USA - Still-life Photography

Hand printed by artist. Framed in classic Ansel Adams style: Plexiglass with gun metal frame. Beautifully description of title and signature on recto.

Title: Saffron Milk Cap (edible) Medium: Digital C-Print / Archival Pigment Print Edition of 5 per size Available sizes: 24" x 24" 36" x 36" 48" x 48" 60" x 60" "Mushrooms are diffe...

Untitled- Flower 147 (White) by Chad Kleitsch Contemporary still life photograph of dandelion parachutes Archival pigment print on Hahnemuhle photo rag matte paper 18 x 18 inch image...

Contemporary still life photograph of white flower with light pink, orange center Untitled- Number 74 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte pa...

Candle Stand, 2017 15" X 12" framed sepia toned silver gelatin print This vertical sepia toned silver gelatin print still life of a candle stand was captured by photographer, David...

Mounted archival pigment print photographs on pure cotton rag paper Artist made natural wood shadow box frames with AR non glare glass 63.5 x 24.5 inches hung vertically Editio...

Sepia Toned Silver Gelatin Photograph of Clothing Making Tools from Ancient Tonga 17 x 17 inches, edition of 25 signature on face Tonga was once at the center of a vast trading empire stretching...

Contemporary still life photograph of white flower with light pink, orange center Untitled- Number 74 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte pa...

Color still life photograph of purple grapes with green vines on figurative olive branches against a white and beige background 'Walking Grapes', by David Halliday, 2017 archival pig...

Laura Letinsky Untitled #4, Guild Hall, 2013 Archival pigment print Edition of 7 Image: 37 1/2 x 29 5/8 inches Paper: 48 x 39 1/2 inches

This image was featured in Mina Afshari's solo exhibition at the Whatcom Museum and also part of their permanent collection. 11 x 14 inch image is an edition of 45. Four other sizes...

11 x 14 inch image is an edition of 45. Four other sizes are available. Story of "Innocence" Biographical photograph of being pulled into the world of academia in preparation for ap...

Archival pigment print Signed and numbered, verso 40 x 50 inches 48 x 62 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. Please note tha...

Rope and Plant Stand, 2017 43" X 17 1/2" mounted archival pigment print, ed. 1/5 This vertical sepia toned silver gelatin print still life of a Rope and Plant Stand was printed by...

Gelatin silver print Signed, verso This artwork is offered by ClampArt, located in New York City.

Archival digital scanograph 25 x 18 inches, edition of 150 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank, i...

Nautical color still life photograph of thick coiled rope on white background archival pigment print, edition of 10 20 x 20 inch paper size with 16 inch di...

Untitled Flower # 27 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

10 x 10 inch image on 11 x 17 inch paper, $900 unframed All editions are printed on Hahnemuhle Photo Rag Matte Paper with Epson archival quality inks available in editions of 25 in...

This image was featured in Mina Afshari's solo exhibition at the Whatcom Museum. 11 x 14 inch image is an edition of 45. Four other sizes are available. Story of "Upside Down I" S...

A mesmerizing portrait of architectural elegance and intellectual grandeur, Reinhard Görner’s Uris Library, Ithaca immerses viewers in the ornate beauty of Cornell University’s iconi...

Artist: Walter W. Nelson – American (1942- ) Title: Sweet Pea & Pincushion. From the Fleur portfolio Year: 1983 Medium: Dye transfer photograph Sight size: 16.25 x 11 inches. Sheet size: 21.25 x 16.5 inches Matted size: 26.75 x 21.25 inches Edition Size: 25. This one: 8/25 Signature: Reverse Condition: Very good Unframed In the 1980s, Walter Nelson...

11.25 x 11.25 inches unframed Archival pigment print edition of 12 Some of David Halliday's most engaging works are those from his Box Series in which he merges traditional ideas about light and composition with contemporary experiments. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude. In this particular image, the waxy texture of a solid hunk of salty parmesan cheese and its crumbles is gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting! About the work: The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window...

Untitled Flower # 156 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 10" x 10” 18" x 18” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" ...

David Hamilton was a British photographer and film director best known for his photography of young women and girls. In addition to he composed photographs of flowers, men, landscape...

Hand printed by artist. Signed and numbered. Mint Condition.. 9/75 Dry mounted onto archival acid free board. 16x20" The artist is no longer living.

This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is from the "Table Top" ...

This depicts a chair in the manner of Mexican surrealist modernist Pedro Friedeberg with a dried flowers. It is a hand signed, titled and dated vintage silver gelatin print photograph. and bears the artists studio stamp verso. Naomi Siegler Savage (1927 – 2005) was an American woman photographer. A native of Princeton, New Jersey, Naomi Savage was the niece of artist Man Ray. She first studied photography under Berenice Abbott at the New School for Social Research in 1943, following this with studies in art, photography, and music at Bennington College from 1944 until 1947. The next year she spent in California with her uncle, studying his techniques. When she returned to New York in 1948, she combined her love of music with her skill in photography by taking portraits of the best known composers of day: Aaron Copland, John Cage, Virgil Thomson, etc. (over 30 in all). In 1950 she married the architect and sculptor David Savage, with whom she moved to Paris, living there for some years. During her career Savage received an award from the Cassandra Foundation in 1970, and a photography fellowship from the National Endowment for the Arts in 1971. In 1976 she received the silver award from the Art Directors Club. Later in life, Savage returned to live in Princeton, where she died. Savage was heavily influenced by her uncle, the avant garde artist Man Ray, prompting her to experiment with the medium of photography, combining traditional techniques with more unusual processes, including some of her own design. She worked extensively with photogravure and photoengraving, transforming these mechanical printing techniques to be used for aesthetic effects rather than duplication. Unlike many photographers, Savage considered the metal plate that photographs are etched on to be a work of art in its own right. She pioneered the use of using the photographic metal plate to produce a three dimensional form with a metallic surface. Savage explored variations in color and texture in her work often by using inked and intaglio relief prints. Many of her works were created by combining media such as collage, negative images, texture screening, multiple exposure, photograms, solarization, toning, laser printing on metallic foils. Her works focus on a variety of subject matter and imagery, which has included portraits, landscapes, human figures, mannequins, masks, toys, kitchen utensils, dental and ophthalmological equipment. Her approach represents an involvement with "process as medium," and an interest in art as image manipulation, a pursuit shared by contemporaries like Robert Heinecken, Betty Hahn, and Bea Nettles. She has experimented extensively with photogravure and photoengraving, employing these mechanical printing techniques for aesthetic effects rather than duplication. Savage uses inked and intaglio relief prints to explore variations in color and texture, and considers the metal plate on which the photograph has been etched to be a work of art in its own right. She has also combined media--collage, negative images, texture screening, multiple exposure, photograms, solarization, toning, printing on metallic foils--and made laser color prints. Several of her pieces are owned by the Museum of Modern Art, and she is represented as well in the collections of the Art Institute of Chicago, the International Center for Photography, the Fogg Art Museum, the Museum of Fine Arts, Houston, and the Madison Art Center. A photo engraved mural depicting the life of Lyndon Baines Johnson is a centerpiece of the Lyndon Baines Johnson Library and Museum. A collection of her papers relating to the life of Man Ray is held by the Archives of American Art at the Smithsonian Institution. She was included in the show Making Space at MoMA in 2017. It shone a spotlight on the stunning achievements of women artists between the end of World War II (1945) and by Lee Krasner, Helen Frankenthaler, and Joan Mitchell; the radical geometries by Lygia Clark, Lygia Pape, and Gego; and the reductive abstractions of Agnes Martin, Anne Truitt, and Jo Baer; the fiber weavings of Magdalena Abakanowicz, Sheila Hicks, and Lenore Tawney; and the process-oriented sculptures of Lee Bontecou, Louise Bourgeois, and Eva Hesse. The exhibition also featured treasures such as collages by Anne Ryan, photographs by Gertrudes Altschul, Naomi Savage, Ruth Asawa, Carol Rama, and Alma Woodsey Thomas...

This is a large archival pigment photograph by artist Paul Cava depicting a series of nine still life photographs of autumn leaves arranged in a grid. It is printed on Hahnemuhle Pho...

Fleurice M6 2020 Signed and numbered on label, verso Durst Lambda print on metallic paper mounted to Dibond (Edition of 6 + 1 AP) 24 x 24 inches (61 x 61 cm) This work is offered...

Dye sublimation print on aluminum, polished chrome float frame (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series "Particle Paradise" This artwork is offered...

60 x 40 inches ed. of 10 $6,000 75 x 50 inches ed. of 7 $9,000 90 x 60 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photogr...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Cole Weston from the original negative now housed and retired at the Center for Creative Photography in Tuscon, Arizona. From the Estate of Cole Weston through inheritance with the Weston Gallery...

Edition: 25 Signed, dated and numbered in ink on label affixed verso Other sizes available upon request COA provided In Sherman's photographs she is experimenting with groupings of ...

Archival Pigment Print Year: 2015 Signed, dated and numbered in ink on label affixed verso Other sizes available upon request COA provided arita, aritaware, bones, ceramic Sculpture, ceramics, china paint, chinapaint, chris anteman, contemporary ceramics, contemporary porcelain, death, decal, deer, ephemerality, etagere, excess, futility of pleasure, georg flegel, glaze, gold luster, Herend, ilona romule, imari, imariware, jingdezhen, limoges, meissen porcelain, memento mori, Mortality salience, old masters, pattern, photography, porcelain, sevres, Sic transit gloria mundi, skull, still life painting, Ubi sunt, underglaze, vanitas, vanitatum, vera mercer...

Edition: 25 Signed, dated and numbered in ink on label affixed verso Other sizes available upon request COA provided In Sherman's photographs she is experimenting with groupings of ...

Sepia-toned gelatin silver print, mounted to archival board Signed, dated, and numbered, verso 9 x 9 inches (Edition of 50) 15 x 15 inches (Edition of 30) This artwork is offered ...

A Course in Miracles Dye transfer photograph, 1978 From: 12 Photographs: 1973-1983, Plate 7 of 12 Signed in ink Edition: 50, this example an Artist's Proof (7/10) Printer: Guy Stri...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Series: The Western Collection Archival Pigment Print Unframed Sizes: 32" x 48" - $6,250.00 40" x 60" - $9,500.00 48" x 72" - $12,250.00 Framed Sizes: 39" x 55" - $7,750.00 47" x 6...

Signed and numbered on front of mount. Titled and dated with artist's stamp on back of mount. Edition of 15.

Hand printed by the artist. Signed in pencil on recto, signed and titled on verso. Mint condition. Framed when it was purchased. Silver gun metal grey frame.

Nick Vedros Scraper and Ink Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1980s Size: 10x9in Edition: 12 Signed, dated and numbered by hand on label Stamped COA prov...

Untitled Flower # 49 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Elise Gagliardi Peony Arrangment II Medium : Photography Year: 2021 Size:: 36 x 24 inches (other sizes available upon request) Edition size: 25 Signed, numbered and inscribed by hand COA provided Ref.: 924802-1019 Elise Gagliardi is an experimental multi-media artist. She studies photography at the University of Colorado at Boulder. She graduated with her BFA in 2006. Her work has been exhibited nationally. It has been featured in various publications. She currently works as a curator and a mother raising her three young children. Since becoming a mother she has embraced a heritage of storytelling. In her work, she introspectively examines her relationship to the matriarchal figures in her life and contemplates her own legacy. Her work is best described through the words of Author Joseph Campbell in what he describes as “The Myth of the Eternal Return”. Every flower carries...

Untitled Flower # 28 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 14 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 23 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 57 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 112 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" ...

Untitled Flower # 28 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 31 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 07 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Seven ltd ed. archival pigment photographic prints that are each framed in museum quality contemporary ebonized walnut frames using all archival materials, depicting a single leaf. from Alysonm Belcher's Leaves series, where the artist photographs - in sill life - a single fallen leaf. Belcher is best known for her haunting and spartan still life compositions, series of nude self portraits, and nature scenes, that arise though both planning and happenstance, from primitive hand made pin-hole cameras, and hi tech digital cameras. She holds to the idea that everything we experience in life is stored somewhere in our bodies and that essence shows itself in the photograph. Condition is pristine. Alyson Belcher's photographs have been featured in International photography magazines, exhibited coast to coast...

Untitled Flower # 09 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Untitled Flower # 44 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Pinhole camera Chromogenic print (Unique) Signed and dated, verso This artwork is offered by ClampArt, located in New York City. Robert Calafiore employs a hand-built pinhole camer...

Untitled Flower # 79 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Elise Gagliardi Peony Arrangment I Medium : Photography Year: 2021 Size:: 24 x 36 inches (other sizes available upon request) Edition size: 25 Signed, numbered and inscribed by hand COA provided Ref.: 924802-1018 Elise Gagliardi is an experimental multi-media artist. She studies photography at the University of Colorado at Boulder. She graduated with her BFA in 2006. Her work has been exhibited nationally. It has been featured in various publications. She currently works as a curator and a mother raising her three young children. Since becoming a mother she has embraced a heritage of storytelling. In her work, she introspectively examines her relationship to the matriarchal figures in her life and contemplates her own legacy. Her work is best described through the words of Author Joseph Campbell in what he describes as “The Myth of the Eternal Return”. Every flower carries...

Untitled Flower #06 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x ...