United Kingdom - Landscape Paintings

Piazzo San Marco, Venice by Etienne Auguste Krier (1875 - 1953) oil on board, framed framed: 10.5 x 7.5 inches board: 8 x 6 inches Provenance: private collection, Paris Condition: v...

Coast Scene with Sand Dunes signed by Georges Bordonave (French contemporary) dated 1976 oil painting on board, unframed board: 21.5 x 26 inches condition: very good provenance: from...

'Wandering Geese' Oil Painting By J.B.Holmes, British artist, 20th Century Oil painting on board, unframed Signed and dated 'Aug 1983' Board size: 10x8 inches Wonderful oil paintin...

George Hornemann, is an unknown painter of either Swiss, Austrian or German extraction. Our curators have so far been unable to trace this artist where we are wondering if the name a...

Magnolia in the Mist by Gemma Bedford [2019] original Acrylic and mixed media Image size: H:101 cm x W:75.5 cm Complete Size of Unframed Work: H:101 cm x W:75.5 cm x D:2cm Sold U...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Step into the enchanting world of "Gardeners' Corner" by John...

Abraham van CUYLENBROCH (1620-1658) Diana With Her Attendants in a Grotto 1651 signed oil on panel 12.2 in x 15.7 inches, inc. frame; 31 x 40 cm Provenance: Sale of Sotheby's Lo...

The Woodland Cottage English artist (Suffolk School), 19th century oil on canvas, framed framed: 12.5 x 14.5 inches canvas: 10.5 x 12.5 inches provenance: private collection, Suffolk...

Anchored Boats In The Early Morning signed by Fanch Lel (French b. 1930) size: 8.75 x 10.75 inches oil painting on board, unframed condition: the painting is in very good condition....

Signed oil on board landscape circa 1860 by Barbizon painter Narcisse Diaz de la Pena. The work depicts a view of a clearing in a forest, with large rocks scattered around. A break above the trees shows a dark nighttime sky. Signature: Signed lower left Dimensions: Framed: 27"x32" Unframed: 17"x22" Provenance: Vente Diaz, Hotel Drouot, Paris, January 1877 Holland Galleries, New York c. 1900 M. Knoedler Gallery, New York; Valuable Modern Paintings Collected by the Late James Buchanan Brady Sotheby's - Sale of James Buchanan Brady at the American Art Association, New York, January 14, 1918 (Sold $1,550.00 USD) Collection Lawrence & Champeau East, New York Literature: This work is included in the Catalogue Raisonne of Narcisse Diaz - Pierre Miquel, Rolande Miquel, Narcisse Diaz De la Pena, Catalogue raisonne de l'oeuvre peint 2006, vol. II, p. 186, no. 1209, illustrated Narcisse Virgilio Diaz de la Peña's father, Thomas, a bourgeois from Salamanca exiled by King Joseph following a political conspiracy, had settled in Bordeaux with his wife Maria Manuela Belasco. The family then moved to England, believing they could find a safer sanctuary there. However, Thomas died after three years, leaving Maria with sole responsibility for her child's education. She returned to France, moving to Bordeaux, Montpellier and Lyons in quick succession before finally settling in Paris, where she supported herself and her son by teaching. Narcisse was scarcely ten years old when she died, and he was taken in by a Protestant minister who led a secluded life at Bellevue. He took refuge in solitude, spending time in the woods at Fleury, Meudon, Sèvres and St-Cloud. Whilst out walking, he was bitten by a viper and had to undergo an amputation due to blood poisoning. He initially found employment with a printer, where he worked under particularly difficult conditions, before finding employment in a porcelain factory in Paris. He studied for a while with the painter Souchon, David's former pupil, although Diaz was largely self-taught. He exhibited for the first time at the Paris Salon in 1831, and then nearly every year from 1834 to 1859, sometimes showing three or even four pictures. In 1831, he exhibited Love Scene. In 1834, he showed Flight of the Turks; A Turk; View of the Region around Saragossa; and Archers Pursuing Wicked Boys. In 1835: the Battle of Medina-Coeli; Spanish Girls Bathing by a River; and Park, Stirling Castle. In 1836, the Adoration of the Shepherds. In 1837: Ferry Crossing with the Effect of the Setting Sun; A Mill, Sunset Effect; and View of the Gorges of Apremont. In 1838: Old Ben Emeck, Retired to Lush Countryside, Tells His Wives the Extraordinary Adventures of His Life as a Pirate. In 1840: Nymphs in Calypso's Grotto Sing of the Battles of Ulysses; and Women of Algiers. In 1841: The Dream; and Flight into the Desert. In 1844: View of Bas-Bréau; Bohemians Going to a Festival; Evil Spell; and Oriental Woman. In 1845: Portraits of Mme A.; Mme L. L; and Mme de T. In 1846: Deserted Women; Garden of Love; Forest Interior; Enchantress; Leda; Oriental Woman; Desertion; and Wisdom. In 1847: Bas-Bréau; Forest Interior; Dogs in a Forest; Oriental Repose, The Dream; Oriental Woman; Women of Algiers; Conversation; Cupid Waking a Nymph; and Bathing Girl In 1848: Diana Departing for the Hunt; Venus and Adonis; Bohemians Listening to the Predictions of a Young Girl; The Walk; and Pack in the Forest of Fontainebleau. In 1855: Last Tears; Nymph Tormented by Cupid; The Rival; Nymph Asleep; and End of a Beautiful Day. In 1859: Galatea; Cupid's Education; Venus and Adonis; Cupid Punished; Don't Come In; Fairy with Toys; Viper Pond; and Portraits of Mme A. F. and Mme S.. Diaz was primarily an independent painter. The essential and characteristic difference between Diaz's style and that of, say, Théodore Rousseau resides in the fact that Diaz painted the ephemeral. In his woodland scenes, he observes the movements of light and shade over a very small area. By contrast, Rousseau paints vast landscapes, evoking a sense of permanence that corresponds to their dimensions, in which variations of light and shade do not appreciably affect the subject as a whole. Diaz was essentially a painter of the moment, and because of his 'snapshot' approach he can be considered a Pre-Impressionist. His influence was far-reaching. Monticelli, who used a knife and depicted forms imprecisely, was influenced by him, as was Fantin-Latour, who adopted the same principles and used no definite structure in his brushwork. Fantin-Latour was a great friend of Renoir, in whose home it wasn't unusual to find Diaz. Diaz's colour and design, and even his brushwork, can be found in Ziem's Venetian extravaganzas and magical oriental worlds. Comprehensive exhibitions of his work have been rare, although he is frequently represented in group exhibitions dedicated to the development of landscape painting or to the Barbizon School. However, the 1877 exhibition at the École National des Beaux-Arts in Paris and the 1968 exhibition at the Pavillon des Arts in Paris are worthy of note. Museum and Gallery Holdings Amsterdam: Idyll; Flowers Amsterdam (Stedelijk Mus.): Flowers; The Wood; Eurydice Wounded Bayonne: Landscape Berlin: Forest Interior Béziers: Landscape Bordeaux: Forest of Fontainebleau Chantilly: Mme la Duchesse d'Aumale's Bedroom Ceiling Clamecy: Forest Study Glasgow: In the Forest; Flowers; Flowers Grenoble: Cupid Disarmed...

Maggy Clarysse (1931-2011) Oil on thick card, unframed 9.75 x 7.5 inches Signed ...

Natures Rebellion- *Due to the size this piece will be taken off the wooden frame and the canvas will be shipped rolled in a tube* This painting has been infused with little gold cir...

The River Landscape by Andre Rodet (French, dated 1946) signed and dated 1946 oil on board, framed framed: 16.5 x 21.5 inches board: 13 x 18 inches Provenance: private collection, F...

Title: French Impressionist Oil Painting of a Coastal Lighthouse By Fanch Lel (French b. 1930) Size: 7.5 x 9.5 inches (height x width) Oil painting on board, unframed Condition: The ...

Corrèze Valley at Aubazine signed by Regine David (female French artist, 1910-2018) watercolor painting on artist paper, unframed panting: 8 x 10.5 inches inscribed verso condition: ...

The Old Chateau French School, 19th century signed with initials oil painting on canvas, framed framed: 14 x 18 inches canvas: 11 x 15 inches Provenance: private collection, England ...

The Horse & Cart French School, late 19th century circle of Camille Pissarro (French 1830-1903) oil on canvas, framed framed: 18 x 24.5 inches canvas : 12.5 x 20 inches Provenance: p...

The Thatched Cottage Suffolk School, 19th century indistinctly signed & dated verso oil on canvas, unframed canvas: 13 x 19 inches provenance: private collection, England condition: ...

This painting reflects the Hebrides and particularly Skye with its rugged terrain and wild weather. The atmosphere and wild beauty of the place gives me so much inspiration to captur...

French Yellow House French Post-Impressionist, early 1900's period Oil painting on canvas, unframed Canvas: 16 x 10.5 inches Condition: The painting is in lovely condition, with brig...

Hampshire Garden I by Dylan Lloyd [2021] original Oil paint on board Image size: H:30 cm x W:24 cm Complete Size of Unframed Work: H:30 cm x W:24 cm x D:2.5cm Framed Size: H:40.5 cm...

This artwork "Crashing Waves on Rock"" circa 1978 is an oil painting on hard board by noted California artist Robert Wee, 1927-2021. It is signed at the low...

Rene Charles Edmond HIS 1877 - 1960 Provenance: This was owned by the highly prestigious company Stacey Marks who worked directly with the artist and imported directly from his stud...

This endlessly charming mid-19th-century English oil painting depicts a rural scene with a family, cattle, pond, and cottage. A mother and child pause to observe a drover, perhaps f...

Winter beach walk' Holywell Bay, Cornwall is an original painting by Gordon Hunt. It show a view from the top of the headland by the beach. Looking back a...

French Landscape signed by Josine Vignon (French 1922-2022) ...

On the Beach French Impressionist, 20th century signed oil on canvas, unframed canvas: 20 x 16 inches provenance: private collection, France condition: very good and sound condition

This Italian landscape is an oil on canvas, framed behind glass in its original gallery frame, by Susan Isabel Dacre. A superb painting, painted circa 1888. Dacre was an early member of the Feminist movement and a member of the Manchester arts community. She travelled with Lord Leighton and exhibited widely. This work shows influences of early British impressionism. The painting depicts an Italian landscape with a road sweeping around a hill with dwellings and trees. The brushwork and palette are superb. An excellent example of a 19th century women artists work. Signed lower left. Provenance. Family collection. Condition. Oil on canvas. Image size 13 inches by 10 inches. canvas in original excellent condition. Housed in an original gilt frame 20 inches by 17 inches approx. and in good condition. Susan Isabel Dacre (1844 – 1933) was an English female artist of the Victorian era. She was born in Leamington, Warwickshire, and was educated in Salford. For the decade of 1858–68 she lived in Paris. After a winter in Italy (1869), she returned to Paris, and was present during the Franco-Prussian War and the Paris Commune. She returned to England in 1871 and began studying art at the Manchester School of Art, where she won the Queen's Prize in 1875. She began a lifelong friendship with fellow artist Annie Swynnerton; the two women pursued their art studies in Rome and Paris between 1874 and 1880. Around 1872, Lord Leighton dictated notes and observations on his methods of painting and composing his pictures to Susan Dacre during a stay on the island of Capri. From 1877-1880 she was in Paris at the Académie Julian with a fellow - pupil Marie Bashkirtseff...

Artist/ School: Claudine Riboulet (French 1924-2013), signed Title: Boats in Harbour Medium: oil painting, on canvas. Size: framed: 23.75 x 28.75...

Sheep by an Idyllic Tree Lined River Landscape in Ireland by Modern 20th Century Irish Artist, Frank Fitzsimons Art measures 18 x 14 inches Frame measure 21.5 x 17.5 inches Frank Fitzsimons was born in Antrim but grew up in Bangor, Co Down in the 1930’s. Fitzsimons joined the Belfast Art Club where he painted with Maurice Canning Wilks...

"The Working Landscape" Italian School, 17th century oil painting on canvas, framed canvas: 42.5cm x 60cm framed: 50.5cm x 68cm Fine quality Italian Old Master oil painting on can...

Beach Scene Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16 inches Provenance: private collection, France Condition: great condition For more any mo...

Tranquil Coastal Scene Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16 inches Provenance: private collection Condition: great condition For more any ...

'Mountain Landscape', oil on canvas, by Louise-Jeanne Cottard-Fossey (circa 1950s). A very idyllic, verdant scene depicted by this renown French fem...

Title: British Impressionist Watercolor of a Tree-Lined Boulevard with Figures By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimens...

A charming depiction tranquil lake in high summer. Signed to the lower right. Presented in a gilt frame with decorative c-scrolling to the cove. On canvas.

Laying the Nets by Andrew Grant Kurtis (British contemporary) signed oil painting on canvas, framed framed: 24 x 35 inches canvas: 20 x 30 inches provenance: from a UK collection co...

A fluidly painted impression of this well known sailors' haven at Pin Mill on the River Orwell, Suffolk. Hugh Boycott Brown (1909-1990) Thames Bar...

Swans on a River with Wild Flowers in the English Countryside by British Artist, Andrew Grant Kurtis M.A.(Lon) B.Des.(Hons) L.S.I.A.D. Art measures 24 x 20 inches Frame measures 32...

Margaret J. Hambling CBE (born 23 October 1945) is a British artist. Though principally a painter, her best-known public works are the sculptures A Conversation with Oscar Wilde and ...

Harbor at Dusk signed by Fanch Lel (French b. 1930) Size: 18 x 21.5 inches Inscribed verso Oil painting on canvas, unframed Condition: The painting is in good condition, with minor s...

Artist/ School: French School, mid 20th century, signed M.Masse and inscribed verso with old gallery labels Title: The Riverside Path Medium: oil on board, framed Framed: 21.5 x ...

Maggy Clarysse (1931-2011) Oil on thick card, unframed, 6 x 5.75 inches Signed Inverso ...

Elevated View of Sussex Town in the Countryside of the South of England in Summer, by 20th Century British Artist, Christopher Osborne. Art measures ...

Impasto Abstract Seascape Landscape Miniature Study by Contemporary British Artist Angela Wakefield Art measures 5 x 5 inches Frame measures 11 x 11 inches Angela Wakefield – “Coas...

This fabulous vibrant French Victorian Venetian landscape oil painting is by noted artist Germain Fabius Brest. It was painted circa 18...

Artist/ School: British School, early/ mid 19th century Title: The Shipwreck in the Storm Medium: oil painting on canvas, framed framed: 15.25 x 19.25 inches canvas: 12 x 1...

Leading them Home British School, early 20th century oil on board, unframed board: 7 x 10 inches provenance: private collection, UK condition: gilt rubbing to the edges from a forme...

William John Huggins (1781-1845) A Ship in Two Positions Off Dover oil on canvas Unsigned 33 x 45 inches, inc. frame William John Huggins, of wh...

Title: British Impressionist Watercolor of Riders on Country Path at Sunset by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15...

Small Square Abstract Landscape Canvas Art Study with Red & Yellow by Contemporary Artist, Angela Wakefield Art measures 6 x 6 inches Frame measures 11 x 11 inches Angela Wakefield...

Montmartre French school, 20th century Signed lower corner oil on board, framed framed: 12 x 14 inches board: 8 x 10 inches private collection, France the pa...

Title: British Impressionist Watercolor of Summer Lane with Verdant Trees and Buildings by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 10.75 x 15.25 inches (Height x Width) Signed: Yes Condition: Good, with some minor signs of aging. Provenance: from a large collection of this artists work, held in England. Description: In this serene watercolour by British artist A.J. Avery, we are drawn into a peaceful country lane bathed in soft summer light. Lush, overhanging trees frame the path, their dense foliage casting dappled shadows that ripple across the road, creating a harmonious blend of light and shade. The painting captures the essence of a warm, lazy afternoon, where the subtle play of sunlit patches brings life to the shaded lane. The background reveals glimpses of rustic farm buildings, rendered in soft earthy tones that blend naturally into the surrounding greenery. A crossroad sign stands...

Title: British Impressionist Watercolor of Beach Scene with Dramatic Sky and Walker by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11...

ARTIST: Paul Louis Bolot (1918-2003) French TITLE: "Landscape In Chardonnay France" SIGNED: lower right MEDIUM: oil on canvas SIZE: 76cm x 67cm inc f...

Vintage Lakeland Landscape Painting with Sheep by 20th Century British Artist, Peter McKay Art measures 20 x 16 inches Frame measures ...

Title: Mid-20th Century Post-Impressionist Watercolour of Boats and Lighthouse by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Watercolor on unframed paper Size: ...

Signed indistinctly 'E. H.' to the lower left. On canvas.