United Kingdom - More Art

Darth Ziggy Pink Signed Limited Edition Oversize by BATIK Archival pigment pop art print signed & limited edition. BATIK is a London based fine artist and image maker. 30 x 20 ...

Portrait of a Lady in a Blue Gown Holding a Sheer Scarf c.1675-85 Studio of Sir Godfrey Kneller (1646-1723) Titan Fine Art present this captivating portrait by the leading late seve...

Amy Winehouse Turquoise by BATIK Archival pigment pop art print signed & limited edition. paper size 30x30" inches / 76 x 76 cm signed and numbered by the artist on front edition...

Must Rest My Rampage Is Over (Sculpture) By David Shrigley David Shrigley is a British artist known for his darkly humorous and satirical drawings, animations, and sculptures, ofte...

Original oil painting of St Ives viewed across St Ives Bay at last light from Gwithian Beach in Cornwall. Oils on board - Framed in a clean white tray style moulding. Additional information: Andrew...

About San Francisco #inthesky 22”x17” photographic prints on archival paper Each limited to an edition of 7 #inthesky A mobile photography essay that began in 2015. This ongoing int...

A wonderful 19th century gilt oval picture frame in the French Rococo style, elaborately decorated with foliate running patterns and elaborate upper gesso shell and acanthus ornament...

Portraits of a Lady, Dorothy and Jane Wood c.1750, Fine Carved Frames By John Theodore Heins (1697-1756) Titan Fine Art present these works, which formed part of a collection of family heirlooms of the Wood family who were from Bracon Ash, Norfolk, since the medieval period. Jane’s daughter Ann, was famously married on board the Foudroyant, off Naples, in a lavish ceremony in 1799, with Lord Nelson himself giving away the bride. The paintings descended within the family for around 275 years until recent and are exquisite examples of Georgian portraiture in England and are some of the best works by the artist. The original hand carved and gilded pierced frames are magnificent works of art in their own right. The sitters were two children, out of several, of Thomas Wood (1682-176) and Dorothy Huby (1700-1759). The family is from Norwich, which in 1720 was a city second in importance only to London. Their aunt, Jane Wood (1677-1756), was a Franciscan nun in Bruges. Dorothy Wood (in the blue dress) was baptised 2nd June 1726 and she died unmarried around 1759. Jane (in the pink dress) gave birth to at least six children during her thirty two-year marriage. She was baptised 14 Oct 1727 at Bracon Ash. Jane married Knipe Gobbet (1730/5-1791) who was Sheriff in 1768 (and Mayor in 1771) of the City of Norwich, and later Lieutenant-Colonel of the West Norfolk Regiment, in which corps he had served in for many years. According to Payne’s Universal Chronicle or Weekly Gazette the marriage took place on 7th July 1758. Knipe was born at his family seat, Tacolneston Hall, to parents George Gobbet, who was Sheriff in 1710, and Ann. The couple bought and lived in a house in Norwich (later known as Gurney’s Bank House) until 1778 before moving to another one at 10 St Stephen’s Street, Norwich. Later, they inherited the family seat of Tacolnestan Hall and lived there for the remainder of their lives. Knipe Gobbet was a prominent individual and in 1779 he gave the corporation of Norwich 100 pounds, to be disposed of as they might think proper, and soon after that he was presented with a handsome field tent, marquee, and camp equipage, in testimony of their esteem for his dedication to the defence and service of this country at a time when threatened by an invasion. Although Jane was baptised a Roman Catholic Knipe was a prominent local wine merchant, JP, Alderman, sheriff, mayor and Lieutenant. Roman Catholics may have paid lip service to religious conformity as they were excluded from certain areas of public life before the Catholic Emancipation Act of 1829. Such discrimination probably lies behind the why their children are included in the registers of both the Anglican church in Tacolneston and the Norwich Catholic church in the 1760s. Jane and Knipe had one son, Thomas, who died at the age of four of a small-pox inoculation in 1762 (memorial stones in the Church of All Saints, Tacolneston) and many daughters who were schooled at the Order of the Immaculate Conception of Our Lady, in Paris. Their oldest daughter, Anne (1760-1817) was born at Tacolneston Hall. She came to the convent 30 Sept 1774 and ten days later she went to Dames St Sacrament, Rue St Louis in Paris. Their second daughter, Dorothy (died suddenly of apoplexy 21st Nov 1813), came to the convent 19th July 1777 when she was 16 years old and returned to England 23 March 1779. Frances (baptised 22 Feb 1763) came to the convent 16th April 1772 when she was 9 years old and returned 29th May 1777 – however she returned again to the convent 16th May 1778 and left 15th Oct 1778 to return home again. She later married and her surname became Negri. Another daughter, Jane, is thought to have married Juan Manuel Martinez in 1784. There was also another daughter, Mary. The eldest daughter, Ann, first married Peter Bottalini of London 27 Oct 1783 at Tacolneston Hall. They had one son together. She then married on 9th July 1799, Dr William Compton (1733- Clifton 1824), the Chancellor of Ely and the next collateral male relation to the Earl of Northampton (he had earlier marriages to Caroline and Catherine). William Compton later retired from the Commons and spent many years on the continent acting as Chancellor of Ely by proxy from 1777 for the remainder of his life. The couple were British residents of Posilipo Naples and the marriage was hosted on board the Foudroyant, off Naples, where the bride was given away by the Right Hon. Lord Nelson himself. The marriage document, signed by Lord Nelson, Lady Emma Hamilton, Captain Thomas Hardy, and others descended within the family, until sold in a sale that raised worldwide interest in 2023, for £20,160. The document is accompanied by a contemporary manuscript account of the wedding, headed 'Paragraph for the papers, sent to Messrs Coutts & Co with request to have it inserted'. Lord Nelson was a household name in Britain due to his many victories, including the Battle of the Nile against the French Navy in August 1798 – which came before the Battle of Trafalgar in 1805. The document states: 'This is to certify that, on board the Foudroyant lying in Naples Bay, on the ninth of July 1799 the marriage between William Compton & Mrs Anne Bottalin, widow, was solemnized by me S. G. Comyn HM. Chaplain to the Right Honble Lord Nelson, H.M.S. Foudroyant, in the presence of'. With the following autograph signatures: Sir William Hamilton (1731-1803), Lady Emma Hamilton (1765-1815), Horatio Nelson, Viscount Nelson (1758-1805); Sir John Thomas Duckworth (1747-1817), Sir Thomas Masterman Hardy (1769-1839), John Rushout, 2nd Baron Northwick (1769-1859), Josiah Nisbet (1780-1830), John Tyson, William Compton and Anne Bottalin, and 2 others” The document sheds light on Nelson's lesser-known side of his character. William Compton ... received "a great many favours and kindnesses" from Nelson, and most especially "the kind interest" taken in sealing his union with a wife who made him "the happiest of mortals". Anne, the aforesaid spouse, said that the admiral's "good heart" had made her "as happy as I can possibly be on this earth" ... Midshipman Parsons remembered those days nostalgically, noting Emma's "graceful form" bending over her harp to bestow "heavenly music" upon the diners on the quarterdeck and the large-decked galley, flush with opera singers, that glided alongside to serenade the sunset of each day'. Tacolneston has an ancient history of which according to the Domesday Book, Edward I granted a weekly market to be held on a Wednesday at the manor of Tacolneston and two annual fairs. The church was rebuilt in 1503 and is dedicated to All Saints. The earliest view of Tacolneston is a print of 1781 when it belonged to Knipe Gobbet Esq. John Theodore Heins (1697-1756) was a painter whose work, at his best, shows detail of an exceptionally high quality. His portraits of Anna Maria Kett nee Phillips and her husband Henry Kett, painted in 1741, are exceptional and evidence that he had the ability to portray a likeness on par with some of the best portraitists in England at the time. Heins appears to have originated in Germany but moved to the UK and settled in Norwich around 1720. From 1720 to his death in 1756, Heins built up a fine reputation as a portrait painter and painted many members of prominent Norfolk families right up to his last year. He was commissioned in 1732 to paint a portrait of the Mayor of Norwich, Francis Arnam and also the previous year's Mayor Robert Marsh...

About San Francisco #inthesky 22”x17” photographic prints on archival paper Each limited to an edition of 7 #inthesky A mobile photography essay that began in 2015. This ongoing in...

Untitled (Anxious Man) By Rashid Johnson Rashid Johnson is a contemporary American artist recognized for his multimedia works, including paintings, sculptures, and installations, ...

Ireland SENEX, John. Ireland Corrected from the Latest Observations Divided into its Provinces, Counties and Baronies. Shewing the Principal Roads, and the Distances of Places, in Common reputed Miles. by Inspection Where Barracks are Erected &c. By John Senex F.R.S. John Senex F.R.S., the Globe against St Dunstans Church, Fleetstreet, London 1712 [-1728]. John Senex (1678-1740) was one of the foremost mapmakers in England in the early eighteenth century. He was also a surveyor, globemaker, and geographer. As a young man, he was apprenticed to Robert Clavell, a bookseller. He worked with several mapmakers over the course of his career, including Jeremiah Seller and Charles Price. In 1728, Senex was elected as a Fellow of the Royal Society, a rarity for mapmakers. The Fellowship reflects his career-long association as engraver to the Society and publisher of maps by Edmund Halley...

Amy Winehouse Lavender by BATIK Archival pigment pop art print signed & limited edition. paper size 30x30" inches / 76 x 76 cm signed and numbered by the artist on front edition ...

About San Francisco #inthesky 22”x17” photographic prints on archival paper Each limited to an edition of 7 #inthesky A mobile photography essay that began in 2015. This ongoing in...

THUILLIER, Colonel Henry Ravenshaw. Railway Map of India. Railways Brought up to October 1895. Scale 1 Inch = 48 miles or 1:3,041,280. [Calcutta], Published under the direction of Colonel H. Thuillier, R.E., Surveyor General of India, October 1890. A comprehensive railway map of British India, including the subcontinent and Burma, also displaying the main road networks, navigable canals, steamship routes, and telegraph connections across the peninsular. This publication by the Survey of India Office includes a useful ‘References’ key giving information on the differing gauges in use across the region, and a colour code highlighting the lands under direct British administration in pink, ‘Tributary States’ in yellow and ‘Independent & Foreign Possessions’ in Green. A notice records the price for colour as ‘Five Rupees’, as against ‘Four Rupees’ without. Prepared under the direction of Colonel Henry Ravenshaw Thuillier, who as his father before him, served as Surveyor General of India from 1887 to 1895. Here Baluchistan is shown as an enclave of the British Raj. This strategically important territory lies in modern-day Pakistan, and is situated around the natural fort town of Quetta located high in the Chiltan mountains. It came under direct British rule in 1876, securing the vital Bolan Pass though which British troops under the command of General Michael Biddulph passed during the Second Anglo-Afghan War...

The Artists Art Palette French School oil painting on board, framed board: 14 x 9.5inches provenance: private collection, the Luberon, Provence condition: ...

A fine 19th century gilt wood picture frame, magnificently decorated with large plaster mouldings in the scrolling acanthus style. This wonderful antique frame comes with a fitting c...

Great seascape from this exceptional and well collected British Impressionist.

A beautiful George VI sampler, hand embroidered by Leah Young in 1827. Cases of the alphabet, birds and heart motifs have all been created from open stitch, cross stitch, and stem st...

A fine 19th century gilt wood picture frame, magnificently decorated with large plaster mouldings in the scrolling acanthus style. This wonderful antique frame comes with a fitting c...

Amy Winehouse Red by BATIK Archival pigment pop art print signed & limited edition. paper size 30x30" inches / 76 x 76 cm signed and numbered by the artist on front edition of 5 ...

An ornate 19th century gilt case picture frame, complete with original mount and floral and acanthus rococo mouldings. Elegantly lined with brown velve...

Aurelia is a painting in oil, acrylic and gold leaf on canvas by British artist Charlotte Aiken. Aiken is a Surrey-based artist, who responds to her surroundings through the medium o...

This exquisite portrait, presented by Titan Fine Art, was painted in the era of London’s Great Fire - a young woman has been depicted wearing the most luxurious attire and a fortune ...

William Anslow Thornley flourished between 1858 and 1898, almost all of his output were marine scenes, he was especially fond of depicting shipping at dawn or dusk. This is a very im...

David Hockney A Year in Normandie Ashtray by David Hockney (Numbered, Limited Edition of 170), 2022 Ceramic Ash Tray 7 9/10 × 6 3/10 in 20 × 16 cm Edition of 170

Daniel Arsham Heinz Tomato Soup Selfridges Exclusive 2019. Ltd edition of 3,000 Excellent Condition, some slight marks to paper. Hard to come by in this condition. 4 1/4 × 3 × 3 i...

Dimensions: 23.4 x16.5 inches Offset Lithograph in colors on glossy satin poster paper. Excellent condition

A vibrant floral & botanical embroidery depicting parrot tulips intertwined with red berries and smaller spring flowers. Presented in a stunning o...

Blue Yonder is an original oil over acrylic on canvas painting by American artist Monroe Hodder. Hodder’s abstract paintings are gloriously bold. Inspired by the urban backdrops of h...

Dimensions: 16.5 x 23.5 in / 59 × 42 cm Medium: Offset lithograph exhibition poster print on white satin paper.

This portrait depicts an elegant, aristocratic women wearing a yellow silk dress with white chemise and a red mantle elegantly draped around her body. By tradition the portrait represents Mary Capel, Countess of Essex. Born Lady Mary Bentinck in 1679, she was the daughter of William Bentinck, 1st Earl of Portland, a Dutch and English nobleman who became in an early stage the favourite of stadtholder William, Prince of Orange (the future King of England) and his wife Anne Villiers (died 1688). Lady Mary's maternal grandparents were Sir Edward Villiers and Lady Frances Howard...

The Octopussy with signature on the suckers, and the artist's thumbprint (on the reverse) screenprint on earthenware, with underglaze paint 37 cm. (14 ½ ) diam. 6.1 cm. (2 ⅜ in....

This beautiful portrait was painted circa 1725 and is a fine example of the English eighteenth century portrait style. The artist has chosen to depict the lady in a simple blue silk dress and without jewelry or a background, thus allowing the viewer to concentrate solely on the beauty of the sitter. The effect of this restrained manner creates a sense of understated elegance. The portrait genre was valued particularly highly in English society. Neither landscapes nor allegorical pictures were ever priced so highly at exhibitions and in the trade as depictions of people, from the highest aristocracy to scholars, writers, poets and statesmen. With the rich colouring and lyrical characterisation, these works are representative of the archetypal English portrait and is are very appealing examples of British portraiture...

This unique work in colours is hand signed in pencil by the artist "Wesselmann", at the centre of the lower image. It is also dated in pencil “99” [1999] next to the signature. The...

This is a large Oil Painting on Canvas, it came from a Country Estate in the UK. It is housed in its original restored gilt sporting frame. The painting is not only really well exe...

A beautiful and large Impressionist Oil painting of Lake Como in Italy. Inspired by recent commissions for the Lake District in the UK, Rene has approached this Oil in much the same way, the focus is on the swirling low mist which appears to be floating just above the water and of course the iconic building in the background. Villa Balbianello is one of the most famous landmarks in the Italian Lakes and is renowned for its beauty. Much of Rene's recent work has been whilst on location in Italy where he spends much of his time, he starts with a series of small pencil sketches...

Cactus Omelette by Ed Ruscha 2019 Screenprint on cotton 28 × 26 2/5 in 71 × 67 cm Edition of 100 Condition - Excellent, 'as new' condition Ed Ruscha is an American artist ce...

River In The Sea is an oil on canvas painting by American artist Monroe Hodder. Hodder’s abstract paintings are gloriously bold. Inspired by the urban backdrops of her life in New Yo...

An exquisite crewel work embroidery depicting a still life of red and orange chrysanthemums in a fine glass vase. The needle work picture has been well presented in a beautiful oak w...

A wonderful Oil pastel drawing by the artist Terrick Williams. Renowned as the foremost post impressionist painter in the Uk he left a diverse and stunning body of work. This arti...

[World War Two map] Dunkirk to Berlin June 1940 - July 1945 - A Map of the Journeys Undertaken by The Rt. Hon. Sir Winston Churchill, K.G., O.M. C.H. in Defence of the British Commonwealth and Empire. London, George Philip & Son Ltd., 1947. The map provides a record of Winston Churchill's journeys in the Second World War and the means by which the travels were made. His journeyswere to numerous political conferences from New York to Moscow, beginning with the ‘Atlantic Charter’ in 1941, which was the product of his meeting at sea with Roosevelt that established the general desire on both sides for a democratic, progressive post-war world. After a number of intercontinental circuits the map brings his journeys to an end at the Potsdam Conference of 1945, the historic meeting of the ‘Big Three’ (Churchill, Roosevelt and Stalin), to negotiate the post-war treatment of Germany. In addition, the map also illustrates Churchill's 1944 tours of the beaches of Normandy and the invasion coasts of Italy and Southern France. Featured at the bottom are illustrations of his travelling crafts, including the ships ‘King...

Titan Fine Art presents this portrait of a brave and chivalrous character. The gentleman has been depicted in armour, an elaborate full wig, and in accordance with the latest French fashion, an elaborate type of Venetian Gros point lace cravat and large silk bow (also called a cravat-string) – a type that were popular across Europe in the 1680’s. Point lace was fabulously expensive - a cravat was equivalent to six weeks income for a gentleman - and therefore indicative of a wearer's wealth and social class. A nobleman riding onto the battlefield would wear a lace cravat over his armour to demonstrate his status. The attire, along with the coat-of-arms, help to proclaim to every onlooker that the gentleman is a superior being. The depiction of the lace, apart from denoting the wealth of the sitter, was a deliberate way for the artist to demonstrate his own artistic ambition and technical skills Argent seasoned gule with three lozenges sable are those of the Crois family, who were minor nobility, originating from the Boulogne region in the north of France. The fact that the sitter is a high ranking noble excludes him as a member of the Crois family. As is so commonly the case, the coat of arms was a later addition, probably in the nineteenth century, by a family who sought to glorify their pedigree by adding their arms to the portrait. These arms are now an interesting part of the portraits history. The artist has captured a sense of the sitter’s character and the features of the sitter’s face have been rendered with great sensitivity. His confident gaze perhaps reflecting the near invincibility afforded by this steel suit. The work is a very good example of French portraiture from the period. Presented in an exquisite hand-carved and gilded seventeenth century frame - which is an exceptional work of art in itself. Pierre Mignard, known as le Romain, was a French painter of the court of the French King Louis XIV and was, with Charles Le Brun (1619-90), one of the most successful painters during the reign of Louis XIV. After training in Troyes, where he was born, and in Bourges, Mignard joined the studio of Simon Vouet in Paris in 1627. He went to Italy in 1636 and remained there until 1657. He studied the work of Correggio and Pietro da Cortona in Rome as well as copying Annibale Carracci's frescoes in the Palazzo Farnese. On Le Brun's death in 1690 he succeeded him as its Director and as First Painter to the King painting...

David Shrigley Animal Series (Set of 4), 2020 Printed on 200g Munken Lynx paper 31 1/2 × 23 3/5 in 80 × 60 cm

A fabulous example of 1960s geometric/op art, displaying all the fun, playfulness and vibrancy of the style. Op art, short for optical art, is a style of visual art that uses optical illusions. Typically, they give the viewer the impression of movement, hidden images and vibrating patterns. Its roots can be traced back to Cubism, Futurism, Constructivism and Dada. The maker of this stunning piece is Tony Gonnet (1909-2004) an artist close to those who shaped modern art and its history. Working in Casablanca in 1940 he met André Breton and Saint-Exupéry, who were both on their way to America. Unable to obtain a visa for himself, Gonnet returned to Paris in January of 1942. Living on Rue de Seine, he became one of the figures of Saint-Germain-des-Prés and numbered amongst his many friends Jean-Paul Sartre, Simone de Beauvoir, Jean Genet – who prefaced his first Parisian exhibition in 1952 – as well as Albert Camus, Simone Signoret, Boris Vian, Jacques and Pierre Prévert and many others. In 1941, in the ennui of Casablanca, Tony Gonnet had started to draw, and then paint, in a Surrealist style. In 1946 he abandoned figurative surrealism in favour of abstraction, making sole use from then on of geometric forms and shaded tones, in his own unique style. His works aim to achieve harmony of shapes and colours, and thus to bring joy. Tony Gonnet loved life, and said that each of his works was an offering made to it. With solo shows in major Paris galleries...

Portrait of a Lady in an Elaborate Stone Cartouche c.1675-80 Mary Beale (1632-1699) Titan Fine Art present this superb portrait where the sitter has been portrayed wearing a low-cut white chemise under a gold silk robe with a draped light...

Anthony Klitz British 1917 - 2000 Klitz was born in Southport and studied both Art and Architecture at Cheltenham College of Art. Hi is famous for his cityscapes, most notably Lond...

The sitter in this superb portrait, presented by Titan Fine Art, is shown with the grandiloquence characteristic of the eighteenth-century French school of painting. The young nobleman has been portrayed wearing an ingeniously embellished French ceremonial armour, a mauve cloak, and an abundance of cascading curls falling below his shoulders. Our portrait proclaims to every onlooker that this is a superior being. The manner in which portraits were painted was set out by the terms of the commission and usually marked significant life events such as a betrothal, a death, elevation of rank… but they almost always emphasised the wealth and importance of the sitter. This type of portrait had become a standard format for aristocratic portraiture in Europe during the last quarter of the seventeenth century up to the middle of eighteenth century. Incorporated into the background was often a raging battlefield or a military encampment; our portrait is free from these trappings and contains a dramatic moody sky ensures the viewer focuses mainly on the subject. The features of the sitter’s face have been captured with great sensitivity, his confident gaze perhaps reflecting the near invincibility afforded by this steel suit. The flamboyance and penetrating sense of character, lending an air of noble expectancy to the composition, seems almost eclipsed by the artist's virtuosic handling of paint. It is not hard to understand why many wealthy sitters commissioned the artist to paint their portraits. Such fine and ornate armour was not actually used on a battlefield and thus its portrayal in portraiture was largely symbolic of a sitter’s wealth and status as well as a claim of succession to a chivalrous tradition. The style of hair and neckcloth were fashionable circa 1740. Held in an exquisite eighteenth century carved and gilded frame - a fine work of art in itself. Louis Tocqué was a very successful French portrait painter active during the Rococo period of art. His work was known for its attention to detail, its portrayal of the character of the sitter, the refined postures, and the delicacy of the rendered draperies. He created both realistic and expressive portraits. Tocqué was born in Paris in 1696 and trained with the famous portrait painters Hyacinthe Rigaud, Nicolas Bertin, and Jean Marc Nattier whose daughter he later married. He entered the Academy in 1731 and became a full member in 1734 with his portraits of Galloche and the sculptor Jean Louis Lemoine, and he pursued a brilliant career as a portrait painter, receiving numerous commissions from members of the French aristocracy and royalty. His works were highly sought after by collectors of the time, and his reputation earned him the appointment of official portrait painter to the court of France in 1746 – in fact he stayed at most of the courts in northern Europe. From 1737 to 1759 he exhibited a large number of works at the Salon. Tocqué's paintings can be found in museums and private collections around the world. Recent sales...

This charming work is a good example of the type of portrait in vogue during the first quarter of the eighteenth century in Britain. The sitter, portrayed bust-length, wears a russet silk dress over a white chemise...

Marriage Flag, 2018 Grayson Perry Handmade cotton fabric and embroidery appliqué flag From the edition of 45 Published by Victoria Miro Gallery, London Multiple: 97 × 143 cm (38....

Limited edition of 250 Fine bone china 10.5" diameter; 26.7 cm Printed signature and edition details on verso Custom artist box with printed signature Dishwasher and microwave safe...

A delightful silhouette study of a man in fine dress carrying a bag. The figure is depicted on his toes giving him an air of elegance and poise. Unsigned. Presented in a dark wooden ...

Handwoven stretched lampas panel, made on a 32 shaft Leclerc Weavebird loom medium: Cotton and silk, stretched and framed in painted wood

"Cote d'Azur" Oil on Canvas, 15 by 31 inches, Signed and Framed (Framed size is 23 by 39 inches) By Jean Potronat, French 1921 - 1997 This is a large, colourful and atmospheric oi...

Anyone who is a fan of Hercules Brabazon Brabazon will love this painting! Venice is one of the artist's most favoured and frequented location for his wonderful loose atmospheric fi...

This is a limited edition lithograph that is untitled. It was originally in a catalogue and consequently there is slight evidence of a fold in the centre. We have had this ironed by ...

Offset lithograph From an unknown edition size From the poster stack exhibited at Barbara Krakow Gallery, Boston, MA in 1990. The work is double sided.

"Flamenco Dancer in Red Dress" by Rene Legrand (Born 1953) Oil on Canvas, Signed and Framed Beautiful and evocative portrait of a young Flamenco Da...

Handwoven stretched lampas panel, made on a 32 shaft Leclerc Weavebird loom medium: Cotton and silk, stretched and framed in painted wood