Switzerland - Art
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Item Ships From: Switzerland
Painter and gardener at work
Located in Genève, GE
Work on canvas
Golden wooden frame
47.5 x 29 x 3 cm
Category
Mid-20th Century Switzerland - Art
Materials
Oil
Lively market
By Ezelino Briante
Located in Genève, GE
Work on wood
Wooden frame and gilded plaster
37.5 x 49.5 x 7 cm
Category
Mid-20th Century Italian School Switzerland - Art
Materials
Oil
Capri
By Ezelino Briante
Located in Genève, GE
Work on wood
Golden wooden frame
58.5 x 48.5 x 3 cm
Category
1930s Switzerland - Art
Materials
Oil
Pablo Picasso - Painter and His Model - Original Lithograph
By Pablo Picasso
Located in Collonge Bellerive, Geneve, CH
Pablo Picasso - Painter and His Model - Original Lithograph
1964
Dimensions: 30 x 20 cm
Edition of 200 (one of the 200 on Vélin de Rives)
Mourlot Press, 1964
Unsigned and unumbered ...
Category
1960s Modern Switzerland - Art
Materials
Lithograph
The poet
By Guglielmo Innocenti
Located in Genève, GE
Work on paper
Support size
22 x 22 x 0.4 cm
Category
20th Century Italian School Switzerland - Art
Materials
Crayon
Marc Chagall - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
1963
Dimensions: 32 x 24 cm
Reference: Chagall Lithographe 1957-1962. VOLUME II.
Unsigned edition of over 5,000
Condition : Excellent
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...
Category
1960s Surrealist Switzerland - Art
Materials
Lithograph
Marc Chagall - Moses - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible.
Technique: Original lithograph in colours
Year: 1956
Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet)
Published by: Éditions de la Revue Verve, Tériade, Paris
Printed by: Atelier Mourlot, Paris
Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...
Category
1950s Modern Switzerland - Art
Materials
Lithograph
Flowering branches in a white mug
Located in Zofingen, AG
"Flowering branches in a white mug” is a painting that pays homage to the natural beauty of spring blossom. Painted with great precision and a keen eye for ...
Category
2010s Realist Switzerland - Art
Materials
Oil
Marc Chagall - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
1963
Dimensions: 32 x 24 cm
Reference: Chagall Lithographe 1957-1962. VOLUME II.
Condition : Excellent
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...
Category
1960s Surrealist Switzerland - Art
Materials
Lithograph
Mirror Landscape
Located in Genève, GE
Work on canvas
Category
Mid-20th Century Switzerland - Art
Materials
Oil
The fisherman's boat by Hendrik Breedveld - Oil on wood 18x24 cm
Located in Geneva, CH
Oil on wood sold with frame
Total size with frame 43x37 cm
Breedveld was born in 1921. in Spaarnewoude (Holland)
A self-made art painter. Painted mainly on panel sizes 18x24 and 30...
Category
Mid-20th Century Dutch School Switzerland - Art
Materials
Oil
Edge of the Rhone by Roger Delapierre - Oil on canvas 27x35 cm
By Roger Delapierre
Located in Geneva, CH
Oil on canvas sold with frame
Total size with frame 44x53 cm
Roger DELAPIERRE is a Genevan artist born in 1935 and died in 2021. His works have been sold at public auction 251 time...
Category
1980s Realist Switzerland - Art
Materials
Oil
Landscape of the Swiss Alps
Located in Genève, GE
Work on canvas mounted on cardboard
Silver wooden frame
45 x 50 x 4 cm
Wildhaus (Toggenburg) mit den Kurfirsten
Category
1920s Switzerland - Art
Materials
Oil
Hyacinths
Located in Zofingen, AG
"Hyacinths" is a painting that pays homage to the natural beauty of this spring flower . Painted with great precision and a keen eye for detail, this work exudes a contemporary real...
Category
2010s Realist Switzerland - Art
Materials
Oil
Marc Chagall - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
1963
Dimensions: 32 x 24 cm
Reference: Chagall Lithographe 1957-1962. VOLUME II.
Unsigned edition of over 5,000
Condition : Excellent
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...
Category
1960s Surrealist Switzerland - Art
Materials
Lithograph
Marc Chagall - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
1963
Dimensions: 32 x 24 cm
Reference: Chagall Lithographe 1957-1962. VOLUME II.
Condition : Excellent
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...
Category
1960s Surrealist Switzerland - Art
Materials
Lithograph
Dutch architecture by Gerard Van Vliet - Oil on wood 22x26 cm
Located in Geneva, CH
Oil on wood sold with frame
Total size with frame 30x33 cm
Gérard Van Vliet (1880-1972) is a Dutch architectural designer. And painter in Amsterdam. Dutch School of the 20th centur...
Category
Mid-20th Century Dutch School Switzerland - Art
Materials
Oil
Marc Chagall - Flowered Clown - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
1963
Dimensions: 32 x 24 cm
From Chagall Lithograph II
Reference: Mourlot 399
Condition : Excellent
Unsigned and unumbered as issued
Category
1960s Surrealist Switzerland - Art
Materials
Lithograph
Knitting woman by Anne Marie Mulder - Oil on canvas 30x40 cm
Located in Geneva, CH
Oil on canvas sold with frame
Total size with frame 48x58 cm
Anne Marie Mulder was born in 1921. After secondary school she trained at the national Academy of Visual Art in Amsterd...
Category
Mid-20th Century Dutch School Switzerland - Art
Materials
Oil
Floral composition
By Guglielmo Innocenti
Located in Genève, GE
Works on paper
Category
20th Century Italian School Switzerland - Art
Materials
Watercolor, Crayon
Salvador Dali - The Beach
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - The Beach - Original Etching
Dimensions: 38 x 28 cm
Edition: 235
1967
embossed signature
On Arches Vellum
References : Field 67-10 (p. 34-35)
Category
1960s Surrealist Switzerland - Art
Materials
Etching
OT-Nr.46-2023
Located in Zürich, ZH
Yafeng Duan (*1973, Hebei, China) grew up in Boading and currently resides in Berlin. In 1998, she already presented her first solo exhibition at the Lianchi Museum in Boading. The f...
Category
2010s Abstract Switzerland - Art
Materials
Mixed Media
I not afraid anymore, Colorful Naive Art Fiminist painting by Ukranian artist
Located in Zofingen, AG
ABOUT THE ARTWORK
The artwork titled "I not afraid anymore" is a vibrant and evocative piece that captures the essence of liberation and self-discovery. It showcases a nude female f...
Category
2010s Contemporary Switzerland - Art
Materials
Canvas, Acrylic
Basket with tangerines
Located in Zofingen, AG
“Basket with tangerines” is a work that pays homage to the natural beauty and timeless elegance of this luscious fruit. Painted with great precision and a keen eye for detail, this m...
Category
2010s Realist Switzerland - Art
Materials
Oil
Spello - La cour, 1977, original lithograph by Jean Jansem, signed and numbered
By Jean Jansem
Located in Carouge GE, GE
Jean Jansem (1920-2013)
Spello - La Cour, 1977
Lithographie sur papier Arches
Signée en bas à droite et justifiée en bas à gauche
47 x 66 cm / 54 x 76 cm
Bibliographie:
Jansem Lit...
Category
Late 20th Century Expressionist Switzerland - Art
Materials
Lithograph
Lively Venice Lagoon
Located in Genève, GE
Work on canvas
Golden wooden frame
44 x 66 x 2.5 cm
Category
19th Century Switzerland - Art
Materials
Oil
Marc Chagall - Inspiration - Original Lithograph from "Chagall Lithographe" v. 2
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph from Chagall Lithographe 1957-1962. VOLUME II.
1963
Dimensions: 32 x 24 cm
From the unsigned edition of 10000 copies without margins
Reference: Mourlot 398
Condition : Excellent
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...
Category
1960s Surrealist Switzerland - Art
Materials
Lithograph
Landscape watercolor by Jeannine Wahl - 18x30 cm
Located in Geneva, CH
Watercolor on paper
Sold with frame
Total size with frame 30x42 cm
Jeannine Wahl was born in Geneva in 1930 into a family of papermakers who very early on passed on to her the lov...
Category
Late 20th Century Modern Switzerland - Art
Materials
Watercolor
Giardino secreto
Located in Genève, GE
Work on canvas
Category
21st Century and Contemporary Abstract Expressionist Switzerland - Art
Materials
Acrylic
Man with tie
Located in Genève, GE
Work on canvas
Golden wooden frame
75 x 64 x 4.5 cm
Category
1940s Switzerland - Art
Materials
Oil
Animated landscape
Located in Genève, GE
Work on paper
Dimension with the master key
24.5 x 38.5 x 0.3 cm
illegible signature
Category
20th Century Switzerland - Art
Materials
Oil
Marc Chagall - Moses with Tablets of Stone - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible.
Technique: Original lithograph in colours
Year: 1956
Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet)
Published by: Éditions de la Revue Verve, Tériade, Paris
Printed by: Atelier Mourlot, Paris
Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...
Category
1950s Modern Switzerland - Art
Materials
Lithograph
View of the Geneva Harbor and the Jura
Located in Genève, GE
Work on canvas
Illegible signature
Category
19th Century Switzerland - Art
Materials
Oil
Animated characters in the countryside
Located in Genève, GE
Work on canvas
Category
1870s Switzerland - Art
Materials
Oil
Marc Chagall - Couple With a Goat - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall
Original Lithograph
Title: Couple With a Goat
1970
Dimensions: 32 x 24 cm
From the art revue XXè siècle
Reference: Mourlot #608
Unsigned and unumbered as issued
Category
Mid-20th Century Surrealist Switzerland - Art
Materials
Lithograph
Abstract composition
Located in Genève, GE
Work on canvas
Category
20th Century Switzerland - Art
Materials
Acrylic
Eduardo Arroyo - Jean Moulin - Original Lithograph
By Eduardo Arroyo
Located in Collonge Bellerive, Geneve, CH
Eduardo Arroyo - Jean Moulin - Original Lithograph
1984
Conditions: excellent
Edition: 495
Dimensions: 37,3 x 58 cm
Editions: Trinckvel
Category
1980s Modern Switzerland - Art
Materials
Lithograph
Jean Dubuffet - original lithograph from XXe Siecle magazine
By Jean Dubuffet
Located in Collonge Bellerive, Geneve, CH
Jean Dubuffet - Original Lithograph from XXe Siecle magazine
1958
Dimensions: 32 x 25 cm
Edition: G. di San Lazzaro.
Unsigned and unumbered as issued
Category
1960s Modern Switzerland - Art
Materials
Lithograph
Mère et enfant, 1986, original lithograph by Jean Jansem, handsigned
By Jean Jansem
Located in Carouge GE, GE
Jean Jansem (1920-2013)
Mère et enfant, 1986, état noir
Lithographie sur papier Arches
Signée en bas à droite et justifiée en bas à gauche
67,5 x 51 cm / 76 x 54 cm
Très rare exemp...
Category
Late 20th Century Expressionist Switzerland - Art
Materials
Lithograph
Oceania Celebration. Abstract expressionism. Sea / Water / Waves /40*40 cm.
Located in Zofingen, AG
"Oceania Celebration" is an original abstract painting in blue colors that gives joy and a feeling of celebration.
Water is a symbo...
Category
2010s Abstract Expressionist Switzerland - Art
Materials
Resin, Acrylic
Woman sitting preparing meal
Located in Genève, GE
Work on canvas
Golden wooden frame
70.5 x 61 x 3 cm
Category
20th Century Switzerland - Art
Materials
Oil
Paul Jouve - Eagle - Original Engraving
By Paul Jouve
Located in Collonge Bellerive, Geneve, CH
Paul Jouve - Eagle - Original Engraving
Editions Rombaldi, Paris, 1950.
Copy on velin creme de Rives
Artwork by Paul Jouve.
Original copper engraving heightened with pochoir.
Paul...
Category
1950s Modern Switzerland - Art
Materials
Engraving
Danseuse assise de dos au tabouret, 1999, original lithograph signed Jean Jansem
By Jean Jansem
Located in Carouge GE, GE
Jean Jansem (1920-2013)
Sonia fond jaune, 1995
Lithographie sur papier Arches
Signée en bas à droite et justifiée en bas à gauche
67 x 51,5 cm / 76 x 56 cm
Rare exemplaire d'une é...
Category
Late 20th Century Expressionist Switzerland - Art
Materials
Lithograph
When the sea merges with the sky. Impressionism oil painting / wave / Gift Art.
Located in Zofingen, AG
The beauty of the sea and sky merged into one and we feel the boundlessness of our Earth. Looking at the sea, emotions of quiet joy fill our souls and our thoughts stop run...
Category
2010s Abstract Impressionist Switzerland - Art
Materials
Oil
Still life with milk jug and lemon
Located in Zofingen, AG
A dark background helps to reveal the shape of jug. The strong light vibrates on lemon and glass. The blue pattern on the jug and multiple reflections from objects make the work more...
Category
2010s Realist Switzerland - Art
Materials
Oil
Elegant man
Located in Genève, GE
Work on canvas
Category
19th Century Switzerland - Art
Materials
Oil
La soupière bleue, 1990, original lithograph by Jean Jansem, handsigned numbered
By Jean Jansem
Located in Carouge GE, GE
Jean Jansem (1920-2013)
La soupière bleue, 1990,
Lithographie sur papier Japon
Signée en bas à droite et justifiée en bas à gauche
50 x 65 cm / 54 x 76 cm
Edition à 120 exemplaires...
Category
Late 20th Century Expressionist Switzerland - Art
Materials
Lithograph
Portrait of a notable
Located in Genève, GE
Work on canvas
Category
Early 1900s Switzerland - Art
Materials
Oil
Water Flowers. Encaustic (hot wax) Impressionism. Sea / Flora / Abstract
Located in Zofingen, AG
In crafting this piece, I've melded wax into vibrant blooms, capturing the ephemeral beauty of life. I explored a dance between expressionism and impressionism, with touches of semi-...
Category
2010s Impressionist Switzerland - Art
Materials
Wax, Encaustic
Le couple au bouquet vert, 1974, original lithograph by Jean Jansem, handsigned
By Jean Jansem
Located in Carouge GE, GE
Jean Jansem (1920-2013)
Le couple au bouquet vert, 1974
Lithographie sur papier Arches
Signée en bas à droite et justifiée en bas à gauche
69 x 51,5 cm / 76 x 54,5 cm
D'une éditio...
Category
Late 20th Century Expressionist Switzerland - Art
Materials
Lithograph
Joëlle aux jambières vertes, 1995, original lithograph by Jean Jansem, signed
By Jean Jansem
Located in Carouge GE, GE
Jean Jansem (1920-2013)
Joëlle aux jambières vertes, 1995
Lithographie sur papier Arches
Signée en bas à droite et justifiée en bas à gauche
65 x 50 cm / 76 x 56 cm
D'une édition ...
Category
Late 20th Century Expressionist Switzerland - Art
Materials
Lithograph
Lydia de dos dans l'atelier, 1995, original lithograph by Jean Jansem, signed
By Jean Jansem
Located in Carouge GE, GE
Jean Jansem (1920-2013)
Lydia de dos dans l'atelier, 1995
Lithographie sur papier Arches
Signée en bas à droite et justifiée en bas à gauche
64,5 x 50 cm / 76 x 56 cm
D'une éditio...
Category
Late 20th Century Expressionist Switzerland - Art
Materials
Lithograph
Abstract Fish Painting Underwater Original Art Fish Artwork Sea Life Painting
Located in Zofingen, AG
Olga is an artist and scuba diving instructor, she draw her inspiration from being underwater.
She traveled around the world, dives in different ocean and sea for discovering new col...
Category
2010s Abstract Switzerland - Art
Materials
Cotton Canvas, Oil
Belagert
Located in Zürich, CH
Ludwig von Roekler, also known as Ludwig von Rössler, was a German painter born in Wiesbaden in 1842 and died in Frankfurt am Main in 1910. He studied at the Academy of Fine Arts in ...
Category
Late 19th Century Switzerland - Art
Materials
Oil
Le ruban bleu, 1993, original lithograph by Jean Jansem handsigned and numbered
By Jean Jansem
Located in Carouge GE, GE
Jean Jansem (1920-2013)
Le ruban bleu, Album Danse, 1999
Lithographie sur papier Arches
Signée et justifiée
50 x 65,5 cm / 56 x 76 cm
Imprimeur: Arts-Litho, Paris
Editeur: Enrico Na...
Category
Late 20th Century Expressionist Switzerland - Art
Materials
Lithograph
Joëlle aux jambières état rouge, 1995, original lithograph, Jean Jansem, signed
By Jean Jansem
Located in Carouge GE, GE
Jean Jansem (1920-2013)
Joëlle aux jambières, état rouge, 1995
Lithographie sur papier Arches
Signée en bas à droite et justifiée en bas à gauche
65 x 50 cm / 76 x 56 cm
Rare édit...
Category
Late 20th Century Expressionist Switzerland - Art
Materials
Lithograph
Solange de dos, 1990, original lithograph by Jean Jansem, handsigned, numbered
By Jean Jansem
Located in Carouge GE, GE
Jean Jansem (1920-2013)
Solange de dos, 1990
Lithographie sur papier Japon
Signée en bas à droite et justifiée en bas à gauche
45,5 x 65 cm / 54 x 76 cm
Bibliographie:
Imprimeur:...
Category
Late 20th Century Expressionist Switzerland - Art
Materials
Lithograph
Peintre dans son atelier, 1969, original lithograph by Jean Jansem, handsigned
By Jean Jansem
Located in Carouge GE, GE
Jean Jansem (1920-2013)
Peintre dans son atelier, 1969
Lithographie sur papier Rives
Signée en bas à droite et justifiée en bas à gauche
39 x 52 cm / 56 x 76 cm
D'une édition à 12...
Category
Late 20th Century Expressionist Switzerland - Art
Materials
Lithograph