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Item Ships From: Tri-State Area
Medium Abstract Ceramic Sculpture with Textile: 'Mariette'
By Ak Jansen
Located in New York, NY
This is part of a new collection work that encompasses ceramics and textiles by Ak Jansen. Born in the Netherlands, Jansen’s work occupies queerness on both poetic and political term...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Gold
"Ghost Coral Color Variation", Organic Hand Cut, Laser Cut, Paper Wall Sculpture
By Rogan Brown
Located in New York, NY
"Ghost Coral Color Variation" by Rogan Brown
Laser and hand cut paper, framed in a plexiglass shadow box
Available by commission. Please allow 8-12 weeks production time.
A smaller...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Paper, Paint
Loren Eiferman, 2V, 180 Pieces of Wood with Celluclay, 2015, Polymer, Wood, Clay
By Loren Eiferman
Located in Darien, CT
Over many decades Loren Eiferman has created and mastered a unique technique of working with wood—her primary material.
First, she begins with a drawing of an idea. Then she takes...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Clay, Wood, Polymer
Craftsman (purple) from the Cheese editions series
Located in New York, NY
Plexiglass box framing
Frame size: 16" x 16"x 3"/ 41cm x 41cm x 8cm
Mounted on a linen upholstered board
Framed behind UV protective acrylic
Authenticity certificate included
Category
2010s Modern Tri-State Area - Abstract Sculptures
Materials
Resin
"Dream Garden I", Contemporary, Metal, Abstract Wall Relief Sculpture, Bronze
By Kevin Barrett
Located in New York, NY
"Dream Garden I" by Kevin Barrett
Fabricated Bronze
Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall relief...
Category
21st Century and Contemporary Abstract Tri-State Area - Abstract Sculptures
Materials
Metal, Bronze
Mary Schiliro, Cat's Cradle 6, 2006, acylic on Mylar, 36 x 18 in, Abstraction
By Mary Schiliro
Located in Darien, CT
Mary Schiliro’s work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring alternative presentation methods. Using a dipping process wher...
Category
Early 2000s Abstract Tri-State Area - Abstract Sculptures
Materials
Mylar, Plexiglass, Acrylic
Liz Sweibel, Untitled (Splinter 2 ), 2014, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
Liz Sweibel primarily makes sculpture, installations, and drawings. She uses a spare, personal language of abstraction to explore liminal spaces and unseen forces: wind, history, va...
Category
2010s Minimalist Tri-State Area - Abstract Sculptures
Materials
Wood, Paint, Found Objects
Hanging wire sculpture: 'Willa'
By Terri Fraser
Located in New York, NY
As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Wire
Norma Márquez Orozco, Purple Shapes, 2018, Translucent Paper, Minimalist, 31x31
By Norma Marquez Orozco
Located in Darien, CT
Norma Marquez Orozco explores concepts of impermanence, perception, form and balance through physical movement of the work itself in a lucid, game-like context, like puzzles. All the elements are made of paper, molded into three-dimensional forms. The repetitive geometric shapes are assembled inside boxes built out of translucent paper. The arrangement is random and unfixed to allow movement and unpredictable composition.
The harmonies and tensions in the work arise from different exchanges between the colors, the patterns, and the geometric and organic shapes, as well as the sense that change is constantly occurring as the elements shift and move.
When one looks at these compositions, you see them for the first time, every time, because what is creating and completing the artwork is always changing; such as light, weather and forms merge and interact. As a result of these dynamic relationships, the work extends beyond her personal hand, sustaining an appearance and composition entirely of its own.
Norma Márquez Orozco was
born
in
Chicago,
Illinois,
and
raised
in
Guadalajara,
Jalisco,
Mexico.
Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, lines, angle and pattern are blended, shifted and layered.
She currently lives and works in New York City. Marquez Orozco
has
curated
exhibitions throughout
New
York
and
has hosted
lectures
and
artist
talks
for
the
public. In
2001
she founded
Floor4Art, an
alternative
space
in
West
Harlem
that
houses
artist’s
studios
and
exhibition
space
aimed
at
producing,
promoting
and
connecting
artists.
Exhibition venues include: ODETTA, Brooklyn, NY, Longwood Art Gallery, Queens Museum, The (S)Files 007/ El Barrio...
Category
2010s Minimalist Tri-State Area - Abstract Sculptures
Materials
Archival Paper
Richard Bottwin, 'Blue Beam', 2016, Wood, Acrylic Paint
By Richard Bottwin
Located in Darien, CT
Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Wood, Acrylic
Morning Light, Plexiglass, Wall Sculpture, Colorful, Dimensional, Blues, Unique
Located in Riverdale, NY
Morning Light by Neva Setlow is created with layered colored Plexiglass, both flat and round. It is 12x12x2 created with bright colors and dimension. It is filled with blues and y...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Plexiglass
David Borawski, The First Act of Violence, 2019, Gaffers tape, dimensions vary
By David Borawski
Located in Darien, CT
David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford.
A multi-media installation artist, his work...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Tape
Calling II
By Lilian R. Engel
Located in New York, NY
Marble and wood
Category
21st Century and Contemporary Contemporary Tri-State Area - Abstract Sculptures
Materials
Marble
Untitled (Shift)
By Thomas Lendvai
Located in Boston, MA
Artist Commentary:
This sculpture has always been dear to me. The original was made while I was still in college. This one was reproduced for an exhibition last year. I still hope...
Category
21st Century and Contemporary Abstract Tri-State Area - Abstract Sculptures
Materials
Steel
$1,512 Sale Price
30% Off
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Tri-State Area - Abstract Sculptures
Materials
Fabric, Thread, Plaster, Dye, Found Objects
Fiber Wall Sculpture: 'IMAGE'
By Federica Patera and Andrea Sbra Pereg
Located in New York, NY
Image, Imagination, Imitation: we can think these three words come from the roots √Im, but it’s not true. It’s necessary to combine the proposition in with mi, that is, √Mei, to obta...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Steel, Wire
Moving Planes, abstraction
Located in Greenwich, CT
Moving Planes dates from the period in Iommi’s body of work that corresponds to the so-called “Baroque” period of Concrete Art. This is a sophisticated work that picks up exploring i...
Category
1970s Abstract Tri-State Area - Abstract Sculptures
Materials
Marble, Metal
"Ode to Chamberlain" Abstract, Bronze Metal Sculpture, Large-Scale, Outdoors
By Hans Van de Bovenkamp
Located in New York, NY
"Ode to Chamberlain" by Hans van de Bovenkamp
Unique welded bronze
Renowned for his monumental sculpture created primarily for open-air public locales, Hans Van de Bovenkamp has bee...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Metal, Bronze
Suzanne Benton, Facing Each Other, 1974, Copper, Coated Steel
By Suzanne Benton
Located in Darien, CT
In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC.
Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors.
Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets.
Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen.
In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks.
What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure:
"Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth."
(Pelvic Woman and Protection are illustrated in the book):
What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...
Category
1970s Feminist Tri-State Area - Abstract Sculptures
Materials
Copper, Steel
"Crucible" Abstract, Metal Chain Link Sculpture by John Ruppert
By John Ruppert
Located in New York, NY
"Crucible" by John Ruppert
Aluminum chain link fabric, stainless steel
Over the past 35 years, John Ruppert has been working in cast metals; manufactured...
Category
21st Century and Contemporary Abstract Tri-State Area - Abstract Sculptures
Materials
Metal, Stainless Steel
Moment
By Lilian R. Engel
Located in New York, NY
Marble
Category
21st Century and Contemporary Contemporary Tri-State Area - Abstract Sculptures
Materials
Marble
Liz Sweibel, Untitled (Scrapings #3), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consist...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Wood, Paint, Found Objects
Fritz Horstman, Five Walls With Openings, 2016, Wood, Walnut
By Fritz Horstman
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Wood, Walnut
Morning Sunrise, Plexiglass, Wall Sculpture, Colorful, Dimensionall
Located in Riverdale, NY
Morning Sunrise by Neva Setlow is created with layered colored Plexiglass, both flat and round. It is 8x8x1.5 filled with bright colors and dimension. I...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Plexiglass
Modern Cross, Hand-Carved Wooden Sculpture by Antonovici c1950
By Constantin Antonovici
Located in Long Island City, NY
Romania-born Antonovici is best-known as Constantin Brancusi’s protege. He worked closely with the master sculptor in his studio until he emigrated to the USA in 1953.
Modern Cross,...
Category
Mid-20th Century Modern Tri-State Area - Abstract Sculptures
Materials
Wood
Norma Márquez Orozco, The Sun, 2016, Translucent Paper, 30 x 30, Minimalist
By Norma Marquez Orozco
Located in Darien, CT
Norma Marquez Orozco explores concepts of impermanence, perception, form and balance through physical movement of the work itself in a lucid, game-like context, like puzzles. All the elements are made of paper, molded into three-dimensional forms. The repetitive geometric shapes are assembled inside boxes built out of translucent paper. The arrangement is random and unfixed to allow movement and unpredictable composition.
The harmonies and tensions in the work arise from different exchanges between the colors, the patterns, and the geometric and organic shapes, as well as the sense that change is constantly occurring as the elements shift and move.
When one looks at these compositions, you see them for the first time, every time, because what is creating and completing the artwork is always changing; such as light, weather and forms merge and interact. As a result of these dynamic relationships, the work extends beyond her personal hand, sustaining an appearance and composition entirely of its own.
Norma Márquez Orozco was
born
in
Chicago,
Illinois,
and
raised
in
Guadalajara,
Jalisco,
Mexico.
Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, lines, angle and pattern are blended, shifted and layered.
She currently lives and works in New York City. Marquez Orozco
has
curated
exhibitions throughout
New
York
and
has hosted
lectures
and
artist
talks
for
the
public. In
2001
she founded
Floor4Art, an
alternative
space
in
West
Harlem
that
houses
artist’s
studios
and
exhibition
space
aimed
at
producing,
promoting
and
connecting
artists.
Exhibition venues include: ODETTA, Brooklyn, NY, Longwood Art Gallery, Queens Museum, The (S)Files 007/ El Barrio...
Category
2010s Minimalist Tri-State Area - Abstract Sculptures
Materials
Archival Paper
Andra Samelson, Microcosm 3, 2016, Canvas, Found Objects, Acrylic Paint
By Andra Samelson
Located in Darien, CT
Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Canvas, Found Objects, Acrylic
Patricia Miranda, Seeing Red Lace, 2020, egg tempera on panel
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Tri-State Area - Abstract Sculptures
Materials
Fabric, Plastic, Dye
Liz Sweibel, Untitled (Scrapings #2), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint.
Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect.
Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives.
Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...
Category
2010s Abstract Expressionist Tri-State Area - Abstract Sculptures
Materials
Wood, Paint, Found Objects
Jo Yarrington, See-matics - Answer, 2019, acrylic, 9 x 22 inches
By Jo Yarrington
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Plexiglass
EC 14 - textural abstract circle shape nature inspired white sculpted paper
Located in New York, NY
Anne-Charlotte Saliba's artistic universe is largely inspired by nature, its abyssal dimension as well as its vegetal or mineral forms. Her sculpted artworks are a confrontation of smooth and grainy texture on the same linear paper. A cloud of small perforations, incisions, and punches which play on the elasticity of the paper, to create a topographic relief. A controlled wandering of dotted lines, scales and bumps are drawn following the movement of her hand on the paper. The flow is both free and thoughtfully planned, allowing unexpected movements and completely abandoning set patterns at times.
Saliba sees herself more like an artisan than an artist in the sense that she is working with texture and touch to create unique intricate sculpted artworks.
Playing with light and shadow, each in her own way ennobles a seemingly banal material with a genuine concern for ethics. Like modern-day memento mori, Saliba’s works transport us into dreamlike worlds in which the evanescence of paper echoes the transience of life, subtly reminding us to enjoy the present moment.
Anne-Charlotte Saliba works and lives near Lyon, France. Her work has reviewed in numerous publications and has won the prestigious price for Jeune Creation de Métiers d’Art in 2020. She is now represented by the Muriel Guépin Gallery...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Archival Paper
Sinuous Dance, sculpture of two abstracted figures, black marble with wood base
By Lilian R. Engel
Located in New York, NY
My sculpture is inspired by the connection of the human form to nature. I use natural materials, stone, wood and metal to bring to life organic forms moving through space. The delica...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Marble
Moutarde
By Donald Martiny
Located in Westport, CT
Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Acrylic Polymer, Pigment
$21,000
"Untitled in Black and White" Contemporary Abstract Sculpture
By David Paul Kay
Located in New York, NY
Contemporary abstract sculpture by David Paul Kay. Mixed media created with up-cycled material turned into rock formations.
"Untitled in Black and White"
H8 x W7 x D4
2025 New York...
Category
2010s Contemporary Tri-State Area - Abstract Sculptures
Materials
Mixed Media
Spiral, Enameled Laser Cut Steel Sculpture by Von Ringelheim
By Paul von Ringelheim
Located in Long Island City, NY
Artist: Paul von Ringelheim, Austrian/American (1933 - 2003)
Title: Spiral 1
Medium: Painted Flame-Cut Steel Sculpture
Size: 47 x 52 x 8 in. (119.38 x 132.08 x 20.32 cm)
Category
1970s Abstract Expressionist Tri-State Area - Abstract Sculptures
Materials
Steel
"Lyra Series 27", Abstract, Bronze Metal Sculpture by Bill Barrett
By Bill Barrett
Located in New York, NY
"Lyra Series 27" by Bill Barrett
Cast bronze
Bill Barrett is considered a central figure in the second generation of American metal sculptors and is internationally known for his ab...
Category
21st Century and Contemporary Abstract Tri-State Area - Abstract Sculptures
Materials
Metal, Bronze
Oh, Georgia (Homage to O'Keeffe)
By Carolee Thea
Located in Long Island City, NY
Artist: Carolee Thea
Title: Oh, Georgia (Homage to O'Keeffe)
Year: 1986
Medium: Unique Wall Sculpture: Oak, Varnished Plywood and Bone Construction, signed and dated verso
Size: ...
Category
1980s Surrealist Tri-State Area - Abstract Sculptures
Materials
Oak, Plywood, Found Objects
"HER DREAM", sculpture, clay, abstract, organic, contemporary, ceramic, tribal
By Harold Wortsman
Located in Toronto, Ontario
HER DREAM, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is ch...
Category
21st Century and Contemporary Contemporary Tri-State Area - Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Long Hot Summer, wall sculpture by Merja Winqvist
Located in Wilton, CT
Materials: printed florist paper, woven
Winqvist applies the ideal of functionalism by simplifying the forms as much as possible, while avoiding unnecessary decoration. She has expl...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Paper
Joseph Fucigna, Burning Bush, 2001, Plastic, Found Objects
By Joseph Fucigna
Located in Darien, CT
Joseph Fucigna is a multi-media artist whose work is rooted in process, play and the innate qualities of the materials used. Through experimentation, play and innovation he creates sculptures, paintings and drawings that are known for their power to transform materials, inventiveness and odd but suggestive subject matter. The ultimate goal is to create an artwork that is a perfect balance between suggestive content, and the formal qualities of the material that allow both to be active participants.
Joseph Fucigna received his Masters of Fine Arts degree from the School of Visual Arts in New York City. He also attended the Triangle Workshop in Pine Plains, NY and worked with the renowned sculptor Sir Anthony Caro and critic Clement Greenberg.
Fucigna is a full-time Professor of Art at Norwalk Community College and is the Chair of the Studio Arts Program. Fucigna has also taught in the Art Department at the State University of New York, Stony Brook. Presently, he resides and works in Weston, CT.
Fucigna has exhibited nationally including shows at the Fitchburg Art Museum in Massachusetts, Real Art Ways in Connecticut, the United Nations, Grounds for Sculpture in New Jersey, the Lyman Allyn Art Museum in Connecticut, the New York State Museum in Albany, NY and the Burchfield Art Center in Buffalo NY.
He has had one-person exhibitions at the Fred Giampietro Gallery, Sculpture Barn, Norwalk Community College Art Gallery, Artist Space New Haven and the Bannister...
Category
Early 2000s Arte Povera Tri-State Area - Abstract Sculptures
Materials
Plastic, Found Objects
Gil Scullion, Your Existence, 2017, 20 sheets of stacked hand-cut paper
By Gil Scullion
Located in Darien, CT
Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box
Gil Scullion’s conceptual text-based work has been featured in exhibi...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Paper
Richard Bottwin, 'Red.Center', 2016, Acrylic Paint, Wood
By Richard Bottwin
Located in Darien, CT
Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Wood, Acrylic
CC 102 - Blue green abstract geometric 3D wall circular sculpture
Located in New York, NY
Anna Kruhelska is a visual artist and architect working across fields of art and design. She creates abstract, three-dimensional paper wall reliefs that startle in their intricacy an...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Plywood, Acrylic
Diane Englander, White and Yellow Wood 2018, scrapwood and acrylic, 7 x 11.25 in
By Diane Englander
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires that the prettiness of an initial surface is made ugly, or there’s a conscious choice to avoid balance in the composition.
Hers is a largely intuitive process, the materials entice her. Inspiration from the world that we don't call “art” is where she finds her muse: a wall, a landscape, a window shade transfused with light, a stretch of sand and shadow. Most influential are predecessors like Burri, Vicente, Tapies, Motherwell, Rauschenberg, medieval cloisonné, Vermeer, Breughel, and many, many more.
A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC government; and several years as a lawyer at a large NYC law firm.
“I was brought up going to galleries and museums, a sometimes reluctant attendant to my parents’ passion for looking and for collecting. My own expressive energy must have simmered internally for years, occasionally emerging in photography, in quilt-making, in other tentative explorations, and certainly in providing opportunity and materials for my children to create. Not until those children were nearly grown did I come unequivocally to the need to make art myself.”
In late 2006 Diane began making collages that started her on her current path; in late 2007 she left her consulting job to focus on her artwork full-time.
She has studied with Bruce Dorfman at the Art Students League in New York, and has had solo exhibits at the Alexey von Schlippe...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Acrylic, Wood
Daniel G. Hill, Sling, 2016, stainless steel wire, music wire, 34 x 24 x 15 in
By Daniel G. Hill
Located in Darien, CT
In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...
Category
2010s Minimalist Tri-State Area - Abstract Sculptures
Materials
Stainless Steel, Wire
Diane Englander, White and Wood 13 2015, scrapwood and acrylic , 7.25 x 12 x 1.25
By Diane Englander
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Wood, Acrylic
Gil Scullion, You Forget, 2017, 20 sheets of stacked hand-cut paper
By Gil Scullion
Located in Darien, CT
Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box
Gil Scullion’s conceptual text-based work has been featured in exhibi...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Paper
Yvette Cohen, PerAsperaAdAstra.ThroughHardshipToTheStars_Diptych_2011_Minimalist
By Yvette Cohen
Located in Darien, CT
Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...
Category
2010s Minimalist Tri-State Area - Abstract Sculptures
Materials
Canvas, Wood, Oil
Karen Schiff, Space Eyes, 2016, Wood, Acrylic Paint, Watercolor
By Karen Schiff
Located in Darien, CT
Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Wood, Acrylic, Watercolor
Sylvia Schwartz, 'A Field of Grass', 2014, Plaster, Minimalist
By Sylvia Schwartz
Located in Darien, CT
In Sylvia Schwartz' structures, silicone molds are cast from both natural and hand-made forms, including clay coils, volcanic rock patterns, seaweed, and her own fingerprints.
The h...
Category
2010s Minimalist Tri-State Area - Abstract Sculptures
Materials
Plaster
"An Offering" Organic, Abstract Sculpture, Wood Burl, Reclaimed Farm Equipment
Located in New York, NY
"An Offering" by Peter Rosenthal
Sycamore burl wood, reclaimed farm equipment
Peter Rosenthal’s work is inspired by the fantastical shaped vines and na...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Metal
Cabinet of Wonders, Persistence and the Fugitive
By Greg Garvey
Located in Darien, CT
This flat file installation is a kind of Wunderkammer – a Cabinet of Wonder or Curiosity containing a small idiosyncratic collection of select wonders and oddities of the natural wor...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Wood, Video, Found Objects
The Time of Our Time Has Come and Gone, 2018, Gaffer tape on floor
By David Borawski
Located in Darien, CT
David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford.
A multi-media installation artist, his work...
Category
2010s Conceptual Tri-State Area - Abstract Sculptures
Materials
Tape
"Portal", Hand Cut, Laser Cut Paper Wall Relief Sculpture
By Rogan Brown
Located in New York, NY
"Portal" by Rogan Brown
Laser and hand cut paper, framed in plexiglass shadowbox
Available by commission. Please allow 8-12 weeks production time.
Rogan Brown creates abstract and ...
Category
2010s Abstract Tri-State Area - Abstract Sculptures
Materials
Paper
"Perfect Imbalance", Abstract, Steel Metal Sculpture by Bill Barrett
By Bill Barrett
Located in New York, NY
"Perfect Imbalance" by Bill Barrett
Fabricated cor-ten steel
Bill Barrett is considered a central figure in the second generation of American metal sculptors and is internationally ...
Category
21st Century and Contemporary Abstract Tri-State Area - Abstract Sculptures
Materials
Metal, Steel
Karen Schiff, Space Eyes, 2016, Wood, Gouache
By Karen Schiff
Located in Darien, CT
Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...
Category
2010s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Wood, Gouache
Emily Feinstein, Barge, 2015, Wood, Paint
By Emily Feinstein
Located in Darien, CT
Emily Feinstein grew up with a father who was a cabinetmaker with a shop in the basement. She spent a lot of time making things and constructing with wood. Her ongoing interest in r...
Category
2010s Tri-State Area - Abstract Sculptures
Materials
Wood, Paint
Dorothy Mayhall, Monument 5, 1995, Terracotta, Acrylic Paint
By Dorothy Mayhall
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category
1990s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Terracotta, Acrylic
Dorothy Mayhall, Monument 1, 1995, Terracotta, Acrylic Paint
By Dorothy Mayhall
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category
1990s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Terracotta, Acrylic
Dorothy Mayhall, Monument #26, 1993, Terracotta, Acrylic Paint
By Dorothy Mayhall
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category
1990s Abstract Geometric Tri-State Area - Abstract Sculptures
Materials
Terracotta, Acrylic
