Tri-State Area - Figurative Paintings

Sir Francis Dicksee (English, 1853-1928) Untitled (Portrait of a Woman), c. 1900 Oil on canvas; period frame Sight: 13 1/4 in. Framed: 21 1/8 x 21 1/8 x 3 3/8 in. Frank Dicksee was a member of a noted artistic family, his father, brother, and sister Margaret were all well-known painters, and the family lived in the Bloomsbury area of London. He was initially trained by his father, before entering the Royal Academy schools in 1870. Amongst the visiting lecturers who trained him, were the famous senior academicians Leighton [1830-1896] and Millais [1829-1896]. Dicksee was a star student, earning many distinctions and medals. Like many other artists of the day his early career was largely spent in book illustration, as well as some stained glass window design. He started exhibiting at the RA in the mid 1870s, and also exhibited at the Grosvenor Gallery, though his real base was always the Academy. Dicksee made his reputation with Harmony, exhibited at the Academy in 1877, and bought by the Chantry Bequest. Frank Dicksee was elected ARA in 1881, and became a full RA ten years later. Many of his pictures were of dramatic historical and legendary scenes. He also was a noted painter of elegant, highly-finished portraits of fashionable women, which of course helped to bring him material success. Many of these portraits are so beautiful, it is really difficult to disapprove of them - happy was the fashionable lady whose portrait was painted by Dicksee! He also painted landscapes. Dicksee lived in St John's Wood, and remained a bachelor. He was, of course, one of the nineteenth century artists who outlived his time, and was, to his credit, very unhappy with developments in the early twentieth century. Rather surprisingly, Dicksee was elected President of the Royal Academy in 1924, fulfilling the role with panache and tact. Physically he was a tall, good-looking, patrician figure, with a charming easy-going manner. Like his predecessor but one Edward Poynter...

Red Grooms (American, b. 1937) Jackson Pollock, 1986 Pastel on paperboard 9 1/4 x 9 1/4 inches Signed and dated lower right Provenance: Hirschl & Adler Modern, New York Charles Rog...

Ernani Silva, Brazilian - The Hunt, Medium: Acrylic, Collage and Enamel on board, signed in marker lower left, Size: 10.25 x 21 in. (26.04 x 53.34 cm)

English Impressionist sketch of yachts sailing off the English Channel Charles Bertie Hall is a painter from England and America. He painted in a...

Artist: Alfredo Garzon Title: Voyeur Year: circa 1980 Medium: Watercolor on paper, signed Paper Size: 10.25 x 8.5 inches

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 21 1/4 x 29 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

5103 NewOrleans Sax player Painted edges no frame required Signed LeBug 2020

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

Leonard Creo (American, 1923-2019) Children on Jungle Gym, c. 20th century Oil on canvas 12 x 11 3/4 in. Signed lower right: Creo - Another version of ...

oil on canvas signed and dated on reverse. Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagination, wry wit and fearless color. His shrewd social observations often translate into eerily humorous figurative scenes and narratives. Mr. Basso’s works evoke a high level of inquiry. The fanciful, yet keenly observed characters are unpredictable and evocative. The viewer vacillates between surprise, delight, and consternation. .) Seeking emotional honesty, he looked to the work of several "mentors": Max Beckmann, Francisco Goya, Willem de Kooning , Philip Guston , Marsden Hartley and Albert Pinkham Ryder...

Artist: Ben Benn, Polish/American (1884 - 1983) Title: Boy with Doves Year: 1946 Medium: Oil on Canvas, signed and dated l.r. Size: 30 x 36 in. (76.2 x 91.44 cm) Benn Benn was a pio...

Artist: Gladys Rockmore Davis, American (1901 - 1967) Title: Young Ballerina Year: circa 1950 Medium: Oil on Canvas, signed 'GRD' l.r. Size: 18 x 1...

Artist: Bernd Werner Title: Hebrew School Year: circa 1930 Medium: Oil on Canvas, signed Size: 10.5 x 12.5 in. (26.67 x 31.75 cm) Frame Size: 14 x 16 inches

Born Plattsmouth, NB, Feb. 28, 1910; died Philadelphia, May 1982. Illustrator. Painter, specialized in scenes from his childhood in Kansas and Nebraska, portraits, American history. ...

Untitled Signed, l.r. Oil on paper 16 x 13 inches (40.6 x 33 cm), framed 10 x 7.5 inches (25.4 x 19.1 cm), image This work is offered by CLAMP in New York City.

Sylvia Wald Stick Season, 1948 Signed and dated lower right Oil on canvas 40 x 25 inches Born in Philadelphia, Sylvia Wald studied at the Philadelphia Sc...

Figures on Horseback (6) by John F. Leonard, American (1921–1987) Date: circa 1965 Oil on Board (unsigned) Size: 36 in. x 38 in. (91.44 cm x 96.52 cm)

Musicians (7) by John F. Leonard, American (1921–1987) Date: circa 1965 Oil on Canvas (unsigned) Size: 23 in. x 47 in. (58.42 cm x 119.38 cm)

Disconnect John Hardy, American (1923–2014) Date: 1998 Oil on Wood, signed Size: 24 x 18 in. (60.96 x 45.72 cm)

Ernani Silva, Brazilian - Man and Child, Medium: Acrylic, Collage and Enamel on board, signed in marker, Size: 7 x 14.5 in. (17.78 x 36.83 cm)

Syril Frank (American, 1929-2021) Untitled, c. 1960s Oil on canvas 35 7/8 x 23 3/4 x 3/4 in. Provenance: Estate of the Artist Syril Harriet Frank was born in Brooklyn to Israel and...

Henry Prellwitz Into the Woods Oil on board 11 1/2 x 8 3/4 inches Henry Prellwitz studied art at the Art Students League of New York, where his chief mentor was Thomas Wilmer Dewing; he later became its director.[3] He also studied at the Académie Julian in Paris. In 1892, he set up his studio in the Holbein Studios building on West 55th Street in Manhattan, where his future wife, the artist Edith Mitchill, also had a studio. They married in 1894 and had a son, Edwin. By the mid 1890s, he was teaching portrait painting at the Pratt Institute, where one of his students was the Cubist artist Max Weber. In 1899, Henry and Edith moved to the north shore of Peconic Bay on Long Island, where their artist friends Irving Ramsay Wiles and Edward August Bell were already established. They painted plein air paintings and also worked in adjoining studios at High House, their Peconic Bay home. Prellwitz painted Impressionist and Tonalist waterscapes of Peconic Bay and allegorical figure paintings such as the 1904 Lotus and Laurel. He exhibited mainly on the east coast and at expositions like the St. Louis World's Fair, where he won a silver medal. He won the Third Hallgarten Prize from the National Academy of Design (NAD) in 1893 for The Prodigal Son, and his Venus won the Thomas B. Clarke Prize at the 1907 NAD exhibition for the best figure composition by an American citizen painted in the United States. Both Prellwitzes disappeared into obscurity for several decades after their deaths in the early 1940s. Rediscovered in the 1980s, they have been called one of the best-kept secrets in art...

Ernani Silva, Brazilian - Figures Playing Drums, Medium: Acrylic, Collage and Enamel on board, signed in marker lower left, Size: 10 x 21 in. (25.4 x 53.34 cm)

Ernani Silva, Brazilian - The Feast, Medium: Acrylic, Collage and Enamel on board, signed in marker lower left, Size: 9.75 x 17 in. (24.77 x 43.18 cm)

Mystery Artist Untitled (Catholics), c. 20th century Oil on canvas 20 x 20 in. Framed: 25 x 25 x 1 1/4 in. Signed lower right

Seated woman in a pink suit strong yet warm color consistent with the artist's palette. It is painted on jute a coarse type of burlap mounted on a cradled wood board . Framing recomm...

This is an oil painting by surrealist artist Mark Kostabi. In it, the body of a dog is shown on the bottom with a long neck that extends up to the top of the painting, ending with a ...

Today is the big day! All of the lessons, studying and practicing are coming to a crescendo! The only item left to do before the concert is to select the flowers to be presented on stage to our conductor. Tulips? Roses? Sunflowers? Lilies? Decisions, decisions! Selecting a mixed bouquet would certainly ensure that she would receive her favorite flowers! This realist figurative landscape is the portrait of a young girl seen in soft lighting, appropriate to her tender age, making what feels like the most important decision of her life! This original oil painting was envisioned and painted by noted artist Joseph Sundwall...

Honore Sharrer (1920 - 2009) Woman Listening Signed lower right Caseine on paper 15 x 20 inches Provenance: Forum Gallery, New York Private Collection ...

Original watercolor on paper, signed in pencil.

Edge John Hardy, American (1923–2014) Date: 1997 Oil on Wood, signed Size: 24 x 18 in. (60.96 x 45.72 cm)

This is an oil painting on jute canvas mounted on a cradled wood board. It is signed and dated by the artist on reverse. The texture is rough yet dense with a strong balance of light...

Artist: James, Clarence Title: Untitled Series: Black Cowboys Date: 2024 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed Dimensions: 48" x 60" Signature: Signed Edition...

This is an oil painting done from life with a woman looking in the mirror with energy radiating from her belly and looking like she has an ...

In 2018, I became a painter. An artist. I am a product of the '70s and I spent my life in the fine state of New Jersey—the most wonderful state of them all. As a result of stuff th...

Poppy Mills Untitled, c. 1990-2000 Oil on canvas 30 x 24 in. Framed: 39 x 33 in. Signed lower right: Poppy Mills Inscribed verso: Poppy Mills Poppy Mills is a fine arts painter of people and still life whose award winning paintings have appeared in exhibitions at The Allied Artists of America, The American Artists Professional League, The Audubon Society, The Catharine Lorillard Wolfe Club, The National Arts Club...

Artist: Didier Grandt, French (1934 - ) Title: Les Femmes de Marche Year: 1970 Medium: Oil on Canvas, signed and dated Size: 31 x 16 inches

This painting is inspires by the painting of chaim soutine pastry chefs.

Ernani Silva, Brazilian - Flea Market, Medium: Acrylic, Collage and Enamel on board, signed in marker, Size: 11 x 21 in. (27.94 x 53.34 cm)

One would expect him to nearly collapse, ready for nap time, from jumping the waves in the strong sun plus beachball in tow, but instead he is relishing the day, begging for more! This figurative marine landscape offers a turquoise blue ocean and an array of other summer shades of blue in both sea and sky with impressionist impasto paint application thereby creating the levels of motion and excitement that the artist is portraying. Well known and established for his dynamic portait and figurative works, noted artist Joseph Sundwall...

Ernani Silva, Brazilian - Six Figures, Medium: Acrylic, Collage and Enamel on board, signed in marker lower left, Size: 9.5 x 21 in. (24.13 x 53.34 cm)

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itself...

Robert O'Meara (American, XX-XXI), Interior Figural Scene in Purple, Oil on Canvas, signed lower right and signed in pencil to the verso, unframed. 14.75" H x 16" W.

Three Dancers (60) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 14 in. x 24 in. (35.56 cm x 60.96 cm) Frame Size: 17.5 x 28 inches

Seated Figure in Cloak (62) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 19 in. x 22 in. (48.26 cm x 55.88 cm)

American Jumpsuit (12) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Canvas Size: 30 in. x 20 in. (76.2 cm x 50.8 cm)

Man with Bird (21) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 25 in. x 20 in. (63.5 cm x 50.8 cm)

Standing Nude with Sun (28) John F. Leonard American (1921–1987) Date: 1957 Oil on Board, signed Size: 21.5 in. x 26 in. (54.61 cm x 66.04 cm)

Religious Scene with Sword (27) John F. Leonard American (1921–1987) Date: 1965 Oil on Board Size: 15 in. x 31 in. (38.1 cm x 78.74 cm)

Lotte Petricone's paintings blend representational and abstract imagery. The interplay of color, value, and texture creates a sense of space and movement throughout the image, while ...

A classic and elegant Venetian view with a period Barbizon, gold leaf frame! Sheppard did a series of these and two other American painter is more noted for their Venetian views than...

Ernani Silva, Brazilian - Joy, Medium: Acrylic, Collage and Enamel on board, signed in marker lower left, Size: 8.75 x 19.5 in. (22.23 x 49.53 cm)

The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...

Figure Study (35) John F. Leonard American (1921–1987) Date: circa 1965 Charcoal on Board Size: 17.5 in. x 20.5 in. (44.45 cm x 52.07 cm)

No Foe Shall Gather Our Harvest Australian 10 Dollar Note, Acrylic On Canvas, 60" x 48" Jenna Lash specializes in global currency featuring animals, portra...

Isaac Monteiro (1938-2008) Female, 1985 Oil on canvas 36 x 48 in. Framed: 37 x 49 x 1 1/4 in. Signed lower left: I Monteiro Inscribed verso: Female, I M...

Ernani Silva, Brazilian - Five Moons, Medium: Acrylic, Collage and Enamel on board, signed in marker lower left, Size: 12.75 x 21 in. (32.39 x 53.34 cm)

These new paintings illuminate individuals of the American Suffrage Movement. Elizabeth Cady Stanton, Ida B Wells and Alice Paul, each one intelligent, brave and incredibly relentless in the struggle to attain voting rights for American women. This series of paintings portrays the ardent women involved in the American Suffrage Movement which led up to the 19th Amendment...