated blonde female nude with dynamic expressive lines by San Francisco artist Michael William Egglest...

"Relaxing at Camarillo" - Abstract Expressionism A man relines in a black hat and a green shape emulating the symbol of infinity, accented in bright canary yellow and gray, by Calif...

Portrait of an Artist on Interview Magazine Back Page 1989 Modernism Watercolor Possibly a portrait of Maria Helena Vieira da Silva Portuguese artist. Portrait of a woman on Andy Worhol's Interview Magazine back page and painted over in watercolor and acrylic by Ricardo (Richard) de Silva (De Silva) (Brazil/American, 20th C). Possibly a portrait of Maria Helena Vieira da Silva. From a collection of Ricardo de Silva's work and memorabilia. DeSilva was born in Brazil and grew up in Los Angeles. He was a gallery owner, first in Santa Barbara in the 1960's and 70's, then in San Jose in the 1980-2000s. He was dedicated to promoting the work of talented upcoming artists, including Kogyo and Hasui Kiyochika, Robert Frame, Jim Stuckenberg, Alice Robertson Carr, Deborah Eve Alastra, Russell Kelly, and Diana Mark. Maria Helena Vieira da Silva was a Portuguese abstract...

Pictographic scene by Charles Stewart (American, 1922-2011). There are several figures in the center of the piece, one of which has raised hands, as if to praise the sun above them. Surrounding the figures are symbols reminiscent of Neolithic art - spirals, handprints, and animal symbols. Signed "C. Stewart , T. S (for Taos Society of Artists)." in the lower left corner. Presented in a wood frame with vinyl faux-lizard skin wrapping, and a linen mat. Image size: 16.5"H x 21"W Charles C. Stewart (1922-2011) was born in Toledo, Ohio. From an early age he had a natural talent for the arts, so much so that during his school years, his teachers encouraged him to take classes at the Toledo Museum. He studied there for eight years. During World War II, he served with the tank destroyers in five campaigns. When he returned from the war, he studied art and sculpture at the Art Student's League in New York. He then went to Mexico for eight months to study and paint. While in Mexico, he fell in love with the country, its people and arts, vowing one day to return and live. In 1947, Stewart moved to Taos, New Mexico to start his career. He opened a frame shop and small studio and studied at the Taos Valley Art School under Louis Ribak. In 1949, he opened his own gallery. He taught art and sculpture at the Taos Art Association and at Philbrook Art Center in Tulsa, Oklahoma, as well as teaching private students. He built three homes in Taos, the last of which is known as the "Stewart House." The "Stewart House" was written up in the New Mexico Magazine in an article entitled "The House That Chuck Built" by Tricia Hurst In late 1984, Stewart and his wife, Mary Lou, were exploring the Baja in Mexico and ended up at "Land's End," a small fishing village on the Sea of Cortez called Cabo San Lucas...

Large vertical self portrait by Bay Area artist Michael Pauker (American, b.1957). A minimalist portrait of the artist is at the center of this piece, w...

Dynamic, expressive rendition of a jazz trio by San Francisco artist Michael William Eggleston (American, 20th century). There are three abstracted figures in this piece - a guitar p...

Thelma Appel Times Square XI (Recover Time), 2018 Acrylic and collage on Canvas Hand signed, titled and dated by the artist on the back Exhibited at the curated exhibition "New York ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Punchy reds and zestful hot pinks convey a sense of intense motion and engine heat. The art is as much as color-field painting as a narrative work. It was a commissioned illustration for Sports Illustrated...