Stamford / Westport - Art

Steve Bickley creates beautiful metal sculpture and wall reliefs, as well as color prints. In addition, he makes large outdoor sculpture in stainless steel and aluminum. He has bee...

This small original abstract watercolor painting by Nealy Hauschildt features a palette that combines washes of varying blue and turquoise tones. It ...

Michael Forster has a unique blend of Mexican symbolism and an approach to universal themes such as "Celestial Skies". This work explores both the mys...

This colorful contemporary landscape painting by Carol Young features a vibrant palette and captures three white and red barns surrounded by greenery under a turquoise blue sky. The ...

Bertoia's "wheat" pieces are rare and a joy. These works do not make sound when one touches the tines and is meant less to be touched than to convey an organic feel of sunlight rippling through stalks of golden wheat. This is a great size for a table. An unusual composition for Bertoia, Untitled (Wheat) combines elements with the artist’s more familiar Tonals with those of the Sprays. Typical of the artist’s œuvre however is the pleasant sensation of touch when stroking the ends of the wires. Bertoia’s spray sculptures...

This abstract landscape statement painting by Elwood Howell features a yellow and orange-hued landscape with a high horizon line and warm undertones. What appears to be a small white...

This LED light box by Mads Christensen creates mood oriented and color changing variations that brings a subtle and enhancing sensory experience to a room. Easily installed as it ha...

This Limited Edition abstract print, "A Summer Day in Nantucket," by Sofie Swann measures 45" x 36" and is an edition of 95. Printed on canvas,...

DAVID DUNLOP is a modern-day old master whose luminous paintings draw from both Renaissance techniques and contemporary science. His paintings have been shown internationally and a...

Cathy Choi's eye catching striped paining is bursting with dazzling color. The surface shines. This work is a progression from Choi's signature minimalist works. The bottom of the p...

This minimalist layered painting is by David Skillicorn. Hw began his career as a documentary filmmaker and is a self-taught artist. His process is one of applying paint liberally, c...

This marvelous, colorful and light filled work is a desirable work by the painter. It is in an impressionist style carved and leafed frame. Illustrated in the book by the artist "A...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint and 3-dimensional wooden shapes on canvas. The warm metal grey paint is highly textured, while the ...

Benzoni is one of the great Italians who was celebrated for marble carving in the 19th century. His work is in major museums throughout the world and has a work on the floor at the ...

This large abstract statement painting by Kelly Rossetti is made with oil paint on gallery wrapped canvas. It features a cool, muted blue, beige, and grey palette with a strong horiz...

DAVID DUNLOP is a modern-day old master whose luminous paintings draw from both Renaissance techniques and contemporary science. His paintings have been shown internationally and a...

This contemporary landscape painting by Carol Young features a cool, vibrant palette and captures a rural scene of a two barn structures sitting in bright yellow-green grass beneath ...

This large abstract contemporary sculpture by Joe Sorge is made with carbon steel with and red dye. The abstract sculpture is composed of curved strips of steel, which curve around o...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint and and lacquer on board. It features light textured and a light blue-grey and yellow palette contrasted by the almost black focal point of the composition. The painting is 14.5" x 19" and measures 16.25" x 20.5" x 2" framed. Signed by the artist in the lower left-hand corner of the painting, it is framed in a floater frame with warm silver face and black sides and is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School of artists, was later known as Abstract Expressionism. It was comprised of a loosely associated group of vanguard artists working in New York City during the 1940s and 1950s. The New York School was not defined by a specific style, but instead reflected a fusion of European Modernism and American social relevancy that was depicted in many individual styles. Influences of Surrealism, Cubism, and Modernism can be found in their work, along with an interest in experimenting with non-traditional materials and methods. American art was in the forefront of international avant-garde for the first time. Stanley Bate was undoubtedly exposed to the varied styles and techniques that were emerging during the formative years of the New York School. Mark Rothko and Robert Motherwell were formulating their versions of color field paintings. Joseph Cornell was experimenting with assemblages, collage and the use of different types of textured paints. Jackson Pollock was adhering objects such as buttons and coins into his early works, while Louise Nevelson was using found objects. Helen Frankenthaler added sand to her early paintings. The New York School artists were undermining traditional fine art by using mixed media and non-traditional methods. Stanley Bate absorbed these varied influences and soon his early realistic landscapes and still-lifes were replaced with something entirely new. The influence of Cubism, notably the flat shallow space of the picture plane, is obvious in many of Bate’s paintings. Surrealism is evident in Bate’s use of subjects from myth, primitive art and antiquity, along with the Automatism-like line work in his more linear images. The unfettered experimentation of the New York School is everywhere in Stanley Bate’s work. We see nods to color field, collage, the mixing of textures into paint, mixed media, the inclusion of found objects and thick, luscious impasto. Bate was prolific and experimented in various media including oil, watercolor, lithography, silk screen, wood cut, drawing, collage, ceramics and sculpture. Bate is considered a true Modernist. His work is largely abstract, but sometimes figures and buildings are discernable. He frequently mixed paint, sand and glue together to achieve a textured surface, and then scraped and scratched through this layer to expose some of the underpainting below. His sculpture, which is often whimsical, also reflects the non-traditional methods of the New York School. Bate pioneered the use of enamel and copper in his work. The sculptures are not carved or modeled as was done in the past, but instead are built using mixed media and new materials. In addition to the New York School influence, many of Bate’s works exhibit a strong connection to the Spanish school, especially the work of Antonio Tapies and Modesto Cuixart. These artists were both part of an avant-garde group known as Art Informel, the Spanish equivalent of Abstract Expressionism. These artists likewise worked in mixed media and introduced objects and texture into their work. Many of Bate’s subjects and titles relate to Spanish locations and words. It is likely that Stanley spent time in Spain and found inspiration there. By the early 1940s, Stanley and Emilie had started spending weekends in a barn they purchased in Craryville, New York, a few hours north of Manhattan. The barn had no electricity or plumbing, but when the Bates eventually decided to leave New York and live full time in Craryville, they remodeled the barn, putting a gallery downstairs and a studio and living quarters upstairs. Although the Bates moved out of New York City, Stanley remained part of the New York art scene, exhibiting in New York and elsewhere throughout the 50s and 60s. During his lifetime he was represented by the New York galleries Knoedler and Company, Kennedy Galleries, Rose Fried Gallery and Key Gallery, along with Tyringham Gallery located in Tyringham, Massachusetts. Craryville was Stanley’s home until his death on August 21, 1972. Emilie died 1984...

This original abstract watercolor painting by Nealy Hauschildt features a deep blue and magenta palette, with two large organic planes of washy color layered over one another for a b...

This abstracted landscape painting by Molly Doe Wensberg features a cool blue, green, and yellow palette and captures a landscape scene with lush fo...

This Mercury by Montagne has lovely patina and surface and is a pleasingly different depiction of Winged speed as he is seated! It is an arresting pose and elegant and covers all fa...

This abstracted figure painting by Juniper Briggs is made with mixed media on Arches paper with deckle edges. It features a warm, vibrant palette and ca...

A large and impressive Karel Appel of his most desirable subject, abstracted faces. Very difficult to find a work of this size and impact by the artist. Often the faces are not as ...

This large abstract statement painting by Kelly Rossetti is made with oil paint on gallery wrapped canvas. It features cool blue palette with light pink and dark charcoal accents and...

This impressionistic still life painting by Jon Traynor captures a wooden table top surface with an assortment of root vegetables and a porcelain vase filled with a bouquet of flowers. The painting overall features a warm, earthy palette which gives the sense of a warm glow being cast over the scene. The painting itself is 20" x 24" and 28" x 32" framed. It is professionally framed in an antiqued gold-hued frame. It is signed by the artist in the lower right-hand corner, and is wired and ready to hang. John C. Traynor's painting style is reminiscent of some 19th century painters and the Dutch Masters. He uses his knowledge of light and color to create a certain mood in each of his works. The creation of atmosphere is an important element in Traynor's paintings. Painting outdoors, on location, is a prime source of inspiration and ideas for his landscapes. John travels extensively, painting the landscapes around him. John was born in 1961 and spent his early years in Chester and Mendham, New Jersey. His art studies began at Delbarton School in Morristown, New Jersey, and from there he furthered his education at Paier College of Art in New Haven, Connecticut. He studied figure painting at the Art Students League of New York, as a merit scholar, with Frank Mason. Traynor continued his studies in Vermont with Mr. Mason on landscape painting, drawing with Carroll N. Jones Jr. of Stowe, Vermont and sculpture with Brother Jerome Cox...

This contemporary landscape painting by Carol Young captures a rural scene with a bright, contrasting palette. A barn sits in an orange field, with a line of red foliage behind it. O...

This glazed porcelain vase by Jon Puzzuoli features a burnt umber and white body and a wide neck finished with 18K gold luster. The artist's stamp is located at the base of the sculp...

Canvas size: 57 3/4 x 45 1/2 inches A striking and impressive French Academic painting in a high quality Italian style gold leaf frame. Gorguet was an Academic French artist who was trained by Boulanger, Gerome, Bonnat and Morot. His academic training was so strong that he was asked by the Opera House to illustrate many of their posters and he made his living illustrating many books of the time. In the market today this is most of what circulates and comes to light by the artist. He was ultimately made a professor of Drawings at L’Institut. However, Gorguet was also a Symbolist artist and did works aligned with the Art Nouveau movement. Many of these works are quite impressive but rarely have surfaced in the art market. Jupiter and Mercury Received by Philemon and Baucis is more of an Allegorical work and Gorguet switched gears to do a painting which would garner International attention at the important Concourse du Prix de Rome competition. 1891 was a year where the competition would be stiff and he knew he had to do an impressive painting with a compelling historical or allegorical content. In this painting, Gorguet is depicting their Jupiter and Mercury’s arrival at their home and the indication that Philemon and Baucis will share what they have with them despite their poverty-stricken means. The technical execution of this work is exceptional as the figurative work is done masterfully and any small detail within the canvas demonstrates tremendous attention of subtlety of tone and modeling. An example is the strand of cloth that crosses Jupiters chest and the delicate shades of pink and gray and how it is modeled. More than ever, the academic artists of this period are to be appreciated for the quality and creativeness of their work. And the timelessness of these classical allegories are still applicable to our lives today. So we predict a turn back toward work like this as qualitatively we know it will never be done again. Story of Jupiter and Mercury Visiting Philemon and Baucis (one interpretation) According to ancient Roman mythology and Ovid's Metamorphoses (8.631, 8.720.), Philemon and Baucis had lived out their long lives nobly, but in poverty. Jupiter, the Roman king of the gods, had heard of the virtuous couple, but based on all his previous experiences with humans, he had serious doubts as to their goodness. Jupiter was about to destroy mankind but was willing to give it one final chance before starting over again. So, in the company of his son Mercury, the wing-footed messenger god, Jupiter went about, disguised as a worn and weary traveler, from house to house among the neighbors of Philemon and Baucis. As Jupiter feared and expected, the neighbors turned him and Mercury away rudely. Then the two gods went to the last house...

This Modern painting by Abstract Expressionist painter Stanley Bate features a textured aesthetic and a deep, colorful palette. Deep blue and red is contrasted by a brighter accents ...

Incredibly beautiful paint surface! Incredible French Gilt frame. René Demeurisse began his exhibition career at the Salon de la Societé Nationale de...

Humphris is a highly acclaimed American sculptor and created a large body of work of Western subject matter, particularly of the American Indian so rare to get a soldier. He did liv...

This abstract sculpture by Joe Sorge is made with steel with orange dye and wax. A single strip of steel extends upward from a base, and twists and spirals in a curled ribbon shape. ...

This small glazed porcelain sculptural vessel by Jon Puzzuoli features a light blue-green palette and a wave pattern over the surface of the piece. The flared neck is finished with 1...

This abstract painting by Roger Mudre is made with acrylic paint over mica powder on cradled birch panel. It features a light blue and silver palette, with the light outlines of circ...

Ilya Bolotowsky is an important and highly recognized hard edge american abstractionist. He experimented with diamond shaped canvases and circular works as well as square formats wi...

This large crystalline glazed porcelain vase by Jon Puzzuoli features a vibrant blue and teal palette and a wide neck. Crystalline glazes are special ceramic glazes in which zinc-sil...

This untitled artwork by Stanley Bate was created circa 1960. It is a Modern abstract oil painting on canvas, featuring an earthy palette of sandy brown and umber, light blue, muted ...

Watercolor on paper laid on board: An exceptional watercolor in terms of quality and presentation. During this earlier period of Day's career he exhibited extensively and was inspir...

This raku ceramic vessel sculpture by Jon Puzzuoli is made with glazed porcelain. The base of the body is a deep umber color with at texture and matte finish, while the top portion i...

Great color and form to this work on paper by Liberman who was an important and innovative American painter and sculptor. Great visual impact as the color choices are meant to be st...

Benjamin Constant was an important figure in the Academic painting world in Paris and one of the leading French Romantic artists of the time. He is in all the museums of France and ...

This contemporary floral painting captures the elegant simplicity of white blossoms arranged artfully within a translucent green vase. Set against a lush, soothing green backdrop, th...

This porcelain vessel sculpture by Jon Puzzuoli is made with glazed porcelain and 14K gold luster. The round body is a light blue color with white crystals formed along the surface. ...

In Marguerite the white peonies are a symbol of riches and honor used in Chinese art that profoundly influenced Pushman. This painting is in an originally chosen "Pushman" frame acquired from Barcelona, Spain. There is incredible color in this work and exciting brushwork. It is a true example of Impressionist technique, perhaps some of the finest technically of all American painters at this time. At this time Pushman painted all ethnicities and here we see the unusual subject of a younger sitter. Thus Pushman has emphasized purity and innocence. Panel inside frame measures 32 x 23 and it is signed lower left. As well as it bears the Pushman cataloguing number #47 on verso which attests to its early date in his career. Against these stark white symbols, Pushman paints in sharp contrast a dark backdrop reminiscent of an Oriental tapestry...

This colorful contemporary landscape painting by Carol Young features a warm, vibrant palette and captures three barns sitting in a yellow-gold field under a contrasting light violet...

This abstract landscape painting by Elwood Howell features the artist's signature high horizon line, separating a textured, pale nearly grey foreground and a blue gradient sky. Along...

This large abstract statement painting by Kelly Rossetti is made with oil paint on gallery wrapped canvas. It features cool blue palette with light pink and dark charcoal accents and...

This crystalline glazed porcelain vessel by Jon Puzzuoli features an earthy green and sand-toned palette and a dark, narrow neck. The crystalline glaze over the surface creates the aesthetic of green "crystals" which form along the the surface of the piece. The artist's stamp can be found at the base of the vessel. Crystalline glazes are special ceramic glazes in which zinc-silicate crystals grow inside the glaze while it is still very hot. The crystals begin as microscopic seeds in the glaze, which form in random numbers and locations. When the kiln is cooled to the proper temperature, crystals start to grow. In order for crystals to grow, the glaze must be very fluid. Much of the glaze runs off the vessel during the firing into a catch basin...

This large abstract contemporary sculpture by Joe Sorge is made with carbon steel with a clear coat. The artist has combined curved strips of steel, which...

This abstract floral encaustic painting by Linda Bigness features a cool green, blue, and violet palette, with large organic botanical forms and line work throughout the composition....

This abstracted painting of a Basset Hound dog features a loose, energetic style and vibrant colors. The artist layers wide brush strokes and thin, swirling lines to create the dog's full form with his head in profile, looking toward the right side of the canvas. It features a yellow and white color-blocked background. The painting is made with acrylic paint on gallery wrapped canvas. It has painted sides and is signed by the artist in the lower right-hand corner of the painting. It is wired and ready to hang. Russell Miyaki is a contemporary artist and creative director in New York City. His studio is at Metro Art Studios in Bridgeport, CT, which is a renovated historic 1800s corset...

Knight was one of the most celebrated of the "Riverbank and Flowers" motif of the early 20th century. he was the son of Daniel Ridgeway Knight noted for similar work but always with a figure in it. Louis preferred to do nature and usually not with a figure included. Framed in a lovely Art Nouveau 24 karat gold leaf hand carved frame...

It is rare to see a painting by Vasa Mihich available. These works are carefully worked through and planned with the aid of Computers. Mihich will work through the sequencing of co...

This joyous in the round bronze can turn on its base, making for dramatic presentation and enjoyment that is interactive. It is based on the idea of the Three Graces which is often an allegorical subject in sculpture. Wein has done a contemporary feeling interpretation of this classic theme. Piece itself measure 12 1/2 inches and sits on a 3 1/4 inch base and is attached to its base at two points and it is a revolving or rather turning base. The two points on which the toes touch and are secured are striking for how little of the bronze touches the base. It is Fourth in an edition of 13. Albert Wein...

This mid-sized abstract sculpture by artist Joe Sorge is made with stainless steep, orange dye, and a clear coat. It features a thin strip of steel that appears to curl upwards, looping around itself in loose knots. This flowing form creates unique shadows in its environment. Please note that the white pedestal base pictured is not included. Connecticut-based sculptor Joe Sorge studied at the School of Visual Art (SVA) in New York City. While Joe's body of work is most often made with stainless steel which he sometimes dyes to give the forms bold, solid colors, he also experiments with stone carving, genesa crystals, tiger eye alabaster and others. He works with a variety of colors, finishes, and textures, to create the final piece. Joe's sculptures express the fluidity and tension inherent in the material he uses. His work draws on a modernist vocabulary to create abstract, often whimsical objects...

In the tradition of Modigliani, Maurer's depictions of women are expressive and lively. America had very few modernists who painted in this manner but Maurer is famous for exactly t...

This glazed ceramic bowl with pedestal base features a multi-colored palette with muted grey, blue, and sepia tones. It has a wide, shape with crimped rim. The artist's stamp is loca...

This Modern abstract piece by Stanley Bate is a wood panel sculpture that has been painted white. Three-dimensional that are reminiscent of architectural pieces are tightly stacked w...