USA - Abstract Photography

Rushing Water, Color Nature Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered by a...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...

Power Division Corruption Joy Lies Fact 2021 Signed and numbered on label, verso Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs) 32 x 24 inches $4,500...

A stunning dune by famous Brett Weston. It's most probable that it was taken in Oceano California with a large format camera. Exceptional printed black and white silver gelatin phot...

Untitled Photograph Collage Collage with 5 photographic elements, 2007 Unsigned Provenance: Estate of the Artist Condition: Excellent Image Size: 5 7/8 x 10 7/8 inches Support Sheet:...

Edition 1 of 5 Carolyn Monastra's series "Lovely, Dark and Deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring landsc...

Desert canyon road (Abstract Photography) Mix media, C-print, and acrylic paint on a wood mount - Unframed Artwork exclusive to IdeelArt. Artworks are of ...

"UNTITLED (Cut Lavender)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating material...

Untitled, 81G_0890 (Abstract photography) Archival pigment print, blind embossed stamp, and signed by the artist. Limited edition of 9. Unframed. Shipments are in a hard tube, protected with acid-free tissue. Jurek Wajdowicz...

SOME PEOPLE OF KUWAIT, 2000, Color iris print, on heavy rag photo paper signed on verso and inscribed "OK to print', from small edition of just 10. images 40 x 26 ¾", full margins; printed by Muse X. This was a series about Kuwaiti, Arab woman or men dressed in Burka's from up close it appears completely abstract from a bit of a distance an image emerges. Jack Butler was a Professor of Art at California State University Los Angeles from 1988 to 2010. He received his Master of Arts degree from California State University Los Angeles in 1972 and earned his Master of Fine Arts degree from UCLA in 1979. He was a dedicated teacher from 1971 to 2010 and taught at numerous educational institutions including California State University Los Angeles, the University of California, Riverside, UCLA Extension, Pasadena City College, East Los Angeles College, Los Angeles Southwest College and was a visiting instructor at the School of the Art Institute in Chicago. He has participated in approximately one hundred exhibitions during that time including sixteen solo exhibitions. His work has been shown at such institutions as the Los Angeles County Museum of Art, Fahey / Klein Gallery, Los Angeles, San Francisco Museum of Art, Gallery Min in Tokyo, Japan, the Museum of Contemporary Art in Osaka, Japan, Photo-Tableau in Paris, France, the Photographers Gallery in London England, the Kansas City Art Institute, The Friends of Photography Ansel Adams Center, the Laguna Beach Art Museum, the Long Beach Museum of Art, Sala Arcs Gallery, Barcelona, Spain, the California Museum of Photography, the Center of Contemporary Art, Santa Fe, New Mexico, the George Eastman House, Rochester, New York, the Corcoran Gallery, Boston Mass., and the Santa Barbara Museum of Art and was represented by the former Sherry Frumkin Gallery. He has been published in numerous books and catalogs. These include publications from such seminal exhibitions as “ Proof: Los Angeles Art and the Photograph 1960-1980”, “Photography and Art: Interactions Since 1946”, “Photography and Language” and “Attitudes: Photography in the Seventies” as well as having a catalog of his work published by Min Gallery in Tokyo, Japan. Recent publications include catalogs from the exhibition "Transfictions" at the Fisher Gallery USC and the exhibition "COLA 2004" at Barnsdall Municipal Art Gallery as well as “The Polaroid Years, Instant Photography and Experimentation”, The Francis Lehman Loeb Art Center, Vassar College 2013. During his career he has been involved in numerous workshops and lectures and has curated numerous exhibitions. He has participated in a Distinguished Artists Forum, 20x24 Polaroid Project in 1989 and was supported the by Polaroid Corporation to work on the 20x24 Polaroid camera in New York Studio in 1990 and again in 1998. Polaroid Corporation was also instrumental in assisting with the production of his project Hot Rod "Kulture / Culture.” He was also a recipient of a SECA Award from the San Francisco Museum of Art in 1980, National Endowment for the Arts Fellowship (major individual grant) in 1981 and received a City of Los Angeles Individual Artists Fellowship (COLA Grant) in 2004. His work is included in such collections as the Los Angeles County Art Museum, San Francisco Museum of Art, California Museum of Photography, Grunwald Center for the Graphic Arts UCLA, La Jolla Museum of Contemporary Art, Georges Pompidou National Center for Art and Culture, Seattle Art Museum, the Kiyosato Museum of Photographic Art, Japan, the Graham and Susan Nash Collection, the Aaron Spelling Collection as well as numerous other private collections. Going back to the 1840s, the earliest days of photography, people like Fox Talbot, Hippolyte Bayard and Oscar Gustave Rejlander were manipulating images and producing work that they referred to as Art or “Light Drawings”. Moving on to the 1920s and 30s we discover people such as Kurt Schwitters, Christian Schad, Hana Hoch, Raoul Haussmann, Man Ray, John Heartfield, Max Ernst, Laszlo Moholy-Nagy, Lucia Moholy, Hans Bellmer, Andre Breton, Herbert Bayer and William...

SOME PEOPLE OF KUWAIT, 2000, Color iris print, on heavy rag photo paper signed on verso and inscribed "OK to print', from small edition of just 10. images 40 x 26 ¾", full margins; printed by Muse X. This was a series about Kuwaiti, Arab women or men dressed in Burka's from up close it appears completely abstract from a bit of a distance an image emerges. Jack Butler was a Professor of Art at California State University Los Angeles from 1988 to 2010. He received his Master of Arts degree from California State University Los Angeles in 1972 and earned his Master of Fine Arts degree from UCLA in 1979. He was a dedicated teacher from 1971 to 2010 and taught at numerous educational institutions including California State University Los Angeles, the University of California, Riverside, UCLA Extension, Pasadena City College, East Los Angeles College, Los Angeles Southwest College and was a visiting instructor at the School of the Art Institute in Chicago. He has participated in approximately one hundred exhibitions during that time including sixteen solo exhibitions. His work has been shown at such institutions as the Los Angeles County Museum of Art, Fahey / Klein Gallery, Los Angeles, San Francisco Museum of Art, Gallery Min in Tokyo, Japan, the Museum of Contemporary Art in Osaka, Japan, Photo-Tableau in Paris, France, the Photographers Gallery in London England, the Kansas City Art Institute, The Friends of Photography Ansel Adams Center, the Laguna Beach Art Museum, the Long Beach Museum of Art, Sala Arcs Gallery, Barcelona, Spain, the California Museum of Photography, the Center of Contemporary Art, Santa Fe, New Mexico, the George Eastman House, Rochester, New York, the Corcoran Gallery, Boston Mass., and the Santa Barbara Museum of Art and was represented by the former Sherry Frumkin Gallery. He has been published in numerous books and catalogs. These include publications from such seminal exhibitions as “ Proof: Los Angeles Art and the Photograph 1960-1980”, “Photography and Art: Interactions Since 1946”, “Photography and Language” and “Attitudes: Photography in the Seventies” as well as having a catalog of his work published by Min Gallery in Tokyo, Japan. Recent publications include catalogs from the exhibition "Transfictions" at the Fisher Gallery USC and the exhibition "COLA 2004" at Barnsdall Municipal Art Gallery as well as “The Polaroid Years, Instant Photography and Experimentation”, The Francis Lehman Loeb Art Center, Vassar College 2013. During his career he has been involved in numerous workshops and lectures and has curated numerous exhibitions. He has participated in a Distinguished Artists Forum, 20x24 Polaroid Project in 1989 and was supported the by Polaroid Corporation to work on the 20x24 Polaroid camera in New York Studio in 1990 and again in 1998. Polaroid Corporation was also instrumental in assisting with the production of his project Hot Rod "Kulture / Culture.” He was also a recipient of a SECA Award from the San Francisco Museum of Art in 1980, National Endowment for the Arts Fellowship (major individual grant) in 1981 and received a City of Los Angeles Individual Artists Fellowship (COLA Grant) in 2004. His work is included in such collections as the Los Angeles County Art Museum, San Francisco Museum of Art, California Museum of Photography, Grunwald Center for the Graphic Arts UCLA, La Jolla Museum of Contemporary Art, Georges Pompidou National Center for Art and Culture, Seattle Art Museum, the Kiyosato Museum of Photographic Art, Japan, the Graham and Susan Nash Collection, the Aaron Spelling Collection as well as numerous other private collections. Going back to the 1840s, the earliest days of photography, people like Fox Talbot, Hippolyte Bayard and Oscar Gustave Rejlander were manipulating images and producing work that they referred to as Art or “Light Drawings”. Moving on to the 1920s and 30s we discover people such as Kurt Schwitters, Christian Schad, Hana Hoch, Raoul Haussmann, Man Ray, John Heartfield, Max Ernst, Laszlo Moholy-Nagy, Lucia Moholy, Hans Bellmer, Andre Breton, Herbert Bayer and William...

Printed by artist. Signed and dated in lower right. Matted. Amazing powerful photograph by an incredible artist.

Western Landscape 10, limited edition photograph, signed and numbered In my art practice, I create imaginary landscapes and atmospheres through a mixed-media process based in photog...

Western Landscape 7, limited edition photograph, signed and numbered In my art practice, I create imaginary landscapes and atmospheres through a mixed-media process based in photogr...

This photograph features hues of blue, orange and green. This listing is for a framed print, measuring 28 by 39 inches framed. Simple white box frame behind museum glass. Thad Lee...

SCOTT MCMAHON Vacant – from Sight (Un)Seen series Archival Pigment Print 21 x 16 inches Framed: 22.75 x 17.75 inches

Western Landscape 3, limited edition photograph, signed and numbered In my art practice, I create imaginary landscapes and atmospheres through a mixed-media process based in photogr...

Keever’s landscapes are paint and ink that he pours into a 200-gallon tank and then photographs.

This large montage of photographs (is not mounted onto aluminum) from Ken Gonzales-Day's dysmorphologies series. Fujifilm Fuji Color Crystal Archive paper color Photo paper. This is not signed or numbered. Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College. Much of Gonzales-Day's work considers the larger political and social representational histories of the Mexican-American experience. His early work draws on the constructed photo methods of artists like Jeff Wall, Cindy Sherman, or Gregory Crewdson. For example, in Bone Grass Boy (1996), Gonzales-Day casts himself as all the central characters in a staged photonovella set during the Mexican American War...

Prrrrince 2021 Signed and numbered on label, verso Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs) 32 x 24 inches $4,500, including framing This work...

High Jumper 2021 Signed and numbered on label, verso Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs) 32 x 24 inches $4,500, including framing This wo...

This piece is an original artwork by Jason Chen titled "Two-Thirds". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 16”h x 12”w and ships framed in the pictured 19”h x 15”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

Alex Sher’s underwater photograph “Spark” ignites the water in a boiling fiery scene. The pale tones of the skin contrast sharply against the velvety reflections of red that consume ...

The nude girl of Sher’s “Siesta” drifts to sleep as her dreams encroach upon her. As her naked body begins to shimmer into an aqueous form of its own, the bubbles of air transform in...

Signed, titled, and dated in pencil, verso Wet photogram with ferric ammonium citrate, potassium ferricyanide, and suspended watercolor pigment (Unique) This work is offered by Cla...

#00142 Leersia oryzoides, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pricing...

#00141 Verbena hastata, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pricing i...

#00137 Solidago spp, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pricing incl...

#00124 Carex spp, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pricing include...

FLORA & FAUNA SERIES, c.1998, Fuji crystal archive paper. Unsigned. Photographer Jeffrey Rothstein focuses on different elements within Nature for his subject matter, ranging from f...

Archival pigment print Signed and numbered on label, verso 14 x 18 inches, image size, mounted to 20 x 24-inch museum board (Edition of 10 + 3 APs) 26 x 34 inches, image size (Edit...

"Removal of Self #70" Photography 22" x 14.5" inch Edition 1/1 by Ben Cope Medium: Photo on deconstructed paper Ben Cope is a Georgia native graduating from Columbus State Univers...

#00115 Sium suave, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pricing inclu...

#00114 Lysimachia ciliata, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pricin...

#00113 Sparganium eurycarpum, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pri...

#00112 Thalictrum pubescens, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pric...

#00106-2 Dryopteris spp. Unique photogram, gum bichromate, and frame included This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and i...

Artist: Michael DeCamp, American (1928 - 2013) Title: Tantra Year: circa 1975 Medium: Photograph, signed and numbered in pencil Edition: 50 Image Size: 16 x 23.5 inches Size: 20 x 27...

"UNTITLED (Horizon)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials dir...

Original gelatin silver print, made and signed by the artist Roman Loranc. It is also signed, edition, titled, dated with an inscription to the owner of the Weston Gallery...

"UNTITLED (Blue Erase)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials ...

"LUNCH", 2018, is a color photograph by Sophia Rauch, one in a series of "Ghost" pictures. It's an inkjet print on Hahnemeule Photo Rag Paper, and measure...

Signed, titled, dated, and numbered (1/1) in pencil, verso Archival pigment print on rag paper 30 x 24 inches, sheet This artwork is offered by ClampArt in New York City.

C-print on metallic Fuji Crystal Archive paper (Edition of 5 + 1 AP) Signed and numbered, verso $5000.00 + framing This artwork is offered by ClampArt, located in New York City. A...

30 x 45 inches ($5200) and 40 x 60 inches ($7200), limited editions of 10, printed on Archival Watercolor Fine Art Paper, 335 gram weight, signed by the artist. Cheryl Maeder was bo...

Signed, titled, dated, and numbered (1/3) in pencil, verso Pigment print on rag paper 30 x 24 inches, sheet This artwork is offered by ClampArt in New York City.

Early fascinations with photography and science have inspired Don Dudenbostel throughout his extensive career. As a young student interested in Science, Dudenbostel was always trying...

Signed and numbered, verso Archival pigment print (Edition of 25) 11 x 14 inches A portion of the proceeds will done to benefit COVID-19 relief efforts. This artwork is offered by ...

Photogram on Polaroid Type 809 (Unique) Signed, titled, and dated in black ink, verso This artwork is offered by ClampArt, located in New York City. Brian Buckley’s work has alway...

Vik Muniz Memory Rendering of John John (Vik Muniz The Best of Life): 'John John' is a selection from Vik Muniz's The Best of LIFE series from 1989. Muniz's...

This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is from the "Flora" series, which is one of three...

Rebecca Skinner’s “Worn" is part of a her "Texture" series taking an up close look rusted and/or weathered metal. The 18 x 12 inch color photo with satin finish is infused directly i...

Archival pigment print Signed and numbered on label, verso 14 x 18 inches, image size, mounted to 20 x 24-inch museum board (Edition of 10 + 3 APs) 26 x 34 inches, image size (Edit...

Tim White-Sobieski Alpha LV#1, 2005 Unique photo screenprint on canvas 28 × 20 in 71.1 × 50.8 cm Tim White Sobieski has been commissioned by LVMH multiple times, and in 2005, was invited to create an artwork for the new Louis Vuitton Flagship Store on Champs-Elysees in Paris alongside artists James Turrell and Olafur Eliasson. The project consisted of a 24-meter programmed fiber-optics video wall. Another colossal video wall was installed at the Petit Palais for the celebration of the launch. This was a unique cooperation of the three artists. In 2006, the Louis Vuitton Company invited Tim White-Sobieski back to participate in an exhibition entitled "Icons", an interpretation of the iconic logo-bags. Other artists included Marc Jacobs, Zaha Hadid, Ugo Rondinone, Sylvie Fleury, Shigeru Ban, Robert Wilson and Andrée Putman. From the 2006 ‘Icones’ exhibition at Espace Louis Vuitton, Paris. celebrating Marc Jacobs’ reinvention of their iconic pieces, works by Andree Putman, LV invited the architects Zaha Hadid and Shigeru Ban, the video artist Tim White-Sobieski, the director-scenographer Robert Wilson, and the artists James Turrell, Shigeru Ban, Sylvie Fleury, Bruno Peinado, and Ugo Rondinone to riff on their fashion logos Louis Vuitton's classic designs are an inextricable part of chic travel history. From trunks to leather bags to wine holders, their styles have traveled across time and fashion, becoming classics that never look old. With the genius of Marc Jacobs, these icons have entered new domains where art and fashion are directly linked. Tim White is a video and installation artist based in New York and Berlin. He was educated as an architect and dedicated himself to visual art and filmmaking, exploring the fields of painting, sculpture, photography, video, video installations and light installations throughout his career. He began showing in New York in the early 1990s with his "Blue Paintings." Emphasis on the role of the subconscious in his paintings had affinities with visual abstractionism and literary existentialism. He has consistently been at the technological forefront of video and light art, being called a "video maverick" and "an abstract "'painter of motion.'" Tim White-Sobieski was born in 1961 and emigrated to the United States in 1993. He attended New York University and Parsons School of Design before embarking on a career in art. Much of his work draws from literary work that has inspired the artist, and he has often featured icons of American literature in his installations. Writers such as Walt Whitman, John Steinbeck, John Updike, Kurt Vonnegut, J.D. Salinger, William Faulkner, and Robert Penn Warren all have a permanent presence in Tim White-Sobieski’s oeuvre. Musically, White-Sobieski composes most of his own film and video soundtracks, but also incorporates the work of his contemporaries such as Brian Eno, David Byrne, Robert Fripp...

Archival pigment print 30 x 40 inches (Edition of 5) 44 x 60 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Please note that prices increase ...

Kacper Kowalski began his career as a landscape photographer, far before the preeminence of drones or Google Earth, strapping himself into a gyrocopter and exploring his native Poland through the lens of a film camera. This repeated, almost ritualistic exploration of home became the foundation of his work. Kowalski observes the macro-evolution of the Polish landscape...

This is an archival photograph printed with Epson Ultra Chrome Pigmented Ink on Hahnemuhle Fine Art Rag paper with a 2 inch white border. It is part of the "Refracted World" series, and is from an edition of 50 prints. It is signed on the back.. Diane Lachman’s photographic pandemic project began in March 2020, when Covid 19 forced us to shelter at home. After a year of experimentation with the refraction of natural light through prisms, she created complex and vibrant images that reflect our experiences during these tumultuous times. By observing the change of the position and quality of light and shadow each day, she developed a new sense of the passage of time. Her photographs reflect the desolate days of this period as well as the bright days when we experienced hope. The dark, somber colors in "Heartbroken" convey Lachman's reaction to George Floyd’s death and the resulting world wide protests. Lachman’s inventive abstract paintings and photographs emphasize the expressive power of color. Her work has been the subject of twelve solo shows. Most recently, an exhibition of her pandemic photography project: “Refracted World” was shown in July 2021 at Muse Gallery in Philadelphia. She participates in many juried and invitational group shows. Currently, Lachman is the acting director of Muse Gallery in Philadelphia where she has been a member since 2010. Her paintings are represented in numerous private and corporate collections, including Temple University School of Medicine, the Howard Gittis Student Center Art Collection at Temple, the Art Collection at Park Towne Place in Philadelphia, and the Lankenau Medical Center. Lachman studied at Rhode Island School of Design and the Cleveland Institute of Art. She earned her BFA and MFA degrees at the University of Pennsylvania, where she taught drawing and color theory from 1993 to 2013. Her intuitive approach to her work complements her years of teaching Josef Albers’ “Interaction of Color.”

Brooklyn Bridge (Stay) - 2006 Edition of 5, 100x135cm installed, each piece is 30x29cm, 12 analog C-Prints, printed by the artist on Fuji Archive Crystal Paper, matte surface, b...

Passing Through 1 (Abstract photography) Silver Gelatin Print - Unframed. Tenesh Webber is a Canadian artist who works in abstract black and white photography. She lives and works ...

Gelatin silver print mounted to archival board Signed and numbered, verso 15 x 15 inches (Edition of 15) 30 x 30 inches (Edition of 5) This artwork is offered by ClampArt, located...