USA - Photography

This bookscape is a compilation of books about Judiasm and was inspired by the artist's love for Israel.

"A single dark horse rearing up with a rock formation rising in the background A dark horse rearing up with the backdrop of a towering rock formation This powerful global series ex...

Contemporary minimalist aerial landscape photograph of orange summer sunset against blue mountains Archival digital print, Edition of 25 (#369) Image size 19.3 x 29 inches with 2 inc...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

An important original Pacific Northwest Native American photograph, by Benjamin Gifford (1859-1936), titled "Indian Madonna & Child", produced in the Dalles Oregon, 1901. Around 1900...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

"New moon" Photography 16" x 16" inch Edition of 24 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Avail...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, Electa Editrice Portfolios, 1980. Published and printed ...

Black and white studio portrait of actress Gloria Swanson in a floor-length fur coat, circa 1950. Gloria Swanson was an American actress. She first achieved fame acting in dozens of...

This is a contemporary black and white photograph of Wild Mustangs. "They represent the ultimate expression of American freedom" Framing available. Inquire for rates. Shane Russec...

This is a contemporary black and white photograph of an African Lion by Shane Russeck. 24x36 Edition of 50. Signed and numbered by Shane. Printed on archival paper and using archi...

11 x 14" vintage silver gelatin photograph of composer and diarist Ned Rorem with his close friend designer Gloria Vanderbilt, photographed in Jack Mitchell'...

An insipid notion (The astonished world) is a collection of unreal experiences caused by the feeling of late and inexperienced love, and the inability to fully know the experience of...

'Keith Haring Painted Man'/Keith Haring Into 84: A set of 2 announcement cards for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this series Haring borrowed Jones' body — from head to toe — as the canvas to his work. A bodily canvas defined by much of the bold pictograms characteristic of Haring's artistic signature. Photos by Haring's long-time friend and collaborator Tseng Kwong Chi. Looks fantastic framed as a set. Off-set printed gallery announcements, 1983. Dimensions: 6 x 4 inches (applies to each individual). Good overall condition with well-preserved colors. Some surface creating to red card. Unsigned from an edition of unknown. Further About: In 1983 Keith Haring teamed up with award-winning choreographer and dancer Bill T. Jones, founder of the Bill T. Jones/Arnie Zane Dance Company. Keith and Bill met in London in 1983 at a time when the graffiti artist was opening a major show at the Robert Fraser Gallery, and together they produced a series of exceptional collaborations in both performance and drawing. Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C. Related Categories Modern Dance. Ballet. Keith Haring Figurative Drawings. Keith Haring Into 84 poster. Keith Haring and Tony Shafrazi. Haring Shafrazi.

'Daydream Believer' (Bombay Beach) 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist ...

Leaving (Strange Love) - 2005 20x30cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a 35mm film. Signature label and certificate. Not mounted. In an age of in...

An underwater black and white nude photograph of a young woman in the pool. The photograph was taken with black backdrop. Original gallery quality archival pigment print on archival...

"Rebirth" Shibari Photography 24" x 24" inch Edition 1/15 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 24" x 24" inch Edition of 7 30" x 30" inch E...

Hand printed Silver Gelatin photograph by the artist. From film photography. All Natural Girl. Taken Big Sur, California Available in different sizes Matted to archival rag board Sig...

A contemporary photograph of a NOTORIOUS B.I.G. "LIFE AFTER DEATH" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro These ...

“Foreign Bodies” Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag From "Rite of Spring" series In this melancholy se...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

"Fertile Grounds" Nude Photography 40" x 32" in Ed. 1/3 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 20 x 16 inch Edition of 7 30 x 24 inch Edition...

This late 1980s portrait photograph, captured by society photographer Slim Aarons, Principe Dom Pedro De Orleans E Braganca, grandson of Brazilian emperor Pedro II. He is pictured at...

Artist: Man Ray (American born, 1890 - 1976) Title: SIDE PORTRAIT Date Of Negative: 1926 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogra...

The Atlantic Ocean series places a little contextual history of this scenic image with its maritime history at that spot with the interplay of th...

A unique original silver gelatin black and white photography. The International Decorative Arts Exhibition in Paris, in October 1925. By the river Seine, access to the Department Sto...

Cups II (Suburbia) - 2004 20x24cm, Edition of 10, Archival C-Print based on the Polaroid, Signed on verso with Certificate, Artist inventory number: 2912. Not mounted. This pr...

Untitled (Cowboys and Angels) - 2005 39x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. artist Inventory No...

Archival pigment print Signed and numbered, verso 11 x 16.5 inches (Edition of 15) 24 x 36 inches (Edition of 10) 40 x 60 inches (Edition of 7) This photograph is offered by Clamp...

The photograph Toshio Shibata, #189 Yunoyani Village, Nigata Prefecture, 1989 by Japanese photographer Toshio Shibata is hand-signed (on recto) by the photographer. The 13" x 19" pri...

4625 2 10 1986 1/20. This is a vintage gelatin silver print, selenium toned, made by hand by master photographer Jack Mitchell and signed both on the recto and verso. Chosen by the p...

This is a photogravure by John Dugdale offered by CLAMP in New York City. 1999 Signed, titled, and numbered in pencil, verso Photogravure (Edition of 50) 15 x 13.5 inches (38.1 x...

Tao Ruspoli (born November 7, 1975) is an Italian-American filmmaker, photographer, and musician. Background Tao is the second son of Prince Alessandro Ruspoli, 9th Prince of Cervet...

Porcelain - 2024 - 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory PL2024-34. Not moun...

Artist: Marilyn Minter (1948-) Title: ​Prism Year: 2009 Medium: ​C-Print Edition: 9/27, 18 proofs Size: 20 x 15.88 inches Condition: Excellent Inscription: Signed, titled, dated, and...

The morning desert of Northern Territory, Australia as captured by photographer, Peter Lik in Painted Skies, an original cibachrome color print mounted on plexiglass measuring 8 x 20...

'Untitled' Oilfields) - 2004, 60x60cm, Edition 4/10. Analog C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventory #1212.04. Not mounted. ...

11 x 14 inch image is an edition of 45. Four other sizes are available. Mina Afshari was born in Tehran, Iran. Her life and art are shaped by her journey from oppression to freedom....

This rare photograph #27, taken during The Central Park Gates Project in 2005 by Christo and Jeanne-Claude, was never released to the public as the couple were not satisfied with the...

Edition of 25 Signed and numbered in black ink on print margin. Signed, titled, dated, print date and misc. notations in pencil on print verso AVAILABLE SIZES: 11 x 14 in., Edition ...

Silver print. Overall sheet dimension is 16" x20". Signed by Siskind in pencil, and with the title and negative date in pencil on back of print. 1949 (Printed in 1980s).

An insipid notion (The astonished world) is a collection of unreal experiences caused by the feeling of late and inexperienced love, and the inability to fully know the experience of...

This iconic photograph is finally available again, for the first time in over a year. In this classic black and white photograph, film stars (left to right) Clark Gable (1901 - 1960), Van Heflin (1910 - 1971), Gary Cooper...

This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature. P...

Silver Souls - 2024 - 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory PL2024-27. Not m...

Debbie Harry East Village, 1976 by celebrated New York photographer Fernando Natalici. Cooler than cool, this classic "Blondie" photo was captured on the set of "Unmade Beds" (direct...

16" x 20", signed limited edition print of David Bowie, titled "Watch That Man II" by Masayoshi Sukita. Taken at RCA Studios, New York, 1973. This stunning image was used in the new...

Nothing to do with my Will (The Princess and her Lover) - 2007 part of the 29 Palms, CA project. Edition of 10, 20x24cm. Archival C-Print, based on a Polaroid. Signature labe...

Ground Control (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inv...

Exhibition Poster from the Shane Russeck Pop up gallery in Los Angeles. Original offset lithograph poster printed on acid-free archival paper from the 2019 exhibition/opening of S...

Hand Printed Photograph by the artist Signed in pencil on recto Edition 30/75 Printed 2008 Comes with a limited edition hard bound slip case cover book 'Fractal Dreams' Signed, titl...

Marco Pittori has always worked with photography. He uses either his own or licensed photographs, such as photographs from the renowned Los Angeles photographer Brad Elterman. "Brad’s photos provide a rare, often raunchy glimpse into a rock and roll history where it seems Brad is always at the right place at the right time, camera ready.” Pittori collects and edits the images, adding additional points of interest throughout the photograph. Marco Pittori was born 1978. He lives and works in Switzerland and has been exhibiting internationally since 1999. This artwork is a colorful depiction of the palm-lined streets of Los Angeles. This mixed media artwork has been created through a combination of screen printing and painting. Convenient local Los Angeles shipping and affordable international shipping also available. A certificate of authenticity issued by Artspace Warehouse is included. Pittori's work has been collected and exhibited internationally since 1999. Some of his public collectors include the Ramones Museum in Berlin, the Bank of Baselland, and the Gunter Sachs Collection. Public Works / Collections 2013 Sammlung Basellandschaftliche Kantonalbank, Liestal 2013 Sammlung Migros Bank, Base 2012 Ramones Museum, Berlin 2012 Sammlung Arthur Cohn 2011 Nachlass Sammlung Gunter Sachs 2008 / 2010 Rist management, Switzerland 2006 Gruner AG, Basel 2006 Psychiaterische services, Liestal, Switzerland 2005 Bank of Baselland, Liestal, Switzerland 2004 / 2007 Birshof clinic, Münchenstein, Switzerland 2003/2004/2005 Kantonalbank Baselland, Liestal, Switzerland 2002 / 2004 Cantonal Hospital, Liestal, Switzerland Solo Exhibitions (selection) 2012 Sichtbar Hamburg, kuratiert von Cosma Shiva Hagen 2011 Arlesheim Apartments 2010 Galerie Eulenspiegel "Cafe Dallas", Basel, Switzerland 2007 Galerie Louise Grossenbach, Winterthur, Switzerland 2004 / 2006 Coop, Muttenz, Switzerland 2002 / 2004 Cantonal Hospital, Liestal, Switzerland 2002 Castle fields estate, Basel, Switzerland 1999 Pathologie, Basel, Switzerland Group Exhibitions (selection) 2013 Gallery Lumas, Zurich, Vienna, Munich 2013 Cultural Association Muttenz, Switzerland 2013 Peach Editions, New York 2013 Galerie Hamburg Kennedy, New York 2012 Galerie Eulenspiegel "Nude Hollywood", Basel, Switzerland 2011 Galerie Zero, Art Plan-B Project, Berlin, Germany 2011 Kunst und Stadthalle Zug, "Pop Art in Zug", Switzerland 2011 Galerie Ohne Titel, Winterthur, Switzerland 2011 Artspace Warehouse, Basel Junction L.A., Los Angeles 2010 Gallery Lumas, New York 2010 Kunstwarenhaus, Zurich, Switzerland 2010 Workshop Wolfensberger, Atelier Exhibition with Dominique Lämmli, Celcile Wick, Samuel Burri, Switzerland 2010 International Symposium on lithography, Tidaholm, Sweden 2010 "pop art train" with Sam Shaw...

An underwater monochromatic photograph capturing a young woman in a light tulle dress and unbuckled bra turned away from the camera. The subdued tones create an ethereal tranquility...

Kate #8, 2002 by Leonard Freed is an 8" x 10" signed black and white photograph, stamped "vintage" by the Freed estate on verso (back of photograph). Model and yogini Kate remains co...

40 x 60 inches ed. of 10 $5,000 50 x 75 inches ed. of 5 $8,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentalit...

Rebecca Skinner’s “Forbode” is a 18 x 12 inch black and white interior photograph of a corridor in an abandoned building. Chairs line the wall on the left as if in waiting. Open door...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Edward's son Cole Weston. The We...