USA - Still-life Photography
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3,883
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353
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782
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1,027
587
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551
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2,552
392
62
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975
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8
459
3,380
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2,014
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Item Ships From: USA
Dancing Orchids
Located in Norwalk, CT
This image is part of my Floraphilia portfolio that has been an ongoing visual exploration for over two decades. A B&W portfolio was first published in Lenswork Magazine in 2010, a s...
Category
2010s Photorealist USA - Still-life Photography
Materials
Archival Pigment
Lotusland Cactus
Located in Norwalk, CT
This image is part of my Floraphilia portfolio that has been an ongoing visual exploration for over two decades. A B&W portfolio was first published in Lenswork Magazine in 2010, a s...
Category
2010s Photorealist USA - Still-life Photography
Materials
Archival Pigment
Wedgwood Sapphire Garden with Pineapple Beets, limited edition photograph
By JP Terlizzi
Located in Sante Fe, NM
Wedgwood Sapphire Garden with Pineapple Beets, limited edition photograph, archival, signed and numbered.
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday...
Category
2010s Contemporary USA - Still-life Photography
Materials
Archival Pigment
Remembering Georgia 2
Located in Norwalk, CT
This image is part of my Floraphilia portfolio that has been an ongoing visual exploration for over two decades. A B&W portfolio was first published in Lenswork Magazine in 2010, a s...
Category
2010s Photorealist USA - Still-life Photography
Materials
Archival Pigment
Myrtle and Mary Paradise Lost with Orange Key Lime, limited edition photograph
By JP Terlizzi
Located in Sante Fe, NM
Myrtle and Mary Paradise Lost with Orange Key Lime, limited edition photograph.
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...
Category
2010s Contemporary USA - Still-life Photography
Materials
Archival Pigment
Tyler Shields - Touch, Photography 2020, Printed After
By Tyler Shields
Located in Greenwich, CT
Series: Touch
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
15" x 20"
22.5 x 30"
30" x 40"
45" x 60"
56" x 72"
63" x 84"
Editions of 3 + 2 Artist ...
Category
2010s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Digit...
Tyler Shields - Glitter Champagne, Photography 2019, Printed After
By Tyler Shields
Located in Greenwich, CT
Series: Indulgence
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
18" x 18" Editions of 3 + 2 Artist Proofs
30" x 30" Editions of 3 + 2 Artist Pro...
Category
2010s Contemporary USA - Still-life Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Digital, Archiv...
Wedgwood Menagerie with Citrus, limited edition photograph
By JP Terlizzi
Located in Sante Fe, NM
Wedgwood Menagerie with Citrus, limited edition photograph
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...
Category
2010s Contemporary USA - Still-life Photography
Materials
Archival Pigment
Minnesota Twins
Located in Norwalk, CT
This image is part of my Floraphilia portfolio that has been an ongoing visual exploration for over two decades. A B&W portfolio was first published in Lenswork Magazine in 2010, a s...
Category
2010s Photorealist USA - Still-life Photography
Materials
Archival Pigment
Sunflower Study
Located in Norwalk, CT
This image is part of my Floraphilia portfolio that has been an ongoing visual exploration for over two decades. A B&W portfolio was first published in Lenswork Magazine in 2010, a s...
Category
2010s Photorealist USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Digital Pigment
Chad Kleitsch - Untitled Flower # 14, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 14
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Camelback Mountain, Scottsdale in Jell-O
By Liz Hickok
Located in Sante Fe, NM
"I create glowing, jellied scale models of urban sites, transforming ordinary physical surroundings into something unexpected and ephemeral. Lit from below, the molded shapes of the ...
Category
21st Century and Contemporary Contemporary USA - Still-life Photography
Materials
C Print
Wedgwood Wonderlust with Mushrooms, limited edition photograph
By JP Terlizzi
Located in Sante Fe, NM
Wedgwood Wonderlust with Mushrooms, limited edition photograph
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...
Category
2010s Contemporary USA - Still-life Photography
Materials
Archival Pigment
Spode Wildcat Prowl with Rosemary Pomegranate, limited edition photograph
By JP Terlizzi
Located in Sante Fe, NM
Spode Creatures of Curiosity with Romanesco, limited edition photograph
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...
Category
2010s Contemporary USA - Still-life Photography
Materials
Archival Pigment
Spode Creatures of Curiosity with Goose-Cranberry, limited edition photograph
By JP Terlizzi
Located in Sante Fe, NM
Spode Creatures of Curiosity with Goose-Cranberry, limited edition photograph
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an ea...
Category
2010s Contemporary USA - Still-life Photography
Materials
Archival Pigment
E Shipley Zambezi with Blueberry, limited edition, archival photograph, signed
By JP Terlizzi
Located in Sante Fe, NM
E Shipley Zambezi with Blueberry Onion Cup, limited edition, archival photograph, signed and numbered.
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday...
Category
2010s Contemporary USA - Still-life Photography
Materials
Archival Pigment
2S Shell
By Edward Weston
Located in Carmel-by-the-Sea, CA
Weston created 2S after his return to America from two extended stays in Mexico between 1923 and 1927. Throughout 1927 he took twenty-six still life images of shells, including Nauti...
Category
1920s USA - Still-life Photography
Materials
Silver Gelatin
Gien Jardin du Palais with Broccoli Tiger Beets, limited edition photograph
By JP Terlizzi
Located in Sante Fe, NM
Gien Jardin du Palais with Broccoli Tiger Beets, limited edition photograph, limited edition, archival photograph, signed and numbered.
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...
Category
2010s Contemporary USA - Still-life Photography
Materials
Archival Pigment
Spode Blue Italian with Lime, limited edition, archival photograph, signed
By JP Terlizzi
Located in Sante Fe, NM
Spode Blue Italian with Lime,, limited edition, archival photograph, signed and numbered.
The Good Dishes integrates memory, legacy, and metaphor ...
Category
2010s Contemporary USA - Still-life Photography
Materials
Archival Pigment
Wedgwood Hibiscus with Red Onion, limited edition, archival photograph, signed
By JP Terlizzi
Located in Sante Fe, NM
Wedgwood Hibiscus with Red Onion, limited edition, archival photograph, signed and numbered.
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...
Category
2010s Contemporary USA - Still-life Photography
Materials
Archival Pigment
Chad Kleitsch - Untitled Flower # 112, Photography 2004, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 112
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 29, Photography 2003, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 29
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 23, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 23
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 98, Photography 2006, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 98
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 24, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 24
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 41, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 41
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 18, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 18
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 11, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 11
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 30, Photography 2003, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 30
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 28, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 28
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 26, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 26
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 27, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 27
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 25, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 25
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 20, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 20
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 19, Photography 2003, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 19
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 22, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 22
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 21, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 21
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 17, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 17
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 16, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 16
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 15, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 15
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 10, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 10
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 09, Photography 2001, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 09
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 13, Photography 2001, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 13
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 12, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 12
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 08, Photography 2003, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 08
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 121, Photography 2009, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 121
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 102, Photography 2006, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 102
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 114, Photography 2006, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 114
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 133, Photography 2009, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 133
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 124, Photography 2007, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 124
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 02, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 02
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 03, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 03
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Vegetables from my garden #10 Digital Collage Color Photograph
Located in Miami Beach, FL
Vegetables from my garden #10 by Zoltan Gerliczki
From the Vegetables from my garden series
Archival Pigment Print
Image size: 39 in H x 48 in W.
Edition of 9 + 2AP
Unframed
2021
"...
Category
21st Century and Contemporary Modern USA - Still-life Photography
Materials
Color, Pigment, Archival Pigment
Chad Kleitsch - Untitled Flower # 69, Photography 2004, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 69
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 152, Photography 2019, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 152
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Sunflowers
By Walter W. Nelson
Located in San Francisco, CA
Artist: Walter Nelson – American (1942- )
Title: Sunflowers. From the Fleur portfolio
Year: 1981
Medium: Dye transfer color photograph
Sight size: 14.25 ...
Category
1980s Realist USA - Still-life Photography
Materials
Dye Transfer
Chad Kleitsch - Untitled Flower # 06, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 06
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 150, Photography 2020, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 150
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary USA - Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
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