Texas

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Large Italian Gio Ponti style curved bench with brass legs. Large Italian curved bench with splayed brass legs. This stunning Italian modern Gio Po...

Gucci Crystal GG Stretch Nylon Tulle Dress 2023 Collection Italian size - 38 A-line style, Designer color - Dusty Pink, Embellished with pink crystals in iconic GG pattern. Open bac...

Two pairs of salvaged 19th-century antique French wardrobe doors, found in France. Handcrafted from solid wood, these doors feature three...

Adorned by an impressive lattice of strapwork, this oak and iron money chest from 17th-century France is both functional and aesthetically appealing. An elaborate, stylized iron fleu...

Triptych vanity mirror featuring beveled, mirrored borders around each mirror panel proper. Piece is embellished on borders with gilt foliage an...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 27 x 33 Frame Size: 35 x 41 Medium: Oil On Canvas Late 1940s-Early 1950s "Bluebonnet Time" Texas Hill Country Landscape Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican-American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas are in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910 near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions. While a few of his early works have a soft, tonalist quality, with subtle gradations of sunset colors, most were painted in a style that fits well within the currents of the late American Impressionist style, with solid drawing and a warm, chromatic palette. Like Robert Wood's works of the 1930s, the paintings Salinas produced as a young man were usually well composed and detailed views of the spring wildflowers in full bloom in the Texas countryside. In contrast to Wood's work, however, early Salinas compositions were usually pure landscapes without the pioneer farms or dilapidated fences that Wood often used to add visual interest to his wildflower scenes, and he also painted scenes of San Antonio itself as his mentor Jose Arpa had done. To residents of the Hill Country, Salinas was especially adept at accurately capturing the palette of the region and its unique atmosphere. In 1939 Salinas began working with Dewey Bradford (1896-1985), one of the great characters of Texas art. Bradford was a second-generation dealer whose family operated the Bradford Paint Company in Austin, where they sold art supplies, framed artwork, restored paintings and exhibited paintings by Texas artists. Salinas was struggling when he met Bradford, but the older man took the young artist under his wing and began to sell his work reliably, even though the prices that people would pay for a painting were still low due to the lingering effects of the Great Depression. Bradford was a born salesman with a gift for storytelling, and truth be told, a bit of embroidery. The relationship between Bradford and Salinas was often rocky, but it was to last the rest of the artist's life and give him a modest sense of loyalty and security, things which are all too rare in the art world. While Bradford could be critical of his work, Salinas knew that he had a dealer who encouraged him, believed in him and was not shy about singing his praises to anyone who entered Bradford's store on Guadalupe Street. During the early years of World War II Salinas met a pretty Mexican woman from Guadalajara named Maria Bonillas, who was working as a secretary for the Mexican National Railways office in San Antonio. While he was walking downtown with a painting of a bullfighter under his arm, he started a conversation with the young woman, and things progressed rapidly. The couple were married on February 15, 1942 and settled into life in bi-lingual San Antonio and they eventually purchased a tidy stone home on Buena Vista street that had a detached studio in back. By the time the United States entered World War II, Salinas was starting to make a decent living selling his art and beginning to garner recognition across Texas. However, in 1943, like millions of other young men, he was drafted into the service of his country. Fortunately, as an older Army draftee with special talents, after his training he was assigned to Fort Sam Houston, right in San Antonio, allowing him to remain at home while still completing his obligation to "Uncle Sam." Because of his artistic abilities, Salinas was asked to do paintings for the Army as well as a mural for the Officer's Club, which has been re-discovered in recent years. In his spare time he kept working on landscapes and when the war ended in 1945, he was not faced with the same rocky transition from military to civilian life as many veterans. That same year, Salinas became a father as he and Maria celebrated the birth of his only child, Christina Maria Salinas. Like most landscape artists of the era, Salinas was an avid Plein-air painter, and he took his easel and paint box with him on trips throughout Texas and into Mexico. He and his wife traveled deep into her native country, where the artist painted the majestic volcanic peaks of Iztaccihuatl (known as the "Sleeping Woman" because of its unique shape) and Popocatepetl (called the "smoking mountain" because the volcano is still active), south of Mexico City. Salinas also painted studies of rustic villages and their residents. While his most popular paintings were always the scenes of the Texas Bluebonnets and other wildflowers that bloom all over the Hill Country in the spring, he also painted scenes of the twisted Texas oak trees of central Texas, the more arid landscapes of the Texas panhandle and West Texas, and the historic Texas missions; he even sold rapidly executed scenes of bullfights and cockfights for Mexican-American collectors. By the late 1940s, the American economy was finally growing again and wealthier Texans began to collect Salinas paintings, purchasing them from galleries in San Antonio and Dallas and at Dewey Bradford's County Store Gallery in Austin. Salinas also sold work to the Atlanta dealer Dr. Carlton Palmer, who represented Robert W. Wood for many years. In 1948 Palmer sold two large Salinas paintings to the Citizen National Bank in Abilene, Texas. Because Austin was the state capitol, Bradford counted many of the state's elite among his patrons, and due to his interest in history and literature, he played a large role in the cultural history of central Texas. Bradford introduced a number of the major Texas political figures to Salinas' work, including Lyndon Baines Johnson (1908-1973), who was then in the House of Representatives and on his way to winning a controversial election that vaulted him in the United States Senate. Johnson became an enthusiastic collector, as did his political mentor, the legendary House Speaker Sam Rayburn (1882-1961). Johnson decorated his Washington offices with Salinas paintings and he brought a number of them home to his vast LBJ Ranch, near Johnson City, Texas. In spite of his important patrons, Salinas went through a fallow and difficult period in the late 1950s. He had a volatile temperament, which made relationships difficult, and it took great patience for his wife to help him manage his career. As Salinas entered middle age his work began to sell steadily, but except for tourists who purchased his paintings in San Antonio, he was known primarily only to Texas art collectors. All that changed in 1961 with the election of John F. Kennedy (1917-1963) to the Presidency of the United States and his running mate Lyndon Johnson to the Vice Presidency. Johnson was an expansive, larger-than-life character and his status as a long, tall Texan in a cowboy hat was a large part of his imposing political image. During his storied career in the House of Representatives and the United States Senate, Johnson and Lady Bird Johnson (1912-2007) spent their time in Washington in a modest house on the edge of Rock Creek Park, but this home would not do for a Vice President. So, in 1961, the Johnsons purchased a French chateau-styled home in the Spring Valley section of the Capitol. Obtained from the famed socialite and ambassador Perle Mesta (1889-1975), the house came with a fine collection of French furniture and tapestries, and the designer Genevieve Hendricks was hired to meld the French look with objects from the Johnsons' overseas travels and paintings of the flora and fauna of their native Texas. Featured prominently in the foyer were the paintings of Porfirio Salinas. Because of the Johnsons' patronage, his work was mentioned in Time Magazine and other national publications. Lady Bird Johnson loved her landscapes of the Texas Hill Country and told reporters that, "I want to see them when ever I open the door, to remind me where I come from." After President Kennedy's death thrust Lyndon Johnson into the Presidency, he brought his Salinas paintings into the historic halls of the White House, further enhaning the Texas painter's national reputation. At the time of the President Kennedy's assassination, Salinas had completed a scene of a horse drinking titled "Rocky Creek" that was to have been presented to Kennedy during his ill-fated visit to Dallas. Instead, in an effort to memorialize the fallen President, Salinas painted a symbolic work of a lone horse depicted against foreboding clouds. During his tenure in the White House, President Johnson presented a Salinas landscape as a state gift to the President of Mexico, Gustavo Diaz Ordaz (1911-1979). During the 1960s, Salinas paintings sold briskly and, thanks to Presidential patronage, for escalating prices. In an interview with a writer from the New York Times, President Johnson enthused about the work of "his favorite artist" and said that, "his work reminds me of the country around the ranch." Salinas was invited to the LBJ Ranch frequently during the Johnson administration and his paintings were hung throughout the ranch, in the President's offices and even in the private quarters of the White House. The connection to President Johnson was a great boon to sales of Salinas paintings, and in 1964, when the demand was at its height, Texas Governor John Connelly (1917-1993) was told that all Salinas'work was sold and that he would have to wait for a painting. In 1960, a half century after his birth, Salinas was honored by his home town of Bastrop, a celebration that touched the modest artist. In 1962 Salinas was given a solo exhibition at the Witte Museum in San Antonio that featured more than twenty of his works. By the early 1960s, sales of reproductions of the artist's landscapes by the New York Graphic Society and other publishers grew rapidly, enlarging his audience throughout the United States. In 1967, Dewey Bradford helped to organize the production of a book of Texas stories titled "Bluebonnets and Cactus" (Austin: Pemberton Press: 1967), which was profusely illustrated with paintings by Salinas. His works were still popular when Salinas died after a brief illness in April of 1973, just a few months after former President Johnson's passing. He was memorialized in the City of Austin by Porfirio Salinas Day, which honored him for having "done much to bring the culture of Mexico and Texas together with his paintings." Bastrop, Texas, the city of the artist's birth, has been holding a Salinas Art Exhibition annually since 1981. He painted hundreds of scenes of the wildflowers, including the various varieties of Blue Lupin, the state flower, as well as other flowering flora. These show the influence of his artistic mentors Robert W. Wood and Jose Arpa Y Perea. Salinas also painted a number of scenes of Prickly Pear Cactus that show the influence of the English painter Dawson Dawson-Watson (1864-1939), who painted many such works during his tenure in Texas. He painted the more arid Texas landscape infrequently and these works are very rare today and sought after by collectors from the Texas Panhandle and West Texas. Salinas also painted many river landscapes along the Guadalupe, Rio Frio, the San Antonio and the Rio Grande. On trips to his wife's homeland of Mexico, he painted a number of scenes of the volcanic peaks as well as scenes of peasant villages and villagers. Figurative paintings are rare among Salinas' works and these scenes of bullfights, fandangos and cock fights are probably the least sought after of his paintings. There are also a small number of modest marines, painted on trips to the Texas and California coast. Salinas paintings are highly prized by collectors of early Texas art, with the paintings of wildflowers in greatest demand. Works by Porfirio Salinas can be found in a number of public collections, including the Panhandle Plains Historical Museum in Canyon, Texas; the Texas State Capitol; the Texas Governor's Mansion; the Lyndon Baines Johnson Ranch; the Sam Rayburn Library and Museum in Bonham, Texas; Amarillo High School; the Witte Museum in San Antonio; the historic Joan and Price Daniel House in San Antonio; the Stark Museum in Orange, Texas; the R.W. Norton Art Gallery in Shreveport, Louisiana; the Sangre de Cristo Arts Center in Pueblo, Colorado; Texas A & M University and the Modern Art Museum of Fort Worth. Salinas has been featured in a number of reference works as well as anthologies devoted to American Western Art...

Mirror from France from the Napoleon III period. This piece is made of finely hand-embossed brass with intricate décor throughout. Framing mirrored compartments are angled to create ...

Vintage Lalique Cactus table base shown with 52" diameter Starfire glass top. Designed in 1951, the Cactus table seamlessly blends into the mos...

French Majolica asparagus plate Orchies, circa 1890.

Antique Country French Louis XVI Stripped 3/4 Bed makes a classic statement thanks to the influence of ancient Greek and Roman architecture dating back thousands of years! The arche...

Elegant pair of French arch topped Louis Philippe mirrors with decorative X pattern. Creates a classic, stylish look! Circa 1940 30w x 48h

New Tom Ford for Gucci Plisse Stretch Satin Bamboo Heel Shoes AD Campaign S/S 2004 US size - 10 B Upper of this Sandals Made from Nude Color Stretch Satin-Plisse. The Heel Features...

A fine French Modern rectangular dining table of patinated burl or burr elm wood - in the style of Willy Rizzo - featuring a distinctiv...

A very charming 18th century agricultural fragment in wood and iron from the Southwest of France. Wonderful as a tabletop or countertop small pedestal to display a sculpture.

French Majolica asparagus plate Fives Lille, circa 1890. Decorated with an artichoke and a mask with leaves.

60651 Vintage Turkish Striped Kilim Rug, 09'05 x 09'07. Radiating with rhythmic energy and chromatic exuberance, this handwoven wool vintage Turkish kilim rug is a dazzling tableau o...

Danish Modern Rosewood Lingerie Chest For Illums Bolighus.

Italian Modern curved sculptural loveseat or sofa. This stunning Italian Federico Munari inspired postmodern sofa, chaise or loveseat has interesti...

- Vintage item - 2" x 2" - Gold plated - Clear crystal rhinestone accents - Black enamel detail - Green crystal rhinestone eyes - Circa 1980s - Estate acquired - This item ...

A very handsome later 19th century French Rustic work table - Farm Table in oak. Minimalist lines lend this table a very contemporary feel. Lovely patina. Wonderful as a dining table...

19th century bleached oak drop front secretary. A pair of drawers aligned neatly beneath a drop-front writing section. When the writing surface is pulled down, the interior drawer s...

Large French Majolica duck in flight wall pocket Delphin Massier, circa 1890. Height / 11.8 inches. Lenght / 15.5 inches. Depth / 6 inches.

The Early 20th Century Framed Architectural Painting depicts a grand building or home with intricate architectural details characteristic of that era. The painting is expertly execut...

This listing features a pair of brass fighting roosters. These brass rooster figurines add a touch of country charm to any space. Handcrafted f...

Minton Majolica cobalt blue jardiniere on stand c.1875, the square sectioned jardiniere simply decorated with a cattail on each corner. Largest...

A large vintage serving platter featuring the Wild Turkeys - Flying brown and white transfer-ware pattern by the celebrated English pottery fi...

Tiffany & Co. Pearl and Diamond Earrings in 18K Yellow Gold. The earrings approximately measure 1" x 1" and weigh 13 grams. Stamped Tiffany & Co 750.

Our Atzompa Collection is created in the Oaxacan town of Santa María Atzompa, where the pottery-making tradition has roots tracing back to ancient Z...

This exquisite Turkish flatweave Kilim rug is a stunning masterpiece of traditional craftsmanship. Each rug is meticulously handwoven by skilled artisans using age-old techniques tha...

Modern Afghan rug handwoven from the finest sheep’s wool. It’s colored with all-natural vegetable dyes that are safe for humans and pets. This piece is a traditional Afghan weaving f...

Our adorable coco ottoman is perfect for relaxing with your feet up…or pop them under our Calista console for additional seating. A modern take on a basic round ottoman. Chic, comfor...

12 Days of Christmas - Venetian Honeybee Bracelet - Le Api Bracelet Originally $650.00 On Sale $487.00 A stunning bracelet that will celebrate the Qu...

Danish Modern pair of lounge chairs in original brown pebbled leather and rosewood. Designed by Henry Walter (H.W.) Klein for Bramin, 1970s Originally known as N.A. Jørgensen, Danis...

Antique French Barley Twist Round End Table is the perfect choice for a cozy seating group, as a pedestal support, or as a bedside companion. Adding an Old World classical touch, it...

PRESENTING AN ABSOLUTELY OUTSTANDING 19C French Empire Style Style Complete Bedroom Suite/Set. HIGHLY, IMPORTANT AND UNIQUE Empire Style Bedroom Suite or Set from circa 1880. The Suite/Set is almost completely original, save the bed, which was originally twin size, but professionally commissioned to be customized and converted into a Euro King Size for modern practicality. The quality of the conversion matches the quality of the suite/set. All pieces have gilt bronze mounted fittings; beautiful patina, beautiful parquetry; beautiful carrara marble tops, simply stunning! About 10 years ago, I saw the ‘identical twin’ of the Commode in an Antique Store on Central Park in New York, however it had a less desirable green marble top (IMHO), and they were looking for 30k USD for the Commode, on its OWN! This Suite/Set is SO GOOD that it is the main exhibit in our rear Showroom. Not marked but under the marble top of the commode there are 2 signatures in pencil (1) M. Le Youters (?) and (2) M. Daneels. You will NOT find another complete suite/set like this ANYWHERE! AS A BONUS: We have curated and sourced (recently) a Pair of Monumental French Empire Wall Sconces which are a ‘PERFECT’ match for this bedroom set! (See pics) These sconces are being sold separately BUT they really COMPLETE the entire bedroom! The Suite/Set includes: European King Size Bed (Headboard, Baseboard, side panels and central support bracket). 2 Matching Bedside...

Pair Of Italian Modern Sculptural Lounge Chairs. Offered is an unusual pair of Italian mid century high backed sculptural loung...

A rare large scale side table designed by Pepe Mendoza in patinated brass with a walnut stem.

Exceptional Oversize 19th Century Ornithological Platter Charger signed Narcisse Vivien. Possibly cassowaries. 20 inches diameter.

A very charming French 19th century Garden Bench. Sturdily constructed from cast iron and painted wood in a delightful diminutive scale. The seat height is 16 1/2".

Buffet from France made of solid wood construction, primarily mahogany. The buffet has been finished with a lustrous French polish of museum quality. There are three dovetailed drawe...

Murano glass pendants in the style of Ettore Sottsass. This pair features elements of hand-blown glass all transparent and showcasing the clarity Murano glass is known for. Each piec...

French Majolica Faience Trompe L'oeil Pickles Plate, circa 1900

Brand: Longines Gender: Unisex Metal Type: Stainless Steel Diameter: 33.00 mm  Weight: 63.90 grams One stainless steel LONGINES Swiss-made watch. The metal was tested and determ...

Empire chest of drawers hand-made in Italy in the early 1800s using walnut. The dresser features four inset drawers, all showing beautiful hand-made dovetail joints. The top is made ...

Loetz For Boudon And Klur Gilt Metal Monted Glass Vase. A highly sought after vase culminating the zenith of Loetz and the Art Nouveau design. Czech Republic Circa 1900 Rubin Ruby Papillon Decor Metal mount with indistinct impressed marks for Boudon and Klur Height: 10.5 Inches x 8 Inches wide x 5 Inches deep Condition: Very good with wear commensurate of age and use with some loss to gilt, The Loetz glassworks existed in Klostermuhle, Austria, for just over a hundred years, starting from 1840. But its heyday was during the life-time of Max Ritter Von Spaun, grandson of the original Johann Loetz who had founded the company. Von Spaun took over the company in 1879 and ran it until 1908, a year before his death. He was assisted by Eduard Prochaska, his technical specialist, and together they invented, designed and produced a whole series of wonderful new types of glass, taking out several patents and winning awards at all the major world exhibitions during the 1890's and the first years of the new century. The Loetz company were amongst the leaders in Art Nouveau design and expecially in irridescent art glass. "Papillon" glass, like the vase on the left, is sometimes known today as "oil spot" glass. Another favourite Loetz colouring was irridized glass with pulled trails called "Phenomenon" glass. There were irridized vases with ribbons of metallic colours winding over the surface, and many spectacular designs with applied trails of beautiful colours, or simply pulled out of the body of the glass to form handles or decoration. About 1900 the company started collaborating with outside designers, and some great artists designed pieces for Lotz, notably Joseph Hofmann, Koloman Moser, Maria Kirchner, and Hofstatter. In 1908 Loetz was taken over by Max Von Spaun's son, also called Max, and although it struggled financially (going through bankruptcy in 1911 and again in 1931) there were several great designers whose work was produced by Loetz during those years and through the art deco period. These included Adolf Beckert...

Antique English Oak Gothic Revival Lectern Bible Stand ~~late 19th century ~~OUTSTANDING Antique English Christian lectern or bible stand~~Carved trefoils and cross~~ 55" tall 22...

19th Century Plate signed Vieillard Bordeaux service Nella. Naturalist plate with a kingfisher, an insect , water lilies

30996 New Moss-Olive Green Modern Rug, 02'01 x 08'09. Biophilic Design meets earth-tone elegance in this handcrafted modern olive green area rug. The lavish texture and earthy green ...

This exquisite French 19th Century Louis Philippe Period "Cave à Liqueur", stamped by the renowned Coignard Chapon, is a remarkable example of fine craftsmanship and French sophistic...

A gorgeous antique French majolica parrot absinthe pitcher decanter or figural jug hand painted with beautiful vibrant colors, circa 1900. This pitcher was made by Keller & Guerin at their St. Clement faience...

Mid-Century Modern chrome pendant chandelier or flush mount, signed by Esperia, Italy 1970s. The vintage chandelier is made of nine fluted chrome pendants. Each chrome fluted light h...

GORGEOUS 19th century Antique French Oak Renaissance Revival Desk or Writing Table with Wide Drawer, 3" Barley Twist Legs, Stretcher and Up Finial ~~circa 1880s With so many p...

♥ Product Summary ♥ Main Stone: Diamond Approx. Diamond Carat Weight: .55cttw Diamond Cut: Princess Pendant Material: 14k White Gold Dimensions of Pendant: 22mm x 12mm Weight: 2 gra...

Decorate a buffet or table with this colorful antique faience jardiniere. Crafted in Brittany, France, circa 1880, the oval planter features crown shaped scalloped edges and is dress...

2008 S/S Dsquared mini dress zipper down front halter neck Condition: Excellent 24.5" bust, 27" waist, 36" hips, 34" length sz S / US 4/ IT 40 

Hollywood Regency Italian glazed Terracotta Lion. Great Hollywood Regency Italian glazed terracotta lion figure or statue. Realistic Italian glazed terracotta animal...

French walnut rococo three drawer commode with graceful curved front and sides resting on carved feet. Three central brass key escutcheons (for decoration) and one large brass pull o...

A remarkable pair of two antique European tin-glazed earthenware apothecary jars. circa 1770 Originally used as medicinal pottery jars that held ointments and dry drugs at apothecar...

Gender: Ladies Metal Type: 14K Yellow Gold Ring Size: 6.5 Shank Maximum Width: 3.60 mm Weight: 9.95 grams One ladies 14K yellow gold diamond and ruby ballerina cocktail ring wit...