USA - Landscape Drawings and Watercolors

Bright and bold shipyard by an unknown artist. Presented in a new cream mat. Paper size: 10.25"H x 14.25"W; Mat size: 13"H x 18"W

"The Stroll at Sunset" (2024) by Mo Myra is a watercolor painting on paper that depicts a moody sunset. Mo Myra, born in 1990, is a Connecticut-based artist celebrated for her plei...

Artist: Arnold Grossman (American, 1923-2016) Title: The Old Factory Year: c.1980 Medium: Watercolor Paper: Watercolor paper Size image: 16 x 21 in...

Lovely 19th century watercolor painting with an angler in a mountain stream landscape painting, this is signed William Bradley with a place and date on the lower left hand corner. Mists fall over the central mountain rising above the stream with rocks and boulders. A mountain ridge is on the left, and trees above boulders on the right. William radley Lamond was a self taught artist flourishing from mid to late 19th century. This would be a later work by this artist. The attribution is based on the period, the style the landscape subject and signature. The painting is presented in an attractive new wooden frame with fresh glass...

Vibrant watercolor painting of a house at the end of a hill by Doris Ann Warner (American, 1925-2010). Doris Ann Warner began as an Abstract Expressionist painter, but was primarily ...

A fantastic industrial drawing dated 1935, which depicts the former Plymouth Motor Company's Powerhouse in Buffalo, NY. Housed in a contemporary frame presentation this unique work ...

Vibrant watercolor still life of primroses and fruit by Les (Leslie Luverne) Anderson (American, 1928-2009). Signed "Les Anderson" bottom left. Unframed. Image size: 15"H x 23"W Le...

Mid-century pen and ink drawing of horses and hay wagon by artist Irmgarg von Reppert, circa 1960. Signed lower right. Original artwork on paper displayed o...

This framed work is one-of-a-kind colored pencil & collage on archival pigment print. The work itself is 20" x 16", and it is framed to 26" x 20" in a contemporary, simple white wood...

Green Landscape Pastels 2023 8.5 x 8.5

This framed work is one-of-a-kind colored pencil & collage on archival pigment print. The work itself is 20" x 16", and it is framed to 26" x 20" in a contemporary, simple white wood...

My work is about something I wish I could have seen, imaginary worlds, a commentary on awe that is inspired by nature, science, and history. Objects in my work are a stand in for the...

Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern Reginald Marsh (American, 1898-1954) Brooklyn Bridge, 1940, Signed and dated Reginald Marsh May 1940 (lr), Watercolor over traces of pencil on paper , 15 x 22 inches sight. Reginald Marsh was born in Paris, France in 1898, the child of artist parents. He was born over a small cafe on Paris' Left Bank. He was brought to the United States in 1900 and was drawing before he was three. He studied art at Yale University and the Art Students League, during which time he worked primarily as an illustrator for New York newspapers and magazines. After studying in Paris in 1925 and 1926, he turned seriously to painting. In 1929 he was introduced to the egg-tempera medium, which he used extensively the rest of his life. Marsh's gusto for painting the bottom crust of society contrasted curiously with his background. His parents, both well-known artists, were steeped in academic traditions. He attended Lawrenceville Academy and Yale; perhaps this elite background made it possible to paint the earthy people he did with a journalist's objectivity. An admirer of Rubens and Delacroix, he disliked modernist art; indeed, his lifelong preoccupation was with people - enjoying themselves at beaches, at amusement parks, or on crowded city streets. Marsh was a second-generation Ash Can School painter and printmaker, best known as an urban regionalist. He spent his days sketching in small notebooks...

Leon Dolice New York Harbor Nocturne Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...

Two Men on a Street Early 20th Century w/c Fauvism Social Realism American Scene Note: We have three similar in style works from 1911 available now on 1stDibs. All are framed identi...

Michaela Jean is an accomplished painter, devoted gardener, and mother from Southern California (USA). Her lifelong passion for art and nature began in childhood, inspired by her gra...

This drawing reveals the artist's mastery of the medium and her connection to her subjects. In this one, we peek beach-strewn seashells from her travels to Sanibel Island boast bubbl...

Dorothy Rivo Untitled (Bridge Tower), c. 1960s–70s Acrylic on paper, floated in a mat Framed dimensions: 30 in. H × 24 in. W Contemporary walnut or black wood frame with white archiv...

Bright watercolor landscape of a sailboat drifting in a small cove ringed by red rock mountains by artist M. Balestié, circa 1930. Titled lower left and signed lower right. Original...

Represented by George Billis Gallery, NYC & LA --RUSS HAVARD Artist Statement I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flourish ...

Framed 13.25 x 14.13 in Signed to margin

Ghost Ranch Encantado 22 x 22" image size watercolor, unframed. Shrink-wrapped on poster board. I document the essence of the landscape everyday. I am interested in those untouched...

I've included a photo here of the blue sticker a movie studio put on the back of this beautiful old German pastel when they rented it from my Magazine Street gallery for the shoot of...

This artwork titled "St Emilion" c.1970, is a watercolor by American artist Wayne Ensrud, b.1934. It is signed at the lower right side by the artist. The artwork size is 19 x 24 inches, framed size is 22.75 x 27.5 inches. Custom framed in a wooden ornate gold frame. It is in excellent condition. About the artist:. Wayne Ensrud was born in Minnesota where he received his BFA from the Minneapolis Institute of Art. As a student he met Oskar Kokoschka, the artist-in-residence at the Institute, who profoundly influenced Ensrud's work and has remained his friend and mentor ever since. When Pablo Casals conducted his Master Class Series at Berkeley. Wayne Ensrud had the honor ot being invited to execute drawings of the great cellist during those sessions. and this year when the New York Chamber Society celebrated its 10th anniversary.Ensrud was asked to sit in on rehearsals and sketch the world famous violinists ltzhak Perlman and Pinchas Zukerman. Actress Jayne Mansfield, novelist Alex Waugh, wine connoisseur Alexis Lichine are among others who have been portrayed by Ensrud. Mr. Ensrud has been a free-lance art director and animator for ABC, CBS, and IRM IBM contracted him to he the series, "Computer and the Mind of Man", which has been translated into 18 languages and won several international awards. For ABC he created the film animations for the Gemini Space Programs. He taught film animation at Pratt Institute for tour years. Ensrud was Art Director at the University of California at Berkeley for the Department of Motion Pictures and Television and he was Executive Art Director of Channel 13-TV, New York City. Mr. Ensrud has art directed over 30 films and lust completed a film for television starring Richard Basehart. He has illustrated the writings of Odgen Nash, John O'Hara, and John Fowles...

"Basketball Diaries" is an original piece by Sean 9 Lugo, known artistically for his murals and street art. The piece is made from acrylic and ink on mixed media panel and was debute...

Leon Dolice New York Harbor Nocturne Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...

Lionel S. Reiss (1894 - 1988) New York City Skyline View from the East River Watercolor on paper 13 x 19 inches Signed lower left In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...

Eizo Kato: 1906-1972. Well listed Japanese artist with auction records for watercolors over $8500. This is a magnificent tropical scene, probably in Japan or another pacific island. ...

"Patch of Light" is a watercolor by award-winning L.A. artist and architect Thomas W. Schaller. The painting depicts the weathered facade of a historic building in Havana, Cuba draped with sporadic cast-shadows and a tangle of powerlines stretched across the foreground. Look closely to see the dog peering from the doorway. This watercolor painting of architecture is primarily painted in tan, brown, purple, and navy colors. For more works by Thomas Schaller...

Contemporary organic abstract watercolor painting by Texas-based artist Tina Ruyi. The work features red, blue, and yellow cylindrical shapes in a wavy pattern reminiscent of a rolli...

Clara Deike (American, 1881-1965) Capri, 1927 Watercolor on paper Signed and dated lower right 11 x 10 inches 14.25 x 13.25 inches, framed A graduate of the Cleveland School of Art ...

Christina Haglid Monolith No. 5 watercolor and gouache on paper 8h x 9w in 20.32h x 22.86w cm CMH071 Artist's Statement Tiny Sanctuaries There has always been an intersection betwee...

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

Sandy Litchfield brings her magical abstracted landscapes to a new medium in her recent colored pencil drawings. Loose, delicate lines scramble over one another, bringing a diffuse, ...

Original watercolor by John Whorf; winter scene Signed lower right: John Whorf Framed dimensions: 21 x 27 inches John Whorf was born in Boston in 1903. His father, Harry Whorf, was ...

Artist: Charles Levier, French (1920 - 2003) Title: Red Head Year: circa 1965 Medium: Watercolor, signed l.r. Image Size: 19.5 x 15.5 inches Size: 28 x 21.5 inches

Aaron Berkman was born in Hartford, Connecticut in 1900. In 1916 Berkman attended the Connecticut League of Art Students, founded by Charles Noel Flagg. Beginning in 1919 he studied under Albertus E. Jones at the Hartford Art School. Berkman was influenced during this time by George Inness and John Singer Sargent and the Old Masters. He received a scholarship to the Museum Art School of Boston in 1921 and then traveled to Europe, remaining there from 1924 through 1925. He spent time in France, Italy, Spain, Holland and Belgium. In 1929 Berkman moved to New York City, continuing a friendship and painting relationship with Milton Avery. He was appointed by the W.P.A. as Director of the WPA Art Center at the 92nd Street Y in New York City. Berkman helped established the A.C.A. Gallery in New York City at 52 West 8th St., the first Artist Cooperative Gallery in New York City. He spent summers on Monhegan Island in...

The Day The Earth Stood Still (TDTESS) collection of drawings, wall artworks and installations focuses on images which captured pivotal events that are etched in memory and subconscious, ie. the Moon...

This original color pencil drawing, Morning Near Arizona (1888), is a captivating depiction of a Southwestern desert landscape by renowned artist George Elbert Burr (1859-1939). Crea...

Church in Prague by Kamil Kubik, Czech/American (1930–2011) Pastel on Paper, signed l.r. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)

Blue and pink toned abstract landscape by Texas artist Patrick Palmer. The painting depicts two architectural arches against a cool and warm sunset sky. Pencil inscriptions are seen ...

Irises by Texas artist Julie England is an Ink and Watercolor, Oil on Yupo paper. The size of Irises is Image 26” x 40” Framed 31 ¼” x 45 ¼” Art is...

untitled (Maine Landscape near Mt. Desert Island) Watercolor on paper, c. 1945-1955 Signed by the artist lower left (see photo) Provenance: Estate of the artist Condition: Excellent ...

This artwork titled "Storm Cove Lighthouse" c.1950 is a watercolor on paper by noted California artist Nat Levy 1896-1984. It is signed at the lower right corner by the artist. The a...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally drop...

Katarzyna LIBROWICZ Polish French painter studied at the Academy of Fine Arts in Warsaw and arrived in France in 1937 . She studied with André Lhote in Montparnasse Paris and exhibited at the Salon d'Automne and the Salon des Independants . She is one of the painters of the School of Paris . Peintre polonaise.Elle étudia à l'Académie des Beaux-Arts de Varsovie, puis arriva en France en 1937. Elle suivit les...

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

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Temple of Isis Philae (verso) Dpouoble sided watercolor, 1902 Signed on front lower left: "Henry Bacon" and dated 1902 Note: The Temple of Isis is located on the Island of Philae at ...

This elegant original watercolor painting by renowned landscape artist Charles Partridge Adams (1858–1942) was created circa 1900 and captures a peaceful New England scene near Plain...

"Whew!" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed the piece in the lower left. It depicts a man on a motorcycle doing a wheelie on a be...

Beautiful original watercolor and gouache on archival paper by the famous American marine artist, Gordon Grant. The artwork depicts two rugged lobstermen bringing their catch ashore...

This stunning, original signed landscape painting by Charles Partridge Adams (1858-1942) captures the breathtaking beauty of a Colorado sunset along the Front Range, near Denver. The...

European Street Scene - Original Ink Line Drawing by Roxie Munro (American b. 1945.) Detailed architectural drawing of a European street scene, potentially Paris, by prominent illus...

Beautiful watercolor of London Bridge in Lake Havasu City, Arizona, a landscape of boats in the harbor by Bernard Epstein (Polish/American, 1910-2003). Presented in a blue wooden frame. Signed "Bernard Epstein" lower right. Image: 17.5"H x 23.5"W. Bernard Epstein was born in Grodno Poland in 1910. He came to Worcester MA in 1921, where he studied art at the Worcester Art Museum School. He pursued his art studies in Boston, graduating with a B.A. from Massachusetts College of Art in Boston and with a Master’s Degree in Fine Arts from Boston University. He continued his art studies in New York, where he attended the National Academy of Fine Arts in New York City, studying under the tutelage of Leon Kroll and Herbert Barnett. (2) He was the Art supervisor for the Uxbridge Public Schools for over 30 years, retiring in 1970 to pursue his interest in watercolors, oils and pottery. He opened an art gallery and pottery shop in North Eastham, MA that he operated for 26 years, retiring in 1996. (3) For over 50 years Mr. Epstein painted in his favorite haunts: Gloucester, Worcester, Provincetown and Lower Cape in MA; Old Orchard Beach...

Edward Lee Reichert (1919-2011) Texas Artist Image Size: 13.5 x 21.5 Frame Size: 22 x 29.5 Medium: Watercolor Dated 1989 "Springs Flowing" Canyon L...

PROVENANCE: Christie’s South Kensington, England, June 10, 1986; Maynards Auction, Vancouver, Canada, December 6, 1994. This 19th cent wc depicts Charles Darwin in the Beagle’s Tender, Coastal Patagonia, Argentina. The son of an English mother and the Austrian Consul General in London, Conrad Martens pursued a career in painting following his father’s death in 1816. From the age of sixteen he studied under landscape watercolourist Copley Fielding, absorbing the traditions of the English watercolour school and Joshua Reynolds’ theories on painting. In 1833 Martens joined the HMS Beagle on a scientific survey expedition at Montevideo, South America, as ship’s artist, replacing the ailing Augustus Earle. He befriended the ship’s naturalist, Charles Darwin, whose empirical observation of landscape forms and climatic conditions would influence Martens’ practice. Martens left the Beagle in Valparaiso in 1834 and travelled to Australia via New Zealand and Tahiti, settling in Sydney in 1835 and setting up a studio in Pitt Street. Patronised by the colonial elite, he fulfilled many commissions for watercolours of the local landscape and Sydney Harbour, including Elizabeth Bay c1838, which features the grand neoclassical edifice of Elizabeth Bay House, built for the former colonial secretary...

Eve Nethercott, American (1925 - 2015) - Woodstock (77), Year: 1958, Medium: Watercolor, Size: 14 in. x 20 in. (35.56 cm x 50.8 cm), Description: Eve Nethercott's serene depict...

Eve Nethercott, American (1925 - 2015) - House (46), Year: circa 1959, Medium: Watercolor, Size: 9 in. x 12 in. (22.86 cm x 30.48 cm), Description: Looking toward the white hou...

Eve Nethercott, American (1925 - 2015) - Forest Floor (P1.27), Year: circa 1960, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Scattered with...