Tri-State Area - Metalwork

Pair of Japanese silver figural Buddha salt and pepper shakers, ca 1950. Each: Contemplative and cross-legged figure of the Zen-man himself. For a Siddhartha-serene dinner party. Pie...

An antique Japanese, Meiji period, enamel tray. The octagonal shaped tray is enameled with a polychrome image of a wagon with blossoming Wisteria and other flowers surrounded by a sw...

An antique Japanese enamel over copper plate or charger. The interior of the plate is adorned with a polychrome enamel medallion with blossoming Chrysanthemum flowers on the light pi...

An antique Japanese copper water dropper with cloisonne enamel design. Meiji period, 1868 to 1913. Cylinder shape, moveable top handle. Polychrome floral pattern against the dark gre...

An antique Japanese copper plate with cloisonne enamel design. Late Meiji era, ca. 1910s. The piece depicts two carp fish among seaweed against the light blue background. Attributed ...

Chinese archaistic copper repousse ritualistic vessel with a ram's head spout and phoenix bird handle and body. A beautifully crafted piece in the ancient style with intricate detail...

Chinese archaistic copper repousse ritualistic vessel with a boar head spout and elephant head handle. A beautifully crafted piece in the ancient style with intricate detail througho...

An antique Japanese, Meiji era, enamel plate. The interior of the plate is adorned with a polychrome enamel image of a butterfly in blossoming flowers surrounded by a cloud motif, r...

Fine Asian Art Déco Cloisonné enameled Charger or shallow Bowl circa 1930's , depicting a sea of clouds in various sandy and airy tones, with circular...

A large antique Japanese, late Meiji era, enamel over brass tray. The tray is enameled with a polychrome medallion depicting a butterfly surrounded by floral and foliage patterns, an...

An antique Japanese, late Meiji era, enamel over gilt copper plate. The interior of the plate is adorned with polychrome enamel figural medallions depicting fans with birds, blossomi...

An antique Japanese, late Meiji era, footed and hand enamel on porcelain planter. Circa: late 19th century to early 20th century. The exterior of the planter is adorned with polychrome images of blossoming flowers on blue ground made in the Cloisonne technique. The border and the base are adorned with geometrical, floral, and foliage motifs made in the same technique. Mounted on three legs. The legs and the mouth of the ware are decorated with hand enameled cobalt blue floral and scrollwork patterns. Unmarked. Antique Asian and Oriental Planters...

Large Meiji Japanese Cloisonne Enamel Panel of Geese Flying over the Moon Sky A large antique Japanese, late Meiji era, enamel over brass wall panel. The panel is enameled with a p...

Two small bronze mirrors from Cambodia, circa 13th-15th Century. In Southeast Asia, The Khmer culture existed between the 9th and 15 centuries, originating in Cambodia and extendin...

A bronze deer statue with auspicious Chinese characters embossed to the surface. These characters represent blessings of long life, prosperity, wis...

Chinese export silver mug, ca 1880. Straight and upward tapering sides with allover low-relief battle frieze depicting soldiers—spearmen, lancers, and swordsmen—with a few hapless me...

High quality Chinese Export brass tray or charger with incised decoration and openwork, or fretwork border. Heavy cast with a beautifully burnished surface. Circa 1900. Signed by mak...

cover surmounted by a foo lion

An antique Burmese bronze temple gong with mallet. This exquisite antique Burmese bronze temple gong captures attention with its traditional circular form and raised center. Featuring a rich, brown veined patina, this piece embodies the timeless beauty of Burmese craftsmanship. The gong comes with a mallet and a rope for easy hanging, adding authenticity and functionality to its striking design. Though the base is not included, its presence alone makes a bold statement, whether displayed as a decorative object or used in a more interactive setting. Perfect for enhancing a living room, meditation space, or entryway, this temple gong serves as both a historical artifact and a stunning conversation piece. Its strong visual presence and the mallet's tactile invitation offer an engaging experience for guests. Whether hung as a sculptural wall accent or placed in a central area to invoke a sense of serenity and tradition, this Burmese gong...

wooden stand/base shown in photographs is not included with this vase; vase decorated with multicolor floral motif

A set of three vintage Indian metal vessels from 20th century, with weathered patina. We have more sets available. Created in India during the 20th centur...

Fine antique (19th century) Indo-Persian steel dish or salver in the form of overlapping grape leaves with damascene and koftgari silver inlay and gilded designs and brass overlay re...

An antique rustic metal tool box from the early 20th century, found in India. Presenting a dark patina and ribbed surface, this antique metal tool box...

An antique Qing dynasty period bronze oversized planter from the 19th century, with mythical animal handles. Crafted during the 19th century Qing Dyn...

floral and archaistic motifs on blue ground

Pair of fine Meiji period Japanese patinated bronze vases distinguished by their stylized elephant form handles, cartouches depicting exotic birds and dragon encircling the base. 22...

An Indian antique smelting pot from the 19th century, with back handle, front spout and nice patina. Created in India during the 19th century, th...

A set of three antique Indian metal vessels from the 19th century with weathered patina. Each of the three antique metal pots feature narrow necks t...

An Indian antique brass water jug from the 19th century, with calligraphy. Created in India during the 19th century, this brass water jug features...

An antique Indian brass vessel from the 19th century with abundant etched foliage decor and weathered patina. This 19th-century antique Indian bra...

An antique Burmese bronze ceremonial bell from the 19th century with verde patina and cow motif. Created in Burma during the 19th century, this bronze ceremonial bell will make for a...

This unique 1920s Copper Stamped Dish Or Disc With Patina On Copper Faux Bamboo Stand has a variety of uses as well as being decorative. It's size is perfect to act as a vide poche, tabletop...

decorated with antique objects on pale blue ground

A vintage hand painted blue metal vase from the mid-20th century with calligraphy and floral décor. Crafted during the midcentury period, this charming hand-painted blue metal vase c...

Middle Eastern (19/20th century) red and aqua enamel floral design ewer shaped pitcher or coffee urn.    

Japanese mixed metal copper and silver two-handled tray, from the late 19th or early 20th century, beautifully adorned with dragon motifs in relief on the rim and handles. It measure...

An exquisitely carved silver fan holder, India, late 19th century.

provenance: Christie's; wooden bases shown in pictures are included with these vases; each vase is decorated with miniature gourds in relief; overall size of each vase with wooden ba...

An Indonesian hand-tooled metal sculpture from the Celebes Island depicting a temple monster with swine ears and legs, horn, tail and a bell around his collar. Created on the Indones...

A vintage Indonesian gong, polychromed and repurposed for a freestanding sculpture. Mounted on a black metal stand. Circa 1940. The front is painted i...

Large patinated bronze lamp with butterfly details. Solid wood base. Professionally restored and rewired. Double socket with pull chains. Adjustable. Capacity: 2 x E26 per lamp.

A bronze Chinese Gu vase.

A Japanese patinated bronze vase of outstanding color with a lotus bud form top.

Fine quality Japanese Meiji silver incense burner, ca 1890. Barrel-form with solid top and bottom and open sides; applied chrysanthemums heightened with gold and silver. Cover oval a...

Asian Japanese bronze floor vase with 2 owls figures standing on branches with a leaf relief around a round base.

19th century Chinese bronze urn as lamp. Decorated with florals and dragon in high relief. Surmounted by two handles depicting phoenix...

decorated in relief; floral motif on yellow ground

Chinese export silver mug, ca 1860. Straight and upward tapering sides with applied pictorial frieze on engraved and stippled ground: Scenes of social life with contemplative sages and chaste maidens amongst palm trees and pagodas. Pastoral exoticism enlivened with scaly, slithering dragon handle...

Pair of Mid-Century male and female metal torso sculptures. Very interesting and something you dont see everyday.

This Japanese censer incense burner, inspired by Chinese pieces, is of spheroidal form, the bronze body with polychrome champlevé enamel work flanked b...

A sculpted Japanese bronze of a Bactrian camel.

An archaic bronze vessel in flattened flask form with ring handles and mottled red and green patination.

From the 1890s until his death in 1914, John Bradstreet, the important American Arts and Crafts furniture and interior designer, worked from The Crafts House, his landscaped orientalist compound in Downtown Minneapolis. There, he also received his clients, and dealt in Asian art acquired on frequent trips to the Far East. He used similar bronze Japanese lotuses...

Chinese silver censer, circa 1910. Drum-form agate body set in silver gilt mounts with scrollwork and lunettes. Leaf-capped side bracket handles. Upward tapering support and stepped ...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...