United Kingdom - Art

Title: French Impressionist Oil Painting of Charming Village Scene with Spired Church By Fanch Lel (French b. 1930) Size: 7.25 x 9.75 inches (height x width) Oil painting on board, u...

Joel Tomlin (b. 1969) Cinder, 2004 Oil on linen Signed and titled verso 183 x 157 cm. Provenance: Joel Tomlin; MW Projects, London, 2004; Permanent Collection, Saatchi Gallery; Chri...

Artist/ School: French artist, circa 1950s, signed to the lower corner Title: Sea Food Table (wine bottle, lobster, oysters, etc) Medium: oil painting on ca...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wardle'. Title: Falling Tree...

Jean Pierre Ferrand Picture Size: 23 x 28" (58 x 71cm) Outside Frame Size: 32 x 37 (81 x 94cm) Oil on Canvas Period: XXth. Condition: good condition no relines or patches Signed J...

Portrait of a Gentleman wearing white lace trim collar Flemish School, circa 1630's circle of Anthony van Dyck (Flemish 1599-1641) oil on canvas, unframed Canvas: 30.5 x 25 inches Pr...

Fresh Figs by Georges Bordonave (French contemporary) signed oil painting on canvas, unframed dated canvas: 13 x 16 inches condition: very good provenance: from a large private col...

Paris Street Scene French artist, circa 1960's Oil on canvas, framed Framed: 21.5 x 25.5 inches Canvas: 16.5 x 20 inches Provenance: Private collection Condition: This painting is in...

The Beach French Impressionist artist, mid 20th century oil on canvas laid over board, framed painting: 7 x 9.5 inches framed: 9.5 x 11 inches condition: overall very good, a few min...

This large superb British Old Master horse portrait oil painting is by noted artist John Boultbee. Painted circa 1790, the composition is a beautif...

A charming 19th-century oil depicting a quaint town on a sunny day. Unsigned. Presented in a gilt frame with delicate laurel branch and acanthus running patterns. On panel.

George Dannatt (1915-2009) Havannah Lake No 1 1966 Gouache on paper Image: 24.2 x 34.3 cm Frame: 41.9 x 52.0 cm Exhibitions 1970 Sep. Penwith Gallery, St Ives. 1975 Newlyn ...

Harriet Hoult At-ha Limited Edition Giclee Print Edition of 50 Sheet Size: H 91cm x W 63cm x D 0.1cm Signed by the Artist This is a signed, Limited Edition Giclée print of the origi...

ARTIST: Jeanette Lassen (1924-2008) Scottish TITLE: "Contemplating Their Next Move" SIGNED: lower left MEDIUM: oil on canvas SIZE: 67cm x 62cm inc frame CONDITION: excellent DETA...

Fishing the Highland Stream by George Henry Jenkins (British, 1843-1914) signed oil on board, framed framed: 16 x 24 inches board: 12 x 20 inches Provenance: Private collection, Engl...

Paloma Ripollés Sunset Contemporary Landscape Painting Oil Paint on Canvas Canvas Size: H 89cm x W 116cm Sold Unframed Please note that insitu images are purely an indication of how ...

Tania Oko Bluebird Day Original Landscapes and seascapes Oil on Deep Canvas Image size: H:40.64 cm x W:40.64 cm Frame Size: H:45.72 cm x W:45.72 cm x D:5cm ...

Artist/ School: French School, indistinctly signed, dated 1910 Title: Portrait of a man seated in a library room of books. Medium: signed oil painting on canvas, unframed canvas...

Self-Portrait - 2020, Part of the series shot during the second UK lockdown. Edition of 10. 20x20cm. Digital C-Print based on a Polaroid. Not mounted. Leanne Surfleet is an analo...

A beautiful stoneware vase by Annette Chatting from the Myrtle Pottery, Hampshire England. Makers mark

Woman By Lynn Chadwick Lynn Chadwick (1914–2003) was a pioneering British sculptor renowned for his distinctive, angular bronze and steel figures that blend abstraction with human...

Mid Century French Portrait Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 12.5 (height) x 9.75 (width) Stamped Verso Condition: Good...

'Feminine Forms: Harmony in Curves', oil on board, German School (circa 1980s). Two nude figures portrayed in the abstract posture differently. Both are curvaceous and Rubenesque. Re...

"Bargemon", Provence, France by Josine Vignon (French 1922-2022) ...

The Rialto Bridge, Venice, 18th/19th Century circle of Francesco Guardi (1712-1793) Large 18th/19th Century Italian view of The Rialto Bridge, Venice, oil on canvas. Excellent qual...

The Venetian Backwater French artist, signed and dated 29/4/2000 oil painting on canvas, framed framed: 48.5 x 35 inches canvas: 46 x 32 inches condition: very good provenance: priv...

Framed to Guild of Framers Museum Standard. :: Painting :: Classical :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Si...

Markets are the lifeblood of social interaction in the Omo valley as they bring together widely scattered groups for a few hours each week. For the remainder of their time, many fam...

WOODLAND OVERTURES Oil on board Size: 50 x 52 cm (including frame) A striking contemporary Cornish abstract painting, executed in oil on board and dated 2024. Abstract in nature an...

Sean Thornhill is an artist and designer based in Cambridgeshire, creating from the serenity of his garden studio. Drawing inspiration from the bold geometry of Bauhaus and the raw a...

Couple at play Watercolour on paper laid to board 21cm x 14cm Mounted 39cm x 29cm 1921 Signed with Monogram Bottom right This is an exquisitely executed watercolour painting that ...

Damien Hirst Fruitful (large), 2020 Laminated Giclée print on aluminium composite panel digitally signed by the artist on the back 78 x 78 cm Edition of 1928 The editions titled Fr...

Fine late 19th-century garden portrait in oil. Presented in a decorative gilt-effect frame. Unsigned. On canvas on stretchers.

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Oil on board. Signed lower right and dated 1965. Artist label fixed verso.

Neula is a limited edition signed etching print on paper by Sarah Duncan of a black and white snowy forest in the winter with the trees bare and snow on the ground. This work is in a...

Harry Bunce June The Happy Year Limited Edition Print Edition of 365 (one for each day of the year) Image Size: H 31.5cm x W 28cm Signed Sold Unframed...

Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interio...

South African Landscape by Hugh Stevenson (South African, 1910-1956) signed oil on board, framed framed: 20 x 26 inches board : 18 x 23 inches Provenance: private collection, UK Cond...

This portrait depicts a senior Catholic bishop, seated and gazing directly at the viewer with a gentle expression. Unsigned.

'Expressions in Bloom: Portraits from the 20th Century IV', oil on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings throu...

Sun Curtain by Richard Smith, 1971 Additional information: Medium: lithograph on two sheets 64 x 92 cm 25 1/4 x 36 1/4 in signed and dated in the plate Charles Richard "Dick" Smith was an English printmaker and painter. Smith was born in Letchworth, Hertfordshire, to Doris (née Chandler), a nurse and daughter of a chemical company director. He studied at Hitchin Grammar School and Luton School of Art. After military service with the Royal Air Force in Hong Kong, he attended St Albans School of Art followed by post-graduate studies at the Royal College of Art, London, from 1954-57. Smith shared a flat-cum-studio with Peter Blake in his second year at the RCA, and then again for two years after he left the college in 1957. When Terence Conran's Soup Kitchen opened on Fleet Street in the late 1950s, it featured a letter-collage mural by Smith and Blake. Michael Chow would later commission Smith to design installations for his restaurant in Los Angeles, and Chow and Conran have remained two of his biggest supporters. In 1959 he moved to New York to teach on a Harkness Fellowship, staying for two years, where he produced paintings combining the formal qualities of many of the American abstract painters which made references to American commercial culture. The artist's first solo exhibition was at the Green Gallery. As his work matured it tended to be more minimal, often painted using one colour with a second only as an accent. In trying to find ways of transposing ideas, Smith began to question the two-dimensional properties of art itself and to find ways by which a painting could express the shape of reality as he saw it. He began to take the canvas off the stretcher, letting it hang loose, or tied with knots, to suggest sails or kites - objects which could change with new directions rather than being held rigid against a wall, and taking painting close to the realm of sculpture. These principles he carried into his graphic work by introducing cut, folded and stapled elements into his prints; some works were multi-leaved screenprinting, and others printed onto three-dimensional fabricated metal. Smith returned to England in 1963 - specifically East Tytherton, Wiltshire where Howard Hodgkin was a neighbour - and gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Evocative titles such as Panatella and Revlon, and cosmetic, synthetic colours alluded to the consumer landscapes of urban America which had proved so influential. He showed at the Kasmin Gallery, a venture between Kas and the Marquess of Dufferin and Ava in New Bond Street, throughout the 60s, more-widely known as David Hockney's first gallery. After being awarded the Grand Prize at the 9th São Paulo Biennial in 1967 and important exhibitions at Kasmin in 1963, Tate in 1964, and Richard Feigen Gallery in 1966, Smith was invited to exhibit at the XXXV Venice Biennale as the official British artist in 1970. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. Smith taught with Richard Hamilton at Gateshead in 1965, where he met Mark Lancaster and Stephen Buckley, and again in 2000, becoming close to the artist and his wife, Terry. By the late 1960s Smith's ambition to produce paintings which shared a common sensibility with other media, such as film and photography, began to wane and he focused on the formal qualities of painting. The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design...

George Wright (1860–1944) was a British painter renowned for his equestrian art, particularly hunting and coaching scenes. Born in Leeds, England, he was the eldest of seven children...

Portrait of a Noble Lady English School, circa 1820's-1930's period oil on canvas, unframed painting: 35 x 28 inches provenance: private collection, London condition: some old restor...

18th-Century Portrait of a Young Captain James Cook An exceedingly rare and highly significant mid-18th century oil on canvas portrait of the legendary Captain James Cook in his you...

This superb large exhibited British Victorian oil painting is by noted artist Thomas Falcon Marshall. Painted in 1849 it was exhibited at the Royal Academy London that year. This lar...

''A Room with a View" by Édouard Righetti (1924-2001) signed on front and back oil painting on canvas, beautifully painted with rich, thick impasto oi...

Bell Tower In Stockholm, 2013 Giclée print in colours on 350gsm Hahnemühle Museum Etching paper. signed and numbered in pencil Edition of 295 printed by GTZ Fine Art Editions, New York, published by Washington Green...

Iconic and rare limited edition print direct from the negative, signed lower right hand margin and stamped with photographers own blind stamp. This is Number 3/25. Paper size 25 x 17...

Palm Trees and Signposts for Holidaymakers in the Bahamas, a shot perfectly composed with the Bahamas signpost in the centre. 16 x 20" print. Limited Edition Estate Stamped Print. E...

Robert FALCUCCI (1900-1989) “Bouquet” A pleasing impressionistic depiction of a bouquet of flowers painted using vibrant colours and with great gusto by Robert Falcucci. Floral pai...

Figures in Pastoral Landscape oil on canvas, framed in period French Empire gilt frame Framed: 13.5 x 12.5 inches Canvas : 9 x 6.5 inches Provenance: private collection, France Cond...

Figure in Landscape French School, circa 1890's follower of Camille Pissarro (Danish/ French 1830-1903) dated 'Mai 1890' to the lower right corner. oil painting on canvas, framed ca...

The Dapper Young Gentleman English School, circa 1820's period oil on canvas, framed framed: 40 x 34 inches canvas: 32 x 27 inches provenance: private collection, England condition: ...

A very fine study of two King Charles Spaniels resting on a plush red velvet armchair. Each with a blue ribbon around their necks that the artist has captured with fine detail. Well ...

Signed oil on panel seascape circa 1920 by French post impressionist painter Adolphe Louis Gaussen. The work depicts a view of waves cascading against a rocky shore. A sail boat is s...

Portrait of a Gentleman wearing a Ruff Collar Dutch/ French artist, 18th century oil painting on copper, unframed copper board : 6.75 x 5 inches provenance: private collection, UK co...

This superb oil on panel painting is by British Victorian artist William Henry Crome, son of artist John Crome, founder of the Norwich School. Painted circa 1850 the painting depicts...