Tri-State Area - Still-life Photography
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Item Ships From: Tri-State Area
Chad Kleitsch - Untitled Flower #19, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower #19
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x ...
Category
2010s Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
Chad Kleitsch - Untitled Flower #06, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower #06
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x ...
Category
2010s Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
"Color Chart", 1982, Color Photograph by Anne Turyn
By Anne Turyn
Located in Long Island City, NY
Artist: Anne Turyn, American (1954 - )
Title: Color Chart
Year: 1982
Medium: Photograph
Size: 16 x 20 in. (40.64 x 50.8 cm)
Frame Size: 27.5 x 32 inches
Category
1980s Post-Modern Tri-State Area - Still-life Photography
Materials
Photographic Paper
Calla Lily, Digital Photograph Print on Metal by Jonathan Singer
Located in Long Island City, NY
Artist: Jonathan Singer (American, b. 1949)
Title: Two Lilies
Year: circa 2010
Medium: Digital Photograph on Aluminum Panel
Image Size: 40 x 40 in. (101.6 x 101.6 cm)
Category
2010s Contemporary Tri-State Area - Still-life Photography
Materials
Digital
Isabelle Van Zeijl - Love Me Sweet, Photography 2020, Printed After
By Isabelle Van Zeijl
Located in Greenwich, CT
Since this item will be shipped directly from the publisher, the seller can only provide specific information to buyers at the actual point of sale. Please message the seller to requ...
Category
2010s Contemporary Tri-State Area - Still-life Photography
Materials
C Print
Yellow Tulip 19, Color Photograph, Limited Edition, Framed, Botanical, Floral
By Tim Nighswander
Located in Riverdale, NY
Yellow Tulip 19, archival pigment print photograph, printed on Fine Art paper by Tim Nighswander. It is 32x24, framed in a white frame to 40x32 with a UV glass It is a limited edit...
Category
2010s Contemporary Tri-State Area - Still-life Photography
Materials
Paper, Archival Pigment
Andrew Moore - Green Unicorn still life, Photography 2002, Printed After
By Andrew Moore
Located in Greenwich, CT
Archival Pigment Print
Sculptors studio in St Petersburg Russia
All available sizes & editions for each size of this photograph:
30" x 40” - Edition of 5 + 2 Artist Proofs
40" X 50...
Category
2010s Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
Doll No. 2 "Madeline" (Edition 1/25)
By Lucille Khornak
Located in New York, NY
Doll No. 2 (Edition 1/25) "Madeline", Lucille Khornak, Color Photograph on Board with Acrylic Finish, 40 x 26, Late 20th Century
Colors...
Category
Late 20th Century Abstract Tri-State Area - Still-life Photography
Materials
Photographic Film
Doll No. 3 (Edition 1/25)
By Lucille Khornak
Located in New York, NY
Doll No. 3 (Edition 1/25), Lucille Khornak, Color Photograph on Board with Acrylic Finish, 40 x 26, Late 20th Century
Colors: Black, Blue, White,...
Category
Late 20th Century Abstract Tri-State Area - Still-life Photography
Materials
Photographic Film
Doll No. 7 (Edition 1/25)
By Lucille Khornak
Located in New York, NY
Doll No. 7 (Edition 1/25), Lucille Khornak, Color Photograph on Board with Acrylic Finish, 26 x 40, Late 20th Century
Colors: Black, Blue, White,...
Category
Late 20th Century Abstract Tri-State Area - Still-life Photography
Materials
Photographic Paper
Doll No. 15 (Edition 1/25)
By Lucille Khornak
Located in New York, NY
Dolls No. 15 (Edition 1/25), Lucille Khornak, Color Photograph on Board With Liquid Acrylic Finish/ Mixed Media, 26 x 40, Late 20th Century
Colors: Bla...
Category
Late 20th Century Abstract Tri-State Area - Still-life Photography
Materials
Photographic Film
)Andrew Moore - Chemlab, Detroit, Photography 2009, Printed After
By Andrew Moore
Located in Greenwich, CT
Archival Pigment Print
Ruins of physics Classroom at Cass Tech HS
All available sizes & editions for each size of this photograph:
30" x 40” - Edition of 5 + 2 Artist Proofs
40" X ...
Category
2010s Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
"Exotic Aroma of Memory", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
Kroma: Prepona Praeneste
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Tri-State Area - Still-life Photography
Materials
Color, Dye Transfer
Kroma: Parnassius Nomion Richthofeni-M
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Tri-State Area - Still-life Photography
Materials
Color, Dye Transfer
"Airplane, Denver" Denver, Colorado, 2005
By Bill Phelps
Located in Hudson, NY
Airplane, American, Sepia tone, vintage, portrait, film, Americana, Classic Airplane, Mechanical , mechanics, engine, Denver, Colorado, Sepia tone, Summertime, Bridgehampton, america...
Category
Early 2000s Modern Tri-State Area - Still-life Photography
Materials
Archival Ink, Archival Pigment
Kroma: Ornithoptera Aesacus
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Tri-State Area - Still-life Photography
Materials
Color, Dye Transfer
Taos 2:19PM, New Mexico
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
Blue Roses
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process.
This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time.
The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass.
Fredrick Scott...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
Verdi In Front Of a Book
By Gladys
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 21.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
C Print
Peter Andrew Lusztyk - Ice Cream Truck, 2025, Printed After
By Peter Andrew Lusztyk
Located in Greenwich, CT
Ice Cream Truck
Digital C-Print / Archival Pigment Print
Available sizes:
24” x 18” - Edition of 20
36” x 27” - Edition of 5
44” x 33” - Edition of 5
60” x 45” - Edition of 5
Luszty...
Category
2010s Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
Bed - Dream Santa Fe, New Mexico, Frame included
By Robert Stivers
Located in Hudson, NY
Price for UNFRAMED item
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
Carnations 10:48AM, Paris
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery is pleased to present Flowers, a photographic exhibition by Leonardo Pucci. Flowers is Pucci’s second solo exhibition at the Robin Rice Gallery. Paralleling hi...
Category
21st Century and Contemporary Modern Tri-State Area - Still-life Photography
Materials
Archival Pigment
STILL LIFE WITH PLATE OF CHEESE AND BEER STEIN
By Beth Lipman
Located in New York, NY
lambda print mounted on plexi
Edition of 3
Still-life of glass objects
Category
2010s Contemporary Tri-State Area - Still-life Photography
Materials
Lambda
Roses 1:18PM, Paris
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery is pleased to present Flowers, a photographic exhibition by Leonardo Pucci. Flowers is Pucci’s second solo exhibition at the Robin Rice Gallery. Paralleling his previous, “episodes (without real order)”, this series is also a project about beauty and intimacy.
Flowers was created in the beginning of the pandemic. Pucci says, “the lockdown came to get me out of a creativity crisis I was going through at the time.” He was inspired by a Hojō Jutsu manual while being isolated in his residence in Paris. He studied the art of Shibari and performed it on cut flowers: calla lilies, anemones, carnations, proteas, roses and tulips were tied with strings like bent and constricted bodies and then photographed. “Tulip 1:15pm” was the first image created for this ongoing series.
Hojō Jutsu is the martial art of restraining captives with rope, commonly used on the battlefield by the Empire of Japan from 1400 to 1700, that hundreds of years later it evolved into the refined technique of Shibari (literally “to tie”), the spiritual art...
Category
21st Century and Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
Hive, Santa Fe, NM, 2005
By Robert Stivers
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones.
With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery...
Category
Early 2000s Modern Tri-State Area - Still-life Photography
Materials
Silver Gelatin
FLOATING GREEN APPLES OVER NAPKIN
By Volker Seding
Located in New York, NY
hand colored photograph of green apples. Still-Life.
framed in wood with gold leaf corners.
Category
1970s Post-War Tri-State Area - Still-life Photography
Materials
Photographic Paper, Color Pencil
Lilium Candidum P03
By Ori Gersht
Located in New York, NY
From the series Fragile Land
Category
2010s Tri-State Area - Still-life Photography
Materials
Archival Pigment
Tulips 1:57AM, Paris
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery is pleased to present Flowers, a photographic exhibition by Leonardo Pucci. Flowers is Pucci’s second solo exhibition at the Robin Rice Gallery. Paralleling his previous, “episodes (without real order)”, this series is also a project about beauty and intimacy.
Flowers was created in the beginning of the pandemic. Pucci says, “the lockdown came to get me out of a creativity crisis I was going through at the time.” He was inspired by a Hojō Jutsu manual while being isolated in his residence in Paris. He studied the art of Shibari and performed it on cut flowers: calla lilies, anemones, carnations, proteas, roses and tulips were tied with strings like bent and constricted bodies and then photographed. “Tulip 1:15pm” was the first image created for this ongoing series.
Hojō Jutsu is the martial art of restraining captives with rope, commonly used on the battlefield by the Empire of Japan from 1400 to 1700, that hundreds of years later it evolved into the refined technique of Shibari (literally “to tie”), the spiritual art...
Category
21st Century and Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
Tulips 11:13PM, Paris,
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery is pleased to present Flowers, a photographic exhibition by Leonardo Pucci. Flowers is Pucci’s second solo exhibition at the Robin Rice Gallery. Paralleling hi...
Category
21st Century and Contemporary Modern Tri-State Area - Still-life Photography
Materials
Archival Pigment
Anthuriums 4:20PM, Paris
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery is pleased to present Flowers, a photographic exhibition by Leonardo Pucci. Flowers is Pucci’s second solo exhibition at the Robin Rice Gallery. Paralleling hi...
Category
21st Century and Contemporary Modern Tri-State Area - Still-life Photography
Materials
Archival Pigment
Proteas 10:05AM, Paris
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery is pleased to present Flowers, a photographic exhibition by Leonardo Pucci. Flowers is Pucci’s second solo exhibition at the Robin Rice Gallery. Paralleling hi...
Category
21st Century and Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
And The Soul Wanted To Move
By Benjamin Heller
Located in Hudson, NY
CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...
Category
2010s Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
Kroma: Ornithoptera Croesus
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic Tri-State Area - Still-life Photography
Materials
Color, Dye Transfer
Anguilla, BWI, 1989
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 5 of 25
After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...
Category
1980s Contemporary Tri-State Area - Still-life Photography
Materials
Silver Gelatin
"Midtown Manhattan", New York, 2004
By Thomas Michael Alleman
Located in Hudson, NY
Any commuting New Yorker's worst nightmare- an overturned umbrella. A scene that many people would walk by unaware, Alleman captures the true misfortune and despair portrayed in a si...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
Sunday Morning Coffee Photograph New York, NY 1996
By Fernando Natalici
Located in NEW YORK, NY
Sunday Coffee, New York, NY 1996 photographed by downtown New York art scene photographer, Fernando Natalici.
Archival Inkjet Print, 13 x 19 inches including borders.
Hand signed o...
Category
1990s Pop Art Tri-State Area - Still-life Photography
Materials
Inkjet
$340 Sale Price
20% Off
Scary Baby
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Silver Gelatin
Phone Bank
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Silver Gelatin
Biblioteca Palatina, Parma
By Massimo Listri
Located in New York, NY
Biblioteca Palatina, Parma, 2011
Chromogenic lambda print
39.5 x 47.5 inches edition of 5
47.5 x 59 inches edition of 5
71 x 88.5 inches edition of 5
Born in Florence in 1953, ev...
Category
2010s Contemporary Tri-State Area - Still-life Photography
Materials
C Print
Peter Andrew Lusztyk - ACAB, Photography 2022, Printed After
By Peter Andrew Lusztyk
Located in Greenwich, CT
ACAB
Digital C-Print / Archival Pigment Print
Edition of 5 per size
Available sizes:
24 x 24 in.
36 x 36 in.
Refined Sugar Collection.
Since this print will be shipped directly fro...
Category
2010s Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
Peter Andrew Lusztyk - ... Photography 2022, Printed After
By Peter Andrew Lusztyk
Located in Greenwich, CT
...
Digital C-Print / Archival Pigment Print
Edition of 5 per size
Available sizes:
24 x 24 in.
36 x 36 in.
Refined Sugar Collection.
Since this print will be shipped directly from...
Category
2010s Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
"Trip Hammer", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Archival Paper, Pigment
"Oil Distribution Manifold", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Archival Paper, Pigment
"Cutting Dies", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Archival Paper, Pigment
"Marston Excelsior", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Archival Paper, Pigment
Peter Andrew Lusztyk - WYD? Photography 2022, Printed After
By Peter Andrew Lusztyk
Located in Greenwich, CT
WYD?
Digital C-Print / Archival Pigment Print
Edition of 5 per size
Available sizes:
24 x 24 in.
36 x 36 in.
Refined Sugar Collection.
Since this print will be shipped directly fro...
Category
2010s Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
Kroma: Caligo Beltrao-R
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention ...
Category
2010s Naturalistic Tri-State Area - Still-life Photography
Materials
Color, Dye Transfer
"1940", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
Peter Andrew Lusztyk - Astro Profile, 2024, Printed After
By Peter Andrew Lusztyk
Located in Greenwich, CT
Title: Donut - Astro Profile
Medium: Digital C-Print / Archival Pigment Print
Edition of 5 per size
Available sizes:
24" x 24"
36" x 36"
48" x 48"
This photograph will be printed on...
Category
2010s Tri-State Area - Still-life Photography
Materials
Archival Pigment
Cloud Horses, New Mexico, 2002
By Benjamin Heller
Located in Hudson, NY
CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...
Category
2010s Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
"Gas & Gasoline", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Archival Paper, Pigment
"Solex Carburetor 1928", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Archival Paper, Pigment
Dark Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 2 of 25.
If the...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Archival Paper
Apple Blossoms
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
"Dartmoor Pony, in Haytor Rock, Dartmoor", Devon, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Silver Gelatin
Bubbles, Adirondacks
By Lynda Churilla
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
In her new exhibition Churilla draws from her years spent as a swimmer, lifeguard, and athlete to capture the forgotten freedom and exuberance of days of youth spent on the water. Viva la Vida is a mix of timeless portraits and candid photographs "I’ve always been drawn to the water- now my art, my sense of athleticism, freedom and oasis have merged in a way", says Churilla. Her nod to iconic photographers from the past, such as Edward Weston, and Herbert List, is apparent in her portrait work.
In another Christian & Nathan Fletcher is in the midst of a surf crusade off the coast of Islamorada, Florida. Christian pioneered a new revolution in surfing style with his aerial techniques. The artist’s genuine connection to her subjects allows the viewer to forget the presence of a camera and to be drawn into the personal narrative.
The invitational image Longboard Afternoon, taken at Ditch Plains, Montauk, focuses on the portrayal of the atmosphere rather than the individual subjects. With a 70’s feel the viewer is intrigued by the layers of life, activity and parallel moments shared by silhouettes of surfers carrying longboards at hazy days end.
One such image, Gustavo, depicts a male figure seated poolside with head bowed. The pose and the wet sheen to his hair and skin give the subject a classic, sculptural look.
All the photographs exhibited in are in various sizes are printed on heavy weight cotton paper with the traditional glossy baryta surface in rich tones of black and white.
Her artist mother, Barbara Churilla, involved her in creating art, sculpture, painting and photography from an early age. She was raised in Princeton, New Jersey. She graduated from School of Visual Arts in NYC with a BFA in Photography. Lynda began her photo assisting career with legendary photographer Bruce Weber. Over a period of almost a decade she traveled the world with Weber learning not only knowledge of photography, but also life. Eventually becoming his trusted first assistant before embarking on her own photography adventure.
Churilla’s work has been celebrated in American Photo, where she was heralded as one of the young visionaries of 21st century. She has photographed numerous celebrities, such as Cameron Diaz, Jewel, Olivier Martinez, Coldplay, Pet Shop Boys...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
"Chelsea, NYC, April 2004", New York, 2004
By Thomas Michael Alleman
Located in Hudson, NY
By focusing on pattern instead of the specific object, Alleman brings new life to the commonplace street vendor coffee cup.
Thomas Alleman’s urban landscapes convey the pulsating e...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
"Speed Lever", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Photography
Materials
Archival Paper, Pigment
"The Shape of Time", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
Early 2000s Contemporary Tri-State Area - Still-life Photography
Materials
Archival Pigment
