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Item Ships From: Tri-State Area
Jim Perry - Ebb and Flow, Sculpture 2018
Located in Greenwich, CT
Medium:
Sapele Wood
Jim Perry’s sculpture has been included in the Whitney Biennial as well as solo exhibitions at Calloway Fine Art & Consulting, Washington, DC (2018); The Center ...
Category
2010s Tri-State Area - Still-life Sculptures
Materials
Wood
Figural Bust Terracotta Sculpture, Alexander Ney, 'Goddess', 2019
By Alexander Ney
Located in New York, NY
The ‘Goddess’ by visionary artist Alexander Ney was handcrafted using italian white terra cotta in 2019. Ney began his professional career as a highly productive visual artist, as a ...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Terracotta
$3,520 Sale Price
20% Off
Bronze Work Boot With Rivets
By Robin Antar
Located in Wiscasett, ME
This series of American-made work boots is a symbolic tribute to the
American spirit that built this country and still makes it great today. This is a bronze casting of an original Robin
Antar limestone boot. This bronze boot with suede laces appears to have been well worn and loved by the owner.
It is at once a classic work boot as well as an original statement piece for your home or office. Limited edition of
12. Edition 3/12. Dimensions: 6.5"h X 11.25"w X 4.5"d.
American sculptor Robin Antar has been called “Brooklyn’s answer to Andy
Warhol.” Her mission is to create a visual record of modern American culture
through commonplace objects as she explores the question, “What is America?”
Meticulously carved in stone, a hamburger with fries, an American-made work
boot, denim jeans and a giant "Ballpark...
Category
2010s Pop Art Tri-State Area - Still-life Sculptures
Materials
Bronze
Michele Brody, Nature Preserve: Installation, Wetlands plants floating on water
By Michele Brody
Located in Darien, CT
Michele Brody, Nature Preserve: Installation, Wetlands plants floating on water, 2011
The essence of Michele Brody’s work thrives on the interaction with new communities and place-m...
Category
2010s Naturalistic Tri-State Area - Still-life Sculptures
Materials
Handmade Paper, Glass, Mixed Media
Flat Pot X, 2019, Glazed earthenware flat wall sculpture pastel on terracotta
Located in Jersey City, NJ
"Flat Pot X" (2019)
Glazed earthenware flat pitcher wall sculpture
Hanging system on back side
Pastels and earth tones, light minty blue on terracotta clay
Certificate of authenticity
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Sculptures
Materials
Earthenware, Glaze, Terracotta
“Video Editing Keyboard 1 - 2 - 3” (Archeology series) Video Keyboard Sculpture
By Daniel Fiorda
Located in New York, NY
Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso.
Art measures 7 x 7 x 1.75 in (each)
The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape.
Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects.
The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas.
Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Concrete
"Untitled (Bookends)" Steven Wolfe, Illusionistic Book Sculpture, Trompe-l'oeil
Located in New York, NY
Steven Wolfe
Untitled (Bookends), 1990
Stamped: SW 1990 2/3
Painted Bronze
6 1/4 x 7 x 4 inches
Edition 2/3
Steven Wolfe crafted sculptures and drawings of remarkable skill and vis...
Category
1990s Contemporary Tri-State Area - Still-life Sculptures
Materials
Bronze
Jim Perry - Glissade No. 7, Sculpture 2023
Located in Greenwich, CT
Medium:
Sapele Wood
Jim Perry’s sculpture has been included in the Whitney Biennial as well as solo exhibitions at Calloway Fine Art & Consulting, Washington, DC (2018); The Center ...
Category
2010s Tri-State Area - Still-life Sculptures
Materials
Wood
Jim Perry - Totem No. 10, Sculpture 2015
Located in Greenwich, CT
Medium:
Sapele Wood
Jim Perry’s sculpture has been included in the Whitney Biennial as well as solo exhibitions at Calloway Fine Art & Consulting, Washington, DC (2018); The Center ...
Category
2010s Tri-State Area - Still-life Sculptures
Materials
Wood
Flat Pot VII, 2019, Glazed earthenware wall sculpture, flat tea cup, earth tones
Located in Jersey City, NJ
"Flat Pot VII" (2019)
Glazed earthenware flat tea cup wall sculpture
Hanging system on back side
Earth tones and pastels, light minty sage green on terracotta clay
Certificate of au...
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Sculptures
Materials
Earthenware, Glaze, Terracotta
Jo Yarrington, Ghost Girls_Brushes, 2017, Organic Material, Found Objects, Pins
By Jo Yarrington
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Tri-State Area - Still-life Sculptures
Materials
Organic Material, Found Objects, Pins
“Pen Decline 1 - 2 - 3 in White” (Archeology series) Computer Keyboard Sculpture
By Daniel Fiorda
Located in New York, NY
Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso.
Art measures 8.75 x 8.75 x 1.25 in (each)
The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape.
Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects.
The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas.
Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Concrete
"Our First Brush With Red Grooms/ It Was Exciting!", Artist's actual paintbrush
By Red Grooms
Located in New York, NY
Red Grooms
"Our First Brush With Red Grooms/ It Was Exciting!", 1968
Paint brush with paint inside acrylic casing
11 × 3 1/2 × 2 inches
Unframed
This paint brush - with original pain...
Category
1960s Pop Art Tri-State Area - Still-life Sculptures
Materials
Synthetic, Plastic, Mixed Media, Acrylic
Katherine Jackson, Necropolis, 2020, Photographic print on aluminum
By Katherine Jackson
Located in Darien, CT
Katherine Jackson lives and works in Brooklyn.
Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...
Category
2010s Conceptual Tri-State Area - Still-life Sculptures
Materials
Glass, LED Light, Pigment
Fancy! WTF (Hers) - Pink & White Glass Pill Sculpture
By Edie Nadelhaft
Located in East Quogue, NY
"Fancy! (WTF) Her"- Limited edition pink and white glass pill sculpture by Edie Nadelhaft. Edition of 9.
Signed and numbered on the back by the artist.
The piece is equipped with ...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Glass, Mixed Media
Lichen 2, Abstract ceramic sculpture, brown
By Rachelle Krieger
Located in New York, NY
Artist Statement by Rachelle Krieger:
These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Wire
3-D wall sculpture plastic contemporary animal figurative pop art bear interior
Located in New York, NY
This piece is Vacuum formed with plastic, painted and fabricated to be 3-D.
All Yuki's works represent the 2-D while tricking our eyes in the 3-D physical world.
Category
2010s Pop Art Tri-State Area - Still-life Sculptures
Materials
Plastic, Wood, Acrylic
Charles Birnbaum_Wall Piece No.28_Porcelain_Maximalist Sculpture
By Charles Birnbaum
Located in Darien, CT
Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was among a select group of the esteemed Ken ...
Category
2010s Baroque Tri-State Area - Still-life Sculptures
Materials
Porcelain
Jo Yarrington, Ghost Girls, Camel Hair Brush Display, 2018, Found Objects, Metal
By Jo Yarrington
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category
2010s Conceptual Tri-State Area - Still-life Sculptures
Materials
Metal
Joel Urruty - A Young Man, Sculpture
By Joel Urruty
Located in Greenwich, CT
Maplewood Bust
19" x 7" x 8.5"
This sculpture will be shipped directly from the artist's studio.
Category
21st Century and Contemporary Contemporary Tri-State Area - Still-life Sculptures
Materials
Wood, Maple
Katherine Jackson, Suspension of Disbelief II, 2015, Graphite, Paper, Framed
By Katherine Jackson
Located in Darien, CT
Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...
Category
2010s Conceptual Tri-State Area - Still-life Sculptures
Materials
Glass, Graphite
"Minolta" Original 35mm camera sculpted in plaster & wood of 'White box series'
By Daniel Fiorda
Located in New York, NY
Daniel Fiorda takes objects such as old typewriters and 35mm cameras: “Discarded remnants of the industrial world,” transforming these objects into high-e...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Plaster, Wood, House Paint
Paintbrushes II, Accumulation Sculpture by Arman
By Arman
Located in Long Island City, NY
Artist: Arman, French/American (1929 - 2005)
Title: Paintbrushes II
Year: 1991
Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed
Edition: 20...
Category
1990s Dada Tri-State Area - Still-life Sculptures
Materials
Epoxy Resin, Found Objects, Mixed Media, Oil
Mini shopping cart: 'Mini Teal Yellow Baggage Cart' Mini Emotional Baggage Cart
By Theda Sandiford
Located in New York, NY
Dispose of any emotional traumas that no longer serve you, in this mini emotional baggage cart.
Theda Sandiford, is a self-taught mixed media artist...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Metal
Michele Brody, Re-Blooms, Individual, Handcast Paper, Bamboo, Avg, 9" Diameter
By Michele Brody
Located in Darien, CT
Michele Brody, Re-Blooms, Individual Blooms, Handcast Paper, Bamboo,, each approx 9: diameter, 2019
The essence of Michele Brody’s work thrives on the interaction with new communi...
Category
2010s Naturalistic Tri-State Area - Still-life Sculptures
Materials
Wood, Handmade Paper, Bamboo Paper
"Deviation (OY)" Gyöngy Laky, Contemporary Mixed Media Textual Sculpture
By Gyöngy Laky
Located in Wilton, CT
"Deviation" Gyöngy Laky, apple, acrylic paint, screws, 30" x 60" x 2.5" (installed), 2020.
This contemporary mixed media wall sculpture was done by San Fr...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Organic Material, Wood, Paint, Found Objects
Katherine Jackson, Suspension of Disbelief, 2015, Graphite, Paper, Framed
By Katherine Jackson
Located in Darien, CT
Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...
Category
2010s Conceptual Tri-State Area - Still-life Sculptures
Materials
Glass, Graphite
R2D2 Red Cars Resin Sculpture Pop Art Star Wars
By Alben
Located in New York, NY
Cheeky references to pop culture and the societal context.
Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including ...
Category
2010s Pop Art Tri-State Area - Still-life Sculptures
Materials
Epoxy Resin, Mixed Media
Love Wins - Rainbow glass pill sculpture
By Edie Nadelhaft
Located in East Quogue, NY
Limited edition rainbow colored glass pill sculpture. Edition of 9.
Signed and numbered on the back by the artist.
The piece is equipped with a D-ring on the back for easy hanging.
"Love Wins" is part of Edie Nadelhaft's "Better Living Thru Chemistry: Luv is the Drug" sculpture series consisting of candy-colored glass and mixed media capsule-shaped objects. Each pill is festooned with text messages, social media iconography and the language of pop psychology. Inspired in equal parts by the ubiquitous presence of social media in contemporary culture and the simultaneous rise of direct - to - consumer pharmaceutical marketing. The work pokes fun at the alternately amusing and depressing correlations between the two phenomena as both are enlisted to oversimplify the human condition and expedite contentment through a familiar cocktail of instant gratification and seductive packaging.
Edie Nadelhaft is a New York-based painter and mixed media artist whose work has been widely exhibited at museums, art fairs and galleries. She studied painting and art history at the School of the Museum of Fine Arts in Boston and S.U.N.Y. Purchase. She received her BFA with Honors from The Massachusetts College of Art & Design.
Glass sculpture, glass pill, pop art, bright colors, multicolor, still life, sculpture, wall installation, contemporary art, chill pill...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Glass, Mixed Media
"Shop" James Bassler, Contemporary Woven Shopping Bag Sculpture
Located in Wilton, CT
"Shop" James Bassler, brown paper Trader Joe's shopping bags, cut and twisted, with yellow and red waxed linen thread, 16" x 11" x 5", 2009.
"Shop", by ...
Category
Early 2000s Contemporary Tri-State Area - Still-life Sculptures
Materials
Textile, Thread, Paper, Found Objects, Mixed Media
"I Love You" - Red glass pill wall sculpture
By Edie Nadelhaft
Located in East Quogue, NY
"I Love U" (I <3 U) - Limited edition red glass pill sculpture by Edie Nadelhaft. Edition of 9.
Signed and numbered on the back by the artist.
The piece is equipped with a D-ring on the back for easy hanging.
"Love Wins" is part of Edie Nadelhaft's "Better Living Thru Chemistry: Luv is the Drug...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Glass, Mixed Media
Husk 2, Abstract ceramic sculpture, purple and pink flower
By Rachelle Krieger
Located in New York, NY
Artist Statement by Rachelle Krieger:
These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Wire
When I Was A Kid
By Robin Antar
Located in Wiscasett, ME
limestone and oils 27 x 23 x 6 in
c. 2005
What's more comfortable than a jean jacket? When I was working on the "What is America?" series, a jean jacket was at the top of the list of iconic clothes...
Category
Early 2000s Pop Art Tri-State Area - Still-life Sculptures
Materials
Stone
Love Wins - Rainbow glass pill sculpture
By Edie Nadelhaft
Located in East Quogue, NY
Limited edition rainbow colored glass pill sculpture. Edition of 9.
Signed and numbered on the back by the artist.
The piece is equipped with a D-ring on the back for easy hanging.
"Love Wins" is part of Edie Nadelhaft's "Better Living Thru Chemistry: Luv is the Drug" sculpture series consisting of candy-colored glass and mixed media capsule-shaped objects. Each pill is festooned with text messages, social media iconography and the language of pop psychology. Inspired in equal parts by the ubiquitous presence of social media in contemporary culture and the simultaneous rise of direct - to - consumer pharmaceutical marketing. The work pokes fun at the alternately amusing and depressing correlations between the two phenomena as both are enlisted to oversimplify the human condition and expedite contentment through a familiar cocktail of instant gratification and seductive packaging.
Edie Nadelhaft is a New York-based painter and mixed media artist whose work has been widely exhibited at museums, art fairs and galleries. She studied painting and art history at the School of the Museum of Fine Arts in Boston and S.U.N.Y. Purchase. She received her BFA with Honors from The Massachusetts College of Art & Design.
Glass sculpture, glass pill, pop art, bright colors, multicolor, still life, sculpture, wall installation, contemporary art, chill pill...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Glass, Mixed Media
Richard Klein, iHop II, 2018, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Tri-State Area - Still-life Sculptures
Materials
Metal
Shopping Cart: 'The Great Resignation Baggage Cart, Emotional Baggage Cart'
By Theda Sandiford
Located in New York, NY
'My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints.
Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape.
For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it.'
Theda Sandiford...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Mixed Media
Women in the Garden, Porcelain Vase
Located in Long Island City, NY
This painted porcelain vase is of Chinese origin. Women can be seen socializing in an ancient Chinese garden. The analogous color scheme creates a serene and comfortable design.
Or...
Category
Mid-20th Century Expressionist Tri-State Area - Still-life Sculptures
Materials
Porcelain
Richard Klein, Holiday Inn Beirut, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Tri-State Area - Still-life Sculptures
Materials
Metal
"TUSCAN YIN/YANG CASTLE", stoneware clay sculpture, glaze ancient Italy hilltown
By Rene Murray
Located in Toronto, Ontario
TUSCAN YIN/YANG PRISON is a stoneware clay sculpture with Butterscotch glaze by Brooklyn, New York artist Rene Murray. It measures 20"H x 25"W x 13"D. The ...
Category
21st Century and Contemporary Romantic Tri-State Area - Still-life Sculptures
Materials
Clay, Stoneware, Glaze
Charles Birnbaum_Composition Black and White No.2_Porcelain_Maximalist Sculpture
By Charles Birnbaum
Located in Darien, CT
Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was among a select group of the esteemed Ken ...
Category
2010s Baroque Tri-State Area - Still-life Sculptures
Materials
Porcelain, Acrylic
Richard Klein, Expo 67, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Tri-State Area - Still-life Sculptures
Materials
Metal
Richard Klein, McDonalds (El Nino), 2024, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Tri-State Area - Still-life Sculptures
Materials
Metal
Correct Time, Surrealist Clock with Permanent Marker by William Stone
By William Stone
Located in Long Island City, NY
Artist: Willam Stone, American XXth - XXIst
Title: Correct Time
Year: 1987
Medium: Marker on Clock on Base, signed, titled and numbered on bottom
Edition: 4/10
Size: 26 in. x 25 in. ...
Category
1980s Contemporary Tri-State Area - Still-life Sculptures
Materials
Wood, Permanent Marker
In Your Hand #5
By Sandra Giunta
Located in Red Bank, NJ
In Your Hands #5 by Sandra Giunta
Category
20th Century Contemporary Tri-State Area - Still-life Sculptures
Materials
Clay
"Nikon" Original 35mm camera sculpted in plaster & wood from 'White box series'
By Daniel Fiorda
Located in New York, NY
Daniel Fiorda takes objects such as old typewriters and 35mm cameras: “Discarded remnants of the industrial world,” transforming these objects into high-e...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Plaster, Wood, House Paint
Richard Klein, Holiday Inn Nocturne, 2020, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Tri-State Area - Still-life Sculptures
Materials
Metal
"CHAMBERLAIN", porcelain clay sculpture, turquoise glaze, royal court, medieval
By Rene Murray
Located in Toronto, Ontario
CHAMBERLAIN is a porcelain clay sculpture with Turquoise Glaze and slip, by Brooklyn, New York artist Rene Murray. It measures 23"H x 19"W x 9"D. It's an e...
Category
21st Century and Contemporary Romantic Tri-State Area - Still-life Sculptures
Materials
Clay, Porcelain, Glaze
Graffiti Train, PHASE 2
By Lonny Wood (aka Phase 2)
Located in Fairfield, CT
Artist: PHASE 2 (1955-2019)
Title: Graffiti Train
Year: circa 1980
Medium: Aerosol paint and collage on plastic model train
Size: 4.5 x 20.5 inches
Condition: Excellent
Inscription: ...
Category
1980s Pop Art Tri-State Area - Still-life Sculptures
Materials
Plastic, Acrylic
$13,996 Sale Price
20% Off
Michele Brody, Re-Blooms, Installation, Handcast Paper, Bamboo, 8'h x 5'w x 3'd
By Michele Brody
Located in Darien, CT
Michele Brody, Re-Blooms, Installation, Handcast Paper, Bamboo, 8'h x 5'w x 3'd, 2019
The essence of Michele Brody’s work thrives on the interaction with new communities and place-...
Category
2010s Naturalistic Tri-State Area - Still-life Sculptures
Materials
Handmade Paper, Wood, Bamboo Paper
"CASTLE LORD", porcelain clay sculpture, turquoise glaze, royal court, medieval
By Rene Murray
Located in Toronto, Ontario
CASTLE LORD is a porcelain clay sculpture with Turquoise Glaze and slip, by Brooklyn, New York artist Rene Murray. It measures 26"H x 23"W x 10"D. It's an ...
Category
21st Century and Contemporary Romantic Tri-State Area - Still-life Sculptures
Materials
Clay, Porcelain, Glaze
'Mini Green Black Racing Stripe' Mini Emotional Baggage Cart (deposit emotions)
By Theda Sandiford
Located in New York, NY
Dispose of any emotional traumas that no longer serve you, in this mini emotional baggage cart.
Theda Sandiford, is a self-taught mixed media artist...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Metal
"Canon" Original 35mm camera sculpted in plaster & wood from 'White box series'
By Daniel Fiorda
Located in New York, NY
Daniel Fiorda takes objects such as old typewriters and 35mm cameras: “Discarded remnants of the industrial world,” transforming these objects into high-e...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Plaster, Wood, House Paint
Lisa Levy, Didn't Have to Buy It, Mirror, Plastic, Marble, Found Objects
By Lisa Levy
Located in Darien, CT
Dr. Lisa's Ego Championship Trophies
Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist.
Lisa's visual career started when she was 3 1/2 ...
Category
21st Century and Contemporary Assemblage Tri-State Area - Still-life Sculptures
Materials
Marble
My Favorite Shoe
By Robin Antar
Located in Wiscasett, ME
These bronze penny loafers were cast from the original stone carving sold in 2010. I had a well loved pair of
penny loafers in the 1970s that I used to wear all the time. They were a classic and comfortable shoe and they
remind me of the good old days when I was young...
Category
2010s Pop Art Tri-State Area - Still-life Sculptures
Materials
Bronze
Wood sculpture: 'Ashes to Ashes/25r'
By Loren Eiferman
Located in New York, NY
Eiferman invite’s you to immerse yourself in a world where transformed shapes, lines, and colors are all crafted out of nature's detritus. The inspiration for her drawings come from ...
Category
2010s Tri-State Area - Still-life Sculptures
Materials
Clay, Wood, Mixed Media
Michele Brody, Nature in Absentia: Cattails Plucked Out Handmade Cast Paper
By Michele Brody
Located in Darien, CT
Michele Brody, Nature in Absentia: Cattails Plucked Out, Handmade Cast Paper
The essence of Michele Brody’s work thrives on the interaction with n...
Category
2010s Naturalistic Tri-State Area - Still-life Sculptures
Materials
Handmade Paper
Wood Wall Sculpture: “Talking Roots #2"
By Loren Eiferman
Located in New York, NY
Eiferman invite’s you to immerse yourself in a world where transformed shapes, lines, and colors are all crafted out of nature's detritus. The inspiration for her drawings come from ...
Category
2010s Tri-State Area - Still-life Sculptures
Materials
Wood, Mixed Media
Small Bark Vessel, Abstract ceramic sculpture, neutral colors
By Rachelle Krieger
Located in New York, NY
Artist Statement by Rachelle Krieger:
These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Wire
Glazed Green Ceramic Vase
Located in Long Island City, NY
Year: 1966
Medium: Glazed Ceramic Vase, dated on bottom
Size: 12 in. x 9 in. x 9 in. (30.48 cm x 22.86 cm x 22.86 cm)
Category
1960s Modern Tri-State Area - Still-life Sculptures
Materials
Ceramic, Glaze
I Love You - Red glass pill sculpture
By Edie Nadelhaft
Located in East Quogue, NY
"I Love U" (I <3 U) - Limited edition glass pill sculpture by Edie Nadelhaft. Edition of 9.
Signed and numbered on the back by the artist.
The piece is e...
Category
2010s Contemporary Tri-State Area - Still-life Sculptures
Materials
Glass, Mixed Media
