Sweden - Bowls and Baskets

Unique stoneware floor vase by Stig Lindberg, in a whimsical design of a large vase and a small one attached to each other. Sleek forms with rich, vibrant oxblood red glaze with aqua...

A rare and soulful 18th-century (or earlier) Swedish hand-carved wooden bowl, accompanied by its original iron cannonball used for crushing mustard seeds—a functional and historical ...

A lovely serving dish in shape of a leaf in faience designed by Stig Lindberg at Gustavsberg Studio, it´s 21 x 17 cm. It´s close to mint condition. It´s marked with the Stig Lindberg...

A huge and rare eggshell shaped porcelain bowl. Designed by the noted Danish artist Jens Flemming Sorensen, for Royal Copenhagen, Denmark, in the 1980s. Excellent condition. Stam...

Antique Swedish wooden plate or trough made in northern Sweden around 1820 to 1840. The trough has original blue paint. The blue paint is unusual...

Beautiful platter by Sakari Pykälä, made from teak in a smooth, oval form. A recess in the wood makes a nice detail.

A lovely and rare vase in faience designed by Wilhelm Kåge at Gustavsberg in the 1940s. The vase is 22 cm high and in very good condition except from some minor craqueleur as the fai...

A stunning large, black bowl with handles, made by Thomas Hellström for Nittsjö, Sweden, marked "Handmade THO". It has glazed, flower-like details in the bottom with blue and white d...

A serving dish in faience designed by Stig Lindberg at Gustavsbergs Studio in Stockholm, it is 31.5 x 10.5 cm (12.6" x 4.2") in diameter. It´s in excellent condition. In 1942, Gu...

Rare French mid century decorative wooden tray / dish with handles in solid carved elm by Alexandre Noll. In good original condition. Signed. Dimensions: H: 2.5 cm / 1" W: 47 cm / 1...

Unique Swedish folk-art bowl in a very unusual boat like shape. This wooden bowl is large and wide with date “1782” underneath along with a set of initials. An unusual detail is the ...

Lovely “Farsta” vase by Wilhelm Kåge in a small design with thick sides. Beautiful scalloped pattern and rich green glaze running over the body, gathering ...

A beautiful stoneware bowl with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1940s. Great condition. Incised signature 'G.N.' and makers mark, Rörstrands three c...

Northern Swedish small folk art basket made during the mid 1800s. The basket has the original paint. Handmade from tree roots that are braided. Good antique condition consistent with...

Wilhelm Kåge Blue Bowl in Stoneware from 1958, Gustavsberg, Sweden. Wilhelm Kåge's bowl with a gently octagonal form, blue glaze, and relief decor. I...

A lovely serving dish in shape of a leaf in faience designed by Stig Lindberg at Gustavsberg Studio, it´s 31,5 x 11 cm. It´s close to mint condition. It´s marked with the Stig Lindbe...

Six pieces of Scandinavian Modern rice grain porcelain bowls by Friedl Holzer-Kjellberg for Arabia, Finland. These delicate "rice grain" bowls were designed by Finnish artist Friedl...

Cool plate in pewter, 20th century, most probably Scandinavian Modern. Signed with makers mark. Wear and patina consistent with age and use. Pewter patina, scratches and dents. U...

A set of two beautiful 'Våga' bowls. Stoneware with white 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Swedish Grace. Great condition. Stamped with...

A beautiful stoneware bowl with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1962. Great condition. Incised signa...

A beautiful stoneware art deco dish with crackle glaze. Details in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. Great condition. ...

Large Turbine glass bowl by the Swedish artist Erik Höglund, 1980. Erik Höglund, 1932-1998, was a Swedish sculptor and glass artist, commonly known for his thick and bubbly glass ma...

A beautiful lidded stoneware bowl with amazing glaze. Made by Birger Åström (1931-2020) in his studio in Örnsköldsvik, Sweden, 1960s. Excellent conditio...

Antique wood trough bowl in folk art from Sweden made during the mid 1800s, around 1850. The bowl is a utility item which was used daily in the hou...

Large Swedish Birch Dugout Bowl ca 1830 This beautiful bowl has a stunning blue and red patina where the two layers of paint complement each other over time. Owner's mark on the bo...

Beautiful, large glass bowl by Erik Höglund, in a cloud grey nuance. Air bubbles encapsulated in the glass create a lively, carbonated look. Erik Höglund was one of Sweden’s foremos...

Excitingly shaped large Italian Murano bowl dating to the 1960s. Very rich and variated colors in different layers.

Old and decorative hand carved wooden bowl / mortar produced in Africa early 1900s. In good original condition. Dimensions: H: 40 cm / 15.75" Diameter: 34 cm / 13.40"

This is a very beautiful Swedish hand-carfted 19th century wooden bowl in Wabi Sabi style. It comes made in pine with lovely patina reflecting its age and frequent use. It has a few...

Antique folk art basket from the mid 1800s, a so called cutlery basket. The basket is for storing cutlery and is made by hand in pine in northern Sweden...

Swedish Birch Trough ca 1850 Original blue paint and beautiful patina. Made out of birch wood. Heigth: 9 cm/3.5 inch Depth: 24.5 cm/9.6 inch Width: 49 cm/19.2 inch

This is a beautiful Swedish hand-carfted 19th century wooden bowl in Wabi Sabi style. It comes made in pine with lovely patina reflecting its...

A beautiful stoneware art deco bowl with crackle glaze. Foot and mouth detailed in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. G...

Unusually large wooden bowl in untouched original condition. The bowl is made from birch root and because of that organically shaped. Original hinges in handwrought iron. The red pai...

Rare large sculpture bowl designed by Johnny Mattsson. Produced by Johnny Mattsson in Sweden.

Swedish Ostränna from 1744. Big trough used in cheese production. Made in pine wood 1744, with owner marks and date. Beautiful piece with old repairs an...

A beautiful and unique stoneware bowl with amazing glaze. Made by Rolf Palm, in the artist's studio, Mölle, Sweden, 1978. Excellent condition. Incised ’Palm / Mölle / G8’ and ma...

This exquisite stoneware ceramic bowl, designed by iconic Swedish artist Gunnar Nylund, was crafted by Rörstrand in the 1960s. Part of the distinguished "Rubus" series, this bowl (mo...

A beautiful ceramic art deco bowl. Amazing glaze with details in hand-painted gold. Designed by Gunnar Nylund for Rörstrand, Sweden, 1930s. Good condition. Some wear and scratches i...

Unique stoneware bowl with amazing celadon crackle glaze. Made by Carl-Harry Stålhane at Rörstrand Ateljé, Sweden, 1960s. Good condition. Factory second due to dark spots in the bot...

Beautiful stoneware platter in a leaf shape by Gunnar Nylund. Purplish brown glaze with contrasting bright blue areas. Gunnar Nylund was one of the most influential ceramicists and designers of the Swedish mid-century period. He was Rörstrand’s creative leader from 1931 until 1949 and as such propelled the artistic work at the factory and served as mentor to younger artists, among them Carl-Harry Stålhane and Hertha Bengtsson. Nylund was a dedicated functionalist, who brought ideas of democratizing stoneware and creating beautiful, qualitative and affordable everyday items for the people to Rörstand in the mid-1920s. The factory had at the time lost its former leading market position, but Nylund’s efforts gave it a great reboot. He designed ceramic kitchenware...

Three Delicate Bowls: The Art of Priscilla Mouritzen, a renowned ceramicist and artist with roots in South Africa and an international career. Born in 1945, she trained in ceramics i...

Beautiful 'Våga' bowl. Stoneware with white 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Swedish Grace. Great condition. Some metal marks. Impresse...

Swedish Trough dated 28th of September 1881 With owner marks and date on the side. Probably made as wedding gift. Made out of birch wood. Heigth: 8 cm...

Serving bowl

Decorative coaster/plate in isolit (plastic) and silver by Wilhelmina Wendt -1945. Good vintage condition, wear and patina consistent with age and use. Signed with makers mark. Wi...

A set of three beautiful porcelain crown window bowls. Designed by Gunnar Nylund for Rorstrand, Sweden, 1933. Excellent condition. First sorting. Stamped 'Rörstrand' and 'Sweden'....

Stoneware bowl by Carl-Harry Stålhane with hare’s fur glaze. The bowl is glazed with muted but fiery shades of yellow, orange and brown. The result is a bowl...

A beautiful and unique hand thrown stoneware bowl, with rare and amazing white glaze. Made by Friedl Holzer-Kjellberg at Arabia, Finland. Excellent condition. Incised signature "F....

A pair of rare and beautiful stoneware bowls with amazing glaze. Made by Carl-Harry Stålhane at Rörstrand, Sweden, 1950s. Excellent condition. Signed 'CHS' and makers mark 'R'. Car...

Birch root bowl in an organic shape and marked underneath with a house mark from the first owner. Untouched original condition with original paint. The wood...

Decorative plate by Mette Doller for Andersson & Johansson Höganäs 1950s. Signed with maker's mark.

Decorative large bowl/base by Erik Mornils for Nittsjö, Sweden. Erik Mornils won prizes at the Stockholm industrial exhibition in 1930 for this series. Contact us for any questions!

Three stunning 'Surrea' stoneware bowls with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Excellent condition. Stamped 'Gustavsberg'. This is a ...

Large and unique stoneware bowl designed by Stig Lindberg and produced in Gustavsberg studios in the 1960s. Graphic pattern with a beautiful turquoise matt glaze. Marked with sig...

Pewter bowl by Edvin Ollers (1888-1959) for Schreuder & Olsson, Sweden. Designed during the 1930s. This fruit bowl is made in 1954=D9.

Beautiful “Devil’s Cradle” bowl by Timo Sarpaneva, made in thick glass quality in an organic, rounded form. Two holes close to the edge. Frosted surface.

A beautiful lidded stoneware bowl. Made by Birger Åström (1931-2020) in his studio in Örnsköldsvik, Sweden, 1960s. Excellent condition. Signed 'BÅM'. T...

A beautiful faience bowl with amazing geometric pattern. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Good condition (there is a small mark in the glaze shown in ...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...