Ion Zupcu
August 16, 2019
2019

Name: August 16, 2019
Brand: Ion Zupcu
Price: 2400 USD
Availability: InStock

About the Item

Archival pigment print Signed and numbered on label, verso 14 x 18 inches, image size, mounted to 20 x 24-inch museum board (Edition of 10 + 3 APs) 26 x 34 inches, image size (Edition of 6 + 2 APs) 40 x 52 inches, image size (Edition of 3 + 2 APs) From the series, "Etudes on Glass" This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Ion Zupcu writes: "I am primarily a photographer and a sculptor who has come to realize that my artworks are more about music, drawing, design, and architecture. In spite of this, my art conversation invariably culminates with photographic images. "Most recently, my longtime obsession with the music of Philip Glass has inspired me to imagine his music in visual form. Determining the appropriate color directions to mirror the sounds of the Etudes, or how to construct visual analogues to his satisfying note strikes/attacks, was as engaging a process as listening to the music itself. Each photograph in Etudes on Glass started with a line drawing; then I considered the relationships between lines, space, forms, light, color, proportions, and the structures of the foreground and background. The resulting paper sculptures were constructed as still lifes in my studio and photographed utilizing a traditional setup–camera, tripod, and natural light. "The photographs are best viewed while listening to Philip Glass’s Etudes in the background." - - - Ion Zupcu first explored his interest in photography by working in a studio in Romania when he was a young man. A few years later, after getting married and having his first child, Zupcu found himself spending long hours caring for his daughter. With a desire to continue pursuing his interest in photography, he began shooting still-life compositions at home with vases and flowers. It was during this time that he also began researching the work of early 20th-century Modernist photographers in depth, which ultimately influenced his aesthetic a great deal. In 1991 Zupcu moved to New York City to start a new life for himself. His first job was driving a yellow taxi, and it was one his customers, an owner of a black-and-white printing lab, that got him back into the world of photography. Zupcu was hired by the lab owner and quickly learned the tools of traditional darkroom printing. However, it was not until 1993, when he first visited the International Center for Photography in Manhattan and later discovered three Ansel Adams books (The Camera, The Negative, and The Print), that he seriously devoted himself to producing new work. It took seven long years for Zupcu to be reunited with his wife and daughter when, in 1998, they finally were permitted to enter the United States to live in New York City. Their arrival awakened in the artist a fresh sense of purpose and new-found motivation. Up to that point he had been producing primarily landscape photography. However, he now went back to his initial interest in still-life work, and began spending long hours shooting, studying, and mastering the subject matter. His first fully-realized series of photographs in this genre was in 1999 with a group of images simply titled, Flowers. Several other bodies of work soon followed, including photographs depicting bottles, fabric, and eggs, among other objects. To this day Zupcu insists on printing and toning all of his work himself. Since his first solo exhibition in 2000, Zupcu’s photographs have become part of numerous private collections throughout the world, and his work is already represented in such prestigious public collections as the Museum of Fine Arts, Houston; the Detroit Institute of Art, Michigan; and the University of Michigan Museum of Art, Ann Arbor; among others.

Creator:

Ion Zupcu (1960, Romanian)

Creation Year:

2019

Dimensions:

Height: 14 in (35.56 cm)Width: 18 in (45.72 cm)

Medium:

Archival Pigment

Movement & Style:

Contemporary

Period:

2010-